THE WEEKEND: MARCH 9-11.

EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012

Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20’s and 30’s through to the 50’s and early 60’s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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THE BASEMENT RECORDINGS BY SHAYNA DULBERGER.

The 22 Magazine: How long having you been playing in Brooklyn?

Shayna Dulberger: I have been playing in Brooklyn since 2004. My first couple of gigs were at the Lucky Cat in Williamsburg. That club is not around anymore. I attended Manhattan School of Music’s Preparatory Division from age 16 to 18. I doubled in the Classical and Jazz program. I graduated from Mason Gross School of the Arts at Rutgers University in 2005 with a degree in music. I studied to be a Jazz Musician.

22: What inspired the Basement recordings?

SD: I decided I needed to work on a conceptual project that would produce a lot of recordings. I was checking out the performance artist Tehching Hsieh. I was interested in his processes and focus on duration and repetition. For this project I was also influenced by the rhythmic elasticity and percussion of Southeast Asia, The Thai Elephant Orchestra for their sense of space and rhythm, and Throbbing Gristle for their experimentation with reverb and delay. I was also thinking a lot about the upright bass and how it doesn’t sound well on ear buds. I wanted to make recordings where the bass sounded like an upright bass but also had enough treble to cut through headphones on the subway. I made short pieces that would sound good on shuffle with a massive music library. After working a lot of odd jobs I thought a lot about ipod shuffles and meditation. I live pretty far south in Brooklyn.

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