FRAMED: William Stone @James Fuentes.

William Stone
FRAMED
May 11 – June 12, 2011
Opening reception; Wednesday, May 11, 6 – 8pm
MAP 

James Fuentes LLC is pleased to announce William Stone’s forthcoming solo exhibition;Framed, this will be the artist’s third solo show at the gallery. The exhibition will primarily feature reconstituted paintings – the earliest of which date back to the eighteenth century.

Employing reverse paintings, commissioned portraits and landscapes – the artists’s revisions give these events, which were on the brink of being forgotten, new life.  These works speak to qualities inherent in these varied genres of painting; as well as their desire to render, consecrate and awe.

William Stone’s work categorically looks at everyday objects and the way they occupy the human condition.  From his earliest works that incorporated water and wind into household furnishings to his more recent inventions and revisions of chairs – the artist’s use of everyday objects supplies an endless resource of materials.  Stone’s practice is steeped in poetics and mechanics resulting in works that offer as many semiotic connotations as they do visual ones.

William Stone has presented solo exhibitions at The Clock Tower/P.S. 1 Center for Contemporary Art, Emily Harvey Gallery and Tom Cugliani and has participated in group exhibitions at The New Museum, Deste Foundation for the Arts, The Aldrich Museum, Socrates Sculpture Park, Voorkamer, Lier, Engholm Engelhorn Galerie and Tanya Bonakdar Gallery.

Gallery hours: Wednesday – Sunday, 11am – 6pm.

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James Fuentes LLC
55 Delancey Street
New York, NY 10002
T. 212.577.1201

MORE WORK.

LAST CALL: Susan Graham, Cletus Johnson, Brian DeGraw & Daniel Subkoff/Will Chancellor .

AS THE WORLD BURNS & PAST FITS, FUTURE PULLS @ JAMES FUENTES.

Closing May 8th.
Brian DeGraw

As The World Burns
Final Week at James Fuentes LLC, Gallery hours; Wed. – Sun., 11-6pm.
Special New York Gallery Week extended day, Sunday, May 8th, 12-8pm.
View exhibition images: here
New York Gallery Week link: here
MAP

James Fuentes LLC proudly presents, as part of The New Museum’s Festival of Ideas For The New City;
Daniel Subkoff & Will Chancellor 
Past Fits and Future Pulls
Clemente Soto Vélez Cultural and Educational Center at 107 Suffolk St between Rivington and Delancey.
If you have trouble locating this project please text; (917) 509-2250
Saturday from 10am to midnight
Sunday from 2:30pm until 7pm
Festival of Ideaslink

Subkoff & Chancellor are offering their artwork for free to everyone who joins them, and ultimately back to the earth itself. Having traded their cash for living native seeds, soil and local clay, they’ve constructed a 13 foot tall sculpture with this material that they invite the public to help disassemble. Visitors are welcome to grab a handful of the sculpture and recast it in a provided mold, walking away with a small sculpture of their own. If left in an appropriate place such as an abandoned lot, garden or any soft ground it should dissolve and yield a significant number of native wildflowers within a month. If taken home and treated as an art object, it will likely dry out, crack and expire worthless.  The main small sculptural casting will be of a rendition of Tlaloc, the elemental Aztec god of water, rain and fertility whose name translates as “he who is made of earth”.


Susan Graham & Cletus Johnson @ Schroeder Romero & Shredder

Closing May14th
531 West 26th Street
New York NY 10001

Susan Graham
New Gardens

April 14, 2011–May 14, 2011

Susan Graham’s exhibition, New Gardens, features sculpture, photography and video that use strategies of pattern and decoration to poetically depict the eternal struggle between nature and technology. Central to the exhibition are Toile Landscape, a large scale installation of Graham’s delicate sugar sculptures, and the intimate porcelain Toile Floating Landscape sculptures. Mimicking the recurring patterns of complex pastoral scenes found on Toile de Jouy, these works depict clusters of invented flora interspersed with industrial structures such as transmission towers, satellite dishes, or even cell phone towers disguised as trees. Charming, delicate and foreboding, each small pastoral scene compresses nature and technology in a bittersweet attempt at reconciliation. Graham’s photographs and videos on view in New Gardens depict skies choked with flocks of airplanes, modern-day birds staking their claim on the atmosphere. These works showcase Graham’s deft touch and ability to evoke rich, multivalent narratives from a few simple, quiet gestures. New Gardens is Graham’s fourth solo exhibition with the gallery.

Cletus Johnson 
Collage 1968–2010

April 14, 2011–May 14, 2011

Cletus Johnson: Collage 1968–2010 presents a selection of Johnson’s beguiling collages, including collaborative pieces made with famed Black Mountain poet Robert Creeley. Johnson’s works are composed of deceptively simple materials inviting private, almost meditative contemplation on subjects of longing, erotic love and primal lust. Their quietude evokes a Cagean musicality, while a minimal juxtaposition of images wrings endless narrative associations. Envelopes containing black and white photographs of a woman’s breast are intimate love letters being sent and received, revealing a desire to both contain and set free the object of affection. Amusement park ride tickets are coupled with cropped images of naked male youths, granting the viewer permission to experience desire. Portrayals of Antinous—Roman Emperor Hadrian’s lover—as Cyclops become homorobotic emblems of a carnal hunger for an idealized beauty. Johnson’s collages show him as a master of the simple, poetic intervention.