An interview with Jason Bryant.

The 22 Magazine: So first the basics, where are you from, how did you end up in NY?

Jason Bryant: Well, I was born in Wilson, North Carolina. I was introduced to painting and drawing roughly when I was five and my love for art was immediate and without question. I was lucky enough to have people around me support this passion, to give me hope that the dream to be an artist can be a reality. Art was always a bright light that helped me get through a turbulent childhood. After getting my Masters from The Maryland Institute College of Art, my girlfriend at the time got a job in NY. Very reluctant and intimidated to move so quickly, the path was set for me to end up in NY.

The 22: Your bio says you are “heavily influenced by classic film,” tell me a little about that. Where did this love arise from? Who’s are some of your favorites?

JB: Film, to me, has always been an escape. Like painting, it sends us on a journey where we take what we bring into it, but always come out of the viewing process a little more informed and with a different perspective. There is something so elegant and clean about how black and white film translates to the viewer. It is very baseline and straight forward in its approach. Brando, Newman, and Grant are all some of my favorite actors. They were an actor’s actor, not afraid to take chances and capable of delivering powerful performances with effortless delivery.

The 22: Your upcoming show “Smoke and Mirrors,” from what I gathered, is meant to convey the trick of making something seem better than it is while simultaneously conveying its vulnerability? Why did you chose this topic? What relevance does it have for you or the  “stars” you portray?

JB: That’s exactly it. For “Smoke and Mirrors” I simply wanted to create a show with a double meaning. Every work in the exhibition is a painting based off a film still where the actor is either smoking or viewing their reflection in the mirror. I wanted to create a show where the paintings are beautiful and lavish, but once you read the title or look to see what is happening on the surface of these polished works, you start to see where there are “cracks in the faux finish.” I did not want to be overly dramatic in trying to convey the concept. I did not want to have paintings where the subjects were like pulling back their skin revealing all of their inner demons–nothing that dramatic and in your face.  I wanted the concept to come forward subtly while keeping with the conceptual “sleekness” of my paintings.

The 22: How does skateboarding culture fit into your artistic practice?

JB: I started skateboarding when I was 11. Skateboarding, like art, will be a lifelong love affair. It gave me an identity at a young age and it opened up my world to new ways of artistic expression. Most of all, it gave me lifelong friends who will always be like family. Since I can’t physically skate at the high level I once did, it’s fulfilling for me to bring skate graphics into my work and even paint directly on to skateboards like I’ve been doing the last couple of years. That is where the “Merging Icons” series was born. I wanted to merge iconic skate graphics with iconic film stills, basically combining the two most influential elements in my development as a person and as an artist. I love the effects and changes that my hand brings to the works, like I’m the instrument of combining two great passions. I’m actually working on a piece right now that will bring a third passion into the mix and I’m using a new medium. That’s all I can say at the moment!

The 22: Do you still skateboard?

JB: I still roll around, but at the age of 36, let’s just say I’m not going to go do a Tre-flip down eight stairs. Nowadays landing a kick-flip brings a smile to my face, but that is the point, it’s a joy that never goes away.

The 22: What is important to you about breaking the “frame” of a piece, painting directly on the wall?

JB: With the success of the “Merging Icons” I wanted to push the series forward to where the skate graphics would be breaking outside of the “frame” of the canvas and onto the wall. I got the opportunity to try it out at the Pulse Art Fair here in New York in May and this method will be a big part of “Smoke and Mirrors.” The graphics will be traveling all around the walls of the gallery creating a space in which the paintings and the graphics become the metaphorical “walls” of the environment in which the viewer has entered, bringing the viewer into the world of the paintings where each piece is connected to another through the graphics. The gallery agreed to shut down for a bit so I could do this, which is really great of them.

The 22: You talk about graffiti really brightening up the city in the winter. Are there are specific graffiti artists you admire? What about other painter’s?

JB: My approach is in some ways influenced by graffiti and how street art is used to engage the viewer with the mundane everyday structures we live around. I look at some street artists such as insa and r.o.a. Artists that influence my work are Damien Loeb, McDermott and McGough, Jeremy Fish, Kehinde Wiley, Marylyn Minter, Banks Violette. I do of course have my painting heroes such as Chuck Close and Barbara Kruger.

