BROOKLYN FOLK ARTS DAY
Part of the 2011 Next Wave Festival
Sep 21—24, 2011 at 7:30pm
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
Read the full program here.
ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm
This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.
PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday 8 and 10pm
PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS
THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Maya Zack: Living Room
The Jewish Museum
July 31, 2011 – October 30, 2011
In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.
Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.
In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument. But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.
Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.
Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.
SUPERCODA AND THE 22 MAGAZINE PRESENT: PABLO MALAURIE AND ANDRU BEMIS AND THE 1st ARTIST’S OPEN FORUM
PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.
Tuli Kupferberg @ BOWERY POETRY CLUB JULY 13 7:00 PM
Tuli Kupferberg (1923-20
10), cartoonist, song-comedian, Beat poet, anarcho-geographer, Lower East Side atheist guru, anti-circumcision activist, author of I Hate Poems About Poems About Poems, died one year and one day ago. Friends and half-dressed disciples will celebrate his ever-awakening memory. Hosted by Sparrow. Jeffrey Lewis, Terese Coe ,John S. Hall, Thelma Blitz, Steve Dalachinsky, Yuko Otomo, Bob Holman Lawrence, White Richard West, Sparrow
The event will be a benefit for the War Resisters League. Watch Live on the Web! http://www.bowerypoetrylive.com/
Paul D. Miller aka DJ Spooky launches his new graphic design project, “The Book of Ice” at Eyebeam. The “Book of Ice” (Mark Batty Publisher) consists of multiple engagements with the theme of ice as presented by posters, stickers, music compositions, and an introduction by best selling author Brian Greene, whose ground-breaking book “The Elegant Universe” sets the tone for some of the issues in Miller’s new book.
For the event at Eyebeam, Miller will team up with Bill McKibben, acclaimed writer and founder of 350.org, along with Green Patriot Poster project curator Edward Morris, Small Planet Institute’s Anna Lappé, and several leading theoreticians of graphic design. Miller will also present music interpretations of some of the sonic data as compositions derived from the book and his explorations in Antarctica with a live string quartet, The Telos Ensemble, playing his compositions. At the end of the evening, there will be a book signing, and open social event themed on Antarctica, including a selection of remixes produced by Paul commissioned by the German public radio.
PERFORMANCY FORUM 14 at BOB the Pavilion
Wednesday, July 13, 7-10PM
BEN SPATZ/MAXIMILIAN BALDUZZI/URBAN RESEARCH THEATER
MATTHEW STEPHEN SMITH
PAUL PINTO AND JEFFREY YOUNG (OF THINGNY)
and PPL composer BRIAN MCCORKLE and members of the CAST performing an excerpt from ‘INSTITUTE_INSTITUT’ concert-style and YOU!
BOB the Pavilion is a composting toilet and inflated platform for performance and more! http://www.bobthepavilion.com/BOB the Pavilion was supported by a grant from Columbia University School of the Arts (SOA) and Graduate School of Architecture, Preservation, and Planning(GSAPP).
Brooklyn, NY, July 2011, HONEYCOMB and Causey Contemporary proudly present Ritual, a group exhibition featuring original artwork produced by over twenty of the freshest urban, newbrow, young contemporary artists hailing from seven countries. The public is invited to the artists’ reception on July 12th from 6 – 9 p.m Ritualistic behavior is one of the few things that have universally permeated all human sociological development. It has helped form civilizations, spawned entire belief systems, and through the ages has continuously influenced human conduct while simultaneously shaping the world as we know it. While the actual processes may vary, the incorporation of ritual into society is something that transcends nationality, geographic location and linear timeline. Cultures of both the past and present have used symbolic, traditional or religious rituals for any number of reasons including divination, personal pleasure, the achievement of spiritual or emotional needs, the formation of social bonds, expressions of respect and devotion, the advancement of social status, acceptance or for educational purposes. Although there are great differences among the countless rituals in existence, it is evident that regardless of intent or appearance, ritualistic behavior is undeniably intertwined with both our past and our future, and something that unites us all.
Othelo Gervacio @ FUSE GALLERY.
