Summer Group Exhibition 2012@Joshua Liner
August 2 to August 25, 2012
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
IRABAGON FEST: BARRY ALTSCHUL, JON IRABAGON TRIO
Cornelia St Cafe
Thursday, Aug 02 – 8:30PM
Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.
IRABAGON FEST: BARRY ALTSCHUL GROUP
Cornelia St Cafe
Friday, Aug 03 – 9:00PM & 10:30PM
Since the early 1960’s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.
IRABAGON FEST: JON IRABAGON JAZZ QUARTET
Cornelia St Cafe
Saturday, Aug 04 – 9:00PM & 10:30PM
Cyro Baptista @The Stone
8/7 Tuesday and 8/8 Wednesday
Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.
CAROUSEL @ SOLOWAY
Friday, August 3rd
Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Myla Goldberg & Jason Little
in the open
Aug. 2 – 18, 2012
KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.
The Skin We’re In
Yossi Milo Gallery
August 2, 2012–August 31, 2012
Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.
MIDNIGHT MONSTER MELTDOWN
Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm
Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!
Signs of the Apocalypse
Friday August 3rd 2012 6 – 9pm
House of Yes
Thursday, August 9th
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
Kimmo Pohjonen & Helsinki Nelson: Accordion Wrestling (U.S. premiere)
Damrosch Park Bandshell
Aug 3–4 at 8:30
SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.
RUFUS CAPPADOCIA’s ROOTS QUARTET
Thursday, Aug 9
The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.
OLIVIA SALVADORI/PILLARS AND TONGUES/DJ HIRO KONE
AUG 4, 2012
Overturn Theater’s rendition of : Waiting for Godot
August 2st – 18th, 7pm
Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn. Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.
SCOTT TIXIER & ISOPROPYL BOP
Cornelia St Cafe
Sunday, Aug 05 – 8:30PM
Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.
M. Ward,Yo La Tengo, Wyatt Cenac (of The Daily Show)
Prospect Park Bandshell
Tue, August 7, 2012
Benefit concert to support free programming at Celebrate Brooklyn! a Performing Arts Program of BRIC Arts | Media | Bklyn.
AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Thursday, August 9, 2012 @ 8:00 pm
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
PULVERIZE THE SOUND/AURAL DYSTOPIA
The Grand Victory
Wednesday, August 8, 2012
An evening of punishingly heavy improv: PULVERIZE THE SOUND (Peter Evans/Tim Dahl/Mike Pride), SHEAJOY (Stuart Popejoy/Kevin Shea), BURNING GENITALS (Jamie Saft solo).
The Alaev Family (New York debut)
Damrosch Park Bandshell
Aug 8 at 7:30
The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.
Wednesday, August 8, 2012
ZirZamen 90 W. Houston St., NY, NY
Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent
Cornelia St Cafe
303 10th Ave.
Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930’s to the 80’s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30’s and the 60’s can do a dance together, unaware of the fact that time has already come and gone.
Heritage Sunday AYITI RASANBLE!
August 5, 1pm
Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.
Christopher Smith: Underbody
site95 @ Launch F18, New York, NY
August 6 – 18, 2012
In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.
S!CK MAGIC W EGYPTRIXX//SINJIN HAWKE//N0ms//GOBBY//MIKEQ//REZZIE//RPEG//TOMAϟϟ
Saturday, Aug 4, 11:30pm until 4:00am
JENNY ODELL: THE FOSSILIZED PRESENT
Breeze Block Gallery
Wed. Aug. 1, 5:30-8
Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.
Alex Gingrow: All the money IS in the label
August 2, 2012 – September 1, 2012
Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow. For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world. Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions. The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame. With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.
Midsummer’s Mayhem Poetry & Pub Crawl
Just Lorraine’s Place
Saturday, August 4, 2012
Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.
Rockaway Pipeline Day of Awareness Action
Jacob Riis Park
AUG 4, SAT
Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!
The Bowery Ballroom
Mon, August 6, 2012
It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.
