The 22 Magazine


Toby Stretch/Post War Years: “The Bell.”
January 15, 2013, 1:30 pm
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Post War Years – The Bell from Tobias Stretch on Vimeo.

WEBSITE.



Tobias Stretch/Post War Years: Glass House.
October 25, 2012, 12:52 am
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Post War Years – Glass House from Tobias Stretch on Vimeo.

WEBSITE.



The Week/Weekend: Sept 13-20.

Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012

Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.

BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm

On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.

Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
Greenlight Bookstore

In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.

Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
Recess

On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.

Wendy White: Pix Vää
Leo Koenig
Opens September 13 6:00 PM – 8:00 PM

In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.

Stealth Reflections
Mighty Tanaka
September 14

Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection.  Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques.  His steadfast approach defines his meticulous attention for detail.

Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012

Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.

Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street

Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.


Fishtank Ensemble
/Baby Soda Jazz Band
Jalopy
Sat, Sept 15th

Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.

Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
BookCourt

Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.

Survival
War of Words
Strange Tales of Liaozhai

Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
LIGHT OBJECTS
MECANICA POPULAR
LIGHTNING BOLT
R. SIKORYAK & FRIENDS: CAROUSEL

The Channel
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
AURAL DYSTOPIA
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Liza LaCroix
Masami Teraoka: Cloisters Inquisition    
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Ralph Humphrey
Assembly 2012
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
Luisa Rabbia
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Alexander Hahn

Allison Evans
Sally Mann: Upon Reflection
POST NATURAL
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors

LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe   New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
DAVE COLE
Miriam (BAM 30th Next Wave Fest)
BEAT FESTIVAL
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
MIVOS QUARTET
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
Gallow Green

COMING UP:

The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
Devotchka
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)



Video Weekend: Self-Contained/60 Years of Matchbooks.
June 22, 2012, 4:12 pm
Filed under: VIDEO WEEKEND | Tags: , , , , , , , , , , , , , , , , , ,



Self Contained from Chaja Hertog & Nir Nadler on Vimeo.

60 Years of Matchbooks in 2 Minutes from Aaron Schneider on Vimeo.



THE WEEK: APRIL 2-6.
April 2, 2012, 3:41 am
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EDITOR’S PICKS: 

Every Exit is an Entrance: 30 Years of Exit Art
http://www.viiphoto.com/news/exhibition-every-exit-is-an-entrance-30-years-of-exit-art/
04/01/2012-05/19/2012
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Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.

 

 

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Video Weekend: Post War Years:All Eyes/Undone.





THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
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MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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THE WEEK: SEPT 6-9.
September 6, 2011, 1:42 am
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WHITE SWALLOW READING SERIES: B.C. EDWARDS LL BEN FAMA LL ELY SHIPLEY @ CORNELIA.
Tuesday, September 6 · 6:00pm - 7:30pm

B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.

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THE WEEK: AUGUST 15-19.
August 15, 2011, 3:38 pm
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PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

(MORE.)

The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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AN INTERVIEW WITH STEPHEN CLARKE BY MATT MOWATT.

Stephen Clarke, a British journalist and novelist, has lived in Paris for more than a decade and worked in a variety of trades including BBC comedy and creative lexicography. He has published many novels, one being the hugely successful A Year in the Merde, chronicling the adventures of Paul West, a gaffe prone Brit in Paris. The autobiographical tone of the work confused some folks who thought Stephen had indeed dealt with things like a naked landlady, but not enough to dampen the success which produced four more books in the Merde series alone. He currently lives in Paris where he is writing and actively seeking a rock band to play bass in.

Matt Mowatt: You wrote three novels before self-publishing A Year in the Merde. Do these novels carry the same tone and humor as your other books?

Stephen Clarke: They carry basically the same humor because it’s my humor. One of them was a prototype of A Year in the Merde, and that one was called Who Killed Beano? He [the character] was like Paul West except he was living in my hometown, and he was a bit more grungy, more into drugs and alcohol. The other book I called at the time Beam Me Up – it just came out actually, under the title, A Brief History of the Future. It’s a third person narrator, more of a toned-down, ironic, comedy sci-fi. It’s not like spacemen or anything; it’s in the here and now. It’s about a bloke from my hometown in Bournemouth who goes to New York and finds someone’s invented a very simple teleportation machine, but only for objects; he brings it back to Bournemouth and causes complete criminal anarchy like teleporting drugs directly into people’s nostrils.

Matt Mowatt: Is this your first attempt at sci-fi?

SC: Well, I suppose it’s my only attempt. I mean it wasn’t really even sci-fi. It’s just what would happen if someone really did create this thing. And, working as a journalist, I realized that half of the science stories I was working on were about some scientist somewhere who tried to invent teleportation or some other technology related to Star Trek, and I was thinking, “Why are they trying to make all of this Star Trek stuff come true?” So, in the novel [A Brief History of the Future] someone has made this Star Trek machine real and the chaos it would cause if teleportation were really possible (which it almost certainly isn’t because, apparently, in quantum mechanics you can’t make these things happen).

