THE (CONDENSED) WEEK/WEEKEND: Nov 24th-28th.

Aki Sasamoto – Centripetal Run
The Chocolate Factory
November 28 – December 1, 2012

Centripetal Run explores parallels between gray situations in personal lives, and electromagnetic radiation that forms the universe.ÊThe sculptural arrangement is a theatrical cosmology, and the performer unfolds, negotiates, and psychologically challenges its matter of factness.

Selected Shorts: Comedy!
Symphony Space
Nov 28th

Alec Baldwin leads a lineup of stars, including Michael Showalter (The State), Wyatt Cenac (The Daily Show), David Furr (Shakespeare in the Park As You Like It) and Aya Cash (Sleepwalk with Me) performing hilarious and wacky fictions, just in time to cheer you up after the Thanksgiving doldrums.  Hosted by B.D. Wong.

Mount Eerie
Le Poisson Rouge

Wed, Nov 28th

For over thirteen years Phil Elverum has been releasing beguiling records from and about the Pacific Northwest, first as the Microphones and since 2004 as Mount Eerie. Some standouts are The Glow pt. 2 (2001), Mount Eerie (2003), Lost Wisdom (2008), Wind’s Poem (2009), and now 2 companion albums for 2012: Clear Moon and Ocean Roar.

End of the World Thanksgiving Revival
Dana Holst, Lo and Behold
{RESCHEDULED} 25TH ANNUAL HILLA REBAY LECTURE: The Para-Architectural Imagination of Gustav Klutsis
The Things Between
Stephen K/Fiji Bijoux/Surveyor
Sally Silvers “Bonobo Milkshake”
WAR GAMES ROOM AT PROTEUS GOWANUS
SPECULATIVE SOUND PERFORMANCE WITH DISQUIET JUNTO
CLAUDIA JOSKOWICZ: SYMPATHY FOR THE DEVIL
Hot & Cold: Anders Nilsson & Aaron Dugan Electric Guitar Duo
Artful Dining: Ask Aasif Mandvi Anything!
Work It Brooklyn
NUTCRACKER Circus Suite
The Bell House & Pretty Good Friends’ Hurricane Relief Benefit: featuring A Very Funny ‘F*ck You’ To Sandy
Jozef Van Wissem and Jim Jarmusch
Franz Nicolay w/ Barbez
David LaChapelle: Still Life
A PORTRAIT OF AMERICA
Non-Place/Place
BJÖRN SCHÜLKE: Luftraum
STYLE IS THE TAILOR
Weekend Money, Kool A.D., Lakutis,  Kowabunga Tyga

COMING UP:

PUPPET PARLOR goes $BUCK NAKED$
Justseeds Sowing the Seeds of Love
MEREDITH MONK: A Benefit For Roulette
Sounds Elemental with the Association of Independents in Radio: GRAVITY
Humans and Other Animals (Bobby Lucy)
TEDxBrooklyn
Dylan Moran-yeah, yeah
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
An Evening with Joyce Carol Oates
DJ Shadow
Laura Vitale: White Sands
Witnessing Human Rights: Past, Present, and Future
Happy Baby Fundraiser

THE WEEK/WEEKEND: Nov 15th-21st.

 

SANDY FUNDRAISERS: 

WAW CLOSING AND SANDY FUNDRAISER
FLAVORS / SANDY RELIEF FUNDRAISER
Sandy Hates Books Hurricane Relief Fundraiser
Foley Gallery presents #SANDY
THE SECRET CITY: ANCESTORS AND 3rd ANNUAL FOOD DRIVE
QMA ROCKAWAY FUNDRAISER
WHITE BOX FUNDRAISER (RED HOOK)
House of Yes
Jalopy Theatre And Friends Present: A Benefit to Restore Red Hook-Starring Rosanne Cash at THE BELL HOUSE
New Amsterdam Headquarters Fundraiser
Soup Bowl Fundraiser at EAT (Greenpointers)
THE KITCHEN: FUNDRAISER
Donations for Printed Matter

MORE EVENTS:

Kid Koala 12 bit Blues Vinyl Vaudeville
Music Hall of Williamsburg
Nov 21st

KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)

Calico Presents “Bad on its Own”
Calico (67 West St)
November 16 – December 2, 2012

Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.

Ethan Lipton & His Orchestra/Sven Ratzke with special guest Joey Arias/Alice Smith
Joe’s Pub
11:30 PM – November 16 

There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.

