THE WEEKEND: APRIL 13-15.

EDITOR’S PICKS:

NYC Anarchist Book Fair
http://anarchistbookfair.net/program
04/14/2012-04/15/2012

New York City, a center of anarchist life, culture, struggle, and ideas for 150 years, will host its 6th annual NYC Anarchist Book Fair, a one-day exposition of books, zines, pamphlets, art, film/video, and other cultural and very political productions of the anarchist scene worldwide, on April 14, 2012 at Judson Memorial Church in Manhattan. The Book Fair also always includes two days of panels, presentations, workshops, and skillshares on to provide further opportunities to learn more and share your own experience and creativity. The goal of the book fair is to enable people to connect with one another as well as to provide broader access to the rich and varied field of anarchist ideas and practices. Now is the perfect time to be exploring those ideas and practices and bringing them into play in our communities and the world.

 

 

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THE WEEK: August 8-12th.

Social Hijinks! A screening and live action lecture night
Wednesday August 10, 7:30 pm

In conjunction with the exhibition Why Participate?, Angela Washko has organized a lineup of videos and live performative lectures by artists whose projects take place within social spaces. The works being presented and discussed are mischievous, critical, occasionally hilarious, and examine the boundaries of legality. Artists Jason Eppink, Nate Hill, Ann Hirsch, Jaime Iglehart, Action Club, Paolo Pedercini, and Jeff Stark present and talk about their works discussing surveillance, costumed public service, reality television, knock-off culture, collaboration, video game evolution, protest, and performance in public spaces.
Free + Bring your own beverages and snacks
(images courtesy of Jeff Stark)

Gian Luigi Diana, electronics & Ben Gerstein, trombone
Wednesday, August 10, 10pm

SEEDS:Brooklyn – www.seedsbrooklyn.org
617 Vanderbilt Ave., Brooklyn (preceded at 8:30 by Jacob Garchik, trombone/computer)

All Star Poetry: A Benefit at the Bowery Poetry Club.
Tuesday, August 9

Nine poets from the First Annual New York Poetry Festival join forces to raise funds for the Festival and Bowery Arts + Science. Featured poets include Lisa Marie Basile, Jassie Harris, Meghann Plunkett, Rita Mercedes, Sarah Feeley, Ayala Sella, Nick Adamski and Bob Holman w/ Molissa Fenley.

Books will be available for purchase after the reading.
Admission: $8
The Bowery Poetry Club is located at 308 Bowery (between Houston and Bleecker)

New York Poetry Festival Afterparty at the Bowery

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An Interview with Ophelia Chong.


22:
First the background questions, where did you grow up and how did you get involved with art?

OPHELIA CHONG:I grew up in the wilds of Canada, in the city of Toronto. I remember my first collage, in grade five; it was a collage made of magazine bits and it was blue and green. During my formative years I was an explorer, I would ride my bike from mid-town to the lake and back; I would disappear for a whole day, exploring the city on my three-speed bike. I quickly outgrew Toronto and packed up and left for Los Angeles. I went to the Art Center College of Design and graduated with a BFA in Painting. I am an adjunct professor there in the Photography Dept.

22: What about collage appeals to you?

OPHELIA CHONG
I love seeing the possibilities of color. Of using the pieces of paper as paint, my X-acto knife the brush.

22:
 What about the fusion of collage and design appeals to you? Are they really just versions of the same thing?

OPHELIA CHONG
It’s all the same thing, I see it all as color and form, no matter what medium it is.

22: You also seem to have a penchant for typography and presses where did that start?
 

OPHELIA CHONG: Shapes, I love the curves of typography. When I was younger I would sit in class sketching serif fonts. I loved the thin with the thick, the swoosh and staccato of forms in typography. When I first used a Vandercook Press six years ago, I was hooked. I love the ink pressing into the paper, the randomness of where the letters fell onto pieces of ephemera that I put through the press. How each piece was a singular piece of art. Never to be repeated twice. I use only vintage magazines to print on, therefore each piece is non-repeatable.

22: Can you explain your 35mm slide work (surreal cereal) process a little? What inspired working with collage this way? Any specific artists? 

OPHELIA CHONG:That is about how we see life. For example, we both see two people arguing, I see it through the lens of my life experience and you see it through your’s. We will both come up with different assumptions of why they are arguing, because we react differently due to the environment we grew up in. My layering of 35mm slides is a tactile version of this theory, I layer images over each other to create something new, something that resonates with the way I see life. I am inspired by Guido Reni, Ba-ra-kei: Ordeal by Roses by Eikoh Hosoe, film noir, Madame Bovary by Flaubert, Ethan Frome by Wharton, and so much more.

22:Who are some of your favorite designers or artists in general?

OPHELIA CHONG:
All art from the 16th – 18th century. Fritz Sauter ( a Swiss printmaker), 15th century Gothic churches, Orson Welles, Paul Rand, [Richard] Neutra
music for the clavichord, the flavor of the week and anything that makes me want to grab an X-acto knife.

22: 
How did you start working on the slips of paper series? What was your first collage for that? 

OPHELIA CHONG
I started in 1999, but if I had to trace it back, since I could use scissors. I picked up a small Moleskine sketch book  in 1999 and started sticking bits of paper 
in it to relieve the stress I was going through at my job as a Creative Director. I filled books and books with “slips of paper”, not really going towards an end goal, just to keep myself from the digital world. All my work is non-digital.

22: 
How do you balance your professional life with your artistic career, do the two ever clash? Or do they enhance each other? 

OPHELIA CHONG
I melded both into one. I have a rep in NYC for my illustration, and I now have a studio that I sit in all day working. I love it. Work = Love = Happiness

22:
What are you currently working on? Any upcoming projects? 

OPHELIA CHONG
:
I am writing more, I write commentary for KCET ( a local TV station in Los Angeles) and for howtosplitanatom.com . I have  work traveling from Barcelona to NYC, it will take 2 years to finish my travels. My 
letterpress work is at the Hunt Gallery at Webster University in St.Louis. My project now is to keep cutting paper and I know I will never tire of it; the only time I get into  trouble is when I cut up something someone was still reading. Never leave anything you want to read around me, it just might end up in a collage.

GET SOME FREE ART FROM OPHELIA HERE!
OPHELIA‘S WEBSITE.