Matt Mowatt: There wouldn’t be parking lots anymore.

SC: No, but I think breaking down your car into its molecules and reassembling it wouldn’t be very good for the engine.

Matt Mowatt: A Year in the Merde has certainly put you on the map as a popular writer, but do you feel that your two other self-published books have been eclipsed by it’s success?

SC: Yeah, I only chose to try to publicize A Year in the Merde because I was living in Paris and it was about France. So I eclipsed them deliberately and I was just lucky that it worked. I got a publishing deal and I just went for that.

Matt Mowatt: Merde Happens is your third completed “Merde.” Did you travel to the States for research?

SC: Oh yeah, in Merde Happens the hero, Paul West, drives across America in a Mini [Cooper] with his French girlfriend. So you get the English perspective of America, the French perspective (which is very different, sort of schizophrenic love/hate relationship). So, yeah, I went back about six or seven times…I would drive the leg of the journey, mostly in a Mini. So I did one trip from New York right down the east coast along New Jersey…I was writing travelogues so I would go there, come back to write a travelogue for a newspaper, write a bit of the novel, and then go back to America. So I went across Florida and New Orleans, along the Gulf of Mexico, up to Las Vegas and over to the [West] Coast.

Matt Mowatt: You mention the French having a schizophrenic view of Americans, I definitely agree (being married to a French woman). What can you tell me of the views that the British have of Americans?

SC: Well, I say in one of my books, 1000 Years of Annoying the French, that we Brits, unlike the French, don’t mind that we lost America. The French, you know, deep down think that they should still own America, but they sold it – a huge chunk of it (for not very much money). We Brits, you know, we don’t mind…

Matt Mowatt: You’re not sore losers…

SC: Well, we don’t think we necessarily lost because we think that you’re sort of our cousins – we both speak the language, but you can’t spell it correctly. We don’t mind losing because we really have no desire whatsoever of governing Texas.

Matt Mowatt: -Laughs- Yeah, well, I don’t think half of America desires to govern Texas either.

SC: Yeah, we really don’t mind losing, but we’re kind of the old part of the family you left behind to explore the world. Brits love to embrace wholeheartedly all of American culture, which sort of annoys me slightly because we do it linguistically as well. So one of my favorite words, “bloke,” is dying out.

Matt Mowatt: They don’t say “bloke” anymore in Great Britain?

SC: Hardly, no. They say “guy,” like, “hey guys.” And “bloke” isn’t the same as “guy.”

Matt Mowatt: In your new book, Paris Revealed, you’re invited by the French government to be one of the judges in the Grand Prix de la Baguette de Paris – pretty much the equivalent of singing the National Anthem at the World Series.

SC: Yeah, like being part in the jury at the Cannes Film Festival. It’s a huge honor.

Matt Mowatt: Were you shocked as an English person [being invited to a very French event]?

SC: I was shocked, but I was more shocked by what went on during the competition. I was surprised to be invited because, as you say…it’s more like being knighted or going to the White House. The competition was so French. For example, there was supposed to have been a set number of jurors, and then a baker turned up. They told him that he wasn’t in the jury, but he said, “I thought I was going to be in the jury…If I’d known that I wasn’t going to be in the jury, then I would have entered the competition.” So they said, “Well, okay, you can be on the jury.”

Matt Mowatt: -Laughs- I should have walked in and said this.

SC: And then there were hundreds of baguettes piled up on the table with a kind of ring of paper on them with a number. There were no gloves, no plastic bags…

Matt Mowatt: And you visiting America, you’ve noticed that everything is wrapped in plastic.

SC: Well, it’s the same in the U.K. Everything’s really hygienic…So all of these baguettes were all piled up; one or two of them fell on the floor. When they were brought to the judging tables, they were stuffed into the armpit of one of the assistants and dropped on the table…I was sitting in the middle of the table, so by the time I tasted the baguette it could have been prod about, sniffed, and nibbled by a few other people.

Matt Mowatt: Was the baguette good nonetheless?

SC: They were good. The only thing is, of course, once you’ve tasted a hundred and fifty of them, you could hardly tell the difference.

Matt Mowatt: So were you craving some chevre chaud after a while?

SC: I was sort of dehydrated…I was sitting between two bakers and they were looking over at me saying, “How could you give that one four marks? It’s too crusty.” I said, “Well, yeah, but I like the crust.” So they were trying to influence my marks…So it’s a huge honor for the winner because not only do they get massive amounts of publicity, they also get to deliver baguettes every day for a year to the Presidential Palace. And I was sitting next to last year’s winner, and I asked him, “So have you been taking baguettes to the Presidential Palace every day?” He said yeah, and I asked him if he has seen Carla Bruni, and he said no. So I said, “So she never comes down there in her dressing gown to get the baguette?” He said no.

