While you are enjoying your spoils from the upcoming NYCC 2012 weekend, make sure to take a break from the Javits Center mayhem for a spectacular evening at the opening of A Postcard from New Yorkshire, featuring new artwork by Dok A. The steampunk extraordinaire is getting adventurous with his work in the show, pushing boundaries and showcasing newly acquired skills. Anticipate intricate details in custom toys as well as ink drawings. Show opens on Friday, October 12 from 7 – 10pm. Dok A will be in attendance at the opening and make sure to welcome him because this will mark his first visit to NYC. Show runs until November 11.
A group of young noise-rock musicians moves into a old, ghost-filled house and sets up shop. Though the spooks are at first rattled by the blasts of guitar feedback and unhinged drummery, they soon begin to share their own beautiful, otherworldly melodies with the band and discover a musical common ground. As the group, ghosts included, fills the neighborhood with strange, electrifying sounds, curious neighbors and passers-by find themselves drawn to the rumbling, hypnotic rhythms emanating from the old dwelling. And so you find yourself here, outside the house, where a sort of Tim Burton block party is unfolding. Come on inside. The Octopus Project is just getting started…
A science book like no other, The Where, The Why, and The How turns loose 75 of today’s hottest artists onto life’s vast questions, from how we got here to where we are going. Inside these pages some of the biggest (and smallest) mysteries of the natural world are explained in essays by real working scientists, which are then illustrated by artists given free rein to be as literal or as imaginative as they like. The result is a celebration of the wonder that inspires every new discovery.
This is one of the museum’s most popular annual seasonal exhibitions. Butterflies and moths make up a large group of insects known as the Order Lepidoptera (lep-i-DOP-ter-ah). The name–from the Greek lepido, “scale”, and ptera, “wings”–refers to a prominent feature of adult butterflies and moths, the tiny scales that cover the wings and the rest of the body.
98.1034 Bottles of Beer on the Wall provides drunken encounters with compulsive systems. A program continually preens itself, inserting lines of code to change its visual representation, but along the way, introducing glitches and new patterns of behavior. A therapist program tries to dispense advice as her logic slowly breaks down. Sound editing software turns simple geometric shapes into hallucinatory landscapes. Photoshop generates intricate patterns in an attempt to hide visual compression. A book displays the abuses and absurdities of the DNS system, an addressing apparatus that has seemingly exhausted meaningful combinations of English words.
Picasso Black and White is the first exhibition to explore a remarkable focus that occupied the great Spanish artist, Pablo Picasso, throughout his prolific career: the use of black and white. Few artists have exerted as considerable an influence over subsequent generations as Picasso, one of the most recognized figures in 20th-century art. While his work is often seen through the lens of his diverse styles and subjects—his Blue and Rose periods, pioneering investigations into Cubism, neoclassical figurative paintings, and explorations in Surrealism, for example, or the forceful and somber scenes depicting the atrocities of war, the allegorical still lifes, the vivid interpretations of arthistorical masterpieces, and the highly sexualized canvases of his twilight years—the recurrent motif of black, white, and gray is frequently overlooked.
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL Brooklyn Borough Hall and Plaza SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.
Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.
Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.
Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”
David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.
Since the early 1960′s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.
Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.
Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Gabrielle Bell
Emily Flake
Myla Goldberg & Jason Little
Danny Hellman
Matthew Thurber
KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.
Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.
MIDNIGHT MONSTER MELTDOWN Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm MF Gallery
Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.
Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn.Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.
Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.
NoTornado Wednesday, August 8, 2012 ZirZamen 90 W. Houston St., NY, NY
Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent
“Green Screen” was formed by the meeting of 3 musicians that were playing the Big Apple Circus. In contemporary music circles, the circus probably doesn’t hold much respect. But, the history of circus musicians would surprise most. According to Joe De Mare, ( Bronx trumpeter who played with Louie Prima ) – “back in the day , all the big bands got their cats from the circus – ( including Count Basie and Duke Ellington ) – these cats had chops and endurance. They could play ANYTHING. “
Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930′s to the 80′s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30′s and the 60′s can do a dance together, unaware of the fact that time has already come and gone.
Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.
