Filed under: MUSIC, REVIEWS | Tags: 22, 5, ali, amat, art, artist, artists, arts, Bernd, brooklyn, carlo, coda, costa, david, degress, FAHEY, frantx, Graefe, grollman, Gustin, horse, jeremy, Kigawa, Klug, Kuehne, Laurie, Loriot, lucio, magazine, menegon, Morta, Natura, new, ny, nyc, of, park, performance, prehistoric, review, sean, super, surreal, Taka, the, Valerie, Vaudeville, william, york
Vocalist and performer Laurie Amat of San Francisco performed at The Super Coda at Vaudeville Park on April 5, 2012. The show was constructed so that Ms. Amat, along with a standard solo set, improvised with 5 different performers whom she had no previous knowledge of until directly before show.
The performance is described below in degrees.
Degree 1 “The Spark” : Laurie performs Bernd Klug with Prehistoric Horse
This is a quartet. Cello (Valerie Kuehne), guitar (Lucio Menegon), snare drum (David Grollman), and Laurie on vocals. She is jolly. Dressed in black, petite, with close-cropped hair she organizes the stage to her liking. Drums here, no, there, and performers enclosing here. It is the quintessential fire build. The sticks laid, not to many attendees yet but that will change as the fire grows. The show begins with a vocal pieces, somewhat randomly dedicated to the next performer Bernd Klug (an ideal name no doubt for Laurie’s often nonsensical phrasing) and is quickly developed into the in-depth story of THE BERND KLUG. After a few minutes of soft, warming experimentation’s on guitar, drum, and cello, Grollman strikes the match of BERND KLUG. First Bernd is a superhero with a beautiful cape-the flame jumps-now he is a demon, now a battleship steaming against the ecstatic fusion of guitar and cello. Laurie in the center vocally counterpoints Grollman’s tale. Most of her vocals sound like operatic exercises. Her words, though often simply gibberish, are gripping and always slightly on the edge of breaking from beauty to destruction. Now the fire is caught. Bernd Klug is coming, he’s going, he’s hurling fireballs, he’s sinking us all. BERND KLUG is HERE.
Filed under: THE WEEK/THE WEEKEND | Tags: 1000 McSweeney’s, 1971, 2, 2012, 2012 Beautiful, 22, 30, 6, 92YTribeca, a, acoustic, ACTIONS, acts, adam, Alumni, Amat BRAIN, an, and, andrew, animal, Appropriation, april, ark, art, Art BANQUET, ARTAUD RED, artist, assembled, at, Aubele, Bassett, beth, between, bird, BLOWN, blue, Boyd, brooklyn, by, BYT, Cadet, cave, CD, Chico, Chiptography, Chris Artist-in-Residence, CITY Karavika, coda, collective, Concert Performance, Confinements, creative, cub, curated, Cynthia, dave, Degrees, DeVotchKa, diane, DJ, DOOMSDAY, duo, Easterson, ed, Edelson, entrance, ethan, every, exhibition, exit, Experience Perfume, federico, Felix, Feminists, Fields, for, from, funk, genius, Girls Colin, Hawk The, Headphone, hosted, in, is, ISABELLA, Koala’s, KROPOTKINS, Lasse, Laurie, Leland, Levin, limitations, literature, Lone, Love EXIT, Lubelski, made, magazine, Magnetic, mann, Marcia, Marhaug ESL, mary, MASCHMEYER Peter, mind, Mitchell Skowhegan, MONSTERS THE, Monuments, MORE Floating, Morelo HAVE, music, Muslim, Neufeld The, new, Nosowsky Poetry, of, on, Oswald, out, outpt, PARDALINCE, parenthetical, paris, Parry, Parts The, performance, poets, Point, POLITICS Kid, powerhousefrenchtablenecklaces ROUDNTABLE, presents, Proceed BinAural, produced, rachel, Radical, Recognizing, release, Restrictions, revolution, Rockman, roll, rose, Rossellini, ryan, said, sam, samara, sarah, Sayrafiezadeh, SCHRADER, Sergei, Set Musicircus MAN, Shelton, SKGB, space, Stetson, student, Sullender Hail, super, Synergy, Tcherepnin, the, three, to, Toolbox, Trouble, Ursula, Vandal Coming, visual, Waves Die, week, white, who, williams, with, wolf, woody, works, years, york, your
Every Exit is an Entrance: 30 Years of Exit Art
Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.