Matt Mowatt: -Laughs-

SC: But anyway, they [the Presidential Palace] wanted their baguettes at eight o’clock in the morning. So I [the baker] told them, “There’s no way to get there at eight in the morning. I’m much to busy in the shop. I’ll be there at ten.” So he delivered his baguettes at ten…fuck the President, you know.

Matt Mowatt: -Laughs- That’s very French…After seven books about pointing out the idiosyncrasies between the French and English culture, are you running out of ideas or is finding quirks in French culture sort of a renewable resource?

SC: I’m lucky because I’ve never run out of ideas. I’ve been living here for a long time, and I am a Parisian. I see what Parisians are up to and they are changing a lot. The thing we all love about Paris is that it never changes. Fundamentally it never changes. It hasn’t really changed since Napoleon. The buildings might have changed, you know, and there are cars now, but people’s attitudes have hardly changed. They do evolve very slowly. It’s geological, but…they’ve sort of evolved kicking and screaming. For example, I’m writing another Paul West “Merde” novel. It really is sort of a post-credit crunch novel, because the credit crunch has sort of undermined a lot of things about Paris. They’re finally seeing a horrific dawn where jobs for life won’t be possible anymore. And the average French person, when they start a job at twenty-something, starts to think, “I wonder what age I’m going to retire?” That’s their basic attitude towards work. Nowadays they’re suddenly thinking, “Shit, the retirement age is going up, I might not have a pension.” This has given them existential twinges, so they’re more on-edge; they’re getting more aggressive. People are more willing to tell you that they hate their job, they hate their boss or their customers. You might not notice it if you visit Paris, but you’ll notice it if you live here.

Matt Mowatt: And this change happening is the theme for your new novel?

SC: It’s the background to the new novel.

Matt Mowatt: Do you find the sense of humor gap between French and British to be a rather large one?

SC: Yeah, very large. One reason is…you know most French people often don’t realize that we’re joking. So what you have to do in France is when you say something funny you laugh to make them realize it’s funny. That’s one huge difference, one that I used to my favor when I worked in a big company. We’d go to meetings, sort of brainstorming meetings and I’d joke and make a really stupid suggestion…either they think you’re joking and say, “Oh, it’s not bad, he deliberately said a stupid thing,” or they think, “Wow, that is complete genius. We’ve never thought of that.” So it’s a win/win situation. And also the thing is, Brits anyway, within limits, we don’t take anything seriously. For example, in the U.K. a politician, unless it’s a crisis, will make jokes, especially on social occasions. Whereas in France the politicians take themselves so seriously that there will be no joking. So, we don’t take ourselves too seriously, which means we can joke at any time. But the French can be very satirical, really cutting with their humor. There are magazines here that say outrageous stuff with no reverence at all, which I really like.

Matt Mowatt: It seems like French jokes are aimed at somebody, and maybe the American and British are sort of self-loathing jokers.

SC: I wouldn’t say loathing. Maybe self-deprecating, but, at least in Britain, we have a huge culture of stand-up comedy.

Matt Mowatt: The last…well…the last funny British person…

SC: -Laughs-

Matt Mowatt: …I saw was that guy from the Office.

SC: Ricky Gervais.

Matt Mowatt: Yeah.

SC: I love him. I love it when he does those awards ceremonies.

Matt Mowatt: He’s so scathing…So, my next question is what publishing advice would you give, say, an American copywriter and music reviewer living with his French wife in the 19th [quarter], for example?

SC: -Laughs- It depends what you want to do.

Matt Mowatt: Fiction. I just finished a novella.

SC: In that case I would do what I did which is to get the novel as good as it can possibly get, right down to the last full-stop. And then send it off to some literary agents. And if they don’t want it, self-publish.

Matt Mowatt: Last two questions. Don’t you find Dickens a bore, especially now that he’s dead and what are you currently reading?

SC: I have nothing against dead authors. One of my favorite authors is dead, you know. It’s not their fault they’re dead. Dickens comes from a time when the world was much slower and people had time to read his descriptions. Some of Dickens I really love, some of his atmospheres in London are still true today. If you go and stand on the banks of the River Thames now…when the tide goes out, the beach is exposed to sort of bricks and tires and body parts…it’s really Dickensian. You know, when the tide comes back in, the Thames…the river flows backwards, it flows uphill. It’s amazing. Dickens captures all of that really well. But his descriptions are way too long.

Matt Mowatt: When I read Dickens, that’s the major issue I have: a ten or twenty-page description of a chair.

SC: Yeah, but he was like Emile Zola. He was trying to document the times. Also, he was paid by the word. He had written them in articles and had them published week by week.

