The 22 Magazine


THE WEEK/WEEKEND: APRIL.

Flowers for Gretchen

Legend Tripping at Masters & Pelavin
Reception April 18, 2013; 6-9PM
Masters & Pelavin invites you to join us for a group exhibition with works by Karl Klingbiel, Timothy Paul Myers, Cecilia Vissers, Peter Buechler, Steven Katzman, Norman Mooney, Vincent Valdez, Jeremy Harris, Tara Fracalossi, Jon Rappleye, Julia Randall, Ruth Hardinger, RAE, Cooper Holoweski and Charles Wilkin.

Smashed at Here (Arts Center): Apr 4-6 @ 7pm
Opera on Tap premieres SMASHED: The Carrie Nation Story, an absurd opera about drinking booze (and the people who don’t drink booze).

VILLA DELIRIUM @Barbes:
April 26th
“Disturbed Songs for Disturbed Times” Villa Delirium combines eerie traditional folk songs of Germany, Ireland and the Balkans with murder ballads of the American South and heir own startling compositions. With Tine Kindermann – Voice, saw and violin; John Kruth – Voice, guitar, mandolin, banjo and flutes; Kenny Margolis – Accordion and keyboards; Steve Bear – Pots, pans and boxes and Doug Wieselman – clarinets and bass harmonica.

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Strange Tales of Liaozhai at HERE (Hanne Tierney.)
September 11, 2012, 4:09 pm
Filed under: ART, PERFORMANCE ART, PUPPETS, REVIEWS | Tags: , , , , , , , , , , , , , , , ,

by Cat Gilbert

Strings break. They bend. They lead, and they follow (if prompted.) It was physical strings that brought me to Hanne Tierney’s most recent piece “Strange Tale of Liaozhai” at HERE arts center, (as it did many) and it was more metaphorical ones that lead me to learn her rich history as both puppeteer and person. Known for her elaborate puppet rig utilizing (this time) over 114 strings, even Tierney’s herself in an interview for her past work (My Life in a Nutshell) says “80 strings can tangle, can break, can slip out, it’s such a high risk business that I kind of say “Why am I doing this?” Knowing Tierney’s tragic history of losing her son in Sierra Leone and picking up his designated NY space to create a community art gallery (FiveMyles) that has won an Obie for its ability to energize a transition community, it’s easy to see there is very little that truly scares Hanne.

Whether the audience echos the sentiment of “why” or not, they certainly are aware of the elements of “danger” or at least the intricacy involved with watching three dedicated puppeteers manipulate the medieval mechanism (creaky as a ship but with no threat of storm) that Hanne has created. A self-professed “art performer,” who works in galleries as well as theaters, Tierney’s work, while sometimes autobiographical, is also the product of her love affair with Gertrude Stein’s ideal of theater without actors. “Strange Tales of Liaozhai” was aesthetically driven by Stein’s piece “A play called Not and Now,” which employed ball gowns and tuxedos to create a piece which deconstructed the foundations of theater.

“Strange Tales” uses 18th century folktales to tell the stories of a bad trade among a pigeon merchant, and the story of two lovers (one a fox spirit) who struggle for martial bliss. The pigeon piece does so through shadow screens and the hand drawn visual projections of Hannah Wasileski, while the lovers pieces utilizes the inanimate puppet players in the forms of scarves, bamboo, umbrellas and the like. Both pieces were joined by the complex, strange constructions of Jane Wang, who played a setup that rivaled the string mechanism of the puppeteers in its visual interest and sound. The stories though slow, are poignant and worth the patience of watching, however anyone who has seen (or heard) Hanne’s work, knows that a good portion of the engagement of the audience relies on her beautifully subtle, slightly accented narration, and on the puppeteer’s ghost within the machine movements. The genius behind creating something that resembles the interior of a grand piano, complete with string manipulators is almost enough to capture audience for the full hour in itself.

The “new” puppets in the piece (many of Tierney’s older “puppets”-bamboo poles, beaded curtains made appreciated cameo appearances), were mostly the silk scarves which made up the bulk of the cast. The stage itself was cloaked in purposefully laid cloth, and each main character was represented in choice colors, that changed pattern with movement and time across the stage and in the plotline; the overly doting mother in deep reds and pinks, the brash, fickle uncle in blacks and blues, the young lovers in pinks, sky blues and rainbows, and the fox spirit, a satiny silver.

Jane Wang’s setup included a variety of musical instruments (perquisite toy pianos included) but the most interesting moments came when she engaged the “space plates” (metal plates balanced on balloons, balanced in plastic containers), and more simply in her playing of the upright bass which she plucked to create beautiful movement and drama within the puppet pieces. Jamey McGilray and Shawn Lane helped manipulate the puppet strings and did so with a great amount of grace and ease.

“Strange Tales of Liaozhai” the book certainly relies on a great amount of history (with humans or no) to appreciate its tales and appropriately enough Hanne’s work is no different. Woven within the strings she pulls there are connections to both her past apprenticeship at a spinning wheel factory, her ability to see more than mundane in simple machinery, and her choice to move forward even and sometimes because of the great danger within.

Strange tales of Liaozhai runs through September 22nd at HERE Arts Center. Tickets are available here.



Indian Summer.
July 25, 2012, 3:55 pm
Filed under: POETRY, WRITING | Tags: , , , , , , , , , , , , , ,

by Adrian Brooks

Sometimes it seems we’re swimmers, adrift
and, so, guided ashore by moonlight alone.
Strange creatures cast up by midnight tides,
we’re borne on phosphorescent currents
but, once submerged, plumb caverns.

Treasures intact, we resurface on dark water
in a darker night- the zones of ocean or wind
indistinguishable, yet much more mysterious
for our attempts to unravel radial emanations.
Between us, nothing is absent; less left foreign.

Only nuance, a soughing silence seems apparent:
a non-invasive code whereby to sense sea change,
the miniscule cues in which we translate ourselves-
each to each- incarnate, then, through such efforts,
all of which only bring me up to Now.

How long have we loved one another this way?
How far since an ocean alluded to alien coasts?
How deep this sea with its pearls? its sunsets?
How high the moon or its guarantees of dawn?
I ask fathoming only what I find when cast away
to moor again in you.






Adrian Brooks (b.1947) is a poet, novelist and non-fiction writer.
He is also a playwright, a theater artist and a world traveler.
For more information see: adrianbrooksblog.blogspot.com



THE WEEK/WEEKEND: May 31-June 7.
May 31, 2012, 2:50 am
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Three Colorists: curated by Michael Walls — Eozen Agopian, Alan Kleiman, Diane Mayo
Where: Lesley Heller Workspace
When: June 6 – July 6, 2012, Opening Reception: Wednesday, June 6, 6-8pm 

Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.