M Shanghai String Band and Friends 10th ANNIVERSARY SHOW
Saturday, August 4
The Red Hook Ramblers Live Music with Silent Films
Sunday, August 5
Drew Maillard Solo Show: “Living In Interesting Times”
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Seven in One Blow – 10th Anniversary Production!
A-Lab Forum: ARTE UTIL
LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)
Launa Eddy is a sculptor and jewelry maker living in Brooklyn. We were introduced to her via 3rd Ward and inspired by her collabs with Daniel Olshansky, Dinosaur Feathers, and most of all her interesting background. We asked her to elaborate on her timber wolf/lobster-catching youth and tell about some of her current work.
The 22 Magazine: Can you tell me a little about where you are from in Rhode Island, working on a lobster boat and about raising timber wolves ?
Launa Eddy: We lived in Richmond until I was ten, when the state of Rhode Island told us we couldn’t have wolves and gave us an ultimatum – get rid of them, or move out. So we moved to New Hampshire, the Live Free or Die state – my dad continued to run [his] lobster boat between Rhode Island and New Hampshire. While in Rhode Island I spent most of my time off of Point Judith in Narraganset, where most of my family worked as commercial fishermen/women. I spent a lot of time on the boats and the docks growing up – and I actually started working on my father’s boat when I was around eight or nine years old. I would go out with them on fishing trips in the summer and I was their ‘bander’ – I put the rubber bands on the lobster claws and prepped them to be put in the storage tanks on the boat. It was a hard job and being out at sea for three days in all sorts of weather was intense, and eventually when I was sixteen I decided I wasn’t up for the job anymore… mostly because I was prone to sea sickness.When I wasn’t working on the boat, I was often trying to catch fish on the docks, and occasionally I got together with the other fisherman’s kids and we did silly things like arrange lobster and crab races. We’d gamble for curiosities we found on our families boats. Starfish, shells, weird creatures. Everyone would bring a box of things they found and put it in the pot for whoever won the race. As you can imagine, lobsters don’t race very well, and crabs are insane and run all over the place, so it was all very silly. The wolves were pure bred Alaskan timber wolves – my father went to Alaska for a trip to meet a painter who also ran a wolf rescue, and came back with two wolf pups. We named them Sinbad and Sheba, and built them an eight foot tall cage twice the size of our house (it was pretty much a caged off section of forest) and a sweet little dog house inside of it with two stories and Plexiglas windows and a ramp so they could chill on the roof. They had it good.
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.
The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.
MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner. He will scan you in his 3D Photo Booth, then print you using the MakerBot.
The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.
Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.
RSVPs are required at http://www.3rdward.com/rsvp
MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.
Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.
Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.
An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.
Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.
Admission is free.
Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street
THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.
Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!? This Spring Secret Project Robot creates the long awaited fluorescent opulence. Over 30 artists participate to transform the gallery into a black light cocktail lounge.
Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.
SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216
OPENING REMARKS BY
Kate D. Levin, Commissioner, New York City Department of Cultural Affairs
Marty Markowitz, Brooklyn Borough President
Jimmy Van Bramer, New York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin Grannum, President, Bedford Stuyvesant Restoration Corporation
Danny Simmons, Chair of New York State Council on the Arts and Artist
Love Your Library Day!
Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza
As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!
Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.
|10 AM – 3 PM:||Book, T-shirt and tote bag sale|
|10 AM – 12 PM:||Performance by BPL’s own Lost in the Stacks|
|12 – 1 PM:||Advocacy rally|
|1 PM:||Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti|
You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.
Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.
CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM
136-17 39th Avenue
Flushing, NY 11354
QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists. This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation. Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)
Saturday, May 14 at 7 pm
Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.
What beasts block our roads or assist us on the way?
Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.
Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.
Please visit the Proteus Gowanus website for more news and information about upcoming events.
It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.
I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.
A brief interview with Sxip about the show and participants:
THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?
SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.
THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?
SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.
THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?
SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.
THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?
SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.
Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.
Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.
has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.
is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press.