THE WEEK/WEEKEND: Nov 15th-21st.

 

SANDY FUNDRAISERS: 

WAW CLOSING AND SANDY FUNDRAISER
FLAVORS / SANDY RELIEF FUNDRAISER
Sandy Hates Books Hurricane Relief Fundraiser
Foley Gallery presents #SANDY
THE SECRET CITY: ANCESTORS AND 3rd ANNUAL FOOD DRIVE
QMA ROCKAWAY FUNDRAISER
WHITE BOX FUNDRAISER (RED HOOK)
House of Yes
Jalopy Theatre And Friends Present: A Benefit to Restore Red Hook-Starring Rosanne Cash at THE BELL HOUSE
New Amsterdam Headquarters Fundraiser
Soup Bowl Fundraiser at EAT (Greenpointers)
THE KITCHEN: FUNDRAISER
Donations for Printed Matter

MORE EVENTS:

Kid Koala 12 bit Blues Vinyl Vaudeville
Music Hall of Williamsburg
Nov 21st

KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)

Calico Presents “Bad on its Own”
Calico (67 West St)
November 16 – December 2, 2012

Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.

Ethan Lipton & His Orchestra/Sven Ratzke with special guest Joey Arias/Alice Smith
Joe’s Pub
11:30 PM – November 16 

There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.

DREW CONRAD, AIN’T DEAD YET
Fitzroy Gallery
November 15, 2012 – January 20, 2013

Jeffrey Gibson
Marc Strauss
November 18 – December 23, 2012

Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.

SUGAR presents: Expressly Physical
449 Troutman St. #3-5, third fl. buzz #21
opening reception: Sunday Nov. 18th, 4-7pm

The Bunker (Untold/Bryan Kasenic/Nihal Ramchandani)
285 Kent
Saturday, Nov 15

Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.


Mind Over Mirrors + Miguel Gutierrez

Fri, November 16, 2012 – 8:00pm
Actors Fund: 160 Schermerhorn Street, Brooklyn

Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.

THE LITTLE TOP CIRCUS & MEDICINE SHOW/HEART OF DARKNESS W/GREG BARRIS
Union Hall
Sat, Nov 17

Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.

The Poetry Brothel’s 327th Annual Masquerade [Rescheduled]
The Back Room: 102 Norfolk Street
Nov 18th

Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.

Short & Sweet: The Brooklyn Filmmakers Collective
Union Docs
Sunday, November 18 at 7:30pm

The BFC will present a night of short films by its members.  Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers.  Beyond the workshops, members share resources, ideas, gear, and crew-power.  The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.

My Ideal Bookshelf by Jane Mount and Thessaly La Force
Powerhouse Arena
Nov 16th

PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.

Perpetual Recombination : Ian Trask Solo Exhibition
Recession Art
OPENING, Saturday, November 17, 6–10pm

In Perpetual Recombination, Recession Art’s  featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique.  The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems.  By analogy, this body of work represents nearly a decade of creative evolution.  The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.

PEPPE VOLTARELLI: THE JOURNEY, THE FATHER, THE MEMBERSHIP”/TARRAS BAND
Barbes
Sat 11/17

Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.

First Look: Aboveground Animation
New Museum
11/17

Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.

As Real As It Gets
ApexArt
Opening Reception: Thursday, November 15: 6-8 pm

Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.

Roman Tragedies
BAM
Nov 16—Nov 18, 2012

Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius CaesarAntony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.

THE SCREWTAPE LETTERS
Skirball Center
Nov 15-18

The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.

HABEAS CORPUS
IF IT’S SO THEN LET ME KNOW / CHRIS FENNELL
Gym, Dear, Northwood, Twi the Humble Feather
Meta-Monumental Garage Sale
RADIO UNNAMABLE
Mickalene Thomas: Origin of the Universe
NOVEMBER OPEN HOUSE and SUNDAY SESSIONS
CONTINUUM: CAGE CENTENNIAL
American Landscapes
Surfaces, Supports. Tatiana Berg & Evan Nesbit
Katarzyna Krakowiak “Possibility 02: Growth, Part II”
Haik Kocharian CD Release
André Cypriano: Two Decades
Y? O! G… A [RESCHEDULED]
THOMAS BROADBENT
Fall into Frost : New works by Kelly Denato/The Dandy : New works by Julie West
R. SIKORYAK & NEIL NUMBERMAN CAROUSEL FOR KIDS!