LABAPALOOZA! MINI FESTIVAL OF NEW PUPPET THEATER FROM THE LAB
Where: St. Ann’s Warehouse
When: MAY 31-JU­NE 3  

It’s the last show before we move to our new location at 29 Jay Street! What better w­ay to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.

Masterpiece Theater Curated by: Geoffrey Young
Where: Morgan Lehman 
When: May 31  - June 30 

If theatrical is the question, masterpiece is the answer.  Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months.  Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist).  What drives these artists is Imagination.  Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics.  And aesthetics, as we know, is for the birds.  But these artists aint tweeting.

Thurston Moore + Bill Nace + Joe McPhee
Where: Roulette
When: May 31, 8pm 

Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.

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THE WEEK/WEEKEND: May 23-May 31.

AN UPDATE ON GETTING LISTED: 

Hi Folks, we’ve decided to pare down The Week/Weekend listings to a much more condensed version for the summer months.

Why you may ask? A couple of reasons factor into it but the most important being the amount of time it takes to create the listings each week. Even with an automated system, there are hours of work to format and post correctly and although we want to support all creative endeavors in New York, there are A-LOT of them. We feel a more in-depth focus will benefit not only local events but also give us more time to focus on the increasingly wonderful creation of the 3rd volume our flagship publication, The 22 Magazine, as well as allow us to move towards future goals such as the publication of special editions like the upcoming Rule of Three.

On that note, instead of full listings we will start to narrow down the focus to specific event previews, interviews, and reviews. At the end of these listings there will be a link to the events listings page. To get on this page you must enter your event via our events input page. Listings will still come out on Thursdays, and submissions must be made by noon on the prior Wednesday to be considered.

Thanks for sticking by us during this transition, and as always with this transition comes new opportunities. If you are looking for coverage make sure to hit us up at the22magazine (at) gmail (dot) com. We have varying styles and tastes and are always open to interesting ideas. If you are a writer interested in pitching an idea or writing a review please also contact at the email above and we will give you more details.


3 x 3 — A Night of Brooklyn Trios — IRON DOG / THE SOUND BATS / THE REUBEN RADDING GROUP
Where: Freddy’s Back Room
When: May 29, 8pm

Three trios, one night…Iron Dog, The Sound Bats, and The Reuben Radding Group have influences that reach from the far corners of the globe to the mysterious nether regions of the psyche. Filled with electronically manipulated organic sounds, bristly downtown punk-jazz, and traditional Balkan music – get ready for a cosmopolitan night of music that could only be Made In Brooklyn.

Also check out Stuart Popejoy’s (Iron Dog) solo show at The Firehouse Space on May 31.

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The Weekend: Dec 10-11.

SATURDAY:


Vaudeville Park presents…Noir Night
Come out to our 4th Installation of Noir Night, this Saturday at Vaudeville Park. Rare Noir Films & TV, Dark Synth Jazz, Bloody Red Cocktails, Free PopcornVillains of Vaudeville play sullen & dark synth jazz homages to Dark Shadows and Vertigo.

Seven in One Blow – 10th Anniversary Production!
For the tenth consecutive season, Axis Company will present its winter show for children, Seven In One Blow, or The Brave Little Kid. Adapted from the classic fairy tale by The Brothers Grimm, this interactive play with music is conceived by Axis Company and directed by Randy Sharp featuring Axis’ signature blend of advanced technology and live performance. Children in the audience will be encouraged to participate in many of the Kid’s challenges with singing and organized “shout outs.”

A-Lab Forum: ARTE UTIL
centers around the works of artists whose practice involves social and political engagement.  Through actions, performances, situations, and in may instances the reference to the object(s) , participating artists explore possible ways to bridge the gap between audiences and art experience.  Taking as departure the notion of Arte Util (Useful Art), first introduced in the 1960’s , the forum will open the dialogue to offer a possible re-formulation of  ideas behind artistic creation, aesthetics, alternative narratives, and public participation. Selected artists were invited to present their work and share their approach, ideas and experimentation with art that can be found in the streets outside the white box of a gallery or museum setting.

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The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
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FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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THE WEEK/WEEKEND: Oct 3-10th.
October 3, 2011, 4:20 pm
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“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm

For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.

Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.

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THE WEEK: SEPT 6-9.
September 6, 2011, 1:42 am
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WHITE SWALLOW READING SERIES: B.C. EDWARDS LL BEN FAMA LL ELY SHIPLEY @ CORNELIA.
Tuesday, September 6 · 6:00pm - 7:30pm

B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.

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THE WEEK: AUGUST 15-19.
August 15, 2011, 3:38 pm
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PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

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The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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THE WEEKEND: AUGUST 12-14.


SCREEN SLATE SIX MONTHS.
Saturday August 13th FREE. 9 pm – 4 am.

An open, no-cover party at Screen Slate HQ featuring live music byStrange Rivals, DJing by Colin Beckett and Max Diamond and 16mm projections by Ryan Marino. Spirits available including beer lovingly provided by Brooklyn Brewery. 15 Bushwick Ave., 11211, two blocks from the Graham or Grand L stops in Williamsburg, Brooklyn.

Introduction to Millinery @3rd Ward.

In this workshop you will be introduced to the old world craft of Hatmaking. The skills involved in making a hat evolved in the 14th century and have hardly changed since. Participants will become familiar with all the basic tools, materials and terminology. Over the four classes participants will handblock a Panama straw hat, and learn to finish and trim it just in time for the Fall.

Interested in more project examples? Check out students work from the class on our tumblr.
ENROLL.

The 2011 American Beatbox Championships presented by The World Beatbox Association (WBA) w/ Rahzel and Rakaa @LPR.

Executive Producer – Chesney Snow Co-Founder/WBA
Co-Executive Producer – Kimberly Knox/ Ubiquita Worldwide
Executive Producer Co-Founder of WBA-Jim Wilde
Sunday, August 14th 2011 at Le Poisson Rouge in New York City will see the undisputed Godfather of Noise Rahzel (the Roots) and Rakaa (DilatedPeoples) headlining the post-championship concert of the 2nd American Beatbox Championships. America’s top 16 beatboxers will battle it out live in an “8 mile style” beat down for the crown of America’s Best Beatboxer. Beatboxing’s finest will go mic to mic as Hasan Salaam and Eternia MC the evening with DJ Boo holding down the Red Bull decks alongside Colin Dean’s Roots & Grooves. (READ MORE.)

28th Annual Roots of American Music Festival 

(FULL SCHEDULE, VARIOUS LOCATIONS.)