Exhibition: July 13 through July 27, 2011
Opening Reception: Wednesday, July 13th, 7 to 10 pm
Boredom inspires creation. In Othelo Gervacio’s case, Postboredom is art garnered from his lingering disenfranchised youth. Gervacio has held onto the adolescent manifestation of making art and music because “you hate what is happening around you.” He states, “Are the only punks left now ‘Fashion punks’? No thanks, I’d rather I’d sit at home, listen to sludgy metal and paint something dark.” Othelo Gervacio is a new face in the downtown New York art scene. After four years under the wing of tattoo/fine artist Scott Campbell, and prior schooling in the arts, Gervacio has channeled his experiences to create his own definitive style. With the use of dark imagery and gothic lettering forms,
his art reflects an influence from the grittier side of tattoo culture, metal music, and lingering teenage angst.
Curated by Laurel Sparks
July 14 – August 26
Opening Reception: Thursday, July 14, 6-8 pm
bespoke bathing costume
Sparks says this show features geniuses only!
Come one come all y’all to gawk at their works:
whose stalagmites elude portrayal
but for the smudgen empyrean
fibrous by seat of their cohort–
ashtray w/ suspenders unwrinkled
a pile of glazier-thin feuilles fatales
flurry of homosocial g.w.ps
twins peer at the heart in thir pants
weeping fruitier and downreaching espalier
a nacorn an urn unhectorized
gutterclouds inform an architecture
its mouth a painted hare or rabbitt
atop an accretion of realnesses.
how do you value a painting? by its
pearlescent gummery centre. can
a beercan grow a thing. potteryhound
helmet from hellsdeep chainworks the
neolyth clawfoot cum eagle arm–
tender clips of the fan, snakely
beads reveal sculptoraly or by
erasure the ponderous red creature.
– Julian T. Brolaski
Wiggle Room will feature the following events:
Tuesday July 12th Reception/Viewing for Michael Beitz
August 4th CHERYL closing performance
FROM THE ARTIST:
The installation visually is based on a particular sort of stage light that I only know from single person performances in the the 60s and 70s and that for me is also very metaphorical. I combine this with audio footage of a very special moment in Dylan’s carrier. Somebody called him “Judas” in a show in Manchester, England in 1966. You can watch that here:
The reasons for that you can read about here:
And I will ad my own story to this. Not my personal one, but a kind of metaphorical little story. I’m replaceing his real answer to the Judas cry with words I’ll rearrange from footage of the old man Dylan’s voice. So you will see the puppet in that stage light and hear the Judas cry followed by a rather metaphorical answer.
Curated by Timothy Hull and Lumi Tan Mathew Cerletty, Devon Costello, Timothy Hull, Ryan Mrozowski, Thomas and Renée Rapedius, Sean Raspet, Ruby Sky Stiler, Sophie-Therese Trenka-Dalton, Allyson Vieira
July 14th – August 14th, 2011 Opening Reception: July 14th, 6-8 PM
A Photographic Archive of NYC’s Street Lamposts Curated by “Forgotten New York” author and webmaster, Kevin Walsh and NYC transit employee and enthusiast, Bob Mulero
This Third Thursday, July 15th from 7-10pm at the City Reliquary Museum, 370 Metropolitan Ave.Join us for the opening reception of a truly illuminating exhibit, “FORGOTTEN CITY LIGHTS: A Photographic Archive of NYC’s Street Lamposts.” This newest exhibit focuses on the often ignored but always overhead variants and styles of NYC street lamps.
On view until July 24th, 2011
Exhibition preview – Detroit-based visual artist Bethany Shorb’s “Supplemental Restraint System” is born from classic American and vintage European sports car parts harvested from wrecked vehicles. Her work is tightly wrapped in an outer skin made exclusively from previously deployed airbags, beaded and sutured back together forming another protective barrier in an imagined automotive crash narrative, then further fetishized in glass scientific vitrines. Also included in the show are neon and automotive emblem text assemblages as obsessive tropes on car-culture.
Cult of Youth, Zambri
Tue, July 12, 2011 Doors: 8:00 PM / Show: 8:30 PM $15.00 Cold Cave are an experimental electronic pop group from Philadelphia and New York City who make melodic synthscapes with jackhammer beats. They acknowledge the dark roots of synthesizer music as well as its potential for making the brightest pop with their hard songs celebrating the contradictory beauty of the human condition.