In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.
Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.
Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow. For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world. Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions. The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame. With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.
Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.
Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!
It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.
What: Bastille Day Where: Fifth to Lexington Avenues, NYC When: Sunday, July 15, from 12–5pm
Why: Celebrate all things French at FIAF’s legendary Bastille Day fête, offering fun for the whole family with an afternoon of food, culture, and entertainment! Enjoy live music, enter to win extraordinary prizes, and explore the many attractions that await you this year on 60th street.
Why: With cinematic melodies, surf guitar, spy soundtracks, Appalachian fiddling, lush string arrangements, knee-slapping banjo, country ballads, eastern modes, 4-part vocal harmonies, Mariachi flair and a heavy jazz influence, the new Japonize Elephants album is an inimitable take on the modern American experience.
Why: The thing I found most alluring about Coogi sweaters was how painterly they were.They seemingly lingered on the borders of gestural abstraction. I made the joke, “That Coogi looks like a Pollock”. Over the course of the following weeks, I began collecting images of the sweaters, studying their composition. They seemed to defy the traditional logic of the textile, opting instead to appear spontaneous and created by hand rather than machine-made. Each sweater, though a manufactured object seemed to seek its own authenticity. Even the old Coogi slogan “Wearable Art” seemed to confirm the desire for each sweater to be considered an objet unique, a specialized commodity.
Why: Every single day, people create, collect, and share 2.5 quintillion bytes of data.Text. Tweets. Photos. Videos. Clicks. Links. Consumer transactions. Blog posts and comments. And so on . . . down, down, down the rabbit hole . . . While all this ballooning information creates storage nightmares for some, a new breed of computational social scientists is enthusiastically exploring Big Data and extracting surprising insights about human behavior. Duncan Watts—principal researcher at Microsoft’s new NYC-based laboratory, former sociology professor at Columbia University, and author of Everything Is Obvious (*Once You Know the Answer)—is at the forefront of these studies, examining concepts ranging from influence and incentives tosocial contagion and stereotypes.
Why: Brooklyn’s finest independent magazines come together to talk shop on their journey from small fledgling journals to successful publications. Join Tin House, A Public Space, Moonshot, Recommended Reading (Electric Literature), SET, and Slice for a panel on indie lit mags, moderated by CLMP.
Why: VIOLENTOLOGY: A Manual of the Colombian Conflict documents Colombia’s continuing internal conflict, a complex and tragic war that is barely understood outside of the country. The product of ten years of photographic documentation and investigation, Violentologydelves into the political and historical dynamics of the conflict and focuses on the terrible consequences of the war on Colombia’s civilian population. It debunks the common view of Colombia’s conflict as a “drug war,” and provides the tools necessary to understand the distinct actors involved in this multi-sided conflict. For those of you that can’t make it, Bluestockings will be hosting a special advance book signing and author talk with Stephen on Tuesday, July 24, 2012 from 7 to 8 pm, 172 Allen Street, New York, NY 10002.
What: Centaurs & Satyrs Where: Asya Geisberg When: Opening Reception: Thursday July 12, 6 – 8 pm
Why: Suggesting mythological creatures with fearsome powers, “Centaurs and Satyrs” features seven artists whose work involves a hybrid of two or more practices. While many artists today refuse to pigeonhole themselves as “painters” or anything as jejune, the very real creatures that make the works in “Centaurs and Satyrs” embody the cross-fertilization of multiple ways of thinking, physically making, and approaching a work.
Why: Performance Anxiety is a monthly gathering of performance artist and art aficionadas at Culturefix in the Lower East Side. Our aim is to provide a space for the both exploration and presentation of performance art while lowering the barrier between performer and audience. This month our feature performers are: Jon Mizrachi, David Powers, Hiroshi Shafer, Zefery Throwell, The Well of New Born Nectar, Genevieve White and featuring the projected works of Karla Carballar.
Why: The Brick is pleased to announce the fourth annual Game Play festival, taking place from July 6–28, 2012 in Brooklyn, New York. This year’s festival will once again feature cutting-edge works that lie at the intersection of video gaming and performance.