ABIGAIL WASHBURN
SID SELVIDGE & SONS OF MUD BOY
SUN RECORDS ORAL HISTORIES
Sat, Aug 13 at 2:00
Hearst Plaza Stage
FREE

Clawhammer banjoist Abigail Washburn has emerged as a gifted singer-songwriter after perfecting the most unlikely of fusions—between Appalachian music and Chinese folk. 
Soulful folk-rocker Sid Selvidge’s astonishing voice takes the Memphis blues to another level, joined by Luther and Cody Dickinson, the sons of the influential late producer-musician Jim “Mud Boy & the Neutrons” Dickinson. Roots of American Music producer Spike Barkin starts the day with an onstage talk with the pioneering alumni of Sun Records, whose stories and recollections are a historical treasure trove.

Radio Happy Hour: The Final Episode
August 12, 2011
Radio Happy Hour, the radio show not on the radio, has announced the end of their 2+ year run as the Village’s best variety show. After a US tour, appearances on public radio, feature articles in NY Post, Nylon, and many other places, the hit comedy show is ending its run. “Secretly, I was always surprised that anyone ever came to see a murder mystery on a fake radio show, or that anyone ever agreed to be on the show. Apparently, New Yorkers have a real appetite for idiocy,” says show host and head writer Sam Osterhout.

Launch party for The Midnight Archive at The Coney Island Museum
Friday, August 12th

COMPLIMENTARY “MIDNIGHT MARTINI’S” AND SPECIALTY DRINKS FOR ALL!

Please join us for the launch of the new web series “The Midnight Archives: Tales From the Observatory.” The series is the work of many time Observatory presenter Ronni Thomas (Alias Ronni Raygun) of the IKA Collective and is centered around the esoteric and always exotic personalities that spring from the Brooklyn Observatory. It attempts to briefly document some of the truly unique people, talents and objects from around the world who gather there on a weekly basis. Mummies, Taxidermy, 18th century robotics, early French demonic 3d horror… its all here.

JAMES BROWN dance party w/JAMES CHANCE live and more @Zebulon 

Sat Aug 13

Williamsburg, Brooklyn – Zebulon (258 Wythe): James Brown dance party w/DJs Jonathan Toubin and James Chance plus a live performance by JAMES CHANCE AND THE J.C.’S (playing 2/3 James Brown and 1/3 Contortions songs! Supergroup featuring James Chance, Ivan Julian (Richard Hell and the Voidoids), Robert Aaron (avant-jazz legend who’s also played with everyone from B-52s and Blondie to Afrika Bambataa and Wu Tang Clan), Kim Clark (Defunkt and dozens of jazz projects), and Richard Dworkin [James White and the Blacks, Alex Chilton, etc), JAMES CHANCE SOLO, JAIL BAIT, and more at Zebulon…

AND ON SUNDAY
 NEW YORK NIGHT TRAIN’S DJ MR. JONATHAN TOUBIN!  @ UNION POOL.
August 14

Twig Terrariums @MAD.
Saturday, August 13, 2011 – 11:00 am to 6:00 pm

Each Saturday in August join Brooklyn based artist collaborative Twig Terrariums as as they reveal their processes in creating small worlds within antique, vintage, and new glass containers.

Generative crowd sourced sculpture with music performances @ Devotion.
Opening: Friday, August 12th, 2011.

Sol LeWitt knew that artists of many diverse types use simple forms to their own ends. Musician and multimedia artist, Morgan Packard believes that simple rules, when allowed to unfold, create the splendor of the world. In Euclidean geometry the simplest non-curved flat shape is the triangle, and the simplest non-curved three-dimensional shape is four triangles connected by their edges—the tetrahedron. In this crowd-sourced artwork the public is invited to create tetrahedrons from recycled office paper and a few pieces of tape while musicians perform. Under Morgan’s direction the participants will attach the vertices of the tetrahedrons to create a constantly expanding sculpture, filling the gallery with a geometric wonderland intersected by sonic vibrations.

InDigest 1207 Reading Series w/ Matt Bell , Michael Czyzniejewski and Robert Lopez
Sun., August 14, 2011 / 7:00 PM FREE

InDigest 1207 Reading Series
InDigest also presents InDigest 1207, a reading series that takes place monthly in New York City and quarterly in Minneapolis. In addition to their own work, readers are encouraged to bring in something that has informed or influenced them in some way. The result is often funny, sometimes strange, but always interesting, showing us how we are all constantly influenced by what we see, hear, and read.


PORTAL: Perspectives on Video Performance Contemporary Video from Sydney @ Regina Rex.
Friday, August 12th

Curated by Janis Ferberg, organized by Stephen Truax
Portal is pleased to present a one-night screening of video works by Sydney-based artists engaged with performance mediated through video at Regina Rex in Ridgewood, New York.
This selection of work offers an alternative point of entry to the practice of performance, whereby video is used not as a medium for documentation, but rather as an end in itself.

The Dissident Arts Festival @Brecht Forum.
Saturday August 13th6th Annual Celebration of Progressive Culture
Steve Bloom, Robert Gibbons, Judy Gorman, Sara Goudarzi, Kevin Keating, Gwen Laster, David Lippman, The NYC Metro Raging Grannies, Radio Noir, Mary Ellen Sanger, Secret Architecture, Jackie .Sheeler, Upsurge! & Angelo Verga. Festival Organizer: John Pietaro

Now a Manhattan mainstay, the Dissident Arts Festival was founded in upstate NY in 2006 with a primary goal of establishing an annual showcase of politically progressive music, poetry and performance art—perhaps the only such vehicle in the nation. This Festival has sought to bring together a wide variety of sounds and styles, tearing down boundaries, bending rules and infusing the arts with the strongest, most radical activism, where folk-protest song meets free improvisation and contemporary composition. Featured among our past performers and speakers were actor/raconteur Malachy McCourt, folk legend Pete Seeger, poet Louis Reyes Rivera, revolutionary hip hop group ReadNex Poetry Squad, protest/garage band The Last Internationale, labor luminary Henry Foner, topical singer Bev Grant, ‘anti-folk’ singer Lach, jazz artist Ben Barson and filmmaker Kevin Keating (“Giuliani Time”). And we presented tributes to Woody Guthrie, Paul Robeson, Bertolt Brecht and Phil Ochs along the way. As of 2010, the Festival became affiliated with NYC’s Brecht Forum, a center of Left education and culture which has proven itself the perfect host of the Dissident Arts Festival. This year, Dissident Arts focuses on the improvisational and modernist heart of Protest Music while also featuring topical folk/acoustic performance, radical film and revolutionary poetry.

FringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)

Sanda Weigl@ Cornelia St. Cafe.