Opening Reception: Friday July 15th, 2011
The Haribo Experience presents Candy Rain. Featuring limited edition Raul De Nieves and Jessie Stead flavored video installation elegance. Inside the music box with the lid closed and the lights off the tiny ballerina starts to cry. You give her all your money but its too late you are soaked to the bone with her dance-floor tears and intoxicated politely… forever. The hairdos grow backwards entering your brain, are you experienced? Join us for a joy-us one-way trip into the song flavored box.
JUNE 16–AUGUST 26, 2011
OPENING: THURSDAY, JUNE 16, 6-8PM
Mixed Greens is pleased to present the site-specific window project The Other Side of Ground by Tali Hinkis and Kyle Lapidus, the artist duo known as LoVid. Their dynamic, colorful pieces are a masterful mix of the low- and high-tech.
Known for their innovative performances, live video installations, tactile objects, patchworks, sculptures, and installations, LoVid encourages the viewer to reexamine his/her relationship to the digital world. By mixing analog and digital philosophies, processes, and techniques, LoVid’s pieces come to life. In one piece, for instance, it was necessary for viewers to touch points on a monolithic sculpture in order for a video to activate. Human touch became the subject of a digital output. MORE »
NAG: Wednesday, July 13: Greenpoint & Northside Loft Tenants Meeting In June 2010, the NY State Legislature expanded the Loft Law, giving coverage to North Brooklyn! For more background on what the Loft Law is and who qualifies, please visit our blog.
The Architecture of Devotion group show continues this Friday, July 1st with a night of great music by returning players: Apocalypse Five and Dime, Morgan O’kane, and Crooks and Perverts. These guys put on an amazing show with us back in April with moments like these:
Apocalypse Five and Dime will be releasing their new album “Ballads for the End Times” on July 1st, this is your first chance to get your hands on it!
If you missed the show last weekend or just need a healthy dose of seconds, come on out and join us!
ABOUT THE SHOW:
The Architecture of Devotion is a large scale group art, music and performance event hosted by the Gowanus Ballroom.
The exhibition transforms the cathedral-like Gowanus Ballroom, a nineteenth century steel mill and current home of Serrett Metalworks, to interrogate various representations of the sacred and profane.
Works including stained glass, paintings embellished with gilt adornment, modern reinventions of medieval retables, a cabinet of curiosities, and an enchanted grotto form an installation that explores themes of spirituality, mysticism and religion. Revisiting historic interpretations of divine presence through a contemporary lens allows artist and audience to reconsider what might at first glance appear mundane.
THE MOVIE LIBRARIANS FILM SCREENING WITH A.G. GRAHAM
DUMBO ARTS CENTER
JULY 1 ZARDOZ, dir. John Boorman. 1974
– Institute of Museum and Library Services
Dumbo Arts Center’s current exhibition is (The Missing Library). This summer, artist Annie Shaw has invited five artists (Jen Kennedy & Liz Linden, Marie Lorenz, Michelle Rosenberg and Angie Waller), an architect (Lori Brown) and two librarians (A.G. Graham and web-specialist Nate Hill) to turn DAC into a civic, non-commercial public space in the form of the Dumbo neighborhood’s first library. The project encourages contemplation on how libraries’ function, physical space, and role within communities is changing as the content libraries have traditionally housed migrates to a digital form.
PABLO MALAURIE. Pablo Malaurie hails from Buenos Aires playing original folklore on banjo and ukelele, songs that are sweet, timeless and oddly global. Soaring melodies evoke geisha girls and Buddy Holly in equal parts. He scored a Romanian film that premiered at this year’s Cannes, Loverboy, and released El Festival Del Beso in Japan. Pablo’s voice can pierce through you in a painful tremelo and then soothe your broken heart with a pleasing, unexpected harmony. KCRW’s Jose Galvan says, “Malaurie combines both Japanese and South American folk rhythms with a minimalist approach. Some songs recreate traditional Japanese melodies simply using a mandolin banjo and a haunting falsetto. Others integrate rhythms more akin to indigenous music of the Andes. Add to that introspective lyrics and his affected Argentine accent and you’ve got the perfect soundtrack for a road trip in the Japanese countryside a la Motorcycle Diaries.”
