Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.
Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”
TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1” buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.
OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.
SONIC: Sounds of a New Century (ONGOING)
SONiC – Sounds of a New Century – a brand new festival of 21st century music by more than 100 composers age 40 and under, will take over New York from Friday, October 14 through Saturday, October 22, 2011. Events will range from a daylong marathon to a DJ/VJ night, from a free symphony concert at the World Financial Center Winter Garden to collaborations between emerging choreographers and composers. SONiC concerts will take place at ten different venues throughout New York, and will include performances by 16 extraordinary ensembles featuring at least 18 world premieres, eight US premieres, and eight New York premieres. SONiC is co-curated by composer Derek Bermel and pianist Stephen Gosling, and is a production of American Composers Orchestra and The Alice M. Ditson Fund of Columbia University. SONiC is presented in partnership with Carnegie Hall and Miller Theatre at Columbia University. New York Public Radio’s online radio station, Q2, is the media partner and digital venue.
Secret Science Club “Controlled Experiment SPECIAL EVENT: The Secret Science Club is teaming up with the Imagine Science Film Festival for “Controlled Experiment,” a night of science-inspired short films.
Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.
Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
It’s always very exciting to see what weirdness Vol I contributor Toby Stretch is going to come up with and as always this collab with the band, Dode, is satisfyingly strange and weather appropriate.
In conjunction with the exhibition Why Participate?, Angela Washko has organized a lineup of videos and live performative lectures by artists whose projects take place within social spaces. The works being presented and discussed are mischievous, critical, occasionally hilarious, and examine the boundaries of legality. Artists Jason Eppink, Nate Hill, Ann Hirsch, Jaime Iglehart, Action Club, Paolo Pedercini, and Jeff Stark present and talk about their works discussing surveillance, costumed public service, reality television, knock-off culture, collaboration, video game evolution, protest, and performance in public spaces. Free + Bring your own beverages and snacks (images courtesy of Jeff Stark)
Nine poets from the First Annual New York Poetry Festival join forces to raise funds for the Festival and Bowery Arts + Science. Featured poets include Lisa Marie Basile, Jassie Harris, Meghann Plunkett, Rita Mercedes, Sarah Feeley, Ayala Sella, Nick Adamski and Bob Holman w/ Molissa Fenley.
Books will be available for purchase after the reading.
Admission: $8
The Bowery Poetry Club is located at 308 Bowery (between Houston and Bleecker)
SEE MORE EVENTS.
Starts at 36th Street & 5th Avenue, ends at Christopher & Greenwich Streets. Download the 2011 Route Map.
Sunday, June 26th, 2011, Steps off at 12 noon
Mikko Innanen – alto sax, Joe Fonda – bass, Lou Grassi – drums.
06/13/2011 8:00 pm $10.
Monday, June 13 – Performance EVOLVING MUSIC Series @ Clemente Coto Velez Cultural Center
Presenting Joelle Leandre solo & Joelle Leandre / Steve Dalachinsky Duo!
7:30 – Joelle Leandre Solo Contrabass
8:30 – Steve Dalachinsky & Joelle Leandre Duo
Admission is $16 per set or $21 for the evening
At Clemente Coto Velez Cultural Center
(Suffolk St and Rivington St) F or J to Delancey/Essex
TUESDAY AND WENESDAY:
LANDON KNOBLOCK/OSCAR NORIEGA/JEFF DAVIS @UNIVERSITY OF THE STREETS
Landon Knoblock – keyboard,
Oscar Noriega – alto saxophone,
Jeff Davis – drums.
06/14/2011 10:00 pm $10.
Please join us for a lecture and screening by artist Carlos Motta, followed by a discussion with curator Niels Van Tomme.
In his lecture “Amnesia and Repression: A Series of Attempts to Establish a Memory Project of Political Conflict from an Aesthetic Practice,” Motta will discuss his recent video and performance projects Six Acts: An Experiment in Narrative Justice (2010) and Resistance and Repression (2010). In these works, Motta attempts to offer a space for the articulation of memory of political conflicts from an aesthetic perspective. He does so by using the concept of “narrative justice,” a notion of justice detached from the judicial field and focused on narrative and communication as pillars of possible reconciliation. The lecture reflects on unresolved instances of political violence in Colombia and Honduras—instances that unveil a lack of a culture of memory and of social justice.
This event is organized within the framework of Provisions Learning Project’s “Aesthetic Justice” exhibition on view at the Lambent Foundation in New York until 22 June 2011. The exhibition features the works of Alyse Emdur, Rajkamal Kahlon, Carlos Motta, and Larissa Sansour, and can be viewed by appointment, Tuesday to Thursday, 11 am to 4 pm. Email exhibitions@lambentfoundation.org to schedule an appointment.