Matt Mowatt: So what are you reading currently?

SC: A mixture. I just read an Evelyn Waugh novel, Scoop, which is very light and funny. There are some people like Evelyn Waugh, Graham Greene, George Orwell…they’re such crafted, brilliant writers with a wonderfully simple style that doesn’t smack you around the face. So, you always know you’re going to get something good.

Matt Mowatt: I’d like to thank you again for coming, Stephen.

SC: Thank you.



The Weekend: July 29-31.

A Celebration of The Battle for Mau Mau Island

Saturday, July 30

9:30 pm – late

SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).

Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here).  Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors.  Wet & wild all night long.

$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.

All proceeds go directly to the Swimming Cities India project.

(MORE)
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WATER LANDSCAPES/SUSPENDED ENERGY
PAUL BOBKO @ KLOTZ GALLERY.

July 7th-August 19th.

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc.  At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment.  After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous  end. (READ MORE.)

CONEY ISLAND: 40 YEARS, HARVEY STEIN
KLOTZ GALLERY

July 7th-August 19th.

Harvey Stein has been a fixture on the New York photo scene for many years.  He has photographed the city from every angle with every kind of camera, at every time of day and night.  Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.

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Continue reading



RAW: The Lennon and Yoda Years by Travis Mong.

ABOUT TRAVIS MONG.




33 years-old, Paris 2010, a portrait by Miyoko Caubet.


Video portrait of a 33 year-old french woman overcoming a heartbreak made from still images and inner voice over.
A video by Miyoko Caubet – french video artist
with Mélanie Mary – french actress, theater director and writer

Continue reading


THE WEEK: JULY 12-15th
July 12, 2011, 2:17 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

SUPERCODA AND THE 22 MAGAZINE PRESENT: PABLO MALAURIE AND ANDRU BEMIS AND THE 1st ARTIST’S OPEN FORUM

JULY 14th CAFE ORWELL 7pm
Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.
PLUS as an extra amazing bonus we just found out Andru Bemis is coming by as well! He’s played with some great folk and best of all he chooses to go it solo, no endorsements, no contracts, just him and the rails riding him from town to town. It’s an amazing feat in this day and age and we’re thrilled to have him! Read more about it at his website: http://www.andrubemis.com/ Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the  brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every  night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.

PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.

http://www.the22magazine.com/Pages/upcomingevents.html

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The Belle Brigade @ MERCURY LOUNGE TUESDAY JUNE 12th. More about the Belle Brigade.

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Tuli Kupferberg @ BOWERY POETRY CLUB JULY 13 7:00 PM

Tuli Kupferberg (1923-20

10), cartoonist, song-comedian, Beat poet, anarcho-geographer, Lower East Side atheist guru, anti-circumcision activist, author of I Hate Poems About Poems About Poems, died one year and one day ago. Friends and half-dressed disciples will celebrate his ever-awakening memory. Hosted by Sparrow. Jeffrey Lewis, Terese Coe ,John S. Hall, Thelma Blitz, Steve Dalachinsky, Yuko Otomo, Bob Holman Lawrence, White Richard West, Sparrow

The event will be a benefit for the War Resisters League. Watch Live on the Web! http://www.bowerypoetrylive.com/

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Paul D. Miller aka DJ Spooky launches his new graphic design project, “The Book of Ice” at Eyebeam. The “Book of Ice” (Mark Batty Publisher) consists of multiple engagements with the theme of ice as presented by posters, stickers, music compositions, and an introduction by best selling author Brian Greene, whose ground-breaking book “The Elegant Universe” sets the tone for some of the issues in Miller’s new book.

RSVP

For the event at Eyebeam, Miller will team up with Bill McKibben, acclaimed writer and founder of 350.org, along with Green Patriot Poster project curator Edward Morris, Small Planet Institute’s Anna Lappé, and several leading theoreticians of graphic design. Miller will also present music interpretations of some of the sonic data as compositions derived from the book and his explorations in Antarctica with a live string quartet, The Telos Ensemble, playing his compositions. At the end of the evening, there will be a book signing, and open social event themed on Antarctica, including a selection of remixes produced by Paul commissioned by the German public radio.

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PERFORMANCY FORUM 14 at BOB the Pavilion

Wednesday, July 13, 7-10PM

TESS DWORMAN

ANYA LIFTIG

BEN SPATZ/MAXIMILIAN BALDUZZI/URBAN RESEARCH THEATER

MATTHEW STEPHEN SMITH

CHRISTY WALSH

PAUL PINTO AND JEFFREY YOUNG (OF THINGNY)

and PPL composer BRIAN MCCORKLE and members of the CAST performing an excerpt from ‘INSTITUTE_INSTITUT’ concert-style and YOU!