Why: One of our foremost instrumentalists and a true hidden American treasure, Ralph White has taken the back roads in his inspired pursuit of the ancient roots of music.Franco-American singer and composer Pierre de Gaillande has translated a number of Brassens songs. He has stuck to the rhyming scheme and verse length of the original songs, thus matching the melodies perfectly. He has re-arranged the music with a cinematic sensibility, using a combination of guitars, clarinets, lapsteel and Charango.
Why: “The Good American” seeks to examine the conundrum of national identity in the digital age by exploring themes of American spirit, stereotype, and counterculture. The works, by a diverse group of American artists, mix personal experience and cultural ethos to comprise an overarching, brutally frank and funny portrait of American life in the 21st century.
Why: Crosseyed and Painless features recent work by Tony Ingrisano in his first solo exhibition with the gallery. Informed by a variety of systems: aerial city views, power grids, and variations in river circuits, his drawings start with a simple mark and then grow into larger, more complex configurations, layering ink, graphite, watercolor, and collaged elements to create the final composition./Zooeyhighlights artists whose work is inspired by the animal. Real and fantastical, animals have existed within our cultural imagery for thousands of years. The artists featured in this exhibition carry on this tradition whether in painting or in sculpture, some using humor, others in a more spiritual way, often referring to mythology. Many personify the animal as a glimpse into how we see ourselves. Like visiting a zoo, this exhibiton offers an entertaining insight into the animal kingdom, but unlike most zoos, admission is free of charge.
Why: Following GO EAST – the first incarnation in a two-part “gallery swap” project with Joshua Liner Gallery (NY) – Mark Moore Gallery is pleased to announce GO WEST: David Ellis and Kris Kuksi, featuring two concurrent solo exhibitions curated by Joshua Liner. While the show makes for Ellis’ third solo exhibition in Los Angeles, it will be Kuksi’s first local solo presentation of new work.
Why: The current global financial and political crises have prompted a groundswell of protest worldwide. From Tahir Square in Egypt to Zuccotti Park in NYC; throughout the U.S., Europe and elsewhere; the people have spoken and told their ‘leaders’ that they demand change. That change has been slow or not at all; and most of those responsible for these crises have yet to be held accountable.
What: Yeveto Where: Pete’s Candy Store When: Sunday, July 15
Why: Yeveto is an instrumental band from Baltimore, MD featuring guitar, organ, cello, and drums who compose experimental rock music. They have shared the stage with other Baltimore acts like Monarchs (Wye Oak), Arboretum, Dustin Wong, Nate Bell, and Beach House as well as national acts like Kayo Dot, Stinking Lizaveta, and Les Rhinoceros. Their new album Remote Unelectrified Villages was released in late 2011.
Why: A quartet from Brooklyn and Peekskill, NY, Shy Town take inspiration from folk, country, and early swing music, filtering those styles through a gamut of guitar, mandolin, trumpet, lap steel, ukulele, bass, and harmonium, resulting in a sound best described as Action-Folk meets Gypped-Jazz.
Why: Bhi Bhiman is an American original, yet he seems transported from an era in which songs were more important than the pretty faces that delivered them. His rich, bellowing tenor can soothe or explode at a moment’s notice. His lived-in, knowing delivery belies his years. His songwriting, too, is quick to captivate: a mix of humor and deep empathy puts him in the company of distinguished (and much older) lifelong songsmiths like John Prine, Nick Lowe and Randy Newman. And Bhiman’s technical, emotive guitar playing rises to the challenge that his striking voice presents.
Why: Developed in the 1850′s, the wet plate ambrotype process is indeed archaic but in Kolster’s work it is rendered fresh and at the heart of our continued relationship to photography and perception. Although crisp in its result, the wet plate process is often left to chance and chemistry. It is both an arduous and exacting practice but also one much more improvisational and fluid than our current hyper corrected digital imaging. In these works Kolster captures images and objects from our every day-be it the interior of a safety envelope’s security pattern, a map detail, or the arabesque curves of strapping plastic; they are contemporary objects thrown in contrast against the antique process.