The 22: There’s one piece in your work that is really interesting, which looks like James Dean being arrested and has the tagline “What’s the matter  guys…didn’t you make your quota for the month?” How does this piece fit into your work? Is it a reflection on recent New York events?

JB: I had been developing three different bodies of work for the past four years that were shown in 2010 in a solo exhibition titled “Trilogy.” One piece which was the highlight of the show was a painting titled Paperwork and Quotas. It is a scene from The Wild One starring Marlon Brando. I simply recreated the film still, drawing and painting it in my normal style but then I added my own subtitles as a part of my “Text” series. I added subtitles that illustrated the film still but has a very contemporary meaning. The painting itself is the foundation trying to communicate struggles within any political system, not just law enforcement and how there is a “bottom line” in any profession that is at times unfair and unjust.

The 22: Another compelling piece is the “rainbows don’t mean shit” piece. What’s going on there?

JB: That piece is titled Happiness. The subject is a very elegant image of a woman staring off in sort of a daydream type of gaze. Her eyes are covered by a fun graphic of a rainbow bursting into the black and white picture plane. It seems to be a very fun and happy piece until you read the text “rainbows don’t mean shit” beneath the rainbow graphic. I simply wanted to have fun in sort of the sarcastic jaded way we view the world today. At the same time though it is commentating on one’s struggles in dealing with the “politics of a profession.” Maybe it is saying that a strong work ethic, talent, and integrity to how you approach your profession is not enough to fulfill a dream, especially not today. Maybe we have lost sight of those values.

The 22: Since so much of your work is based on counter-culture elements tell me how Porter Contemporary (as a Chelsea gallery) became the home for your work and what they offer to an artist like you.

JB: Although my work is based on counter-culture subjects balanced with elegant black and white cinematic imagery, at the core of my work is a foundation built upon a love for the history of painting. The works are highly technical and refined using a traditional approach to painting. This caught the eye of Porter Contemporary in 2006. They were a young gallery, having just opened, and I had lived in New York for just under a year. We have had a great working relationship because the gallery and my work have been able to grow together. The Gallery owner, Jessica Porter, has an incredible work ethic and integrity that is the backbone of the vision for her gallery. It is very inspirational to be around and it has been very exciting to watch the gallery grow along with my work. It is rare that a gallery and artist get to experience growing together with the same basic principles and a certain amount of integrity intact.

For more information about Jason Bryant and his upcoming show visit Porter Contemporary.
You can visit his Website at: http://jasonbryantpaintings.tumblr.com/

The Week/Weekend: August 9-16

Jessica Rath: Take me to the apple breeder
Jack Hanley Gallery
August 09 – 31 2012

Rath’s porcelain sculptures allude to the odd forms and luminescent hues of little-known and endangered varieties, while large-scale photographic portraits document newly manufactured hybrid trees. These artifacts are designed to investigate diversity at a molecular level and human intervention in the natural world.

MY LOVE FOR YOU BURNS ALL THE TIME
348 South 4th
August 11-August 30

MY LOVE FOR YOU BURNS ALL THE TIME transforms the Packard Plant, Detroit’s notorious post-industrial behemoth, into a series of silver-plated fragments of a monument in miniature. Let’s call it Pirnanesian bling. Measured, documented, reconstructed instances suspend the ever-shifting site into a series of precisely scaled replicas of ruination. Some focus on the buildings’ acclaimed iconography: the water tower, the Grand Boulevard bridge. Others preserve unexceptional examples of architectural obsolescence: a reinforced column, a typical façade, an elevator shaft. Suspension here is a devise in the production of fetish-worthy fantasy, allowing an interminable return to an image of degradation that no longer exists in the material world. The copy, consequently, is rendered more auratic, more titillating.

Grand Central Library’s first Comic Extravaganza
Grand Central Library
Saturday, August 11

Do you sometimes wonder where all these superhero movies come from? Are you new to comics or a lifelong fan? Join us for a celebration of all things comic and super! (super hero, that is).
11:00 am – Toon Town: Comic Books and New York City by Kent Worcester
12:30 pm – Manga drawing instruction with Ivan Velez
2:00 pm – Comic Trivia with Geeks Out
4:00 pm – Comics Panel, featuring Marvel writer Greg Pak and Marvel editor Daniel Ketchum

My Name Is New York: Ramblin’ Around Woody Guthrie’s Town
Central Park 
August 11th

Guided conversation on the history of folk music through Woody Guthrie’s New York with Anna Canoni (Granddaughter of Woody Guthrie and researcher / licensing for “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”), Tiffany Colannino, Woody Guthrie Archivist and Assistant Producer of “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”, and Dom Flemons, a member of Carolina Chocolate Drops.