BOB the Pavilion is a composting toilet and inflated platform for performance and more! http://www.bobthepavilion.​com/BOB the Pavilion was supported by a grant from Columbia University School of the Arts (SOA) and Graduate School of Architecture, Preservation, and Planning(GSAPP).

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Ritual A Group Exhibition by HONEYCOMB

Brooklyn, NY, July 2011, HONEYCOMB and Causey Contemporary proudly present Ritual, a group exhibition featuring original artwork produced by over twenty of the freshest urban, newbrow, young contemporary artists hailing from seven countries. The public is invited to the artists’ reception on July 12th from 6 – 9 p.m Ritualistic behavior is one of the few things that have universally permeated all human sociological development. It has helped form civilizations, spawned entire belief systems, and through the ages has continuously influenced human conduct while simultaneously shaping the world as we know it. While the actual processes may vary, the incorporation of ritual into society is something that transcends nationality, geographic location and linear timeline. Cultures of both the past and present have used symbolic, traditional or religious rituals for any number of reasons including divination, personal pleasure, the achievement of spiritual or emotional needs, the formation of social bonds, expressions of respect and devotion, the advancement of social status, acceptance or for educational purposes. Although there are great differences among the countless rituals in existence, it is evident that regardless of intent or appearance, ritualistic behavior is undeniably intertwined with both our past and our future, and something that unites us all.

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Othelo Gervacio @ FUSE GALLERY.
“Postboredom”
Exhibition: July 13 through July 27, 2011

Opening Reception: Wednesday, July 13th, 7 to 10 pm

Boredom inspires creation. In Othelo Gervacio’s case, Postboredom is art garnered from his lingering disenfranchised youth. Gervacio has held onto the adolescent manifestation of making art and music because “you hate what is happening around you.” He states, “Are the only punks left now ‘Fashion punks’? No thanks, I’d rather I’d sit at home, listen to sludgy metal and paint something dark.” Othelo Gervacio is a new face in the downtown New York art scene.  After four years under the wing of tattoo/fine artist Scott Campbell, and prior schooling in the arts, Gervacio has channeled his experiences to create his own definitive style.  With the use of dark imagery and gothic lettering forms,
his art reflects an influence from the grittier side of tattoo culture, metal music, and lingering teenage angst.

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Shapeshifters @ 4 4 3  P A S

Curated by Laurel Sparks

July 14 – August 26

Opening Reception: Thursday, July 14, 6-8 pm

bespoke bathing costume
Sparks says this show features geniuses only!
Come one come all y’all to gawk at their works:
whose stalagmites elude portrayal
but for the smudgen empyrean
fibrous by seat of their cohort–
ashtray w/ suspenders unwrinkled
a pile of glazier-thin feuilles fatales

flurry of homosocial g.w.ps
twins peer at the heart in thir pants
weeping fruitier and downreaching espalier
a nacorn an urn unhectorized
gutterclouds inform an architecture
its mouth a painted hare or rabbitt
atop an accretion of realnesses.
how do you value a painting? by its
pearlescent gummery centre. can
a beercan grow a thing. potteryhound
helmet from hellsdeep chainworks the
neolyth clawfoot cum eagle arm–
tender clips of the fan, snakely
beads reveal sculptoraly or by
erasure the ponderous red creature.

- Julian T. Brolaski

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June 18, 2011,
Larry Bob Phillips will begin work on his project Wiggle Room, as part of Recess’s signature program, Session. Session invites artists to use its storefront space as studio, exhibition venue and grounds for experimentation.
Over the course of two months, Phillips will record four collaborative events, covering the walls inside 41 Grand Street with large-scale, and densely detailed drawings. Phillips will invite artists to join him in the space for temporary performances, and will draw these interventions. The artist’s anticipation and memory of the performance will inform the content of Phillips’ wall drawings. Visitors to Recess can engage in performances and witness their own integration into the ongoing drawing.
Throughout this Session, visitors to Recess in SoHo will witness a diverse series of collaborations, starting with Michael Beitz’s construction of “exhibition furniture” for Wiggle Room.
Wiggle Room will feature the following events:
Tuesday July 12th Reception/Viewing for Michael Beitz
Thursday July 21st Jeff Jensen Night of Laughs Friday
July 29th Chuleta & Hennessy Youngman Bury Post Black Thursday

August 4th CHERYL closing performance

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Daniel Parmanetter@ FIVEMYLES.

July 12, 6 – 9 pm Don’t Think Twice, It’s All Right

FROM THE ARTIST:

I’ve been working with Bob Dylan as a metaphor or symbol in my works for a few years now but wanted to make it a bit more abstract, further away from the real person.

The installation visually is based on a particular sort of stage light that I only know from single person performances in the the 60s and 70s and that for me is also very metaphorical. I combine this with audio footage of a very special moment in Dylan’s carrier. Somebody called him “Judas” in a show in Manchester, England in 1966. You can watch that here:

And I will ad my own story to this. Not my personal one, but a kind of metaphorical little story. I’m replaceing his real answer to the Judas cry with words I’ll rearrange from footage of the old man Dylan’s voice. So you will see the puppet in that stage light and hear the Judas cry followed by a rather metaphorical answer.