DREW CONRAD, AIN’T DEAD YET
Fitzroy Gallery
November 15, 2012 – January 20, 2013

Jeffrey Gibson
Marc Strauss
November 18 – December 23, 2012

Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.

SUGAR presents: Expressly Physical
449 Troutman St. #3-5, third fl. buzz #21
opening reception: Sunday Nov. 18th, 4-7pm

The Bunker (Untold/Bryan Kasenic/Nihal Ramchandani)
285 Kent
Saturday, Nov 15

Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.


Mind Over Mirrors + Miguel Gutierrez

Fri, November 16, 2012 – 8:00pm
Actors Fund: 160 Schermerhorn Street, Brooklyn

Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.

THE LITTLE TOP CIRCUS & MEDICINE SHOW/HEART OF DARKNESS W/GREG BARRIS
Union Hall
Sat, Nov 17

Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.

The Poetry Brothel’s 327th Annual Masquerade [Rescheduled]
The Back Room: 102 Norfolk Street
Nov 18th

Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.

Short & Sweet: The Brooklyn Filmmakers Collective
Union Docs
Sunday, November 18 at 7:30pm

The BFC will present a night of short films by its members.  Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers.  Beyond the workshops, members share resources, ideas, gear, and crew-power.  The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.

My Ideal Bookshelf by Jane Mount and Thessaly La Force
Powerhouse Arena
Nov 16th

PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.

Perpetual Recombination : Ian Trask Solo Exhibition
Recession Art
OPENING, Saturday, November 17, 6–10pm

In Perpetual Recombination, Recession Art’s  featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique.  The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems.  By analogy, this body of work represents nearly a decade of creative evolution.  The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.

PEPPE VOLTARELLI: THE JOURNEY, THE FATHER, THE MEMBERSHIP”/TARRAS BAND
Barbes
Sat 11/17

Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.

First Look: Aboveground Animation
New Museum
11/17

Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.

As Real As It Gets
ApexArt
Opening Reception: Thursday, November 15: 6-8 pm

Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.

Roman Tragedies
BAM
Nov 16—Nov 18, 2012

Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius CaesarAntony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.

THE SCREWTAPE LETTERS
Skirball Center
Nov 15-18

The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.

HABEAS CORPUS
IF IT’S SO THEN LET ME KNOW / CHRIS FENNELL
Gym, Dear, Northwood, Twi the Humble Feather
Meta-Monumental Garage Sale
RADIO UNNAMABLE
Mickalene Thomas: Origin of the Universe
NOVEMBER OPEN HOUSE and SUNDAY SESSIONS
CONTINUUM: CAGE CENTENNIAL
American Landscapes
Surfaces, Supports. Tatiana Berg & Evan Nesbit
Katarzyna Krakowiak “Possibility 02: Growth, Part II”
Haik Kocharian CD Release
André Cypriano: Two Decades
Y? O! G… A [RESCHEDULED]
THOMAS BROADBENT
Fall into Frost : New works by Kelly Denato/The Dandy : New works by Julie West
R. SIKORYAK & NEIL NUMBERMAN CAROUSEL FOR KIDS!

Ital Tek Us Tour feat. Howse (Tri Angle) & Lamin Fofana (Dutty Artz)
Uncommon Ground: Alternative Realities (Forum Gallery)
IOVIS reading at Poets House

AFTERMATH (ARTIFACT)
DAVID GARLAND/GLENN JONES/C SPENCER YEH
ED RUSCHA
A CATHODE RAY SEANCE
THE MUPPET VAULT: THE MAN OF A THOUSAND MUPPETS
Lauren Elder
Ellipsis: Allison Somers
Bernadette 
Corporation
Lines of Sight: Readings of photography in fiction
Opening Reception for “On Purpose: Art & Design in Brooklyn, 2012”
Secret Keeper
Chavisa Woods author of Love Does Not Make Me Gentle or Kind with Steve Dalachinsky

CHRISTEENE
JOHN BLAKEMORE (KLOMPCHING GALLERY)

Renegade Craft Fair Holiday Market in Brooklyn
UP IN THE AIR: Antoine Rose
Melodie Provenzano “Rock Center”(Lyons Weir)
Jim Krueger and artist Zach Brunner (The High Cost of Happily Ever After) Book Signing
“How I Learned” Storyslam
NAOMI PUNK/G Green/Parquet Courts/Psychic Blood
Live Drone Performance w/Acupuncture