Filed under: FILM/VIDEO, VIDEO WEEKEND | Tags: 22, armes, art, artist, arts, ashely, black, brooklyn, decay, Diamond, experimental, falling, festival, film, is, looth, magazine, mark, Moth, new, ny, nyc, out, plants, rainbow, screen, super, surreal, teeth, the, tooth, Video, wituschek, york
An experimental piece exploring the reasons why people dream about their teeth falling out.
10 different scenario’s in the piece which are all proven reasons why people dream about their teeth falling out.
See if you can figure them out.
This was a collaboration with Ashley Wituschek, the piece also goes along with a sculpture she created of about 5000 cast teeth for an installation project.
Winner of Best editing and best experimental in the 2010 Diamond Screen Film Festival!
Filed under: ART | Tags: 22, art, artist, artists, arts, books. renaissance, brooklyn, comic, fuels, illustrations, magazine, manju, masters, new, ny, nyc, painting, religious, shandler, super, the, whale, york
From the artist~ My large narrative paintings on translucent polyester film reflect on current events using myth, religion, and humor. In these paintings I am exploring concepts of a contemporary utopian ideal and it’s opposition- a place where paradise and the apocalypse meet. I borrow iconography from Renaissance masters, comic books, and religious illustrations.
I am a self-taught painter, developing my style through a process of exploration with materials and content that is both intuitive and ties to my background as craftsperson and theatre designer of puppets and masks. The medias I use – India ink, grease pencil, printing, acrylic and spray paint- are suspended on the transparent film allowing the wall to be visible behind the painting, breaking the metaphor of a painting as a window into another dimension.
My newest multi media paintings have been created in response to the recent tsunami in Japan. The imagery was created by using a mash up of flood images juxtaposed with renaissance masterpieces and 18th century etchings of whaling- one of the first super fuels.
Filed under: ART | Tags: 22, art, artist, artists, arts, bags, brooklyn, college, fichera, gift, jeff, magazine, massachusetts, new, ny, nyc, of, philadelphia, realism, super, surreal, the, york
Filed under: SUPPORT THIS PROJECT! | Tags: 22, art, artist, artists, arts, Bobby, brooklyn, chicago, ed, institute, life, Lucy, magazine, new, northwestern, ny, nyc, of, painter, painting, paschke, realism, realist, robert, school, still, super, the, york
I’m so pleased to present one of my personal favorite’s, Robert Lucy.
Lucy studied with Ed Paschke at Northwestern and eventually headed to SAIC to finish. His works are somewhere between altarpieces, meditations and still life’s on ordinary objects or people, and are influenced by mystic teachings, dreams and the inspiration of Lucy’s daily encounters.
Filed under: THE WEEK/THE WEEKEND | Tags: $10, 011 FIRST, 40, 8, 911, a, Absolom, ACCORDIANISTS, Aerial, american, and, AND INAUGURATION, annual, Aperture Painting, art, arts, ASSOCIATION The, bandcamp, Baraat Naam, bass, Battle, BDG, blue, BOBKO, brown, by, Cahill, celebration, Chashama MARY, Chip, CHRISTA, Chuck, circle, clarinet, class, coda, com, com SATURDAY, com http, concert, Coney, Confluence, Cornelia MASTER, covers, CultureFix Shanghi, Damaged, Dominic, door, dr, drums, Eisenstadt, ENERGY PAUL, ESCAPE, EUNAH, Falzone, festival, for, Forgotten, Foxtrot, FREE, Freight+Volume, gallery, GALLERY Miroslav, GENEVIEVE, great, ground, halvorson, Harris, harvey, Hatter, http, Hudson SKYBOX, huntronik, HYUNG, in, island, Island WATER, james, john, Jul, kim, kirk, KLOTZ, Knuffke, landscapes, Lash, lower, mad, MAIWALD Black, Maslov, Massive, Mau, MERIDITH, midnight, migration, mike, min, modine, NADA, Nate, Nirvana, ny, of, opening, out, Parkins, Party Sarah, perfectly, photographers, PINGREE, poetry, presents, pride, project, Quartet James, quintet, reception, record, red, reGeneration, release, review, riferecoil, S, sasha, screen, season, Sep, series, show, show A, Show http, space, STEIN KLOTZ, stone, Stone Zeena, storefront, summer, Sun, super, SUSPENDED, tea, the, thebackpockets, Tichý, today, tomorrow, trumpet, urbanism, variety, Village HAZMAT, white, with, Wooley, years
Saturday, July 30
9:30 pm – late
SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).
Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here). Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors. Wet & wild all night long.
$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.
All proceeds go directly to the Swimming Cities India project.
WATER LANDSCAPES/SUSPENDED ENERGY
PAUL BOBKO @ KLOTZ GALLERY.
July 7th-August 19th.
In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end. (READ MORE.)
July 7th-August 19th.
Harvey Stein has been a fixture on the New York photo scene for many years. He has photographed the city from every angle with every kind of camera, at every time of day and night. Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.
Filed under: THE WEEK/THE WEEKEND | Tags: 22, magazine, brooklyn, new, york, ny, nyc, art, music, the, john, jennison, of, writers, paris, face, performance, morgan, forum, special, show, andrew, photography, interview, gallery, arts, center, painting, again, 3rd, ward, and, me, black, institute, love, greenpoint, project, dance, location, a, Le, for, one, cafe, orwell, release, barbes, records, gospel, at, spring, feminism, tales, dean, david, recycled, green, nicholas, color, times, all, out, 20, old, abstract, activism, earth, work, ground, dan, saturday, brecht, oil, spill, super, fundraiser, ann, strange, objects, lehmann, machine, cabinet, andy, stein, May, claudia, institutue, people, recycle, monsters, japanese, rich, ethan, critical, Kenneth, royal, night, 28, hall, who, blues, them, quartet, interviews, post, historic, class, calls, life, poisson, rouge, lost, save, seaport, gould, carnegie, warhol, tour, international, egg, 1997, presents, society, review, coda, workshop, DIY, morbid, philadelphia, anatomy, CT, simon, hazmat, modine, cicada, ducks, hallelujads, hallelujahs, yva, lass, vegass, tooth, wail, molasses, filmmakers, bohemia, marlon, brando, paddy, chayefsky, isadora, dunca, astor, witch's dungeon, illsutrated, lector, cortlandyt, hull, evan, michelson, bristol, observatory, believe, QNA, dick, cavett, dreifus, goldsmith, lorin, selected, rather, playboy, paulo, costanzo, pains, darren, o'donnell, shelia, heti, ross, simonini, under, destruction, Jimmie Durham, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Ariel Orozco, Arcangelo Sassolino, Roman Signer, Johannes Vogl, swiss, to produce, jams, bread, schoultz, unrest, earthquakes, BP, kashin, levinthal, glenn, horowitz, bookseller, poloroids, blackface, ICA, janet, borden, roughe, rachell, garinez, americian, americana, destroy, 1976, 1979, shake, lizard, tail, rust, belt, rump, arbor, michigan, misson, burma, destroir, WGPR, gamelan, dharma, swara, momenta, shahzad, ismaily, nalinese, indonesian, consulate, cty, apocalyptic, puppetmaking, hollow, and crafts, ward's annual birthday, BBQ, bash, york. NY, the weekend, juried, clear, elana, katz, jovana, stokic, makeup, woman's, issues, hiroshima, zero, 1945, august, suckling, pigs, fashioneds, dart, cub, resistance, communicty, communism', prision, global resistance, rally, bowen, maritime
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)
Filed under: FILM/VIDEO | Tags: 22, 8th international, art, artists, bang, Bielska, broadway, brooklyn, BWA, choas, demon, digital, doran, eight, electronic, engine, euroshots, festical, festival, fetival, film, fimwinter, flicker, gallery, in/out, information, intertnational, kino, lehtonen, magazine, mauri, new, ny, nyc, overload, partricia, short, sintetiza, spokane, static, stuttgarter, super, super 8mm, Swiatowid, systems, technology, the, Video, york
Chaos Engine (2009, Super 8, 4min)
World becomes possessed by a monstrous ever growing electronic demon. Our present society is very dependent on digital information systems. Chaos Engine examines what happens when those systems fail. The spirit of our modern culture is expressed by fast cutting and brutal electronic soundtrack.
Screenings / awards: Bang! Short Film Festival (UK 2010), Patricia Doran Gallery (USA 2010), In/Out Festival (Poland 2010), Kino Światowid (Poland 2010), Bielska Gallery BWA (Poland 2010), Stuttgarter Filmwinter (Germany 2010), Euroshorts Film Festival (Poland 2009), Super8 Film Festival (Italy 2009), Flicker Spokane Film Festival (USA 2009), Sintetitza Short Film Festival (Pyrenees 2009), 8th International Super 8mm Festival (Hungary 2009), Broadway International Film Festival Los Angeles (USA 2009).