THE WEEK: Nov 7-11.

MONDAY:

Paul McCarthy, The Dwarves, The Forests 
Hauser & Wirth New York is proud to present an exhibition of major new works by Los Angeles-based Paul McCarthy, one of America’s most challenging and influential artists. Comprising bronzes, a massive tour de force wood carving, and a pair of fantastical landscape maquettes all presented on the gallery’s two floors, ‘The Dwarves, The Forests’ is the first exhibition of sculptures to emerge from McCarthy’s recent exploration of the famous 19th century German folk tale Snow White (Schneewittchen) and the modern interpretation of that story in Disney’s beloved 1937 animated classic film ‘Snow White and the Seven Dwarfs’

AMRAM & CO @ Cornelia St.
David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion

With Liberty and Justice for Some: How the Law Is Used To Destroy Equality and Protect the Powerful
OCD Lecture Series
Stress and the Individual Litigant: Managing the Practical and Emotional Aspects of Litigation and Exploring Alternatives Zombies Identified – (Re)Considering the Monster #2
Harmony Holiday & Jared Stanley
Abigail Washburn
Evolving Music #5 – Remembering Raphe Malik
Occupy: Presented by n+1 and Housing Works
FALL DOWNTOWN: SEASON PARTY
Robert Graham
LINDEMANN YOUNG ARTIST DEVELOPMENT PROGRAM
League of Professional Theatre Women 

TUESDAY:

Listen to This by Alex Ross
Listen to This—which collects Alex Ross’ finest writing for The New Yorker since 1994—is that rare book that moves across the entire landscape of music, from classical to rock and back again. In this series of lively, erudite essays, Ross tells of his own late-blooming discovery of pop, and of how contemporary sounds relate to centuries of musical tradition. He vividly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and, in a previously unpublished essay, brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. Witty, passionate, and brimming with insight, Listen to Thisshows how music expresses the full complexity of the human condition.

The Moth StorySLAM. Theme: Warning Signs
Global Capitalism: A Monthly Update & DiscussionKIRSTIN KAPUSTIK, AMANDA HINCHEY, ALISA FENDLEY, MARI MEADE MONTOYA & FRANCINE ELIZABETH OTT
DANA SCHUTZ “If the Face Had Wheels” book signing and discussion with Barry Schwabsky
Rescue Me!
Balzac’s Omelette
Lonely Dear
CAN MOTHERS STOP TERRORISM?
ICONOMANCY

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THE WEEK: JULY 12-15th

SUPERCODA AND THE 22 MAGAZINE PRESENT: PABLO MALAURIE AND ANDRU BEMIS AND THE 1st ARTIST’S OPEN FORUM

JULY 14th CAFE ORWELL 7pm
Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.
PLUS as an extra amazing bonus we just found out Andru Bemis is coming by as well! He’s played with some great folk and best of all he chooses to go it solo, no endorsements, no contracts, just him and the rails riding him from town to town. It’s an amazing feat in this day and age and we’re thrilled to have him! Read more about it at his website: http://www.andrubemis.com/ Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the  brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every  night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.

PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.

http://www.the22magazine.com/Pages/upcomingevents.html

The Belle Brigade @ MERCURY LOUNGE TUESDAY JUNE 12th. More about the Belle Brigade.

Tuli Kupferberg @ BOWERY POETRY CLUB JULY 13 7:00 PM

Tuli Kupferberg (1923-20

10), cartoonist, song-comedian, Beat poet, anarcho-geographer, Lower East Side atheist guru, anti-circumcision activist, author of I Hate Poems About Poems About Poems, died one year and one day ago. Friends and half-dressed disciples will celebrate his ever-awakening memory. Hosted by Sparrow. Jeffrey Lewis, Terese Coe ,John S. Hall, Thelma Blitz, Steve Dalachinsky, Yuko Otomo, Bob Holman Lawrence, White Richard West, Sparrow

The event will be a benefit for the War Resisters League. Watch Live on the Web! http://www.bowerypoetrylive.com/

Paul D. Miller aka DJ Spooky launches his new graphic design project, “The Book of Ice” at Eyebeam. The “Book of Ice” (Mark Batty Publisher) consists of multiple engagements with the theme of ice as presented by posters, stickers, music compositions, and an introduction by best selling author Brian Greene, whose ground-breaking book “The Elegant Universe” sets the tone for some of the issues in Miller’s new book.

RSVP

For the event at Eyebeam, Miller will team up with Bill McKibben, acclaimed writer and founder of 350.org, along with Green Patriot Poster project curator Edward Morris, Small Planet Institute’s Anna Lappé, and several leading theoreticians of graphic design. Miller will also present music interpretations of some of the sonic data as compositions derived from the book and his explorations in Antarctica with a live string quartet, The Telos Ensemble, playing his compositions. At the end of the evening, there will be a book signing, and open social event themed on Antarctica, including a selection of remixes produced by Paul commissioned by the German public radio.