Saturday, August 13, 9:00 PM

OH THE SHARK HAS PRETTY TEETH DEAR, SONGS OF THE WEIMAR ERA
Sanda Weigl, vocals; Anthony Coleman, piano 

From Noam: The Noam Faingold Orchestra will play a set, then it’s members and some special guests will play contemporary chamber music by Jeremy Forbis, Jacob Druckman, Kurtag and others, and then we will play another set of Aleatoric pieces by Christian Wolff, Terry Riley, Louis Andriessen and others.

http://www.noamfaingold.com

THE PALMS

Saturday, August 13th
Noon through much much later…
$10 arrive before 3pm : $20 after

Sunday, August 14th
Noon through Midnight
$10 all day + Cheap Drinks

3rd Ward, Macro-Sea, Artists Wanted, TheDanger and Chashama have spent the past several weeks building out a fantastic oasis in the creative heart of Queens. A couple blocks from PS1, we are opening The Palms, a late summer ode to the Boca Raton Resort Pools of the 1940′s (with more music, spectacle and hedonism).

Lemonaids: A collaboration between Jason Fritz/Matthew Momchilov
Going Green@ Crossing Art.
SANKALPA: Art Therapy in India.
Music in the Garden Series @  The Noguchi Museum
The Official Bass Island After Party featuring: FreQ Nasty (Giveback.net) , Virtual Boy (Alpha Pup records) , Proper Villains (Nightshifters/Play Me Records) andWilly Whompa (Muti Music) @LPR
CAN’T HEAR THE REVOLUTION.
FLOAT: FIELD OF DREAMS
I Am Still Alive: Politics and Everyday Life in Contemporary Drawing

LAST CALL:

Accrochage @Carolina Nitsch
Matthew Brand, Christine Nguyen and Letha Wilson: Every Photo Graph Is In Visible, at Churner & Churner
Im Schatten der Made (In the Shadow of the Maggot)

 



Support This Project: Secret City, Butt Kapinski.

Beyond having amazing art  The Secret City has an enviable roster of performers. One of them being the hilarious Butt Kapinski.

Read more about Butt below and take a moment to watch her at work.

And then help the SC with your Nikwels and Diwums.

About Butt:

Deanna Fleysher (not only the mind behind Butt but helped direct Red Bastard) is a performer, director and teacher. Inspired by clown, improv comedy, commedia dell-arte and bouffon, she creates comedy which tackles the thornier topics of being human. Deanna relies on improvisation and collaboration as tools of creation. She has performed at various seedy joints around New York City including Galapagos, Symphony Space, Lincoln Center and many others. (READ MORE.)

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The Week: June 6-10.


June 5-11

Vision Festival 16Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).

Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.

Visit visionfestival.org for more information and listings of Vision Festival events at satellite sites. (SEE FULL SCHEDULE.)

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THE WEEKEND: JUNE 3-5
June 3, 2011, 3:06 am
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Ryan Feeney & Ryan MacDonald@ FOUNTAIN.
June 4th – 25th
Opening Reception:
Saturday June 4th
7 – 10pm

Ryan Feeney’s ‘Obscene Sunsets’ series of photographs explore the power and authority that image cultures have over our sense of reality while Ryan Macdonald’s ‘Pale in Compairison’ body of work explores how the phenomenology of nostalgia and narrative can disrupt our sense of stability in a normal world.

briefepigrams.blogspot.com
ryanfeeney.com


 

BIORHYTHM, MUSIC AND THE BODY @EYEBEAM

Opening Reception 6-9PM Friday June 3 Featuring demonstrations and a live performance by exhibiting artists.

Why does a minor chord sound sad? Is there a formula for the perfect hit? Whistling, dancing, finger-snapping, and toe-tapping—what makes us do it? Find out when music and science join forces in an interactive bazaar of beats, sounds, and rhythm in the exhibition BIORHYTHM, created by the Science Gallery and presented at Eyebeam as part of the World Science Festival. Learn what drives sound manipulation and discover how different types of music evoke different emotions. Trace the power of an impactful pop hook in a song, measuring the way our brains and bodies react, down to the responses in our fingertips.

Included works: Binaural Head; Sonic Bed; Klangkapsel; Something for the Girl Who Has Everything; Optofonica Capsule; Theremin Inspector V2; Music, Emotion, Empathy; Heart ‘N’ Beat; Reactable; Contacts; Hear, Hear; Traffic; Instrumen; Body Snatcher; Chains of Emotion. (READ MORE.)

PART OF 2011 WORLD SCIENCE FESTIVAL (JUNE 1-5)
SEE FULL LIST OF EVENTS


Wu Tsang@CLIFTON BENEVENTO

June 4 – August 5th, 2011
Clifton Benevento is proud to present the New York solo debut of Los Angeles based visual and performance artist Wu Tsang, featuring video, collage and site-specific installation.
Central to the exhibition is DAMELO TODO (Give Me Everything), 2010, a hybrid narrative-documentary installation incorporating elements of Tsang’s lived experience organizing WILDNESS, a party/performance night for two years at the Los Angeles bar Silver Platter. The film depicts a fictional protagonist, Teódulo Mejía, a 15 year-old Salvadorian civil war refugee arriving to Los Angeles in 1985, who discovers community support among trans women at the bar. Based on a short story written by Raquel Gutierrez, and adapted to screen by Tsang, DAMELO TODO fictionalizes a larger narrative about the collaboration and tenuous coalition between the Silver Platter and the young artists of WILDNESS. (READ MORE.)

Blood, Sweat and Tears: the Work of Art and Tragedy @NUTUREART
Jun 03, 2011 – Jun 24, 2011
Opening Reception:

June 3, 2011 7 – 9 PM

Curated by Project: Curate! and Krista Saunders

Featured artists: Delaney DelPonti, Bianca Dorsey, Jae Y Lee, Rebecca (Marks) Leopold, Steven Ketchum, Graham McNamara, Bridget Parris, Boris Rasin and Judy Richardson

Blood, Sweat, and Tears: the Work of Art and Tragedy endeavors to examine 21st century tragedy, disaster and renewal. The exhibition is an attempt to connect with contemporary artists who are also passionate about this theme. Nine artists were selected whose work explores a particular contemporary disaster, personal tragedy, or the rigor of cultivating new beginnings.  As young adults who have come of age in the burgeoning 21st century, the curators of this exhibition are themselves well-versed in tragedy, disaster and renewal firsthand (as New York City dwellers) and from a distance. (READ MORE.)