DAYNA KURTZ 
Barbes
Thursday, August 16

With vocal comparisons to Nina Simone and a musical style that pulls from jazz, blues and country, singer/songwriter Dayna Kurtz has found her best success not in America but in Europe. Kurtz started out as a folkie, but has expanded her influences over the years, creating a sound that fits in best with an Americana umbrella.

29th Annual Roots of American Music Festival: Daniel Kahn & The Painted Bird/Taylor Mac/Swamp Dogg
Hearst Plaza
Aug 12 at 1pm, 3pm, and 6pm (see full schedule)

Do politics belong in music? They sure do, especially when delivered as entertainingly as by this handful of radically independent singer-songwriters. Indie folk singer and activist Erin McKeown owes much to the topical songwriting of folk legend Tom Paxton. Bedazzled creature Taylor Mac and band perform selections of political songs from his upcoming 24-hour concert of the history of popular music. Daniel Kahn, whose Painted Bird has been called “the Yiddish Pogues,” is to klezmer music what blues singer Pura Fé, founder of a cappella trio Ulali, is to Native American music.

Underpinnings
House of Yes
Thursday, August 9th

Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.

Flux Thursday
Flux Factory
August 9th, 8 pm – 11 pm

Join us for Shake In/Shake Out, a special performance art edition of our monthly potluck dinner and art salon. Starting in the kitchen at 8pm we will feast and then at 9:00 we’ll head to the gallery for performances, video art, and installations curated by Fluxers Ye Taik, Lehna Huie, and Lena Hawkins.

Dom Flemons and Boo Hanks
Joe’s Pub
August 16

Music Maker Relief Foundation is pleased to announce the release of Dom Flemons’ & Boo Hanks’Buffalo Junction. This album is the result of a partnership between Piedmont-style blues guitarist Hanks and Flemons, who in 2011 won a Grammy Award and played the Newport Folk Festival with his group the Carolina Chocolate Drops. Hanks worked the tobacco fields near his Virginia home for the majority of his 83 years. In 2006 he began a partnership with Music Maker Relief Foundation that led to opportunities such as opening for the Chocolate Drops collaborating with Dom Flemons on their album, Buffalo Junction, named for Boo Hanks’ hometown. The album, which will be released June 19, 2012, features upbeat, country blues that crosses generational lines.

The World Beatbox Association presents:The 3rd Annual American Beatbox Championships
Le Poisson Rouge
Sun., August 12, 2012 / 6:00 PM

This year’s championship event will be presented over 2 days with the Grand Finals being held at Le Poisson Rouge as well as an opening night International Open Mic series at Littlefield performance arts gallery in Brooklyn. The event will feature beatboxers from across America with special showcases by reigning American champion J-Flo, three man ill, and Word of Mouth (Killa Beatz and Subconscious) of Toronto.

ALSARAH & THE NUBATONES
Barbes
Friday, August 10

Fronted by Sudanese singer Alsaraha, the group plays what they call “Nubian Soul”: a selection of Nubian ‘songs of return’ from the 1970s to today with original material and traditional music of central Sudan and southern Egypt. Featuring Alsarah – Vocals; Karine Fleurima – Vocals and Keys; Haig Manoukian – Oud; Rami El Aasser – Percussion and Mawuena Kodjovi – Bass.

The Lost Circus
Irondale
Saturday, August 11

The party, 9pm-late: Discover a circus long lost, with music from times gone by or times that never were: Amour Obscur (gypsy punk accordion vagabonds), Shayfer James (dark, danceable anthems of mischief), and Emperor Norton’s Stationary Marching Band (riotous steampunk brass). DJ Joro Boro bridges the dust of Burning Man with the sounds of a rogue Slavic circus.

FringefestNYC
Various locations
August 10-26

The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues.

Streamline
Kansas Gallery
August 11 – September 08, 2012

Ryan Lauderdale, Owen Kydd, Ignacio Torres, Chloe Wessner, Constant Dullaart, Andrew Pomykalski, Juliette Bonneviot, Ann Hirsch, Kevin Kelly, Aude Pariset, Artie Vierkant, and Sarah Faux.