PERFORMANCY FORUM 14 at BOB the Pavilion

Wednesday, July 13, 7-10PM

TESS DWORMAN

ANYA LIFTIG

BEN SPATZ/MAXIMILIAN BALDUZZI/URBAN RESEARCH THEATER

MATTHEW STEPHEN SMITH

CHRISTY WALSH

PAUL PINTO AND JEFFREY YOUNG (OF THINGNY)

and PPL composer BRIAN MCCORKLE and members of the CAST performing an excerpt from ‘INSTITUTE_INSTITUT’ concert-style and YOU!

BOB the Pavilion is a composting toilet and inflated platform for performance and more! http://www.bobthepavilion.​com/BOB the Pavilion was supported by a grant from Columbia University School of the Arts (SOA) and Graduate School of Architecture, Preservation, and Planning(GSAPP).

Ritual A Group Exhibition by HONEYCOMB

Brooklyn, NY, July 2011, HONEYCOMB and Causey Contemporary proudly present Ritual, a group exhibition featuring original artwork produced by over twenty of the freshest urban, newbrow, young contemporary artists hailing from seven countries. The public is invited to the artists’ reception on July 12th from 6 – 9 p.m Ritualistic behavior is one of the few things that have universally permeated all human sociological development. It has helped form civilizations, spawned entire belief systems, and through the ages has continuously influenced human conduct while simultaneously shaping the world as we know it. While the actual processes may vary, the incorporation of ritual into society is something that transcends nationality, geographic location and linear timeline. Cultures of both the past and present have used symbolic, traditional or religious rituals for any number of reasons including divination, personal pleasure, the achievement of spiritual or emotional needs, the formation of social bonds, expressions of respect and devotion, the advancement of social status, acceptance or for educational purposes. Although there are great differences among the countless rituals in existence, it is evident that regardless of intent or appearance, ritualistic behavior is undeniably intertwined with both our past and our future, and something that unites us all.

Othelo Gervacio @ FUSE GALLERY.
“Postboredom”
Exhibition: July 13 through July 27, 2011

Opening Reception: Wednesday, July 13th, 7 to 10 pm

Boredom inspires creation. In Othelo Gervacio’s case, Postboredom is art garnered from his lingering disenfranchised youth. Gervacio has held onto the adolescent manifestation of making art and music because “you hate what is happening around you.” He states, “Are the only punks left now ‘Fashion punks’? No thanks, I’d rather I’d sit at home, listen to sludgy metal and paint something dark.” Othelo Gervacio is a new face in the downtown New York art scene.  After four years under the wing of tattoo/fine artist Scott Campbell, and prior schooling in the arts, Gervacio has channeled his experiences to create his own definitive style.  With the use of dark imagery and gothic lettering forms,
his art reflects an influence from the grittier side of tattoo culture, metal music, and lingering teenage angst.


Shapeshifters @ 4 4 3  P A S

Curated by Laurel Sparks

July 14 – August 26

Opening Reception: Thursday, July 14, 6-8 pm

bespoke bathing costume
Sparks says this show features geniuses only!
Come one come all y’all to gawk at their works:
whose stalagmites elude portrayal
but for the smudgen empyrean
fibrous by seat of their cohort–
ashtray w/ suspenders unwrinkled
a pile of glazier-thin feuilles fatales

flurry of homosocial g.w.ps
twins peer at the heart in thir pants
weeping fruitier and downreaching espalier
a nacorn an urn unhectorized
gutterclouds inform an architecture
its mouth a painted hare or rabbitt
atop an accretion of realnesses.
how do you value a painting? by its
pearlescent gummery centre. can
a beercan grow a thing. potteryhound
helmet from hellsdeep chainworks the
neolyth clawfoot cum eagle arm–
tender clips of the fan, snakely
beads reveal sculptoraly or by
erasure the ponderous red creature.

– Julian T. Brolaski

June 18, 2011,
Larry Bob Phillips will begin work on his project Wiggle Room, as part of Recess’s signature program, Session. Session invites artists to use its storefront space as studio, exhibition venue and grounds for experimentation.
Over the course of two months, Phillips will record four collaborative events, covering the walls inside 41 Grand Street with large-scale, and densely detailed drawings. Phillips will invite artists to join him in the space for temporary performances, and will draw these interventions. The artist’s anticipation and memory of the performance will inform the content of Phillips’ wall drawings. Visitors to Recess can engage in performances and witness their own integration into the ongoing drawing.
Throughout this Session, visitors to Recess in SoHo will witness a diverse series of collaborations, starting with Michael Beitz’s construction of “exhibition furniture” for Wiggle Room.
Wiggle Room will feature the following events:
Tuesday July 12th Reception/Viewing for Michael Beitz
Thursday July 21st Jeff Jensen Night of Laughs Friday
July 29th Chuleta & Hennessy Youngman Bury Post Black Thursday

August 4th CHERYL closing performance

Daniel Parmanetter@ FIVEMYLES.

