Filed under: THE WEEK/THE WEEKEND | Tags: a, Ages JohnKelly Find, AJ, al, all, an, and, Andrews Electronic, art, Art Night, as, Awards, Ball Manly, Bathers, BEAR BAT, BedStuy/UWS/Cobble, Bellona, Bigbee, car, carter, Cash Music, century, Century Allison, Ceremony Featured, concert, Contemporary, Darkness, day, Derivatives Rental, down, Down VANISHING, Duncan DEJA, duo, Eddie, elana, Ensemble Tiny, FALLS DARKNESS, Falls INTRODUCTION, Feige, Festival ALARM, Festival Don’t, Festival William, Festival Clearwater, film, from, FrostAirplane, george, Go Brett, group, hall, HALVORSON Blouse, Hell RE/Mixed, Hill/Stu, History Shahzia, home, Home ABANDONMENT, Honors, Huffman Mark, in, Indoor, Inside/Outside Mad, is, Jayhawks Rosanne, JibadeKhalil, joan, Jorden SONIC, KAWAGUCHI, Komunyakaa, LABAZEVITCHLEVYATOV, Larkin, L², Letting, LIGHT NY, Light Paul, like, location, love, MCLEAN, me, media, Mode JESSE, Moth, Museum, my, natural, new, night, ny, OBSESSED RADICAL Poets, of, one, ONE UTOPIA, open, over, P, party, Pawelec, piano, play, poets, POINT Ernesto, powhida, PRESENTS ALL, Pujol, Qadiri GenreSpecific, Rally Rob, reception Home, recycling, Rehm Pamela, REMAINS Doomsday, REVELATION By, Revisited Alistar, Revisited Jacob, room, Roth, Screening BENEFIT, secret, Shakin, Show Ian, Sideways, Sikander Trust, sonic, sound, sounds, Sport PARTY, Starfest I, STETSON JOSEPHINE, StorySlam Doomsday, Studio International, sweet, teachings, that, the, Theater NYC, to, TOMOKO, Town Urban, Train) Fatima, TRUST, Try, Two BOY, UGLY, under, VINYL Rouge, VU Doxita, WASTE, way, Wein The, will, Xperience Release, Yusef
FRIDAY:
UGLY ART ROOM PRESENTS: ALL THAT REMAINS Mathilde Aubier, Paul Burgess, Cless, Virginia Echeverria, Fred Free, John Gall, James Gallagher, April Gertler, Ashkan Honarvar, Colin Jenkins, Gordon Magnin, Clarita Mata, Jeffery Meyer, Tom Moglu, Randy Mora, Julien Pacaud, Lilly Pereira, Dave Plunkert, Ciara Phelan, Eduardo Recife, Kareen Rizk, Javier Rodriguez, Valerie Roybal, Katherine Streeter, Leigh Wells, Charles Wilkin, Lionel Williams, Bill ZindelFrom its abstract roots in Cubism to the political and counter culture movements of Dada and Punk, collage has always been a product of its environment. With the rise of 24 hour media cycles, social networks and search engines, contemporary culture has effectively rendered print media obsolete, creating a virtual boom in discarded paper ephemera for collage artists to examine and reinvent. Through these discarded remnants collage artists have become the archivists and activists of this post modern age, paralleling the frenetic pace in which we live while exposing the voyeuristic and often disjointed nature of popular culture.INTERVIEW WITH THE 22. Doomsday Film Festival |
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June 5-11
Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).
Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.
Visit visionfestival.org for more information and listings of Vision Festival events at satellite sites. (SEE FULL SCHEDULE.)