Featuring visual responses to a collaborative sound piece by artists John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O’Connell, Gonzalo Puch, and Zane Saunders.
Recess @ Kidd Yellin
133 Imlay Street
Red Hook, Brooklyn
Tuesday, June 14th- Photographer and video artist, Rob Carter, will give an audio visual presentation of his work at the Red Hook outpost of Recess Activities, in collaboration with Kidd Yellin. He will discuss the evolution of his work and screen several animations, including some new unseen projects. (READ MORE.)
Award-winning puppet company Drama Of Works premieres their new historically-based full-length puppet theater piece in progress, Leakey’s Ladies. A collaboration with playwrights Crystal Skillman, Rachel Hoeffel and Erin Courtney,Leakey’s Ladies explores the work of female primatology pioneers; Birutė Galdikas, Jane Goodall and Dian Fossey.
Nels Cline is one of the most versatile, imaginative and original guitarists active today. Combining breathtaking technique with an informed musical intelligence, the self-taught Cline displays a mastery of guitar expression that encompasses delicate lyricism, sonic abstractions, and skull-crunching flights of fancy, inspiring Jazz Times to call him “The World’s Most Dangerous Guitarist.” Cline has performed on over 100 albums spanning numerous genres. In addition to his latest trio The Nels Cline Singers, formed with drummer Scott Amendola and bassist Devin Hoff, Cline is also the lead guitarist for the critically acclaimed rock band Wilco, which he joined in 2004.Click here to listen to “The Nomad’s Home”
Marc Ribot, who the New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device,” has released 19 albums under his own name over a 25-year career, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. His latest solo release, Silent Movies(Pi Recording 2010) has been described as a “down-in-mouth-near master piece” by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board.Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985’s Rain Dogs, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Elton John/Leon Russell’s latest The Union, Solomon Burke, John Lurie’s Lounge Lizards, Marianne Faithful, Joe Henry, Allen Toussaint, Medeski Martin & Wood, Caetono Veloso, Susana Baca, Allen Ginsburg, Madeline Peyroux, Nora Jones, Jolie Holland, Akiko Yano, The Black Keys, and many others. Marc works regularly with Grammy® award winning producer T Bone Burnett and NY composer John Zorn. He has also performed on numerous film scores such as “Walk The Line” (Mangold), “The Kids Are All Right,” and “The Departed” (Scorcese).“…he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise.” – John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album “Silent Movies”
LUMEN BENIFIT @Spattered Columns
JUNE 15th
6-9pm
491 Broadway, fifth floor, Manhattan Come down to Spattered Columns for one heck of a party. Check out a performance by Quinn Dukes McDivitt, and videos by Matthew Sleeth and Sander Houtkruijer. Music by DJ Mountains. Our sponsor BOMB Lager will be there handing out free merchandise ALL NIGHT LONG.
All proceeds from the party go to the participating LUMEN artists and curators. Tickets are pretty cheap, $10 in advance, $15 at the door. Where else does $10 get you food, drinks, art, and cool people??
Get your tix: http://statenislandarts.org/lumen.html
James Cohan Gallery is pleased to present the group exhibition, Catch the Moon in the Water: Emerging Chinese Artists, running from June 16 through July 29, 2011. Over the past decade, while the West consumed new art from China, a young generation of Chinese artists imagined America as the center of contemporary art discourse. This exhibition showcases a group of young Chinese artists and their thoughts and responses to America as an exotic and remote source of inspiration. (READ MORE.)
Literary Mingle
NYFA offices
20 Jay Street, Suite 740
Brooklyn, NY 11201
Thursday, June 16, 2011
6:30-8:30 p.m.
Please join us on Thursday, June 16 for NYFA’s literary mingle, a gathering of NYFA Fellows in Fiction, Nonfiction, and Poetry, NYFA Fiscally Sponsored Writers, as well as editors, agents, and the rest of New York’s literary community.
Wine and cheese will be served
$5 suggested donation to support NYFA Current, NYFA’s online arts magazine
Bethany Cosentino is a Los Angeles native with a brief stay in Brooklyn, and Best Coast’s influences reflects that: Beach Boys vibe with East Coast 60s girl group such as the Ronnettes and Shangri-Las. Best Coast is brought to life with the help of her long-time friend/guitarist/producer Bobb Bruno and guest drummer Ali Koehler (Vivian Girls). The pair have received heaps of critical praise from editorial publications including Pitchfork, who named their “When I’m With You” single “Best New Music”, New York Times, Spin, Paste, Nylon, Rolling Stone and The Guardian.http://bestycoasty.blogspot.com/
Those Darlins
A Planned Parenthood of New York City Action Fund Benefit
Middle Tennessee’s infamous country punk outfit known for their hooky, saucy songwriting and blistering live performances. They have mouths on them, yes they do. But their mouths are connected to their hearts and minds, and amped by loud guitars.