WoodStock Bowl
Brooklyn Bowl
SUN 8/12

SIXTIES MUSIC/MEMORABILIA SHOW. RARE ’60S PSYCHEDELIC, ROCK & ROLL, FILM/ COUNTER CULTURE POSTERS, VINTAGE CLOTHING/JEWELRY /AUTOGRAPHS/ARTWORK/COMICS/MUSIC/ COLLECTABLE EPHEMERA, FROM THE “DECADE OF CHANGE” CELEBRATING PEACE & LOVE!, PLUS SPECIAL GUEST LEGENDARY GUITARIST GENE CORNISH FROM BK’S OWN ’60S MUSIC ICONS THE YOUNG RASCALS

Détournement: Signs of the Times
Jonathan Levine 
August 8—25, 2012

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

Other Mother Brothers
Cotton Candy Machine
August 10th to September 9th, 2012

Our next event is with three amazing NYC based artists, Jon Burgerman, Andrew Bell, and JK5 for the opening of ‘Other Mother Brothers’. Join us for a show filled with originals, prints, books, designer toys, apparel and more!

TERMINATOR TOO JUDGMENT PLAY
Santos
Aug 11, 2012

Get blasted by super-soakers! Witness the scorching of He-Man action figures! Be dazzled by James Cameron’s revolutionary action sequences and special effects… recreated LIVE (in true 3D)… with next to no budget at all! Think your Arnold Schwarzenegger impersonation is the best around? Here’s your chance to prove it. For each show, the role of THE  TERMINATOR will be chosen from the audience… by the audience!  Don’t worry, we’ll provide all of Arnold’s complex, important dialogue on cue cards.

AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Roulette
Thursday, August 9, 2012 @ 8:00 pm

Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.

RUFUS CAPPADOCIA’s ROOTS QUARTET
Barbes

Thursday, Aug 9

The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.

FOUR TOURS : AUGUST 12, 18, 19 on GOVERNORS ISLAND
PROGRAMS MEET AT STORM KING’S VISITOR CENTER
AUGUST 12, 18, 19

In honor of the 25th anniversary of Socrates Sculpture Park, founded by Mark di Suvero, four artists who have exhibited at Socrates — Janelle Iglesias, Jory Rabinovitz, Rob Swainston, Lan Tuazon — will lead workshops and tours of the di Suvero exhibition and relate the exhibition to their own artistic practices.

The Secret Science Club presents Shark Mania! with Marine Biologist Hans
Thursday, August 16
The Bell House

Shark researcher Hans Walters of the New York Aquarium discusses his wet-and-wild work tagging and tracking sharks and curates a live-screening ofGreat White Highway, a new documentary debuting on Discovery Channel’s Shark Week that follows marine scientists as they pursue the mysterious migrations of great white sharks(Carcharodon carcharias).

Poetry from the Rooftops: Aracelis Girmay, A. Van Jordan & Tom Sleigh
Thurs., August 9, 6:30pm
The Arsenal Building in Central Park, 64th Street at 5th Avenue, NYC

Join us on Thursday, August 9 at 6:30pm for the third Poetry from the Rooftops of 2012. Aracelis Girmay, A. Van Jordan & Tom Sleigh will read from their work.

DAVID ULMANN QUINTET. CD Release Party for “Falling”
Barbes
Tuesday, August 14

David’s debut album, Hidden, was released in 2005 and was called ” an exciting record that reflects restless creativity.” by All About Jazz. David also composes music for film, most recently completing the score for “The Happy House,” a feature filn by D.W. Young. David’s first film project, Atsushi Funahashi’s “Echoes,” was well received by critics and film festivals, winning three Jury and Audience Awards at Annonay International Film Festival in France and the High Hope Award at the Munich International Film Festival.
With David Ullmann – Guitar; Chris Dingman – Vibes; Karel Ruzicka Jr. – Sax; Vinnie Sperrazza – Drums and Gary Wang – Bass.

Karen Marston: New Paintings
Vibrant Intersections
Livable Streets: Queens Style!
Deep In The Cut@ Mighty TanakaRoom No. 5 Circle of Arts and Pablo D’AntoniPolished work by artist Paul Catalanotto
The Post-Olympic City
Die Roten Punkte w/ special guest Jessica Delfino
Our Lady J
Birdy
BEE AND FLOWER are playing with friends BARBEZ and ULRICH ZIEGLER

COMING UP:

Joianne Bittle: On My Way Gone
Gypsy Fest
Al Green
The Fall of the American Movie Palace
Hour of Charm 

The 22 Magazine at Pete’s Mini Zine Fest.



