The 22 Magazine


THE WEEK/WEEKEND (January 2013)

304216_377111022385970_706627236_nOUTSIDER ART FAIR 2013
January 31 – February 3, 2013
Founded by Sanford Smith in 1993, the Outsider Art Fair soon became a critical and commercial success and the leading, annual event in the field of Outsider, Self-Taught and Folk Art. Recognized for its maverick spirit, the fair played a vital role in building a passionate collecting community as crowds flocked annually to New York’s Puck Building, the event’s original site during its first 15 years.

Flint and Tinder presents: Loss Machine by Kyle Loven
The Tank
January 18-Feb 3

Everything is somewhere. Part installation, part image-driven theater, Loss Machine unearths a world of lost items, misplaced thoughts, and fractured journeys all housed within an intricately detailed set. Intimate in scale, this wistful one-man show combines puppets, objects, sound, and original music, in a visual exploration of loss and discovery. In a tower filled with life’s debris, a collection of characters move through an ever-changing apparatus with their shared emotional journey driving the mechanical process forward. Digging through layers of the everyday and the fantastical, the piece examines what is found when all has been lost. 

Uptown Showdown: The Past vs The Future
Symphony Space

Monday, January 28

You never know what to expect at this bi-monthly, wacky debate series that brings together two teams of comedians, writers and performers to face-off on a chosen topic, such as which pet is superior cats or dogs and is it better to be comfortable or fashionable?  The next installment features Chris Gethard (host of the popularThe Chris Gethard Show)the new head writer for The Colbert Report Opus Moreschi, comedic musician Jessica DelfinoKurt Metzger (Ugly AmericansInside Amy Schumer)and Baratunde Thurston, former staff member at The Onionand author of The New York Times bestseller How to Be Black.  Hosted by Matthew Love (Time Out New York).

The Design and Illustration Mix
Pratt Institute Manhattan, 144 W 14th St Rm. 213
Wednesday Jan 30th – 7:00-9:00PM

Join us for a panel discussion of design and illustration as we will discuss, teach and explore in sharp clear focus, the vast range of tools, ideas, the creative process and how illustrator/designer approach thier client projects. We will discuss other tactics available  to all illustrators, visual designers and other creative professionals. Additionally we will look at trends both positive and negative that influence and impact the graphic arts industry and our futures. We will also ask where the work and jobs might be found today and tomorrow.

olin05Strange Lens: Three Painters
Airplane Under Bushwick

AIRPLANE is pleased to present Strange Lens: Three Painters.
The exhibition features works by Hilary Doyle, Dan Herr and Mike Olin. These artists explore a territory between abstraction and figuration, and who present an idiosyncratic approach to art-making. All three are driven more by a mysterious inner logic than by aesthetic or narrative aims. These works do not ask for the viewer’s admiration, but rather exert their own strange perspective.

Stick Against Stone Orchestra: Get It All Out Album Release
Joe’s Pub
9:30 PM – January 29 

Thirty-one years ago, a six-piece band/collective called Stick Against Stone started writing songs in a dirt-floor basement of a row house near the University of Pittsburgh. Like a musical cargo cult fed by the global eclecticism of their local freeform community radio station – WYEP-FM – this “horns and percussion” outfit acquired a taste for afrobeat, punk rock, art funk, free jazz and dub reggae. Beyond the moniker of “no wave” – they wrote surprisingly deep melodic hooks amid swirling, ambitious and funky arrangements.  Finding themselves with a devoted local following – but without a proper album to their name – it would be several years and cities later that they eventually broke up and their quirky, soulful songbook was lost to time.

Bark and Scream Series: Frank London / Jeremiah Lockwood’s SONG’S OF ZEBULON
Firehouse Space
January 31, 2013 8:00 pm

The Klezmatics’ Frank London and Sway Machinery’s Jeremiah Lockwood have long been trespassing on sacred ground. For this special collaboration, Lockwood & London resurrect the sounds and spirit of the golden age of khazones – Ashkenazic religious singing – and explore the music of Zebulon Kwartin. Both artists are adept at exploring Jewish music and mysticism, bridging tradition and modernity. This new collaboration allows them to explore their mutual obsession with Cantorial music, and is part of the current zeitgeist resurgence of interest in classic Cantorial music. 