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Over the course of five years since he launched his enterprise New York Night Train, Jonathan Toubin has forged a singular career and achieved remarkable success: He is not only a deejay with a staggering collection of rare garage rock and soul on 45 rpm records, but also a visionary creator and producer of long-running (and now internationally touring) multi-media parties. This summer, he will take a break from his Soul Clap and Dance-Off, the most popular soul party in North America, to focus on the launch of his most ambitious undertaking to date, Land of 1,000 Dances, in which live dance demonstrators and projected videos—montages of vintage and original footage—will teach partygoers the dance crazes of the 1960s while Toubin plays 45s he has curated specifically for the individual dances.
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Discursive Arrangements, or Stubbornly Persisent Illusions @ Klaus Von Nichtssagend.

Curated by Timothy Hull and Lumi Tan Mathew Cerletty, Devon Costello, Timothy Hull, Ryan Mrozowski, Thomas and Renée Rapedius, Sean Raspet, Ruby Sky Stiler, Sophie-Therese Trenka-Dalton, Allyson Vieira

July 14th – August 14th, 2011 Opening Reception: July 14th, 6-8 PM

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Third Thursday Presents: Forgotten City Lights @City Reliquary

A Photographic Archive of NYC’s Street Lamposts Curated by “Forgotten New York” author and webmaster, Kevin Walsh and NYC transit employee and enthusiast, Bob Mulero

This Third Thursday, July 15th from 7-10pm at the City Reliquary Museum, 370 Metropolitan Ave.Join us for the opening reception of a truly illuminating exhibit, “FORGOTTEN CITY LIGHTS: A Photographic Archive of NYC’s Street Lamposts.” This newest exhibit focuses on the often ignored but always overhead variants and styles of NYC street lamps.

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Bethany Shorb, Supplemental Restraint System @DEVOTION GALLERY.

On view until July 24th, 2011

Exhibition preview – Detroit-based visual artist Bethany Shorb’s “Supplemental Restraint System” is born from classic American and vintage European sports car parts harvested from wrecked vehicles. Her work is tightly wrapped in an outer skin made exclusively from previously deployed airbags, beaded and sutured back together forming another protective barrier in an imagined automotive crash narrative, then further fetishized in glass scientific vitrines. Also included in the show are neon and automotive emblem text assemblages as obsessive tropes on car-culture.

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Cold Cave

Cult of Youth, Zambri

Knitting Factory Brooklyn

Tue, July 12, 2011 Doors: 8:00 PM / Show: 8:30 PM $15.00 Cold Cave are an experimental electronic pop group from Philadelphia and New York City who make melodic synthscapes with jackhammer beats. They acknowledge the dark roots of synthesizer music as well as its potential for making the brightest pop with their hard songs celebrating the contradictory beauty of the human condition.

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HARIBO: the Haribo experience presents Candy Rain c/o Raul De Nieves and Jessie Stead @ Secret Project Robot.

Opening Reception: Friday July 15th, 2011

The Haribo Experience presents Candy Rain. Featuring limited edition Raul De Nieves and Jessie Stead flavored video installation elegance. Inside the music box with the lid closed and the lights off the tiny ballerina starts to cry. You give her all your money but its too late you are soaked to the bone with her dance-floor tears and intoxicated politely… forever. The hairdos grow backwards entering your brain, are you experienced? Join us for a joy-us one-way trip into the song flavored box.

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LoVid
The Other Side of Ground @Mixed Greens.

JUNE 16–AUGUST 26, 2011
OPENING: THURSDAY, JUNE 16, 6-8PM

Mixed Greens is pleased to present the site-specific window project The Other Side of Ground by Tali Hinkis and Kyle Lapidus, the artist duo known as LoVid. Their dynamic, colorful pieces are a masterful mix of the low- and high-tech.

Known for their innovative performances, live video installations, tactile objects, patchworks, sculptures, and installations, LoVid encourages the viewer to reexamine his/her relationship to the digital world. By mixing analog and digital philosophies, processes, and techniques, LoVid’s pieces come to life. In one piece, for instance, it was necessary for viewers to touch points on a monolithic sculpture in order for a video to activate. Human touch became the subject of a digital output. MORE »

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MORE:

Colorific @ Postmasters Art.

Swamp Dogg @R&B Festival at MetroTech

LAND @KLOMPCHING.

MISS BUGS PARLOUR @BROOKLYNITE.

