Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh
Jacqueline De Jong’s Situationist Times, 1962-1967
Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.
The first of our Bloomsday contest submissions are arriving. Here is a lovely jumble by David Clark of Nova Scotia called Ulysses 101. He describes as “triptych of randomly combined clips,” that ingeniously riff’s off Joyce’s epic in style and content. Read all about it below and view the piece by clicking on the link below. It’s interactive, so be sure to click each picture to view all the lovely nooks and crannies.
Ulysses 101 by David Clark
2006, Interactive Website (Flash)Produced at a residency at La Chambre Blanche, Quebec City
This interactive video was shot on the 101st anniversary of Bloomsday, the fictional day documented in James Joyce’s Ulysses. The piece is a triptych of randomly combined clips of Mary Beth Canty, a musician who was living in Quebec City just around the corner from where I was doing a residency at La Chambre Blanche that summer. As well there are animated collages that use excepts from the text on page 101 of ‘Ulysses’ by James Joyce woven into the piece. There are 101 clips that are triggered by the viewer’s click. The piece was inspired by the spirit of Joyce’s novel to capture the day in the life of a person and it is also an interactive mash-up of the Joyce’s words.