large-es-25FROM PROVINCETOWN TO NOW: 100 YEARS OF WOMEN IN PRINTS
Jordan Shapiro presents An Evening of Sea Music
Michael Benson: Planet Fall
Mavrothi Kontanis’ MILD MANNERED REBEL
Opening Night! JOHN IRVING
Choi Joonyong + Hong Chulki
Soho Rep: Life and Times: Episodes 1-4
Ezra Stoller
Gavin Kenyon
“Cabinet on Trial: A Magazine of No Qualities?”
Bubi Canal Special Moment

Jayson Musson: A True Fiend’s Weight (Closing Reception)
Roger Brown is Deadly Serious! A gallery talk by Robert Cozzolino
The Moth StorySLAM: Comfort
Unnamed Calamity | The Order of Things
Bare! at The P.I.T.
Drafted / the inaugural exhibition

Gestures in Japanese Dance and Mime
Playlist #15: Puppet Playlist Goes To The Movies
Art Theater Guild and Japanese Underground Cinema, 1960–1986
Lindi Ortega
SHOWPAPER Presents
max warsh: BILDER
Kelli Scarr (Karen Dalton Tribute)
Figures work by artist Heather Kelly
CIVILIZED
The Netflix Plays
Authors & Artists: Portraits by Bonnie Gloris
We work

Addison Groove Famous Aerial and Variety Show
The New Indie Force in Publishing
THE PILO FAMILY CIRCUS

FEBRUARY/MARCH UPCOMING:

don-cristbal-billy-club-manDON CRISTÓBAL, BILLY-CLUB MAN
Abrons Arts Center

For centuries, the puppet Don Cristóbal — the Spanish version of Punch – has charmed audiences with his drunken, lusty billy-club wielding antics. But does he secretly struggle with his role as the Billy-Club Man and long for love and escape? Through experimental puppetry, clowning and live music, Don Cristóbal, Billy-Club Man explores the violent appetites of Cristóbal’s on-stage persona and follows him off-stage to reveal his poetic possibilities. Inspired by two comedic and surreal puppet plays by Federico García Lorca, the piece features shadow, hand, and large figurative puppetry by Erin Orr and evocative original music by Rima Fand.

Nadia Sirota: Baroque
The Kitchen

To celebrate the release of her new album, Baroque (Bedroom Community / New Amsterdam), violist Nadia Sirota will perform music from the record, premiering Judd Greenstein’s “In Teaching Others We Teach Ourselves” for seven violas. Sirota’s unique interpretive voice has served as muse to some of the most widely respected composers of her generation, and Baroque features works written for Sirota by Daníel Bjarnason, Paul Corley, Missy Mazzoli, Nico Muhly, and Shara Worden. This album is the follow-up to Sirota’s debut, First Things First, which was a New York Times 2009 record of the year.

Daedelus , Salva , Ryan Hemsworth , and Samo Sound Boy
Le Possion Rouge

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses himself and views the world, his is a very individual ‘bespoke’ outlook.

Jack Smith – Wait For Me At The Bottom Of The Pool
Lauren Henkin Lecture - RSVP Now!
HOW & NOSM Late Confessions
PaperSwan Presents: A night of music at The Jalopy Theatre
ECSTATIC MUSIC FESTIVAL
HAZMAT MODINE
The Two Boots Mardi Gras Ball, A Benefit for the Lower Eastside Girls Club

CEG & Nolafunk present: 7th Annual Nolafunk Mardi Gras Ball 
GEORGE SAUNDERS & DICK CAVETT
THE PUBLIC PRIVATE
Kenseth Armstead: INFERNO
Star Talk Live! with host Neil deGrasse Tyson and co-host Eugene Mirman plus Special Guests
NYC 1993: EXPERIMENTAL JET SET, TRASH AND NO STAR

Firehouse New Music Series hosted by Iktus Percussion: Cadillac Moon Ensemble, Iktus and New Morse Code
ROBOT THEATER PROJECT
New York City Opera’s The Turn of the Screw
How to Make Jewelry with Tatty Devine
“Up the Creek” with Mitch Waxman
‘New Shorts’ featuring Hotel Elefant
Exploring the Glamorous Afterlife in Woodlawn Cemetery
Jefferson Market Library, Collection & Clock Tower
The Poetry Brothel’s St. Valentine’s Day Massacre
The Vangeline Theater – SPECTRAL

Jake La Botz/Salt Cracker Crazies
CHARLES ATLAS & MERCE CUNNINGHAM: EXCHANGE



Video Weekend: Planet-X (Episode 1 and 2.)
October 12, 2012, 8:54 pm
Filed under: FILM/VIDEO, PLANET X, VIDEO WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , ,

 

PLANET -X – EPISODE ONE – “The Stone” from Planet-X on Vimeo.