Temporary Antumbra Zone Curated by Udora Hajimik
@Janet Kurnatowski Gallery
June 3 – June 26, 2011
Reception: Friday, June 3rd, 7-9pm

Artists:
Peter Acheson, Hector Arce-Espasas, Maria Barbo, Genesis Belanger, Chris Bertholf, Erik den Breejen, Maria Calandra, Joy Curtis, Karen Dana, N. Dash, Carol Diamond,Ryan Franklin, Tamara Gonzales, Erica Greenwald, Xico Greenwald, EJ Hauser, Michael Hilsman, Rolf Jacobsen, Michael Kenney, Osamu Kobayashi, Jonah Koppel, Ben La Rocco, Elisa Lendvay, JJ Manford, Sarah Louden, Mike Olin, Craig Olson, Linnea Paskow, Alta Price, Nathlie Provosty, Christopher Rivera, Aaron Sinift, Elisa Soliven, Kol Solthon, Thomas Spoerndle, Deirdre Swords, Katherine Young

The art world experienced a caesura in the 1960s when the paradigm of the artist, working in solitary fashion, was taken apart by the advent of collaborative art. Through collaboration, the definition of what art was, and how it could be produced, shifted. No longer was the cult of the artist, producing a singular vision understood to be the only viable artistic model. Instead, this now re-evaluated model began to generate questions about authenticity, authorship,audience and methodology. Such collaborative projects as those executed by Gilbert and George, Martin Kippenberger and Albert Oehlen, Jeanne Claude and Christo, and Marina Abramovic and Ulay were instrumental in the development of such major evolutions in conceptual art as Body Art, Systems Art, Earth Art, and Performance Art.

The artists in Temporary Antumbra Zone have come together, collaborating through the lenses of painting, photography, video, and mixed media sculpture to promote collaboration as an invaluable mode of artistic production.


The Solo Exhibition of Harim Song “Fearfully and Wonderfully”@BAG
June 1- June 6, 2011
Opening Reception: Saturday, June 4, 6:00-9:00pm
Ordinary Obsession (with narration) from Harim Song on Vimeo.

Ordinary Obsession (with narration) from Harim Song on Vimeo.


Alina Simone, Spencer Tunick “Abe’s Penny May Issue Celebration” curated by Chantal Chadwick, Lara Hodulick at End of Century

JUNE 4th
Chinatown/LES: 175 Rivington street, 7:30-10pm


SUPER CODA @ CAFE ORWELL.
SUPPORT SUPER CODA SOUNDPROOFING ON KICK STARTER!!


If you haven’t heard, this Weekend is Bushwick Open Studios. Bushwick waxes full of openings, events, and public art.
http://www.artsinbushwick.org/
The Super Coda makes no exception:

Friday, 6/3. 7-10:
Gabrielle Muller, Cafe Orwell’s new Art Director, will be presenting her first show, “Brooklyn Loves Philly”, featuring artists and musicians from both cities. Including:
Joanna Quigley, Kat Moran, Ryann Casey, Amelia Runyan, Paul DeMuro, Mary Price, Bobby Heinemann, Bobby Gonzales, Liz Thamm, Brendon Stuart, Gabrielle Muller, Austin Saylor Jackson, Hilary Price, Matt DeFillipo, Crystal Stokowski. Plus an outdoor installation by Oliver Warden, “Untitled Box”
The Art will be on display at the Cafe through July.

Saturday, 6/4. 9-midnight. The Super Coda presents Jazz that is all over the place and from all over the place. Featuring:
Kirk Knuffke – http://www.kirkknuffke.com/
Otra Gente (Luis Ianes/Carlo Costa/Ivan Barenboim)
Steven Ruel – http://www.purevolume.com/steveruel



The Booklyn Art Gallery is pleased to present MASTER OF REALITY, a group exhibition featuring works by Milano Chow, Cynthia Daignault, Gary Kachadourian, and STO.

MASTER OF REALITY includes drawings, paintings, sculpture and prints that alter our perceptions of commonplace scenery, find fodder in the mundane, and draw our attention to the handling rather than the objects themselves. The featured artists create an alternate dimension of familiar objects, carefully mimicking reality so that it is recognizable, yet altering it enough to uniquely capture their own way of seeing. (READ MORE.)

 


CONEY ISLAND EVENTS:

BURLESQUE AT THE BEACH!
PRINCESS PAT PRESENTS: SHOW GIRLS
FRIDAY, JUNE 3, 10PM, $15 IN ADVANCE OR AT THE DOOR (READ MORE.)
&
CONEY ISLAND FILM SOCIETY!

PHANTOM OF THE PARADISE
SATURDAY, JUNE 4, 8:30PM, $6 IN ADVANCE OR AT THE
DOOR (READ MORE.)

 


Happy BOS ’11: June 3-5, 2011 — it’s our 5th birthday!

We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public. (READ MORE AND SEE FULL SCHEDULE.)


The Comic Book Theater Festival @ THE BRICK

June 2 – July 1, 2011

The influence of comics on our culture continues to grow. From the pop fantasias of Hollywood blockbusters to the rawness and refinement of intimate memoirs—and everything in between—it’s impossible to deny the wide appeal of comics’ words and images. The theater, of course, is no less immune to its spell. This summer, The Brick will invite one of history’s newest art forms to meet one of its oldest—and, through collaborations between visual and dramatic artists, the form and content of comics will collide with the content and form of theater to create strange new hybrids across both media. (READ MORE.)

 


MUSICIRCUS : ROULETTE BROOKLYN
Sat Jun 4 – 1:00 PM

Although not officially open until Fall 2011, ROULETTE BROOKLYN will open its doors this June for a two day John Cage MUSICIRCUS as part of the Atlantic Avenue Art Walk!

A carnival of all things experimental, the Roulette Brooklyn MUSICIRCUS brings a cornucopia of musicians, dancers, video artists, and performance artists from all corners of New York City’s artistic community together for a celebration of chaos and and the harmonies of simultaneity. (READ MORE.)

 



POST PLASTIC PROJECT @LITTLEFIELD.

Sunday, June 5th, 2011
 DOORS OPEN 6:00 PM
Littlefield NYC – 622 Degraw Street, Brooklyn

littlefieldnyc.com

Art reception FREE – $10 Music – Raffle
READ THE 22 FULL ARTICLE.

MORE:

Performances @ The Cocktail Party (a postmodern feminist art show) @ ABC NO RIO Friday, June 3 · 7:00pm – 9:00pm
Honoring Bill Dixon @ RUBIN MUSEUM OF ART

3rdEye(Sol)ation group show

Swimming Cities presents: BORDERTOWN

THROUGH THE WARP
AT REGINA REX OPENING RECEPTION SAT. JUNE 4, 2011
Cirque des Batardes @LE POISSON ROUGE
Yve Laris Cohen+Bryan Zanisnik @ABRONS ARTS CENTER
The Village Gate’s “Old Fashioned Piano Party” @LE POISSON ROUGE

Fuse Works: Alarums and Excursions @ THE FRONT ROOM GALLERY
INTERSTATE PROJECTS PRESENTS VIDEOS ON THE FRONT

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
DEAR JAPAN AT ART CONNECT GALLERY
 BREATHING@ CPR.
Reframing David Bowie as an Artist Working in Performance


COMING UP NEXT WEEK!




