THE 22 MAGAZINE: VOLUME 3/III/THREE.

We are thrilled/charmed/humbled and just plain happy to present the 3rd volume of The 22 Magazine. To continue to support such amazing creative efforts in Brooklyn and the world and act as a collector of each contributors story is a role we never imagined we would have the luck to play.

We cannot thank enough all our contributors, interns, volunteers, funders, and everyone else who makes this magazine happen. It is with great honor that we present the contributors for Volume 3/III/Three of The 22 Magazine.

THE 22 MAGAZINE: VOLUME 3/III/THREE

Adam Void
Allison Sommers
Angeline Gragasin
Bradley Ehrsam
Charlotte Greenwood
Cless
Gerardo Mena
Iron Dog
Jason Stoneking
Jeff Tigchelaar
Jim Ford
J.J. Cromer
Joseph Daley
Megan Moncrief
Mike Bazzett
Nathan Vernau
Nick Lamia
Nicole Gordon
Penelope Gottlieb
Randy Mora
Ricky Allman
Sarah Boothroyd

THE WEEK/WEEKEND: May 31-June 7.

Three Colorists: curated by Michael Walls — Eozen Agopian, Alan Kleiman, Diane Mayo
Where: Lesley Heller Workspace
When: June 6 – July 6, 2012, Opening Reception: Wednesday, June 6, 6-8pm 

Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.

LABAPALOOZA! MINI FESTIVAL OF NEW PUPPET THEATER FROM THE LAB
Where: St. Ann’s Warehouse
When: MAY 31-JU­NE 3  

It’s the last show before we move to our new location at 29 Jay Street! What better w­ay to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.

Masterpiece Theater Curated by: Geoffrey Young
Where: Morgan Lehman 
When: May 31  – June 30 

If theatrical is the question, masterpiece is the answer.  Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months.  Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist).  What drives these artists is Imagination.  Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics.  And aesthetics, as we know, is for the birds.  But these artists aint tweeting.

Thurston Moore + Bill Nace + Joe McPhee
Where: Roulette
When: May 31, 8pm 

Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.

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Ugly Art Room presents, All That Remains @ Picture Farm.

Artist and curator, Charles Wilkin took the time to chat with The 22 about the upcoming collage show All That Remains presented by Ugly Art Room at Picture Farm in Brooklyn. Resourcing from a VAST pool of collage artists, the show is dynamic, bold and most of all, really fun. The show opens Oct 21st, with an reception from 7-9pm at Picture Farm (338 Wythe Ave.)

The 22 Magazine: You happen to be a collage artist yourself, correct? Tell me what it is that first got you hooked on collage and what you love about it?

Charles Wilkin: Yes I’m a collage artist. It’s funny because I sort of fell into collage by accident in college. I was late for a drawing class and forgot to bring my pencils and paper. I ran across the hall with nothing more than a stack of photos I’d just printed from my photo class. Instead of smacking my hand with a ruler for being unprepared my instructor said ” well use those photos”. Clearly she saw something in what I had done that day and encouraged me to make more collages. I guess what I love about collage is it’s immediacy and the happy little accidents that happen along the way. I love not knowing where I’m going until I get there and with collage I can sort of get lost in the moment. I think that’s what I really love about it most, for me it’s very freeing.

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