PLANET -X – EPISODE TWO – “W.A.S.P 17″ from Planet-X on Vimeo.



THE WEEK/WEEKEND: May 17-24.

EDITOR’S PICKS:

Matthew Brandt
http://www.yossimilo.com/exhibitions/2012-05-matthew-brandt/
05/24/2012-06/20/2012
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Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.

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THE WEEKEND: SEPT 16-18.
September 15, 2011, 7:22 pm
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GRAND OPENING @ROULETTE – Laurie Anderson, Lou Reed and John Zorn/GRAND OPENING – COSA BRAVA featuring Fred Frith, Carla Kihlstedt, Zeena Parkins, Matthias Bossi, Shahzad Ismaily, and the Norman Conquest
Sat Sep 17 – 8:00 PM and Sun Sep 18 – 8:00 PM

Three legends of the New York Underground combine forces for an evening of extreme improvised music. “The most important multimedia artist of our time,”(LA Times), Laurie Anderson is best known for her multimedia presentations and musical recordings that have challenged and delighted audiences around the world for more than 30 years. Tonight Anderson teams up with husband Lou Reed – arguably one of the most influential musicians in rock history whose band, the Velvet Underground, redefined the music of the late ’60s. Also joining them tonight is maverick composer/performer and godfather of the Downtown New York scene, John Zorn.

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THE WEEK: Sept 14-16.
September 14, 2011, 1:32 am
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 ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm

This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.

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THE WEEKEND: Sept 2-5.
September 1, 2011, 4:28 am
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BRIAN M. VIVEROS: RETURNING ART TO THE UNCLEAN @ LAST RITES.
Opening Reception: Saturday, Sept 3rd, 7:00pm-11:00pm.  Show runs Sept 3rd thru 25th, 2011.

Known for his strong and sensuous depictions of women, Brian M. Viveros is a master of contemporary iconography paying homage to the femme fatale. While he almost exclusively paints portraits, within the expressions of his women is conveyed such deep emotion and overwhelming sexuality that his work is undeniably erotic. Often without even a hint of nudity, the viewer is seduced with a mere pout and gaze from his subject’s faces.

In what will be Brian’s second showing at the gallery, the opening will feature an all new collection of original paintings, as well as special rare prints from the artist’s own collection; poster giveaway and signing; live “Smoking Army” performance; screening of Brian’s films along with his new short, and much more.

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THE WEEK: August 29th-Sept 2nd.

Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.  

Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.

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THE WEEK: AUGUST 15-19.
August 15, 2011, 3:38 pm
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PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

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The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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Will Connell, Max Johnson & Lou Grassi and Yuko Otomo & Stephanie Stone by Robert O’Haire.

Straw2gold Pictures.



THE WEEK: August 8-12th.
August 8, 2011, 2:30 pm
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Social Hijinks! A screening and live action lecture night
Wednesday August 10, 7:30 pm

In conjunction with the exhibition Why Participate?, Angela Washko has organized a lineup of videos and live performative lectures by artists whose projects take place within social spaces. The works being presented and discussed are mischievous, critical, occasionally hilarious, and examine the boundaries of legality. Artists Jason Eppink, Nate Hill, Ann Hirsch, Jaime Iglehart, Action Club, Paolo Pedercini, and Jeff Stark present and talk about their works discussing surveillance, costumed public service, reality television, knock-off culture, collaboration, video game evolution, protest, and performance in public spaces.
Free + Bring your own beverages and snacks
(images courtesy of Jeff Stark)

Gian Luigi Diana, electronics & Ben Gerstein, trombone
Wednesday, August 10, 10pm

SEEDS:Brooklyn - www.seedsbrooklyn.org
617 Vanderbilt Ave., Brooklyn (preceded at 8:30 by Jacob Garchik, trombone/computer)

All Star Poetry: A Benefit at the Bowery Poetry Club.
Tuesday, August 9

Nine poets from the First Annual New York Poetry Festival join forces to raise funds for the Festival and Bowery Arts + Science. Featured poets include Lisa Marie Basile, Jassie Harris, Meghann Plunkett, Rita Mercedes, Sarah Feeley, Ayala Sella, Nick Adamski and Bob Holman w/ Molissa Fenley.