Why: The Hungarian Cultural Center, NY and Centrum Management present Central European World Music: a fascinating world music experience blending Eastern and Central European folk music from the exceptional European artists, Kálmán Balogh Gypsy Cimbalom Trio, from Budapest
Why: On the heels of the wildly-popular television debut of Adult Swim’s The Eric Andre Show, the alternative-variety show takes its DIY brand of late night entertainment and punk-rock comedy live on the road. Just like on TV, the spontaneous performances will include musical guests, real and fake celebrity appearances, and all of the demented antics fans of the series have come to expect.
Why: Sketch Cram, New York’s premier entire-sketch-show-made-in-a-day is going crazy and doing a show made up entirely of video sketches written, shot and edited in a day. Featuring writers and directors from Late Night With Jimmy Fallon, The Onion, College Humor, Comedy Central, and more! And there will be FREE POPCORN and AN USHER WITH A FLASHLIGHT! This show is going to be insane and missing it would be absurd!
Why: “Rock, Paper, Scissors is a double folded statement that ponders the broad range within the formalistic trends that have come to define the contemporary moment of artistic production,” the curators note. “The exhibition explores the extent to which contemporary art oscillates between a concern for art-historical lineage and the desire for a departure from formal expression.”
Why: The recognizable movement of the mid-60s was dismissed by many critics of the time, but the movement—grown out of geometric abstraction, trompe l’oeil, and the uncertainty and perceptual change of the mid-20th Century—has proven to be of current importance. Post-Op brings together eight artists working in a variety of media, all of whom contemplate perception, form, function, and rationality to create works tied to the lineage of the Op movement.
Why: BOSI Contemporary is pleased to present Wappen Field, the solo exhibition of New York based artist Michelle Jaffé. In her upcoming project, Jaffé will present a large-scale participatory installation and a series of sculptures, both of which explore the use of armor to mask and shelter the body from interference. Reflecting on the theory of the collective unconscious and mythological truths, Jaffé utilizes a minimalist aesthetic to create work that uniquely questions the interplay between archetypes in socio-cultural structures.
Why: Since 2005, artist, independent scholar and Morbid Anatomist Joanna Ebenstein has travelled the world seeking out–and photographing whenever possible–the most fascinating, curious, and overlooked medical collections and wunderkammern, backstage and front, private and public. In the process, she has amassed not only an astounding collection of images but also a great deal of knowledge about the history and cultural context of these fascinating and uncanny artifacts.
Why: Parallel Art Space proudly presents Pressing Matter, a three-person art exhibition featuringJudith Braun, Antonia Perez, and Hilda Shen, who fashion the material components of their work almost entirely by hand (pressing, folding, turning); resulting in finished products that are monumental, insistent, and imbued with a gravitational presence that belies the human span of their creation.
Fri. Apr. 6 Un Jour Comme Un Autre by Vinko Globokar ADDDDDDDDD by thingNY Sat. Apr. 7 ADDDDDDDDD by thingNY Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young Sun. Apr. 8 Un Jour Comme Un Autre by Vinko Globokar Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young
A unique phenomenon in the U.S. and the world, Left Forum convenes the largest annual conference of a broad spectrum of left and progressive intellectuals, activists, academics, organizations and the interested public. Conference participants come together to engage a wide range of critical perspectives on the world, to discuss differences, commonalities, and alternatives to current predicaments, and to share ideas for understanding and transforming the world. The conference is held each spring in New York City.
They play an eclectic mix influenced by New Orleans brass bands, jug music, southern gospel and hot jazz and feel at home at the Village Vanguard or playing on the street. The band features members New Orleans band the Loose Marbles and alumni of Stephane Wrembel’s Hot Club of NY. With Ben Polcer, Trumpet; Patrick Harison, Accordion; Jared Engel, Banjo; David Langlois, Washboard and Peter Ford, Washtub bass.
