Screening with Director David Cronenberg: “Cosmopolis”
Film Society of Lincoln Center
Friday, August 17th
“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” –Chloe Wyma
Tales of Social Activism
Museum of the City of New York
Saturday, August 18 at 2:00 pm
Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.
What Can You Do?/Remember, Dream v. 2.5
Wens, August 22nd
All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.
Wed, August 22nd
Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.
Cassie Ramone/Deep Time/Turn to Crime
285 Kent Ave
Thursday, August 16th
Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into
OurGoods:Barter: Theory and Practice
Eyebeam: Art and Technology Center
Saturday, August 18
From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email firstname.lastname@example.org with your name and the item/service you plan to bring.
Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART
Saturday, August 18
A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.
Pressed And, It is rain in my face, Cuddle Formation
Saturday, August 18
Sxip Shirey’s Hour of Charm
Friday, August 17th
A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)
Sky-Pony/PitchBlak Brass Band
Sunday, August 19th
Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.
“CORIOLANUS” (Shakespeare in the Parking Lot)
Municipal Parking Lot at the corner of Ludlow and Broome Streets, Manhattan
Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness.
Wed, August 22nd
GEORGE BARBA YIORGI AND THE BYZAN-TONES
Wed, August 22nd
An Illustrated lecture and book signing with Rachel Poliquin, author of The Breathless Zoo and the blog “Ravishing Beasts”
Friday, August 17th
In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.
The Fall of the American Movie Palace
Saturday, August 18th
There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.
Presentation Party Night 2 Year Blow Out
Sunday, August 18th
Topics this month:
• L Train History
• History of Riddles
• PPN Past, Present, and Future!
Saturday, August 17th
REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau
Microcosm: Sonic Territories
Saturday, August 17th
Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.
Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
August 12, 2012–January 7, 2013
Paul McCarthy, The Dwarves, The Forests
AMRAM & CO @ Cornelia St.
With Liberty and Justice for Some: How the Law Is Used To Destroy Equality and Protect the Powerful
Listen to This by Alex Ross
The Moth StorySLAM. Theme: Warning Signs
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)