Join us Saturday, July 21st as we do a test run with the first print copies of The 22 Magazine at Pete’s Mini Zine Fest! 
Joining us will be Volume One contributors, John Jennison, Max Evry (selling work for Pranas J. Naujokaitis) and editor Cat Gilbert selling some of her own work along with the magazine. First person to buy a copy of The 22 gets a FREE mini-painting from Cat Gilbert’s “Flowers and Monsters” series. Show starts at 2pm! Come for the books! Stay for the drinks!

PETE’S CANDY STORE
709 Lorimer St
2-7pm
L Train to Bedford or Lorimer
MAP: https://maps.google.com/maps?hl=en&q=709+lorimer+st&ie=UTF-8&hq=&…

FACEBOOK: https://www.facebook.com/events/358155137578857/

Manju Shandler.

WEBSITE.

From the artist~ My large narrative paintings on translucent polyester film reflect on current events using myth, religion, and humor. In these paintings I am exploring concepts of a contemporary utopian ideal and it’s opposition- a place where paradise and the apocalypse meet. I borrow iconography from Renaissance masters, comic books, and religious illustrations.

I am a self-taught painter, developing my style through a process of exploration with materials and content that is both intuitive and ties to my background as craftsperson and theatre designer of puppets and masks. The medias I use – India ink, grease pencil, printing, acrylic and spray paint- are suspended on the transparent film allowing the wall to be visible behind the painting, breaking the metaphor of a painting as a window into another dimension.

My newest multi media paintings have been created in response to the recent tsunami in Japan. The imagery was created by using a mash up of flood images juxtaposed with renaissance masterpieces and 18th century etchings of whaling- one of the first super fuels.

 

Continue reading

THE WEEKEND: JUNE 3-5

Ryan Feeney & Ryan MacDonald@ FOUNTAIN.
June 4th – 25th
Opening Reception:
Saturday June 4th
7 – 10pm

Ryan Feeney’s ‘Obscene Sunsets’ series of photographs explore the power and authority that image cultures have over our sense of reality while Ryan Macdonald’s ‘Pale in Compairison’ body of work explores how the phenomenology of nostalgia and narrative can disrupt our sense of stability in a normal world.

briefepigrams.blogspot.com
ryanfeeney.com


 

BIORHYTHM, MUSIC AND THE BODY @EYEBEAM

Opening Reception 6-9PM Friday June 3 Featuring demonstrations and a live performance by exhibiting artists.

Why does a minor chord sound sad? Is there a formula for the perfect hit? Whistling, dancing, finger-snapping, and toe-tapping—what makes us do it? Find out when music and science join forces in an interactive bazaar of beats, sounds, and rhythm in the exhibition BIORHYTHM, created by the Science Gallery and presented at Eyebeam as part of the World Science Festival. Learn what drives sound manipulation and discover how different types of music evoke different emotions. Trace the power of an impactful pop hook in a song, measuring the way our brains and bodies react, down to the responses in our fingertips.

Included works: Binaural Head; Sonic Bed; Klangkapsel; Something for the Girl Who Has Everything; Optofonica Capsule; Theremin Inspector V2; Music, Emotion, Empathy; Heart ‘N’ Beat; Reactable; Contacts; Hear, Hear; Traffic; Instrumen; Body Snatcher; Chains of Emotion. (READ MORE.)

PART OF 2011 WORLD SCIENCE FESTIVAL (JUNE 1-5)
SEE FULL LIST OF EVENTS


Wu Tsang@CLIFTON BENEVENTO

June 4 – August 5th, 2011
Clifton Benevento is proud to present the New York solo debut of Los Angeles based visual and performance artist Wu Tsang, featuring video, collage and site-specific installation.
Central to the exhibition is DAMELO TODO (Give Me Everything), 2010, a hybrid narrative-documentary installation incorporating elements of Tsang’s lived experience organizing WILDNESS, a party/performance night for two years at the Los Angeles bar Silver Platter. The film depicts a fictional protagonist, Teódulo Mejía, a 15 year-old Salvadorian civil war refugee arriving to Los Angeles in 1985, who discovers community support among trans women at the bar. Based on a short story written by Raquel Gutierrez, and adapted to screen by Tsang, DAMELO TODO fictionalizes a larger narrative about the collaboration and tenuous coalition between the Silver Platter and the young artists of WILDNESS. (READ MORE.)