THE WEEKEND: May 6-8.

FRIDAY MAY 6th

Umirayushchii lebed (The Dying Swan), 1917 @ THE GUGGENHEIM.

Fridays, April 22 and May 6, 13 @ 1 and 2:30 pm

Directed by Evgeni Bauer
49 minutes, 35 mm, silent with musical score

Image Courtesy Milestone Film & Video

A figure of fundamental importance in the history of silent cinema, Russian director Evgeni Bauer brings to life a chilling tale that takes a sardonic view of popular morbid obsessions in pre-Revolutionary Russia. Bauer’s film features a decadent artist obsessed with capturing the image of death on canvas, an infatuation that drives him to the brink of despair until he watches a captivating and heartbroken ballerina perform. He sees in her the masterpiece he seeks, but ultimately, the young dancer cannot live up to the artist’s ideal and suffers the disturbing consequences.


ALCHEMICALLY YOURS – A Group Art Show @ OBSERVATORY.

alchemically

Robert M. Place “Caduceus” detail 2011

Opening: Saturday, May 7th, 2011 7-10pm
On View: May 8th – June 12th, 2011
Hours: Thursdays & Fridays 3-6pm; Saturdays & Sundays 12-6pm
MAP 

Observatory and Phantasmaphile’s Pam Grossman are proud to announce ALCHEMICALLY YOURS, a group show of alchemy-themed artwork, on view from May 7th through June 12th.

Alchemy is the art of transmutation. Of taking the rough and raw, and rendering it more precious. Rather than accepting the literal “lead into gold” definition, Carl Jung believed that alchemy is a process of individuation, a symbolic and active language which guides one’s personal journey toward the realization of selfhood. An alchemist is a shape-shifter, a mystic chemist. A patient and meticulous devotee who turns the base into something resplendent.

Like dreams, alchemy speaks in pictures. At first glimpse, alchemical manuscripts from the 16th and 17th centuries look like a panoply of hallucinations. They feature images of fornicating kings and queens. Suns and moons shining in stereo. Lions and serpents and eggs, oh my. Black and white and red all over. Secret codes and effulgent iconographies teeming with meaning, yet ultimately ineffable. These pictures beget picturing. They’re signs that beg to be resignified; to be reinterpreted and refined.

The participants in ALCHEMICALLY YOURS have done just that. Varying in medium and style, each piece in this exhibition pays homage to the alchemic tradition — all the while affirming that the artist fills the role of alchemist in the present-day. For who better can elevate the mundane, turn the sub- into the sublime? From the prima materia of color and canvas comes great and vivid work.

PARTICIPATING ARTISTS

Jesse Bransford
Molly Crabapple
Ted Enik
Marina Korenfeld

Adela Leibowitz
Sara Antoinette Martin
Ann McCoy
Robert M. Place
Ron Regé, Jr.
J.L. Schnabel
Hunter Stabler
Panos Tsagaris

ABOUT THE CURATOR

Pam Grossman is the creator and editor of Phantasmaphile, the premiere online destination for art aficionados with a passion for the surreal and the fantastical. An internationally beloved art and culture blog, it features daily spotlights on artists and events, as well as interviews with such visual luminaries as Thomas Woodruff, Nils Karsten, and Richard A. Kirk. Phantasmaphile was written up two years in a row on the Manhattan User’s Guide Top 400 New York Sites list, and Grossman’s previous shows, “Fata Morgana: The New Female Fantasists” and “VISION QUEST” were featured by myriad taste-making outlets including Juxtapoz, Arthur, Upper Playground, Reality Sandwich, Urban Outfitters, Creative Time, and Neil Gaiman’s Twitter page. “ALCHEMICALLY YOURS” is her latest curatorial effort, and she is proud to have it hanging at Observatory, the art and events space she co-founded.


Idée Fixe : Drawings of an Obsessive Nature @WINKLEMAN GALLERY

WINKLEMAN GALLERY
MAP
Featuring work by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, Daniel Zeller

May 6 – June 11, 2011

Opens May 6 6:00 PM – 8:00 PM
Winkleman Gallery is very pleased to present Idée Fixe: Drawings of an Obsessive Nature, a group exhibition of black and white drawings by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, and Daniel Zeller. The drawings in Idée Fixe either build toward or seem to disintegrate away from complex systems and through what is obviously a time-consuming, perhaps even obsessive process. Running the gamut from highly photo realistic representation to abstractions that suggest imagined landscapes or fields, these works are created from intense, often repetitive gestures.


Jeff Whetstone “Seducing Birds, Snakes, Men”

at Julie Saul Gallery, Chelsea. Closed Sunday/Monday. Through May 21.
Jeff Whetstone’s second exhibition with the gallery explores the nexus of language and wilderness through narrative video, 16mm film, digital animation and photography. Hunters transcend gender, men draw with snakes, and a landscape is made from sound-waves. (READ MORE.)


BROOKLYN ART SONG SOCIETY presents MASTERWORKS: THE COMPLETE SONGS OF HENRY DUPARC




The 16 songs that comprise the French master’s entire surviving output feature some of the most moving and haunting vocal music ever written. The concert features some of New York’s finest established and up-and-coming artists: pianists Michael Brofman, Michael Rose, and Miori Sugiyama; baritones Robert Osborne and Kyle Oliver; and in her Brooklyn Art Song Society debut, soprano Eleanor Taylor. Tickets are $20\$10 for students and seniors.
WHERE: Brooklyn Conservatory of Music, 58 7th Ave. Park Slope. B or Q to 7th Ave, 2 or 3 to Grand Army Plaza
WHEN: Friday May 6, 7pm
CONTACT: 917.509.6258; www.brooklynartsongsociety.org


3
rd Ward Member Group Show
May 6, 2011, 7-10pm
195 Morgan Avenue, Brooklyn NY
MAP
FREE Admission
3rd Ward Members are some of the most creative and ground-breaking people we know. Now they’re taking their work out of the media lab, shop, and photo studios, and showing the world in our biggest 3rd Ward Member Group Show ever. 

(READ MORE.)LOST WAX CASTING @3rd WARD

Lost Wax Casting is the process in which an object, preferably wax, is turned into a metal form. The process is useful for jewelry or small scale metal fabrication.  Your object can be made out of other materials such as resin, plastic, or a variety of found objects. The exact surface that is on your initial model is going to be the surface of your metal piece.
(READ MORE.)