Devin Powers (Book Release and Artist Talk)
Repo: The Genetic Opera
From the Akashic Jukebox: Magic and Music in Britain, 1888-1978: Illustrated Lecture and Rare British Occult Recordings with Mark Pilkington of Strange Attractor Press
Echo Eggebrecht: Probably Science
Andrew Kalleen
talk: zoo-topia: zoo architecture as taxonomies of representation
Phutureprimitive, Space Jesus, Soulacybin
Trenton Doyle Hancock
BARE!
Tokyo 1955–1970: A New Avant-Garde

COMING UP:

PUPPET PARLOR goes $BUCK NAKED$
{RESCHEDULED} 25TH ANNUAL HILLA REBAY LECTURE: The Para-Architectural Imagination of Gustav Klutsis
Witnessing Human Rights: Past, Present, and Future
Aki Sasamoto’s Centripetal Run
Selected Shorts: Comedy
Laura Vitale: White Sands
DJ Shadow
An Evening with Joyce Carol Oates
Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
Night Train with Wyatt Cenac

THE WEEK/WEEKEND: Oct 18-24th.


Ashley Wood/Jeremy Geddes

Jonathan Levine
Oct 20 — Nov 17, 2012

Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.

Music for Voice: Cycles, Mashups, and Machinic Rhapsodies
Le Poisson Rouge
Sun., October 21, 2012 / 5:00 PM and Tue., October 23, 2012

Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.

Leave The Bass Alone, 5 Basses
Harvestworks
Installation: Sat/Sun, Oct 20/21, 4 -7pm
Reception and live performance: Friday, Oct 19, 7 – 9pm

Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.

Beth Wiemann, Composer/Clarinet with Geoffrey Burleson, Piano and Maria Tegzes, Soprano
Firehouse Space
October 20, 2012 8:00 pm

Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp

Hindsight is Always 20/20
Closing Nov. 7
Brooklyn Bridge Park, Walkway near the Carousel

Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes.  The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.

THE CELLAR AND POINT/FLORENT GHYS – SOLO PERFORMANCE DOUBLE BASS-LAPTOP
Cornelia Street Cafe

Wed Oct 24th

The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.

Landscapes of the Soul
La Mama
October 19 – October 21, 2012

By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.

TYPES WE CAN MAKE & TYPE@COOPER
Cooper Union
OCTOBER 23 – NOVEMBER 17, 2012

“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.

Dead in August
Site 95

October 19 – November 16, 2012

site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.

PAMELIA KURSTIN with PETE DRUNGLE
Barbes
Thu 10/25

Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.

How to Break
Here Arts Center
Oct 18-Nov 4

In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.

MONICA BILL BARNES & COMPANY
NYU Skirball
OCTOBER 20 / 8:00 and OCTOBER 21 / 3:00

Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.

JENNIFER & KEVIN McCOY: TWENTY ONE TWELVE 
POSTMASTERS
October 20 – November 24, 2012

Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.

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Underpinnings at House of Yes.

House of Yes‘ recent fine art and performance art showcase, “Underpinnings” curated by Lauren Xandra and Rusty Van Riper focused loosely around the idea of “peeling” or multiple selves. The night was a success in many areas, including body control (choreography), preparedness, and flow of the night, while maintaining a heavy emphasis on dance and collaborative showcase. Highlights of the evening included “If Peeled…,” (choreographed and directed by Lauren Xandra) consisting of male and female dancers exploring the shapes and motions of bodies solo and en masse, followed by a perpetual motion chair piece performed by Pam Weiss and Laura Alexander titled, “Rise and Fall” (choreographed by Charlotte Hendrickson), “R(o/a)m” (choreographed by Claire Baum) and the surprisingly funny final piece, “Self Love Next to You” which consisted of siblings (Carolyn Ellis, Andrew Ellis) having a mock spat at the dinner table, complete with on tempo knife and fork fight. Take a look at some photos from the night below and see more here.

THE WEEKEND: MARCH 9-11.

EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012

Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20’s and 30’s through to the 50’s and early 60’s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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The Weekend:Dec 2-4.

FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1” buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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THE WEEK: Nov 28-Dec 2.

MONDAY:

TALK SERIES: Poetry After the White House Jam: A Panel Discussion on the nature and Role of the Avant-Garde
This talk will focus on poets Alison Knowles (founding member of Fluxus) and Kenneth Goldsmith (Conceptual Writing figurehead) and their inclusion in the 2011 White House Poetry Jam. Specifically, thinking about Knowles and Goldsmith as “avant-garde” figures: whether there can be an avant-garde that is current and representative, and how that impulse affects/is affected by an institutional context such as the White House. Panelists include: Rod Smith,Sandra Simonds, and Steven Zultanski.