Salon: Tang-Wei Hsu and Michael Kienzer@ISCP

TIM KUHL’S DOOMSAYER CD RELEASE SHOW: Michael Formanek, bass; Ben Gerstein, trombone; Jonathan Goldberger, guitar; Frantz Loriot, viola; Tim Kuhl, drums; Jonathan Moritz, saxophones

25 Years, 25 Artists @Julie Saul

NAG: Wednesday, July 13: Greenpoint & Northside Loft Tenants Meeting In June 2010, the NY State Legislature expanded the Loft Law, giving coverage to North Brooklyn!  For more background on what the Loft Law is and who qualifies, please visit our blog.



THE (LONG) WEEKEND MAY 27-29.
May 27, 2011, 7:00 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FRIDAY: MAY 27th

(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
http://www.myspace.com/mattlavelle

(BOTTOM video:The Local 269)

Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10

PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011

OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM

Paint it Now curated by participating artists Thomas Buildmore and Scott Chasse

The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)

READ OR LISTEN TO AN INTERVIEW WITH THE 22. 

SUPERCODA PRESENTS:
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.

http://www.myspace.com/mamieminch -
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.

http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire

http://anomylos.com/

Annual End-of-the-Season Poets’ Potluck

FRIDAY MAY 27 / 10PM

Come celebrate the end of another season at the Poetry Project!  The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food.  An array of writers from the Poetry Project series as well as other local reading series will read/perform their work.  Any one interested in bringing a dish for the potluck will contribute to an amazing feast.  If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.

VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
Brooklyn, NY

NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.

VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.

Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)


Photo Courtesy of Paper Magazine

CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm

Christopher Henry Gallery

127 Elizabeth Street
New York, NY

See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**

On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!

SHOW! 

Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.

Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)

Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)

Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)

Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.

We’ll have cheap beer! Shayna might make Baklava!

SATURDAY: MAY 28th


Return of the Mini Zine Fest @ PETE’S CANDY STORE

Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM
More info

Pub(l)ic Identities: Reading Medical Representations of Sex

woman1

An illustrated lecture with medical artist Shelley Wall
Date: Saturday, May 28th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.

Ashley Bickerton
Through 25 June 2011

540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)

http://www.reverbnation.com/nicklyons
http://www.yonikretzmer.com/
http://jessiemnelson.com/

JIM GAYLORD: SPOILERS @JEFF BAILEY GALLERY.

May 25 – July 1, 2011
Opening Reception:
Thursday, May 26

THE FITTING ROOM
25 MAY – 25 JUNE, 2011

DAVID BRODYMERNET LARSENNICOLE WITTENBERG
CURATED BY DAVID COHEN

PRESS RELEASE download
PARTICIPANTS download

(READ MORE.)

OBSTACLE @INVISIBLE DOG ARTS CENTER

MAY 14 – JULY 10

Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES

Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here

OPENING PARTY SLIDESHOW HERE


Through The Warp @REGINA REX
5/28/2011 – 6/19/2011 

Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)

SUNDAY: MAY 29th

Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)

Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck

Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:

The Red Light New Music Collective - http://www.redlightnewmusic.org/

Sxip Shirey - http://www.sxipshirey.com/

Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
http://www.youtube.com/watch?v=q8W01gC1Mik

Jonathan Wood Vincent - http://www.reverbnation.com/jonathanwoodvincent

Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about -http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp

Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st.  This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils.  The artist delighted in painting myriad details.  These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”




Grossmalerman!/Fireside Puppet Chats/Nelson Manobar/Al Wadzinski/2000 Years of Physics/RAZVAN BOAR/Romantic Agony/BLIP FEST

WATCH THE 1st EPISODE.

May 19, 2011–June 25, 2011
531 West 26th Street, NYC

Guy Richards Smit satirically bends artistic authorship with new paintings and video in Grossmalerman!  Thanks to Guy Richards Smit for the following text from Jonathan Grossmalerman, writing in defense of his portrayal in Grossmalerman!, Amagansett, April 2011:

“That a man, any man, be he a thundering genius or a mere citizen, might die never having had his own sitcom, seems to me, a terrible injustice.” Those were the last words of my father, Saul Grossmalerman, a strikingly sullen man with few ambitions, a habitual liar about boring things not worth lying about. What a piece of shit. In any case, this was one of the more interesting things he said and that it was uttered on his deathbed gave it a certain…approximation of gravitas. For what it’s worth, it has always been a burr on the tunic of my outrageous success. It was with that in mind that I, perhaps foolishly, gave permission to the painfully charismatic Guy Richards Smit when asked to use my name and paintings in his “sitcom,” a show ostensibly about me and my life. Let me state frankly: it is not.(READ MORE.)


Fireside Puppet Chats @ DIXON PLACE: Christopher Williams and Patti Bradshaw

May 18 at 6:00pm FREE
Curated and hosted by Kate Brehm, this on-going series features impromptu, informal and intimate conversations with NYC’s puppet artists. This month’s special guests: Christopher Williams and Patti Bradshaw and we will discuss the End of the World! Followed by a performance of Alissa Hunnicutt’s The Kid Inside. (READ MORE.)