Accordionist Rob Curto’s band plays Northeastern Brazil’s traditional “forró pé de serra” with a style born out of New York City’s diverse and dynamic musical culture. Forró is the accordion-based party music of the sertão, the dry interior of the Brazilian Northeast. Accordion master Rob Curto leads this ensemble which combines the classic brazilian Northeast forros of Luis Gonzagua and Jackson do Pandeiro with original compositions and improvisation rolled into an amazing dance party
Migration: MIN HYUNG, EUNAH KIM, MERIDITH PINGREE, GENEVIEVE WHITE
FREIGHT AND VOLUME
June 23 – July 30, 2011The life of an artist can be a nomadic one, for any number of reasons, amongst them financial, emotional and spiritual. In many instances, artists find more support and camaraderie in large urban areas, and for quite a few all roads eventually lead to New York (or London or Berlin). The four artists comprising “Migration”, the summer show opening June 23rd at Freight+Volume, are no exception.
Flux Factory is proud to present Specter Flux , an interactive environment and performance by artist-in-residence Peter Edwards, aka casperelectronics. The installation consists of three suspended orbs that glow at varying hues according to the sounds of its surroundings, including the ambient noise of the space and those made by the viewer. Its interior mechanism – a hybrid circuit using both digital and analogue electronics – transforms sound into an evolving display of multicolored lights. The performative element includes a constructed pyramid centered around a complex sound and light synthesizer that the artist plays. Viewers are invited to interact with the machine throughout the show.
This day-long event explores the practical, philosophical, and playful applications of the term “hacking.” Presentations and workshops will cover topics such as circuit bending, culture jamming, dumpster diving, email encryption, and the repurposing of waste items into useful tools. The symposium is geared towards providing visitors with foundational information in order to become hackers themselves. Hackposiumis part of Flux Factory’s Summer School program and is curated by Jaime Iglehart via New Age Beverages, in collaboration with Pete Edwards of Casper Electronics.
Demos of hacked objects and freegan snacks start at 4pm.
Talks and presentations start at 6 pm, and are followed by musical performances.
June 23 – July 10, 2011
“A highly stylized adaptation of Hamlet performed in Korean, Hamyul feels like a traditional drama that could have been performed in the ancient Korean court.” – nytheatre.comThursday – Saturday at 7:30pm
Sunday at 2:30pm
Hamyul/Hamlet is an adaptation of William Shakespeare’s play, Hamlet, Prince of Denmark. The play is set in one of the ancient dynasties in Korea. The original Prince Hamyul, a Korean adaptation of Hamlet by William Shakespeare was presented to Western audiences in the United States and Europe in 1977. Adapted and directed by Minsoo Ahn, Prince Hamyul was the first Korean theatrical production ever performed outside Korea, making an indelible mark on the history of Korean theater thanks to the late Ellen Stewart at La MaMa.
Michael Attias’s CLINAMEN ORCHESTRA@ THE STONE
SMALL TOWN MURDER SONGS @RERUN (DUMBO.)
THE TIGER AND THE SUNFLOWER: DECORATIVE TRADITIONS AND CONTEMPORARY VOICES IN JAPANESE ART @SCHROEDER ROMERO & SHREDDER.
MIDNIGHT HORROR SAT JULY 2 12AM @SPECTACLE THEATER
STEVE DALACHINSKY SHRINE IN HARLEM JULY 3 AFTER 8 PM
ILLUMINATING FASHION: DRESS IN THE ART OF MEDIEVAL FRANCE AND THE NETHERLANDS @THE MORGAN MUSEUM AND LIBRARY.
FILMS AND RED HOOK RAMBLERS @ JALOPY.
Don’t feel too chewed up. I think as we get older it will be easier to feel this way. Yes I feel like shit at times, probably lately more than ever, but it’s only a temporary paralysis. If I have a goal in life it’s to make sure that it’s always temporary, despite the inevitability. That’s a real goal, and I’m content to deal with it. I’m trying to follow the example of cutting-edge Japanese cooking and French nouvelle cuisine, which is more concerned with difference and variation in savor and texture than with taste sensation in mouthfuls. Yes it’s the same as it’s always been, what you said.