Blood, Sweat and Tears: the Work of Art and Tragedy @NUTUREART
Jun 03, 2011 – Jun 24, 2011
Opening Reception:

June 3, 2011 7 – 9 PM

Curated by Project: Curate! and Krista Saunders

Featured artists: Delaney DelPonti, Bianca Dorsey, Jae Y Lee, Rebecca (Marks) Leopold, Steven Ketchum, Graham McNamara, Bridget Parris, Boris Rasin and Judy Richardson

Blood, Sweat, and Tears: the Work of Art and Tragedy endeavors to examine 21st century tragedy, disaster and renewal. The exhibition is an attempt to connect with contemporary artists who are also passionate about this theme. Nine artists were selected whose work explores a particular contemporary disaster, personal tragedy, or the rigor of cultivating new beginnings.  As young adults who have come of age in the burgeoning 21st century, the curators of this exhibition are themselves well-versed in tragedy, disaster and renewal firsthand (as New York City dwellers) and from a distance. (READ MORE.)





Temporary Antumbra Zone Curated by Udora Hajimik
@Janet Kurnatowski Gallery
June 3 – June 26, 2011
Reception: Friday, June 3rd, 7-9pm

Artists:
Peter Acheson, Hector Arce-Espasas, Maria Barbo, Genesis Belanger, Chris Bertholf, Erik den Breejen, Maria Calandra, Joy Curtis, Karen Dana, N. Dash, Carol Diamond,Ryan Franklin, Tamara Gonzales, Erica Greenwald, Xico Greenwald, EJ Hauser, Michael Hilsman, Rolf Jacobsen, Michael Kenney, Osamu Kobayashi, Jonah Koppel, Ben La Rocco, Elisa Lendvay, JJ Manford, Sarah Louden, Mike Olin, Craig Olson, Linnea Paskow, Alta Price, Nathlie Provosty, Christopher Rivera, Aaron Sinift, Elisa Soliven, Kol Solthon, Thomas Spoerndle, Deirdre Swords, Katherine Young

The art world experienced a caesura in the 1960s when the paradigm of the artist, working in solitary fashion, was taken apart by the advent of collaborative art. Through collaboration, the definition of what art was, and how it could be produced, shifted. No longer was the cult of the artist, producing a singular vision understood to be the only viable artistic model. Instead, this now re-evaluated model began to generate questions about authenticity, authorship,audience and methodology. Such collaborative projects as those executed by Gilbert and George, Martin Kippenberger and Albert Oehlen, Jeanne Claude and Christo, and Marina Abramovic and Ulay were instrumental in the development of such major evolutions in conceptual art as Body Art, Systems Art, Earth Art, and Performance Art.

The artists in Temporary Antumbra Zone have come together, collaborating through the lenses of painting, photography, video, and mixed media sculpture to promote collaboration as an invaluable mode of artistic production.


The Solo Exhibition of Harim Song “Fearfully and Wonderfully”@BAG
June 1- June 6, 2011
Opening Reception: Saturday, June 4, 6:00-9:00pm
Ordinary Obsession (with narration) from Harim Song on Vimeo.

Ordinary Obsession (with narration) from Harim Song on Vimeo.


Alina Simone, Spencer Tunick “Abe’s Penny May Issue Celebration” curated by Chantal Chadwick, Lara Hodulick at End of Century

JUNE 4th
Chinatown/LES: 175 Rivington street, 7:30-10pm


SUPER CODA @ CAFE ORWELL.
SUPPORT SUPER CODA SOUNDPROOFING ON KICK STARTER!!


If you haven’t heard, this Weekend is Bushwick Open Studios. Bushwick waxes full of openings, events, and public art.
http://www.artsinbushwick.org/
The Super Coda makes no exception:

Friday, 6/3. 7-10:
Gabrielle Muller, Cafe Orwell’s new Art Director, will be presenting her first show, “Brooklyn Loves Philly”, featuring artists and musicians from both cities. Including:
Joanna Quigley, Kat Moran, Ryann Casey, Amelia Runyan, Paul DeMuro, Mary Price, Bobby Heinemann, Bobby Gonzales, Liz Thamm, Brendon Stuart, Gabrielle Muller, Austin Saylor Jackson, Hilary Price, Matt DeFillipo, Crystal Stokowski. Plus an outdoor installation by Oliver Warden, “Untitled Box”
The Art will be on display at the Cafe through July.