July 12, 6 – 9 pm Don’t Think Twice, It’s All Right

FROM THE ARTIST:

I’ve been working with Bob Dylan as a metaphor or symbol in my works for a few years now but wanted to make it a bit more abstract, further away from the real person.

The installation visually is based on a particular sort of stage light that I only know from single person performances in the the 60s and 70s and that for me is also very metaphorical. I combine this with audio footage of a very special moment in Dylan’s carrier. Somebody called him “Judas” in a show in Manchester, England in 1966. You can watch that here:

And I will ad my own story to this. Not my personal one, but a kind of metaphorical little story. I’m replaceing his real answer to the Judas cry with words I’ll rearrange from footage of the old man Dylan’s voice. So you will see the puppet in that stage light and hear the Judas cry followed by a rather metaphorical answer.

Over the course of five years since he launched his enterprise New York Night Train, Jonathan Toubin has forged a singular career and achieved remarkable success: He is not only a deejay with a staggering collection of rare garage rock and soul on 45 rpm records, but also a visionary creator and producer of long-running (and now internationally touring) multi-media parties. This summer, he will take a break from his Soul Clap and Dance-Off, the most popular soul party in North America, to focus on the launch of his most ambitious undertaking to date, Land of 1,000 Dances, in which live dance demonstrators and projected videos—montages of vintage and original footage—will teach partygoers the dance crazes of the 1960s while Toubin plays 45s he has curated specifically for the individual dances.

Discursive Arrangements, or Stubbornly Persisent Illusions @ Klaus Von Nichtssagend.

Curated by Timothy Hull and Lumi Tan Mathew Cerletty, Devon Costello, Timothy Hull, Ryan Mrozowski, Thomas and Renée Rapedius, Sean Raspet, Ruby Sky Stiler, Sophie-Therese Trenka-Dalton, Allyson Vieira

July 14th – August 14th, 2011 Opening Reception: July 14th, 6-8 PM

Third Thursday Presents: Forgotten City Lights @City Reliquary

A Photographic Archive of NYC’s Street Lamposts Curated by “Forgotten New York” author and webmaster, Kevin Walsh and NYC transit employee and enthusiast, Bob Mulero

This Third Thursday, July 15th from 7-10pm at the City Reliquary Museum, 370 Metropolitan Ave.Join us for the opening reception of a truly illuminating exhibit, “FORGOTTEN CITY LIGHTS: A Photographic Archive of NYC’s Street Lamposts.” This newest exhibit focuses on the often ignored but always overhead variants and styles of NYC street lamps.

Bethany Shorb, Supplemental Restraint System @DEVOTION GALLERY.

On view until July 24th, 2011

Exhibition preview – Detroit-based visual artist Bethany Shorb’s “Supplemental Restraint System” is born from classic American and vintage European sports car parts harvested from wrecked vehicles. Her work is tightly wrapped in an outer skin made exclusively from previously deployed airbags, beaded and sutured back together forming another protective barrier in an imagined automotive crash narrative, then further fetishized in glass scientific vitrines. Also included in the show are neon and automotive emblem text assemblages as obsessive tropes on car-culture.

Cold Cave

Cult of Youth, Zambri

Knitting Factory Brooklyn

Tue, July 12, 2011 Doors: 8:00 PM / Show: 8:30 PM $15.00 Cold Cave are an experimental electronic pop group from Philadelphia and New York City who make melodic synthscapes with jackhammer beats. They acknowledge the dark roots of synthesizer music as well as its potential for making the brightest pop with their hard songs celebrating the contradictory beauty of the human condition.

HARIBO: the Haribo experience presents Candy Rain c/o Raul De Nieves and Jessie Stead @ Secret Project Robot.

Opening Reception: Friday July 15th, 2011

The Haribo Experience presents Candy Rain. Featuring limited edition Raul De Nieves and Jessie Stead flavored video installation elegance. Inside the music box with the lid closed and the lights off the tiny ballerina starts to cry. You give her all your money but its too late you are soaked to the bone with her dance-floor tears and intoxicated politely… forever. The hairdos grow backwards entering your brain, are you experienced? Join us for a joy-us one-way trip into the song flavored box.