SATURDAY MAY 7th

7th Annual Brooklyn Peace Fair
Saturday May 7, 12 noon to 5 pm:

Location: Brooklyn College Student Center
Campus Road & E. 27th Street (near Flatbush–Nostrand Junction) (See below for how to get there)

2 pm: Keynote speaker: Juan Gonzalez, Daily News Columnist & co-host “Democracy Now”

Theme: “Peace Budget?…War Budget! How War and the Military Economy Affect YOU!!”
Workshops! Tables with information and resources by community peace and justice organizations!

4:45 pm: Peace Parade to local military recruiting station, led by Rude Mechanical Orchestra

Free admission.

Sponsor: Brooklyn For Peace
Co-Sponsors: Brooklyn College Student Center and Iraq Vets Against the War
Check out the schedule
See the Program (PDF)

How to get there:
Convenient Transportation from all over Brooklyn
Subway:
2 to Flatbush Ave/ Brooklyn College (NOTE: 5 does not run to Brooklyn College on the weekend)
Bus: B6, B103, B41, Q35, B44, B11, BM2
From 2/5 train, Flatbush Avenue Station (at Nostrand Ave)

Locate Hillel Place, direction Brooklyn College; turn right at Campus Road
Campus Road curves around to the left
Student Center is on the right, at Campus Rd & 27th Street

See a map (printable, PDF)
Learn more>>


STOREFRONT EVENTS @ FESTIVAL OF IDEAS FOR THE NEW CITY

VIEW FULL FOIFTNC listings.

PAINTING URBANISM: LEARNING FROM RIO

SATURDAY MAY 7, 2011

Haas & Hahn Opening Reception: Friday, May 13th, 7pm

Storefront is pleased to present the work of Dutch artists Haas&Hahn [Dre Urhahn and Jeroen Koolhaas] in the exhibition “Painting Urbanism: Learning from Rio”. 

The exhibition will showcase paintings, documentary footage, pictures, sketches and plans of past, present and future projects developed by Haas&Hahn. Featured past projects include the Favelapaintings in Praça Cantão in Santa Marta and “Rio Cruzeiro” on the stairs of Rua Santa Helena all in Rio de Janeiro. Present projects include proposals for two New York interventions and future projects span throughout the world.  READ MORE.

 SPACEBUSTER BY RAUMLABOR
11am-7pm at the intersection of Houston Street and the Sara D. Roosevelt Park

 

Spacebuster is a mobile inflatable structure – a portable, expandable pavilion – that is designed to transform public spaces of all kinds into points for community gathering. A new iteration of a Raumlabor project, the Küchenmonument (presented in Europe in 2006-8), the Spacebuster made its first appearance in the US in New York in 2009 and has returned for the Festival of Ideas for the New City.


Martha Colburn: Dolls vs. Dictators

at the Museum of the Moving Image, Queens. $10 general/$7.50 students and seniors. Closed Monday. Through May 15.


Urban Disorientation Game
The Urban Disorientation Game is an active, participatory journey through the City that involves map-making, exploration, homing instincts, and blindfolds. (READ MORE.)

Sublime Frequencies
Sublime Frequencies, the Seattle-based record label responsible for bringing Omar Souleyman to NYC, presents two documentaries with director Robert Millis in person. (READ MORE.)


MAY FAIR AT DING DONG


A Zine, Small Press, and Music Fair

Ding Dong Lounge
929 Columbus Ave. @ 106 St.
Saturday, May 7, 2011
1pm – 7pm

A zine, small press, and music fair. For one day, join us as we transform Ding Dong Lounge into an ephemeral bookshop, crafts fair, art gallery, speakeasy, underground music venue, cookie den, and inappropriately timed Christmas Party. This is the fifth fair of its kind over the course of three years, and it gets better each time. This year includes the rare opportunity to decorate a Christmas tree with both friends and total strangers in the middle of spring.(READ MORE.)

SUNDAY MAY 8th

Black Magic(1949) – Gregory Ratoff, stars Orson Welles
LOST ORSEN WELLS @SPECTACLE. Sun, May 8: 2:30pm
124 South 3rd Street
MAP

Blackmagicposter

Sun, May 8: 2:30pm
This movie has it all: swashbuckling action, intrigue, romance, mind control, and Orson Welles!

A curious, little-seen oddity based on an Alexander Dumas tale, Black Magic adapts the story of Cagliostro (Welles) an 18th century magician and gypsy charlatan, discovered by Doctor Anton Mesmer himself, whose hypnotic powers, derived by the sheer force of his presence, involve him in a plot to overthrow the French monarchy and an opportunity to revenge himself on the aristocrat who was responsible for the execution of his parents. (READ MORE.)




MICHAEL DUDECK’S WITCH DOCTOR @ CPR TONIGHT.

Michael Dudeck Witch Doctor
WOMBTOMB



Monday, May 2
7:30 p.m.
Performance | Installation

CPR – Center for Performance Research
361 Manhattan Avenue, Unit 1
Brooklyn, NY 11211
MAP

For reservations email info@cprnyc.org

The Watermill Center is pleased to announce two events as part of The Watermill Center / CPR – Center Performance Research Partnership .  Both artists were part of the Fall 2010 / Spring 2011 Residency Program at The Watermill Center.  These events are continuations of the work they did at Watermill allowing them to present in New York City.

On Monday, May 2 at 7:30 p.m. Michael Dudeck Witch Doctor (Watermill Resident Artist October 2010) will present WOMBTOMB, the third performance / installation of his Religion Project at CPR – Center for Performance Research.  

THE WORK

WOMBTOMB

WOMBTOMB is the third performance/installation in Michael Dudeck Witch Doctor’s Religion Project, which involves the invention of a queer religion and prehistory which radically re-imagines the nature of human origins. This performance is a meditation upon the death and sex rituals of one of the factions of Dudeck’s mythology, which involves the invention of a multiplicity of genitalia and hybrid genders (and invented sexual acts to accommodate modified genders) as well as elaborate ritual sacrifice and mummification procedures. Separated into three movements, the work features a cast of five performers, including Dudeck, as well as live sound by composer/sound artist Andy Rudolph. The work is roughly 60 minutes long and contains nudity.

THE ARTISTS

Michael Dudeck Witch Doctor is a performance artist and cultural engineer whose work spans multiple media. He has performed and exhibited internationally at venues including the Winnipeg Art Gallery’s Platform Center for Photographic and Digital Art and aceartinc (Winnipeg), Pari Nadimi Gallery (Toronto), John Connelly Presents (New York), and the Watermill Center (New York).

Andy Rudolph is a Winnipeg-based sound artist and composer who works in multiple media, including musical composition for voice and instruments, digital composition, and spatial sound-works and installations. He has worked with the artists Rebecca Belmore and Noam Gonick, as well as having produced his own sound/music project The Calculus Affair and performing with the band Mahogany Frog.