Noise Jam, an exhibit at The Gutter Brooklyn (200 No. 14th St), in
which musicians participating in the Northside Music Festival will
submit cell phone photos to explore the accessibility of experiences.
Opening reception: June 16, 2011, 10pm-12am.
It’s Bloomsday, the 16th of June, in the Brooklyn Lyceum Cafe. You are very welcome to join our resident Joycean scholar, Emmet Mc Gowan, in a casual celebration of this great day.
Bloomsday, named after the protagonist of James Joyce’s Ulysses, is an annual commemoration of Joyce’s life, and is a beloved Dublin tradition. The day typically involves food, drink, and readings and reenactments of excerpts from Joyce’s 265,000 word epic novel.
Our humble nod to Bloomsday will be a spontaneous evening of recitation and quaffing. We dedicate this evening to The New York Society for the Suppression of Vice, who in 1920 objected to the book’s content and took action to keep the book out of the USA.
Subject of the Academy Award-winning Man On Wire, Philippe Petit comes down to earth for three special evenings to share stories from his life as a creator and performer. WIRELESS! is a 90-minute, one man tour de force that is touching, funny, clever, and extemporaneous. Philippe reveals and demonstrates how he taught himself magic, juggling and the high wire.
Henry Chung continues his exploration of obsolete technologies as metaphor for the changes and complexities of contemporary life in a series of portraits of computer enhanced images culled from flea markets and garage sales, rendered in computer punch tape. (READ MORE.)
With their dizzying folktronica—a mix of innovative instrumentation and songwriting with obscure found sound and speech samples—and perfectly calibrated, hallucinatory quick-cut video collages, THE BOOKS “remain more or less a genre of one… the flotsam and jetsam of American culture aren’t a cheap joke to the Books, but a source of endless discovery and joy.” (Pitchfork) JUNIP, the band that predates Swedish-Argentine singer José González’s solo stardom, conjures an expansive and mesmerizing take on his songs in which “González’s classical guitar and weightless tenor float over soul jazz, Afrobeat, Ethiopian funk and krautrock.” (Rolling Stone) With the “haunting, ethereal, and beautifully melodic” (Paper Magazine) bedroom pop of in-demand pianist and composer Thomas Bartlett’s DOVEMAN. Sponsored locally by Aguayo Realty Group.
Greetings Art fans! In celebration of Father’s Day, the Observatory Things-That-Move Dept. invites you all to take a peek at procreation! In nature, talents can be predisposed, and passed on from generation to generation. Families like the Gentileschis, the Peales, the Bachs, the Wyethes, and most recently, the Kominsky-Crumbs have all made a strong case for this heredity thing; the Bush presidencies, not so much, but hey, it’s a crap shoot! Anyway, our latest show is about a wee dynasty of painters named Corrigan, and through their family oddments, we will examine art, eccentricity, and the vagaries of genetic code.
Fowler Arts Collectiveis pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.
Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun.,June 18 + 19 from 12-6pm for Northside Open Studios.
Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222
Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.
Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.
Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.
Performance Space 122’s longest running series kicks it up a few notches for this demolition derby of theatre, dance, music, and video installation as part of the 30th Anniversary RetroFutureSpective Festival.
Join us for hard core performance during what “always ends up exploding into an all-out party.” – Flavorpill
FRIDAY 6/17:
Hosted by Murray Hill
Performances by Salley May, Alien Comic, Tigger!, Janet Clancy, John Kelly, Andrew Schneider, The Factress aka Luc Sexton, The Dazzle Dancers, Julie Atlas Muz, Urban Bushwomen, Joe E Jeffreys, Miss Joan Moosey, Gina Vetro, Jonathan Berger Music by Hank & Cupcakes, Rockman
Friday-Sunday, June 17-19 and 24-26, 2-10pm
Known for transforming narrative into something richer, stranger, and ineluctably feminine, OBIE Award-winning PearlDamour (Katie Pearl and Lisa D’Amour) join forces with New Orleans-based visual artist Shawn Hall for a hybrid project: part visual art installation, part theater performance that unfolds over an extended eight-hour interval. Beginning with an empty stage, PearlDamour, Hall, and a team of performer-workers transforms The Kitchen’s theater from floor to ceiling, constructing and then dismantling an elaborate evolving environment evocative of an old growth forest at one moment and a spectacular deep-sea landscape the next. (READ MORE.)