LoVid
The Other Side of Ground @Mixed Greens.

JUNE 16–AUGUST 26, 2011
OPENING: THURSDAY, JUNE 16, 6-8PM

Mixed Greens is pleased to present the site-specific window project The Other Side of Ground by Tali Hinkis and Kyle Lapidus, the artist duo known as LoVid. Their dynamic, colorful pieces are a masterful mix of the low- and high-tech.

Known for their innovative performances, live video installations, tactile objects, patchworks, sculptures, and installations, LoVid encourages the viewer to reexamine his/her relationship to the digital world. By mixing analog and digital philosophies, processes, and techniques, LoVid’s pieces come to life. In one piece, for instance, it was necessary for viewers to touch points on a monolithic sculpture in order for a video to activate. Human touch became the subject of a digital output. MORE »

MORE:

Colorific @ Postmasters Art.

Swamp Dogg @R&B Festival at MetroTech

LAND @KLOMPCHING.

MISS BUGS PARLOUR @BROOKLYNITE.

Salon: Tang-Wei Hsu and Michael Kienzer@ISCP

TIM KUHL’S DOOMSAYER CD RELEASE SHOW: Michael Formanek, bass; Ben Gerstein, trombone; Jonathan Goldberger, guitar; Frantz Loriot, viola; Tim Kuhl, drums; Jonathan Moritz, saxophones

25 Years, 25 Artists @Julie Saul

NAG: Wednesday, July 13: Greenpoint & Northside Loft Tenants Meeting In June 2010, the NY State Legislature expanded the Loft Law, giving coverage to North Brooklyn!  For more background on what the Loft Law is and who qualifies, please visit our blog.

Save Bowne.

Missed the party listing last night but you can still help by signing the petition.

READ BELOW TO SEE WHAT BOWNE IS ALL ABOUT:

Closed on Valentine’s Day, 2011, after 36 years of operation, Bowne & Co Stationers was a beloved re-creation of a small nineteenth-century printing and stationer’s shop in the South Street Seaport area of Lower Manhattan. Established in honor of one of New York City’s oldest and longest-running businesses, Bowne & Co. was a museum that did not look like a museum. It was a working press that still took custom orders, a destination for researchers and school groups, and a beautiful neighborhood shop that inspired passionate responses from visitors from around the world.

Now, as its parent institution, the Seaport Museum New York, struggles financially, the future of Bowne and its significant collection is uncertain and potentially at risk of disappearing altogether.

Friends of Bowne is a group of individuals who care about what happens to Bowne & Co. It is a public platform for sharing news, ideas, and support, in an effort to ensure Bowne receives the stewardship it deserves. Mainly, it is a way to keep the idea of the shop open, even as its doors are closed, because we believe the survival of Bowne & Co. will help make New York City a richer, more interesting place.

… But don’t just take our word for it! Comment with your own memories and impressions of Bowne on our blog. Tell us why you think it’s important that Bowne survive. Share thoughts,  information, as well as feedback! Feedback is very, very welcome. Also feel free to contact the admins “offline,” if you’d rather, by emailing friendsofbowne@gmail.com.

Doug Clouse and Laura Koo Nicholas are the current admins for this blog. Doug was the shop’s master printer since June 2010 and a volunteer for four years before that. Laura began volunteering in November 2010. Both were present at Bowne on the afternoon that the Museum closed the shop.

Kara Walker at Lehmann Maupin/Sikkema Jenkins & Co.

 

Lehmann Maupin Gallery in collaboration with Sikkema Jenkins & Co.,is pleased to present, Fall Frum Grace, Miss Pipi’s Blue Tale, a joint exhibition of new works by Kara Walker, on view 21 April – 4 June, 2011 at 201 Chrystie Street. At Lehmann Maupin Gallery, Walker will present three new video works, which draw on her own experience in the Mississippi Delta, “a region mythologized in song and popular culture but tragically depressing.” She explains, “I drove down to the Delta thinking about the terrors of Jim Crow and slavery, yet the silent indifference of the landscape and the economic stasis, lack of mobility, and the persistence of a racist memory in the area was what stuck.”

The exhibition at Sikkema Jenkins & Co., Dust Jackets for the Niggerati-    and    Supporting    Dissertations,    Drawings submitted ruefully by Dr. Kara E. Walker, will feature new graphite drawings and hand-printed texts on paper. This body of work grew out of the artist’s search for understanding of the way that power asserts itself in interpersonal and geopolitical spheres. As she embarked on this quest the figural elements began to disappear from her work. Now, they emerge again in what Walker describes as a “giddy embrace” of the figural and the narrative.

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