THE WEEK: APRIL 30-MAY 4.

 EDITOR’S PICKS: 

FULL LIST OF ALL MAY DAY EVENTS HERE.

May Day 2012
http://www.maydaynyc.org/
05/01/2012-05/01/2012

We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!

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THE WEEK: AUGUST 15-19.

PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

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The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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Degenerate Art Ensemble: RED SHOES APRIL 3rd @ CPR.


At 7:30 p.m. on Sunday, April 3 Degenerate Art Ensemble will reprise their work performed at Watermill, but this time in the Williamsburg section of Brooklyn at CPR – Center for Performance Research. Click HERE to read more about the event and purchase tickets.

THE WORK

Red Shoes On April 1 at The Watermill Center and April 3 at CPR – Center for Performance Research, Degenerate Art Ensemble (DAE) will present public performances of their work in progress titled Red Shoes. Red Shoes reimagines Hans Christian Andersen’s tale of a girl who is cursed to dance herself to death as a punishment for following her creative desires. DAE describes their work as ‘live music driven, comedy / horror, butoh inspired physical theatre.’ Their performance will utilize the musical talents of local East End musicians and will explore audience involvement in both the creation of soundscapes as well as choreography in portions of the piece. Their residency at Watermill is focused on the completion of one of the chapters of Red Shoes which is set to premiere at Seattle’s Frye Art Museum in May 2011. With limited opportunity to hold full rehearsals in the actual performance sites in Seattle, they will use the residency as a testing ground. Museum locations include a forest, a body of water, a field, and an indoor exhibition space – all spaces that exist on or nearby the Watermill grounds.

THE ARTISTS

Degenerate Art Ensemble Degenerate Art Ensemble is a performance company that creates original and adventurous productions using live music, physical theater and the visceral language of Butoh dance. Audio elements include live foley art, orchestras/chamber ensembles, bands, newly invented instruments, and electronics. Their creative approach is intensely collaborative and is in a constant state of invention and re-invention. Aesthetically extreme, influenced by punk, protest, cartoons, nightmares and fairy tales, DAE takes the viewer into otherworldly landscapes — full of compelling characters and music that doesn’t just accompany the action, but defines the mental state and reveals secrets to the audience that the characters will never know. DAE’s work is a tightly wound mechanism made up of triggers and cues that when released on stage aims to achieve a heightened sense of awareness one might find in a sacrificial rite. DAE has been presented by On The Boards (Seattle), REDCAT (L.A.), New Museum (N.Y.), Festival Alternativa (Prague), T.F.F. Festival (Germany) and many others in ten countries of Europe and North America. DAE has garnered acclaim with more than five hundred concerts and performances in ten countries. It has explored a diverse variety of formats, including music, dance, theater, film scoring, recording, sculpture, and painting in over one hundred original performative works and nine commercial music recordings. The group has received commissions from On the Boards, Commissioning Music USA, and the Aaron Copland Fund, and will be in residence at The Watermill Center a Laboratory of Performance. DAE is currently the subject of a large scale touring museum exhibition at the Frye Art Museum in Seattle, Washington. www.degenerateartensemble.com