Ital Tek Us Tour feat. Howse (Tri Angle) & Lamin Fofana (Dutty Artz)
Uncommon Ground: Alternative Realities (Forum Gallery)
IOVIS reading at Poets House

AFTERMATH (ARTIFACT)
DAVID GARLAND/GLENN JONES/C SPENCER YEH
ED RUSCHA
A CATHODE RAY SEANCE
THE MUPPET VAULT: THE MAN OF A THOUSAND MUPPETS
Lauren Elder
Ellipsis: Allison Somers
Bernadette 
Corporation
Lines of Sight: Readings of photography in fiction
Opening Reception for “On Purpose: Art & Design in Brooklyn, 2012”
Secret Keeper
Chavisa Woods author of Love Does Not Make Me Gentle or Kind with Steve Dalachinsky

CHRISTEENE
JOHN BLAKEMORE (KLOMPCHING GALLERY)

Renegade Craft Fair Holiday Market in Brooklyn
UP IN THE AIR: Antoine Rose
Melodie Provenzano “Rock Center”(Lyons Weir)
Jim Krueger and artist Zach Brunner (The High Cost of Happily Ever After) Book Signing
“How I Learned” Storyslam
NAOMI PUNK/G Green/Parquet Courts/Psychic Blood
Live Drone Performance w/Acupuncture

Devin Powers (Book Release and Artist Talk)
Repo: The Genetic Opera
From the Akashic Jukebox: Magic and Music in Britain, 1888-1978: Illustrated Lecture and Rare British Occult Recordings with Mark Pilkington of Strange Attractor Press
Echo Eggebrecht: Probably Science
Andrew Kalleen
talk: zoo-topia: zoo architecture as taxonomies of representation
Phutureprimitive, Space Jesus, Soulacybin
Trenton Doyle Hancock
BARE!
Tokyo 1955–1970: A New Avant-Garde

COMING UP:

PUPPET PARLOR goes $BUCK NAKED$
{RESCHEDULED} 25TH ANNUAL HILLA REBAY LECTURE: The Para-Architectural Imagination of Gustav Klutsis
Witnessing Human Rights: Past, Present, and Future
Aki Sasamoto’s Centripetal Run
Selected Shorts: Comedy
Laura Vitale: White Sands
DJ Shadow
An Evening with Joyce Carol Oates
Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
Night Train with Wyatt Cenac

THE WEEK: APRIL 2-6.

EDITOR’S PICKS: 

Every Exit is an Entrance: 30 Years of Exit Art
http://www.viiphoto.com/news/exhibition-every-exit-is-an-entrance-30-years-of-exit-art/
04/01/2012-05/19/2012

Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.

 

 

Continue reading

THE WEEK: MARCH 12-16.

EDITOR’S PICKS: 

Fiction Magazine 40th Anniversary Celebration
http://www.housingworks.org/events/detail/fiction-magazine-40th-anniversary-celebration
03/15/2012-03/15/2012
7pm-

Celebrate the new issue and Fiction’s 40th anniversary with contributors Sheila Kohler, Jerome Charyn, Brendan Kiely, and Kesi Foster.

OPERA ON TAP.
http://barbesbrooklyn.com/calendar.html
03/16/2012-03/16/2012
8pm-

OPERA ON TAP. Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandeliers.

Kris Kuksi
http://joshualinergallery.com/index.php
03/08/2012-04/07/2012
11pm-6pm

With its cautionary title, Triumph skewers the hubris and folly of human ambition. This cavalcade of epic works references mythology, the occult, and organized religion, and uses age-old techniques of visual storytelling to voice personal angst. Depicting grand themes with extravagant embellishments, Kuksi’s assemblages of small, mass-produced materials are intrinsically narrative. Like gilt Baroque altarpieces, their stunning excess of detail is the ideal vehicle for the artist’s critique of power and piety. And like those early works of public art, they appeal to the viewer to transcend the strife and striving associated with greed.

Continue reading

THE (LONG) WEEKEND MAY 27-29.

FRIDAY: MAY 27th

(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
http://www.myspace.com/mattlavelle

(BOTTOM video:The Local 269)

Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10

PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011

OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM

Paint it Now curated by participating artists Thomas Buildmore and Scott Chasse

The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)

READ OR LISTEN TO AN INTERVIEW WITH THE 22. 