It’s that time again! You bring the brains, we bring the beer. This month we are happy to be hosted by our friends @ the 538 Johnson lofts. Topics on the bill: • Indie Publishing • A Tree Grows in Brooklyn: 1912 to 2012 • Slugs! • Edith Wilson: Our First Female President • The Novartis/RFID Scandal • TBD Presentation Party Night is a lecture series that combines a love of community, education, and drinking. We offer the chance for individuals to share a short presentation on any topic and spark group discussion. The evening will consist of 6 brief/educational/entertaining presentations followed by Q&A, with free food and beer while it lasts. The event is traditionally held potluck style. Bring a snack to share and BYOB if you can. Let me stress that THIS IS A FREE EVENT and no one is required to bring a damn thing if they don’t feel like it. Come join us for a night of drinking with friends and learning from your peers — there’s nothing else quite like it!
A group show, THE CAVE will be presented at Frontrunner Gallery March 16th-31st. Produced by Corinne Beardsley, 20 artists and performers are building a cave out of cardboard and wheat pasting newsprint to paint, draw, install sculpture, projections, soundscapes, and host performances of music and theater. The show will inhabit two spaces at 59 Franklin St.- the 400 sq. foot gallery, and it’s project space in the deep caverns of the building. The audience will discover the dark spaces using crafted flashlight torches.
TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.
OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.
“HUNTING SOMETHING SPHERICAL AND PEELING” Nyugen E. Smith [NEW JERSEY]+Esther Neff [NYC]
Nyugen E. Smith (b.Jersey City, NJ, 1976) is a multi-disciplinary artist and educator currently examining particular behaviors, customs, coping strategies, and psychological effects unique to blacks in the West Indies and Africa under European Colonial rule. Esther’s oniono is a part of a series of performances conflating specific vegetables with emotional experiences solely blamed on “external societal pressures.” The subject hunts for something spherical and peeling, a tumor or something else that won’t peel down to nothing, something inside but not like itself. There is no reflection here. Its stench bonds to the molecules around the head. Nobody is like it, the empiric, objectified self is somewhere at one of the cores, ideal-ly the flesh can be pitted out, eaten as identity, which must be found, without it, we are told, we must remain in the ground/on the ground.
For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.
Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.
Known for his strong and sensuous depictions of women, Brian M. Viveros is a master of contemporary iconography paying homage to the femme fatale. While he almost exclusively paints portraits, within the expressions of his women is conveyed such deep emotion and overwhelming sexuality that his work is undeniably erotic. Often without even a hint of nudity, the viewer is seduced with a mere pout and gaze from his subject’s faces.
In what will be Brian’s second showing at the gallery, the opening will feature an all new collection of original paintings, as well as special rare prints from the artist’s own collection; poster giveaway and signing; live “Smoking Army” performance; screening of Brian’s films along with his new short, and much more.
CTMD’s An-sky Institute for Jewish Culture presents an incredible evening of Yiddish music and dancing. Come celebrate the CD release of Benjy Fox-Rosen’s Tick Tock, a new recording of Yiddish song from the acclaimed bassist/singer of the Luminescient Orchestrii and the Michael Winograd Trio. The evening will begin with a set of Yiddish song by Adrienne Cooper. And we’ll top it all off with a Tantshoyz Yiddish Dance party! At the Ukrainian East Village Restaurant, 140 2nd Ave between East 9th St. & St. Mark’s Place in Manhattan. Admission $10. (7:30-11:00PM)
8 pm Matt Marble: Chain reactions and other music
Alex Waterman (cello) Katie Young (bassoon) Tucker Dulin (trombone) Andrew Lafkas (bass) Bob Jones (bass) Jim Altieri (violin) Kate Campbell (piano) Michael Vincent Waller (stereo) Ernie Brooks of Modern Lovers (bass) Till By Turning
Composer, improviser, and strategist Marble presents an evening of chain reaction improvisations, Arthur Russell homages, and maybe a string quartet
10 pm Steve Barsotti
Steve Barsotti (electronics)
Seattle-based sound artist/improviser/instrument builder Steve Barsotti performs music for invented instruments, field recordings, and electronics.
A tilt-shift video by Joerg Daiber.
Shot in Bangkok, Phuket, Tonsai and Railay with Lumix GH2, Gorillapod, 14-140mm and 7-14mm Lenses. Post with Final Cut Pro and After Effects on Macbook Air.
Music: Johann Sebastian Bach – Air on the G String, perfomed by the USAF Strings