Peter Evans, trumpet; Jon Irabagon, saxophone; Moppa Elliot, bass; Kevin Shea, drums.
The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking. (READ MORE.)
Summer Group Exhibition 2011
August 4 to August 27, 2011
Joshua Liner Gallery is pleased to present the 2011 Summer Group Exhibition showcasing 17 artists, including established gallery regulars and several newcomers to the gallery. The exhibition will feature painting, collage, and drawing, with works by the following artists:
Cameron Gray, Chloe Early, Damon Soule, Dave Kinsey, David Ellis, Evan Hecox, Evelyn Rydz, Greg Lamarche, Herbert Baglione, Oliver Vernon, Pema Rinzin, Ryan McLennan, Shawn Barber, Stephen Powers, Tiffany Bozic, Tomokazu Matsuyama and Tony Curanaj.
xperi-MENTAL Festival 3
August-5, 6, 7
Three days or avant garde and experimental music madness!
Curated by Robert L. Pepper (PAS) and Valerie Kuhne (Prehistoric Horse)
Goodbye Blue Monday
J Train to Kosciusko St
Round Robin Collective in Residence at A.I.R Gallery
August 5th through August 27th A.I.R Gallery will host Round Robin Collective in Residence at A.I.R Gallery.
Opening Reception: Thursday, August 4th, 6-9pm.
Gallery Hours during this exhibition: Thursday 5:30 – 8:30pm, and Fri – Sun, 11 to 6pm.
A Monthly Night of Accordion-Driven Variety
The first Monday of every month, David F. Slone, Esq. invites you to join him in a celebration of the beauty of the bellows with Brooklyn’s hottest underground accordionists, dancers, strippers, singers, comedians and magicians!
HOSPITAL: EPISODE 3 @ AXIS
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp (Edgar Oliver’s East 10th Street: Self Portrait with Empty House), the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
Love Is Blind, a show that’s half cabaret and half live dating game, seeks singles to play the game. They have the cabaret part down, but the show needs you on-stage answering outrageous questions, as the audience witnesses the spectacle.
Hosted by Sarah Sims Erwin (aka: DJ Sims, and formerly with The Fun Club), Love Is Blind features more than the dating game. It’s got the lovable song stylings of Finsbury Park and Lady Adrienne; the twisted dance theater group Movementpants Dance; and a little something balloon-y by the host. And after the show, dance to Love Is Blind’s resident DJ, Blind Eye Sees All. Proper footwear = rug cutting bliss.
$5 admission gets you a Love Lottery ticket which gives you a chance to play (or give your ticket to a friend to better their chance to win). Contestants will be picked live at the event.
Spread the word. Spread the love.
Love Is Blind
this Wednesday, May 11
622 Degraw Street
Gowanus, Brooklyn 11217
doors at 7:30 pm; show at 8 pm
Blatt’s intricate watercolor paintings focus on enclosures set into abandoned piazzas, rigorously rendered with twisting, virtuosic detail. Outcropping bell jars, fountains, terrariums, monuments, and medallions serve as incubators for lush, botanical worlds in which the artist cultivates a psycho-suggestive bounty. Within these containers, Blatt explores notions of un/natural paradox: overturned, architectural constructions spill water on teeming plant life; leaves unfold to receive crystalline forms; water is both frozen and flowing; veins (or vines?) crawl through stone; mountain ranges plot like ant hills. Life overgrows life in an endless cycle of death and rebirth.
Employing the patient medium of watercolor, Blatt refocuses the idyllic art-historical movements of Rococo, Symbolism, Wunderkammen, and Romanticism through a contemporary lens: shifts in CMYK (a color printing model) suggest digital erratum, psychedelia flutters about, and cracked color fields abut cobblestones harvested from microscopic electron scans.
Entangled deep within this world of copious, visual delight is the fear of floodgates burst wide. Taken, a particularly bucolic scene, offers a pendant dangling amidst radiant autumn vines. Framed beneath a double bust of a woman is the carnivorous flower of death know as rafflesia, which just happens to reek like rotting flesh.
Ben Blatt lives and works in Brooklyn, NY. He received his BFA in 2001 from the Rhode Island School of Design. His work has since been included in group exhibitions at White Columns, Bellwether Gallery, Feigen Contemporary (all New York, NY), and John Michael Kohler Art Center, Sheboygan, WI.