Books will be available for purchase after the reading.
Admission: $8
The Bowery Poetry Club is located at 308 Bowery (between Houston and Bleecker)

New York Poetry Festival Afterparty at the Bowery

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THE WEEKEND: August 5-7th.

Spectre Folk and FORMA @THE STONE:
Saturday

8 pm Spectre Folk
10 pm FORMA Mark Dwinell, Sophie Lam (synths) George Bennett (drum programming, electronics)

PAS and Alrealon Musique Present:  Experi-MENTAL Festival 3 August-5, 6, 7

Curated by Robert L. Pepper (PAS) and Valerie Kuhne (Prehistoric Horse)
Goodbye Blue Monday
1087 Broadway, New York, NY
J Train to Kosciusko St
(Full Line up.)
http://goodbye-blue-monday.com/
Logo and poster design by Jesse Fairbairn at http://www.thegluemill.com

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The Weekend: July 29-31.

A Celebration of The Battle for Mau Mau Island

Saturday, July 30

9:30 pm – late

SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).

Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here).  Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors.  Wet & wild all night long.

$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.

All proceeds go directly to the Swimming Cities India project.

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WATER LANDSCAPES/SUSPENDED ENERGY
PAUL BOBKO @ KLOTZ GALLERY.

July 7th-August 19th.

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc.  At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment.  After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous  end. (READ MORE.)

CONEY ISLAND: 40 YEARS, HARVEY STEIN
KLOTZ GALLERY

July 7th-August 19th.

Harvey Stein has been a fixture on the New York photo scene for many years.  He has photographed the city from every angle with every kind of camera, at every time of day and night.  Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.

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THE WEEK: JULY 5th-8th.

Khaïra Arby and her Band and The Mast ‘CD Release Show’

Thu., July 07, 2011 / 6:30 PM

Khaïra Arby and her Band
Khaïra Arby (pronounced: Hī-ra Arbē), the Nightingale of the North, born in the village of Abaradjou in the Sahara Desert north of Timbuktu. Khaira’s parents came from different ethnic backgrounds, mother Songhai and father Berber. You can hear these cultures in her music; she sings in several languages. The instrumentation and rhythms are just as varied with electric guitar and bass, calabash, ngoni, traditional violin, and percussion creating a complex mixture of sound and structure. Some people compare the effect to the rhythms of the camel caravans crossing the Sahara.

The Brooklyn-based duo The Mast creates a propulsive and expansive sound featuring Haale’s layered, undulating vocals and hypnotic electric guitar riffs dancing with Matt Kilmer’s polyrhythmic drumming.

READ A REVIEW FROM MATT MOWATT.

FREE TICKETS: http://the22magazine.wordpress.com/2011/06/22/free-tickets-to-khaira-arbymast-show-le-poisson-rouge/

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Fernando Hereñu AKA PulpoCorporate @TACHE GALLERY.

Reception:
Thursday July 7th, 6-9pm

Exhibition
July 7th – August 2nd 2011

Tache Gallery Opening Exhibition of Fernando Hereñú AKA Pulpo
“HIDDEN DRAWINGS”

Exhibition July 7 – 2011

” The argentinean artist Pulpo has been part of the Latin American creative scene for many years.
With his series, ‘Hidden Drawings’, Pulpo’s work is focused on the Childhood Trauma & Hidden Emotion

Fernando Hereñu makes some amazingly bizarre drawings, the kinds that make you feel uncomfortable and inspired at the same time. “

www.pulpocorporate.tumblr.com
www.tachegallery.com

ARTIST PROFILE INFORMATION
www.flickr.com/people/pulpocorporate/

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Laura Ball: Animus @ MORGAN LEHMAN. July 7 – August 19, 2011

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The Ladybug Transistor @KNITTING FACTORY
The Beets, James Ausfahrt (of Love Is All)

Knitting Factory Brooklyn

Wed, July 6, 2011
Doors: 7:30 PM / Show: 8:30 PM
$12.00

Since the 1990s, the Ladybug Transistor has created formalist pop-rock albums with a dreamy, articulate sound that spans decades and genres. Anchored by Gary Olson’s organizing vision and restrained baritone, their music boasts intricate arrangements and soaring melodies that are at once modern and timeless.