Saturday, 6/4. 9-midnight. The Super Coda presents Jazz that is all over the place and from all over the place. Featuring:
Kirk Knuffke – http://www.kirkknuffke.com/
Otra Gente (Luis Ianes/Carlo Costa/Ivan Barenboim)
Steven Ruel – http://www.purevolume.com/steveruel



The Booklyn Art Gallery is pleased to present MASTER OF REALITY, a group exhibition featuring works by Milano Chow, Cynthia Daignault, Gary Kachadourian, and STO.

MASTER OF REALITY includes drawings, paintings, sculpture and prints that alter our perceptions of commonplace scenery, find fodder in the mundane, and draw our attention to the handling rather than the objects themselves. The featured artists create an alternate dimension of familiar objects, carefully mimicking reality so that it is recognizable, yet altering it enough to uniquely capture their own way of seeing. (READ MORE.)

 


CONEY ISLAND EVENTS:

BURLESQUE AT THE BEACH!
PRINCESS PAT PRESENTS: SHOW GIRLS
FRIDAY, JUNE 3, 10PM, $15 IN ADVANCE OR AT THE DOOR (READ MORE.)
&
CONEY ISLAND FILM SOCIETY!

PHANTOM OF THE PARADISE
SATURDAY, JUNE 4, 8:30PM, $6 IN ADVANCE OR AT THE
DOOR (READ MORE.)

 


Happy BOS ’11: June 3-5, 2011 — it’s our 5th birthday!

We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public. (READ MORE AND SEE FULL SCHEDULE.)


The Comic Book Theater Festival @ THE BRICK

June 2 – July 1, 2011

The influence of comics on our culture continues to grow. From the pop fantasias of Hollywood blockbusters to the rawness and refinement of intimate memoirs—and everything in between—it’s impossible to deny the wide appeal of comics’ words and images. The theater, of course, is no less immune to its spell. This summer, The Brick will invite one of history’s newest art forms to meet one of its oldest—and, through collaborations between visual and dramatic artists, the form and content of comics will collide with the content and form of theater to create strange new hybrids across both media. (READ MORE.)

 


MUSICIRCUS : ROULETTE BROOKLYN
Sat Jun 4 – 1:00 PM

Although not officially open until Fall 2011, ROULETTE BROOKLYN will open its doors this June for a two day John Cage MUSICIRCUS as part of the Atlantic Avenue Art Walk!

A carnival of all things experimental, the Roulette Brooklyn MUSICIRCUS brings a cornucopia of musicians, dancers, video artists, and performance artists from all corners of New York City’s artistic community together for a celebration of chaos and and the harmonies of simultaneity. (READ MORE.)

 



POST PLASTIC PROJECT @LITTLEFIELD.

Sunday, June 5th, 2011
 DOORS OPEN 6:00 PM
Littlefield NYC – 622 Degraw Street, Brooklyn

littlefieldnyc.com

Art reception FREE – $10 Music – Raffle

MORE:

Performances @ The Cocktail Party (a postmodern feminist art show) @ ABC NO RIO Friday, June 3 · 7:00pm – 9:00pm
Honoring Bill Dixon @ RUBIN MUSEUM OF ART

3rdEye(Sol)ation group show

Swimming Cities presents: BORDERTOWN

THROUGH THE WARP
AT REGINA REX OPENING RECEPTION SAT. JUNE 4, 2011
Cirque des Batardes @LE POISSON ROUGE
Yve Laris Cohen+Bryan Zanisnik @ABRONS ARTS CENTER
The Village Gate’s “Old Fashioned Piano Party” @LE POISSON ROUGE

Fuse Works: Alarums and Excursions @ THE FRONT ROOM GALLERY
INTERSTATE PROJECTS PRESENTS VIDEOS ON THE FRONT

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
DEAR JAPAN AT ART CONNECT GALLERY
 BREATHING@ CPR.
Reframing David Bowie as an Artist Working in Performance


COMING UP NEXT WEEK!