“Nelson Manobar,” with Jimbo Blachly and Lytle Shaw, editors of the Chadwick Family Papers

Date: Thursday, 19 May 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary

Please join Jimbo Blachly and Lytle Shaw, editors of the Chadwick Family Papers, for the land launch of the Nelson Manobar. The Chadwicks’ recently restored occupiable model of Admiral Nelson’s HMS Victory has never before been exhibited publicly in the United States.

The event features:

Nautical electronica

Drinks from the hull of the Manobar

Rare recordings of Chadwick Dalton’s legendary sea chanty collection

(READ MORE.)

False Idols: Al Wadzinski @NYSG.

Reception May 20; 7-9pm
May 19, 2011
through June 19, 2011

NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)

The 10 Most Beautiful Experiments: A Walk Through 2000 Years of Physics @BROOKLYN BRAINERY

Thursday, May 19, 6:30-8pm

If we think back to our High School years…probably nothing. But to the scientific mind, the concept of the “elegant proof” is deep and satisfying thing. In a survey some years back, physicists identified the 10 experiments that they felt were not just important…but really cool, elegant…and beautiful. They span millennia, from Ancient Egypt to Modern Europe.

Each experiment will be related, along with the how and why of its execution (some may be tried at home – depending on your research budget). How to measure the size, mass and rotation of the Earth. What light is made up of. The atom and electron. Wave mechanics. And a smidgen of Quantum Mechanics. At the end, you will walk out with a broad, expansive survey of Physics and its history. Led by Daniel. (READ MORE.)

RAZVAN BOAR – Solo Show @ Ana Cristea Gallery
May 19 – June 25, 2011
Opening Reception: Thursday, May 19, 2011, 6 – 8pm
(READ MORE.)

Romantic Agony @ HORTON GALLERY.
May 19 – Jun 18, 2011


Ion Birch
Doron Langberg
Jacques Louis Vidal
Summer Wheat

(READ MORE.)

BLIP FESTIVAL @EYEBEAM.

Blip Festival will take place May 19-21, 2011

Marshall McLuhan writes, “Obsolescence never meant the end of anything, it’s just the beginning.” Taking Blip Festival’s spirit of ‘obsolescence as the beginning’ into the realm of visual art, a nightly screening is presented by artists who are bringing new life to the technology and aesthetics of our recent past.

From animated GIFs to video collage, from memes to digital abstraction, the artists included in Blip Festival Gallery employ the wealth of creative technologies of networked culture. Includes work and premieres by: Sterling Crispin, Alexandra Gorczynski and Nicolas Sassoon.

Curated by Lindsay Howard

(READ MORE.)



The Edna EXPERIMENTS and Ben Pranger @Gallery Aferro

Continue reading



Historic Gastronomy @ Brooklyn Brainery.

HISTORIC GASTRONOMY classes complete with hints of political undertones and a sprinkling of vintage cookbook porn at Brooklyn Braniery start May 3rd. Read below for more info and CLICK HERE  to sign up.

Instructor: Sarah L.
Cost: $50
Meeting Schedule: Three Tuesdays, May 3, 10, and 17, 8:30-10:30pm
Semester: May 2011

In this course, we will explore the day-to-day cooking of the past 200 years: tasting; talking; and extracting inspiration from the past to inspire contemporary cooking. In this three-part course, you’ll become familiar with the popular flavors and recipes of different eras, then learn how to interpret historic and vintage recipes for a modern day kitchen.

Part 1: A Timeline of Taste

A Timeline of Taste will explore the history of American food through flavor: we’ll travel from 1796-1950, making a pit stop every 50 years to explore the tastes of a particular time. You’ll be allowed to smell and sample the spices, fruits, extracts, and other ingredients that defined the flavors of different time periods. From rosewater to vanilla; nutmeg to cinnamon; citron to reddi-whip, we’ll discuss why each of these flavors were popular and how they were used in day to day cooking.

Part 2: Iconic Dishes

What was being cooked in the kitchens of American can reflect the politics and popular culture of an era. Looking at the past 200 years, we’ll explore iconic recipes from each time and discuss why each was popular: including the legends behind them and the technology that made them possible. We’ll taste each of these recipes and talk about what they represented to families, communities and culture.

Part 3: Re-writing Recipes

In our final session, participants are invited to bring in their own vintage cookbooks and handwritten recipe cards from the past as we learn how to interpret historic recipes. We’ll unveil tricks to modernize these recipes for today’s kitchen: how to interpret amounts, flesh out directions, find comparable ingredients and most importantly, learn how to pull inspiration from these recipes to create unique contemporary dishes.

http://brooklynbrainery.com/courses/84-historic-gastronomy




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