NYC Anarchist Book Fair
New York City, a center of anarchist life, culture, struggle, and ideas for 150 years, will host its 6th annual NYC Anarchist Book Fair, a one-day exposition of books, zines, pamphlets, art, film/video, and other cultural and very political productions of the anarchist scene worldwide, on April 14, 2012 at Judson Memorial Church in Manhattan. The Book Fair also always includes two days of panels, presentations, workshops, and skillshares on to provide further opportunities to learn more and share your own experience and creativity. The goal of the book fair is to enable people to connect with one another as well as to provide broader access to the rich and varied field of anarchist ideas and practices. Now is the perfect time to be exploring those ideas and practices and bringing them into play in our communities and the world.
Adam Rudolph – Go Organic Orchestra
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
JAMES GODWIN LUNATIC CUNNING
A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own lifeâ€”such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.
I T I N E R A N T Performance Art Festival
QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.
Three Experimental Operas
Fri. Apr. 6 Un Jour Comme Un Autre by Vinko Globokar ADDDDDDDDD by thingNY Sat. Apr. 7 ADDDDDDDDD by thingNY Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young Sun. Apr. 8 Un Jour Comme Un Autre by Vinko Globokar Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young
Fiction Magazine 40th Anniversary Celebration
Celebrate the new issue and Fiction’s 40th anniversary with contributors Sheila Kohler, Jerome Charyn, Brendan Kiely, and Kesi Foster.
OPERA ON TAP.
OPERA ON TAP. Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandeliers.
With its cautionary title, Triumph skewers the hubris and folly of human ambition. This cavalcade of epic works references mythology, the occult, and organized religion, and uses age-old techniques of visual storytelling to voice personal angst. Depicting grand themes with extravagant embellishments, Kuksi’s assemblages of small, mass-produced materials are intrinsically narrative. Like gilt Baroque altarpieces, their stunning excess of detail is the ideal vehicle for the artist’s critique of power and piety. And like those early works of public art, they appeal to the viewer to transcend the strife and striving associated with greed.