SUPERCODA PRESENTS:
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.

http://www.myspace.com/mamieminch –
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.

http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire

http://anomylos.com/

Annual End-of-the-Season Poets’ Potluck

FRIDAY MAY 27 / 10PM

Come celebrate the end of another season at the Poetry Project!  The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food.  An array of writers from the Poetry Project series as well as other local reading series will read/perform their work.  Any one interested in bringing a dish for the potluck will contribute to an amazing feast.  If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.

VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
Brooklyn, NY

NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.

VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.

Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)


Photo Courtesy of Paper Magazine

CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm

Christopher Henry Gallery

127 Elizabeth Street
New York, NY

See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**

On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!

SHOW! 

Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.

Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)

Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)

Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)

Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.

We’ll have cheap beer! Shayna might make Baklava!

SATURDAY: MAY 28th


Return of the Mini Zine Fest @ PETE’S CANDY STORE

Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM
More info

Pub(l)ic Identities: Reading Medical Representations of Sex

woman1

An illustrated lecture with medical artist Shelley Wall
Date: Saturday, May 28th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.

Ashley Bickerton
Through 25 June 2011

540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)

http://www.reverbnation.com/nicklyons
http://www.yonikretzmer.com/
http://jessiemnelson.com/

JIM GAYLORD: SPOILERS @JEFF BAILEY GALLERY.

May 25 – July 1, 2011
Opening Reception:
Thursday, May 26

THE FITTING ROOM
25 MAY – 25 JUNE, 2011

DAVID BRODYMERNET LARSENNICOLE WITTENBERG
CURATED BY DAVID COHEN

PRESS RELEASE download
PARTICIPANTS download

(READ MORE.)

OBSTACLE @INVISIBLE DOG ARTS CENTER

MAY 14 – JULY 10

Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES

Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here

OPENING PARTY SLIDESHOW HERE


Through The Warp @REGINA REX
5/28/2011 – 6/19/2011 

Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)

SUNDAY: MAY 29th

Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)

Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck

Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:

The Red Light New Music Collective – http://www.redlightnewmusic.org/

Sxip Shirey – http://www.sxipshirey.com/

Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
http://www.youtube.com/watch?v=q8W01gC1Mik

Jonathan Wood Vincent – http://www.reverbnation.com/jonathanwoodvincent

Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp

Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st.  This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils.  The artist delighted in painting myriad details.  These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”


The Weekend May 20-22.


False Idols:Al Wadzinski Convergent Evolution: Deborah Simon

Reception May 20; 7-9pm

May 19, 2011 through June 19, 2011

NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)

LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)

 

Hiroshima: Ground Zero 1945 @ICP.

MAY 20–AUGUST 28, 2011
MAP 

After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)

The Super Coda presents: DUCK CALLS AND HALLELUJAHS!

FRIDAY 5/20. 8-midnight.
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.

Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…

Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!

http://www.reverbnation.com/themolassesgospel
https://www.facebook.com/toothandwail

DONATE TO SUPER CODA SOUNDPROOFING ON KICKSTARTER!

22 VOL 1 CONTRIBUTOR JOHN JENNISON @ GREENPOINT GALLERY SALON SHOW
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The 22 Magazine contributer John Jennison will have work this Friday, May 20th at Greenpoint Gallery’s Spring Juried Show.

http://www.facebook.com/event.php?eid=101072903317023

http://www.thegreenpointgallery.com/

http://www.the22magazine.com/Pages/johnjennison.html

MEET THE FILMMAKERS OF LOST BOHEMIA

Filmmakers in person Fri-Sat at 7:00pm!
Movie Screenings:
Fri, May 20 at:
3:20 PM, 5:15 PM, 7:00 PM, 8:50 PM, 10:35 PM
Sat, May 21 at:
 
3:20 PM5:15 PM7:00 PM8:50 PM,10:35 PM

For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)

Cortlandt Hull with figure of his great uncle, Henry Hull, "The Werewolf Of London"

The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”

An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Admission: $5
Part of 
Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson

Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)

The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.

QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW

http://facebook.com/event.php?eid=120307598051270

  

As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:

  • DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
  • CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?   
  • KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
  • LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.

There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.

The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.

This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.

More info: http://tinyurl.com/blvr-nypl-qna

UNDER DESTRUCTION II: Jimmie Durham, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Ariel Orozco, Arcangelo Sassolino, Roman Signer, and Johannes Vogl @ Swiss Institute.

 

May 18 – June 19 2011

Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.

Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)

Andrew Schoultz: Unrest
May 19 – July 1, 2011
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Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.

Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)

Nicholas Kashian
DEAN PROJECT

May 19 – June 25
solo-exhibition
MAP

I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.

Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.



David Levinthal: Black Again
May 19th to July 2nd

John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.

Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)

Destroy All Monsters
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and  3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.

In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)




Gamelan Dharma Swara w/ Momenta Quartet and Shahzad Ismaily
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara
 is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes

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A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Admission: $15
Presented by the Hollow Earth Society
Part one of a four-part series

Post-apocalyptic arts & crafts survival skills workshops, you say!?  That’s right:  Creative-making for the improvisational, post-industrial future (and present).  When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)

MORE:

3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB

with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)




An Interview with Ophelia Chong.


22:
First the background questions, where did you grow up and how did you get involved with art?

OPHELIA CHONG:I grew up in the wilds of Canada, in the city of Toronto. I remember my first collage, in grade five; it was a collage made of magazine bits and it was blue and green. During my formative years I was an explorer, I would ride my bike from mid-town to the lake and back; I would disappear for a whole day, exploring the city on my three-speed bike. I quickly outgrew Toronto and packed up and left for Los Angeles. I went to the Art Center College of Design and graduated with a BFA in Painting. I am an adjunct professor there in the Photography Dept.

22: What about collage appeals to you?

OPHELIA CHONG
I love seeing the possibilities of color. Of using the pieces of paper as paint, my X-acto knife the brush.

22:
 What about the fusion of collage and design appeals to you? Are they really just versions of the same thing?

OPHELIA CHONG
It’s all the same thing, I see it all as color and form, no matter what medium it is.

22: You also seem to have a penchant for typography and presses where did that start?
 

OPHELIA CHONG: Shapes, I love the curves of typography. When I was younger I would sit in class sketching serif fonts. I loved the thin with the thick, the swoosh and staccato of forms in typography. When I first used a Vandercook Press six years ago, I was hooked. I love the ink pressing into the paper, the randomness of where the letters fell onto pieces of ephemera that I put through the press. How each piece was a singular piece of art. Never to be repeated twice. I use only vintage magazines to print on, therefore each piece is non-repeatable.

22: Can you explain your 35mm slide work (surreal cereal) process a little? What inspired working with collage this way? Any specific artists? 

OPHELIA CHONG:That is about how we see life. For example, we both see two people arguing, I see it through the lens of my life experience and you see it through your’s. We will both come up with different assumptions of why they are arguing, because we react differently due to the environment we grew up in. My layering of 35mm slides is a tactile version of this theory, I layer images over each other to create something new, something that resonates with the way I see life. I am inspired by Guido Reni, Ba-ra-kei: Ordeal by Roses by Eikoh Hosoe, film noir, Madame Bovary by Flaubert, Ethan Frome by Wharton, and so much more.

22:Who are some of your favorite designers or artists in general?

OPHELIA CHONG:
All art from the 16th – 18th century. Fritz Sauter ( a Swiss printmaker), 15th century Gothic churches, Orson Welles, Paul Rand, [Richard] Neutra
music for the clavichord, the flavor of the week and anything that makes me want to grab an X-acto knife.

22: 
How did you start working on the slips of paper series? What was your first collage for that? 

OPHELIA CHONG
I started in 1999, but if I had to trace it back, since I could use scissors. I picked up a small Moleskine sketch book  in 1999 and started sticking bits of paper 
in it to relieve the stress I was going through at my job as a Creative Director. I filled books and books with “slips of paper”, not really going towards an end goal, just to keep myself from the digital world. All my work is non-digital.

22: 
How do you balance your professional life with your artistic career, do the two ever clash? Or do they enhance each other? 

OPHELIA CHONG
I melded both into one. I have a rep in NYC for my illustration, and I now have a studio that I sit in all day working. I love it. Work = Love = Happiness

22:
What are you currently working on? Any upcoming projects? 

OPHELIA CHONG
:
I am writing more, I write commentary for KCET ( a local TV station in Los Angeles) and for howtosplitanatom.com . I have  work traveling from Barcelona to NYC, it will take 2 years to finish my travels. My 
letterpress work is at the Hunt Gallery at Webster University in St.Louis. My project now is to keep cutting paper and I know I will never tire of it; the only time I get into  trouble is when I cut up something someone was still reading. Never leave anything you want to read around me, it just might end up in a collage.

GET SOME FREE ART FROM OPHELIA HERE!
OPHELIA‘S WEBSITE.