Click HERE to read more about this event and to make a reservation.
Michael Dudeck Witch Doctor

The Watermill Center / CPR – Center for Performance Research Partnership



Gertrude Stein’s Doctor Faustus Lights the Lights Friday and Sat.

Ashley Kelly Tata writing to invite you to the next theatrical extravaganza brought to you by Columbia University with the energy and collaboration of Enthuse Theater.

We are very excited (and a little bit nervous) to share with you the work we have been doing on Doctor Faustus Lights the Lights, written by “The Mother of us All,” Gertrude Stein. We have been hard at work detangling the knotty words of Stein in a valiant attempt to bring to you this take on a story we all know: Faustus has sold his soul to Mephisto for eternal life and knowledge—and light. But what if there is no proof of purchase? What if a woman entered this world and seems to possess that knowledge without having sold her soul? Who has the right to knowledge? What is the responsibility of power? What does a guy (or girl) have to do to get to hell?

We hope you will join us for 90 minutes of a theatrical exploratory event created by an incredible group of artists. Please come for the show, stay for the conversation, the environment, and the company.

Until then, with awe, enthusiasm and great anticipation,

Ashley Kelly Tata

Artistic Director
Enthuse Theater

MFA Directing Candidate 2012
Columbia University

Doctor Faustus Lights the Lights
By Gertrude Stein

Directed by Ashley Kelly Tata
Dramaturgy by David Carter
Music by Brian McCorkle
Choreography by Leeanne M. G-Bowley
Lighting Designed by Amith Chandrashaker
Costumes Designed by Kristen Kopp
Performed by: Andrew Belcher, Chelsea D’Aprile, Cherish Duke, Kevin Mannering, Sunrise Marks, Lea McKenna-Garcia and Ryan R. Rinkel
Image by Chip Rodgers

At:
The Schapiro Theatre
605 West 115th St (in the basement)
Friday, April 22nd at 8PM
Saturday, April 23rd at 3PM and at 8PM
MAP

It’s FREE!

RSVP at doctorfaustuslightsthelights@gmail.com



Degenerate Art Ensemble: RED SHOES APRIL 3rd @ CPR.


At 7:30 p.m. on Sunday, April 3 Degenerate Art Ensemble will reprise their work performed at Watermill, but this time in the Williamsburg section of Brooklyn at CPR – Center for Performance Research. Click HERE to read more about the event and purchase tickets.

THE WORK

Red Shoes On April 1 at The Watermill Center and April 3 at CPR – Center for Performance Research, Degenerate Art Ensemble (DAE) will present public performances of their work in progress titled Red Shoes. Red Shoes reimagines Hans Christian Andersen’s tale of a girl who is cursed to dance herself to death as a punishment for following her creative desires. DAE describes their work as ‘live music driven, comedy / horror, butoh inspired physical theatre.’ Their performance will utilize the musical talents of local East End musicians and will explore audience involvement in both the creation of soundscapes as well as choreography in portions of the piece. Their residency at Watermill is focused on the completion of one of the chapters of Red Shoes which is set to premiere at Seattle’s Frye Art Museum in May 2011. With limited opportunity to hold full rehearsals in the actual performance sites in Seattle, they will use the residency as a testing ground. Museum locations include a forest, a body of water, a field, and an indoor exhibition space – all spaces that exist on or nearby the Watermill grounds.

THE ARTISTS

Degenerate Art Ensemble Degenerate Art Ensemble is a performance company that creates original and adventurous productions using live music, physical theater and the visceral language of Butoh dance. Audio elements include live foley art, orchestras/chamber ensembles, bands, newly invented instruments, and electronics. Their creative approach is intensely collaborative and is in a constant state of invention and re-invention. Aesthetically extreme, influenced by punk, protest, cartoons, nightmares and fairy tales, DAE takes the viewer into otherworldly landscapes — full of compelling characters and music that doesn’t just accompany the action, but defines the mental state and reveals secrets to the audience that the characters will never know. DAE’s work is a tightly wound mechanism made up of triggers and cues that when released on stage aims to achieve a heightened sense of awareness one might find in a sacrificial rite. DAE has been presented by On The Boards (Seattle), REDCAT (L.A.), New Museum (N.Y.), Festival Alternativa (Prague), T.F.F. Festival (Germany) and many others in ten countries of Europe and North America. DAE has garnered acclaim with more than five hundred concerts and performances in ten countries. It has explored a diverse variety of formats, including music, dance, theater, film scoring, recording, sculpture, and painting in over one hundred original performative works and nine commercial music recordings. The group has received commissions from On the Boards, Commissioning Music USA, and the Aaron Copland Fund, and will be in residence at The Watermill Center a Laboratory of Performance. DAE is currently the subject of a large scale touring museum exhibition at the Frye Art Museum in Seattle, Washington. www.degenerateartensemble.com



PERFORMANCY FORUM XII: THIS SATURDAY!

PERFORMANCY FORUM is a monthly exhibition and thinktank revolving around post-product performance work, including music, theater, dance, video, installation, action, and all that exists in between these mediums. Events are structured around the needs of the artists, creating spectator/artist relationships, participation frameworks, and platforms that allow the work to operate in an intentional manner. Past PERFORMANCY FORUMS have addressed female authorship, the roots of performance art, map-based music, and found materials…new curators, collaborations with collectives and other groups, and artists are always welcome. Full list of PERFORMANCY FORUM artists is on its way…

SATURDAY NIGHT: MARCH 5, 7PM-1AM performances. Suggested donation $5

SUNDAY AFTERNOON: MARCH 6, 2PM-6PM. open house with installations by Alejandro Acierto and Ivy Castellanos

COLLABORATIONS AND INFLUENCES: Collaborative artists present solo work,asking how their collaborations influence them, and solo artists speak to influences arising outside of collaboration…

FEATURING:
Alejandro Acierto (installation with performance on Saturday night)
Gelsey Bell (performing from her solo song cycle “Bathroom Songs”)
Hector Canonge (performs ‘Ocular-Trance-Ocular’ with Maria Fernanda Hubeaut)
Ivy Castellanos (installation with performance on Saturday night)
Brian McCorkle (music/performance)
Esther Neff (video/theater)
Paul Pinto (experimental music)
Brian Rady (theater/performance)
Matthew Stephen Smith (theater, excerpt from an upcoming one-man show)
Meghann Snow (performance art)

Part of Arts in Bushwick’s SITE Fest.

GET INVOLVED
If you are interested in participating as a performer at the PERFORMANCY FORUM please e-mail an inquiry to Esther and Brian at panoplylab@gmail.com with a bio/CV, description of proposed work, and any links (video is best) that would help us understand what you do. All other inquiries, same e-mail address…Check out http://surrehearsalspace.wordpress.com/ for tech specs and pictures of the performance space at Surreal Estate.




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