This band’s narrative holds a rich history of heartfelt collaboration, tireless devotion, quiet and outspoken romance, new arrivals, unexpected departures, achy break-ups, and unspeakable loss. They have become agile at adjustment.

In 2007, the untimely passing of their beloved drummer San Fadyl left members Olson, Kyle Forester, and Julia Rydholm at an unimaginable loss, struggling with a prevailing sense of “What now?” At a time where moving forward felt possibly impossible, the band quietly gathered new recruits (Mark Dzula, Eric Farber, Michael O’Neill) and embarked on writing a new album with the memory of San squarely in mind.

The resulting effort is their forthcoming release Clutching Stems-a lush collection of potent refrains and brought-to-one’s-knees ballads. Set to an invigorated soundtrack of wave-pop arrangements, the songs detail stories of humbling heartbreak, profound longing, undoing distress, nagging regret, and coming-of-age awakenings. Olson’s lyrics express an overarching search to find one’s voice in the face of moments that knock the wind and words right out of a person.

This new line-up has found a distinct voice that honors diverse influences and the band’s own precedent sound. Clutching Stems assuredly underlines that while love can tear things apart, it can also capably mend them back together once again.

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FRAMED: William Stone @James Fuentes.

William Stone
FRAMED
May 11 – June 12, 2011
Opening reception; Wednesday, May 11, 6 – 8pm
MAP 

James Fuentes LLC is pleased to announce William Stone’s forthcoming solo exhibition;Framed, this will be the artist’s third solo show at the gallery. The exhibition will primarily feature reconstituted paintings – the earliest of which date back to the eighteenth century.

Employing reverse paintings, commissioned portraits and landscapes – the artists’s revisions give these events, which were on the brink of being forgotten, new life.  These works speak to qualities inherent in these varied genres of painting; as well as their desire to render, consecrate and awe.

William Stone’s work categorically looks at everyday objects and the way they occupy the human condition.  From his earliest works that incorporated water and wind into household furnishings to his more recent inventions and revisions of chairs – the artist’s use of everyday objects supplies an endless resource of materials.  Stone’s practice is steeped in poetics and mechanics resulting in works that offer as many semiotic connotations as they do visual ones.

William Stone has presented solo exhibitions at The Clock Tower/P.S. 1 Center for Contemporary Art, Emily Harvey Gallery and Tom Cugliani and has participated in group exhibitions at The New Museum, Deste Foundation for the Arts, The Aldrich Museum, Socrates Sculpture Park, Voorkamer, Lier, Engholm Engelhorn Galerie and Tanya Bonakdar Gallery.

Gallery hours: Wednesday – Sunday, 11am – 6pm.

*
James Fuentes LLC
55 Delancey Street
New York, NY 10002
T. 212.577.1201

MORE WORK.



Upcoming Classes.

Beginning Stone Lithography @ ELIZABETH ARTS CENTER
Instructor: Devraj Dakoji

Learn to draw on rocks and print from them! This class will introduce the art of stone lithography starting with the basics. You will be guided step by step through the process of creating a lithograph. You will learn how to prepare your stone, how to use drawing materials, how to use a press, how to prepare your paper, and how to produce your very own edition of prints. Led by Devraj Dakoji.The Elizabeth Foundation for the Arts
323 West 39th Street 3rd Floor
MAP
6 Thursdays, 6:30-9:30p
$300 members/$340 nonmembers
212-563 5855
info(at)efanyc.org

THE CENTER FOR BOOK ARTS:

Always lots of amazing options at CBA but here’s a couple of my upcoming favorites.

Adhesives, Size and Varnishes: A Cooking Class
:
 During this workshop we will focus on making traditional adhesives from scratch and then use them. With Karen Gorst, May 7.
Hot Stamping and Guillotine Training for Binders: Get trained to use the Center’s motorized guillotine paper cutter and our hot stamping equipment in one three-hour workshop.With CBA Staff, May 17. z
Sound and Light: This course devotes two days to making a book with Direct Current (DC) electricity. With Hooshang Partovi, May 21-22.
Panorama Concertina: Students will learn to make an accordion book with a series of floating panels. With Alice Austin, June 18.
Paper Marbling: This course will teach the basics of water-based (Turkish) paper marbling using acrylic and tempera paints. With Lauren Rowland, June 25 – 26. 

The Center for Book Arts 
28 West 27th Street, 3rd Floor
New York, New York 10001
MAP 

(212) 481-0295
info@centerforbookarts.org




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