Paul McCarthy, The Dwarves, The Forests
AMRAM & CO @ Cornelia St.
With Liberty and Justice for Some: How the Law Is Used To Destroy Equality and Protect the Powerful
Listen to This by Alex Ross
The Moth StorySLAM. Theme: Warning Signs
Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.
Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.
The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.
MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner. He will scan you in his 3D Photo Booth, then print you using the MakerBot.
The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.
Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.
RSVPs are required at http://www.3rdward.com/rsvp
MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.
Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.
Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.
An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.
Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.
Admission is free.
Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street
THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.
Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!? This Spring Secret Project Robot creates the long awaited fluorescent opulence. Over 30 artists participate to transform the gallery into a black light cocktail lounge.
Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.
SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216
OPENING REMARKS BY
Kate D. Levin, Commissioner, New York City Department of Cultural Affairs
Marty Markowitz, Brooklyn Borough President
Jimmy Van Bramer, New York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin Grannum, President, Bedford Stuyvesant Restoration Corporation
Danny Simmons, Chair of New York State Council on the Arts and Artist
Love Your Library Day!
Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza
As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!
Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.
|10 AM – 3 PM:||Book, T-shirt and tote bag sale|
|10 AM – 12 PM:||Performance by BPL’s own Lost in the Stacks|
|12 – 1 PM:||Advocacy rally|
|1 PM:||Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti|
You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.
Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.
CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM
136-17 39th Avenue
Flushing, NY 11354
QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists. This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation. Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)
Saturday, May 14 at 7 pm
Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.
What beasts block our roads or assist us on the way?
Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.
Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.
Please visit the Proteus Gowanus website for more news and information about upcoming events.
It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.
I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.
A brief interview with Sxip about the show and participants:
THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?
SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.
THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?
SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.
THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?
SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.
THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?
SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.
Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.
Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.
has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.
is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press.
WEDNESDAY APRIL 27 / 8PM
At last! John Ashbery’s translation of French poet Arthur Rimbaud’s final masterpiece before abandoning poetry at the age of 21, Illuminations (Norton, 2011) has been published. Ashbery’s rendering of all forty-four poems powerfully evokes the kaleidoscopic beauty of the original and creates “a vision of postdiluvian freshness” out of “the chaos of ice floes and the polar night.” This is a major literary event and we are going to celebrate it with poets and musicians Edwin Torres, Anne Tardos, Nicole Peyrafitte, Franklin Bruno, David Shapiro, Bree Brenton, Julie Patton, Madeline Gins, Richard Hell, Evi Jundt, Anna Williams andSharon Mesmer.
Bedevilment In Paradise
For our last exhibition of the Paradise year, we focus on Bedevilment, in collaboration with our friends at Curious Matter, who will install an exhibit within the exhibit entitled The Naming of the Animals.
Myth says that naming the animals is an obligation assigned to humankind at the creation and it is one that has never ceased to demand attention: the task of naming, ordering, cataloging, dividing, pairing, discerning, describing, speaking…. Indeed, Paradise itself, where naming first began, was a place divided and separated, which is why its beatific presence bedevils us. As the exhibitions at Proteus Gowanus and Curious Matter attest, these paradisiacal topics are vexing.
We are bedeviled by threatened harmony, endless desiring, dangerous magic and unhinged innocence, all on view in the works of 19 artists, writers , designers and collectives. Also in store is the Spring line-up of evening events with musicians, scholars, priests, dancers, filmmakers, historians and writers.
The exhibit at Proteus opens this Saturday and will run through July 16. The show at Curious Matter opened on April 3 and closes May 15. For details on Naming the Animals and directions to Curious Matter, click here.Contributors: Sally Agee, Diane Bertolo, Peter Bonner, Jessica Cannon, Stella Chasteen, Enome Ekeh, David Eustace, Nancy Friedemann, Anne Garland, Madhu Kaza, Edith Kollath, Paula Lalala, Clarinda Mac Low, Walter Polkosnik, Eaton Purdy, Leon Waller, Cate Whittemore, A Wrecked Tangle Press, and The Writhing Society.
In addition, we are pleased to host this spring two Paradise projects-in-residence. In the work of Madhu Kaza’s Here Is Where We Meet and Clarinda Mac Lowe’s Cyborg Nation, we examine the relationship between intimacy and service, domestic ritual and public space, and between our human selves and the smart machines which serve and guide us.
Cyborg Nation extends our recent inquiries into future utopias, offering Teknotherapy for all who need help coping with their increasing dependence upon electronic gadgets. Have you fully accepted your cyborg nature? With Teknotherapy, a Cyborg interlocutor (or “teknotherapist”) leads group and individual sessions during April and May for those of us grappling with our machinic selves, helping us to come to terms with our relationships with our electronic extensions. For more details or to make an appointment, click here.
For our second project, Here is Where We Meet, Madhu Kaza will travel to individual participant’s homes by appointment to read them to sleep at bedtime. Here is Where We Meet is part of the artist’s ongoing Hospitalityseries, projects that examine social conventions, rituals of domestic and daily life, relations between strangers, hosts and guests, and boundaries of public and intimate space. Here is Where We Meet is particularly concerned with the transitional state between wakefulness and sleep, the drift from the world of stories to the world of dreams, and a re-engagement of the pleasure of voice in our experience of texts. More details will be available soon.