Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
BROOKLYN FOLK ARTS DAY
LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
FRIDAY: MAY 27th
(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
(BOTTOM video:The Local 269)
Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10
PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011
OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM
The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.
http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire
FRIDAY MAY 27 / 10PM
Come celebrate the end of another season at the Poetry Project! The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food. An array of writers from the Poetry Project series as well as other local reading series will read/perform their work. Any one interested in bringing a dish for the potluck will contribute to an amazing feast. If you’re interested in bringing food, please email Brett Price at email@example.com.
VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.
VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.
Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)
CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm
See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**
On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!
Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.
Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)
Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)
Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)
Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.
We’ll have cheap beer! Shayna might make Baklava!
SATURDAY: MAY 28th
Pub(l)ic Identities: Reading Medical Representations of Sex
“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.
Through 25 June 2011
540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)
THE FITTING ROOM
25 MAY – 25 JUNE, 2011
MAY 14 – JULY 10
Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES
Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here
Through The Warp @REGINA REX
5/28/2011 – 6/19/2011
Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)
SUNDAY: MAY 29th
Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)
Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:
The Red Light New Music Collective – http://www.redlightnewmusic.org/
Sxip Shirey – http://www.sxipshirey.com/
Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
Jonathan Wood Vincent – http://www.reverbnation.com/jonathanwoodvincent
Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp
Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st. This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils. The artist delighted in painting myriad details. These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”
VISIT AND SHARE THE NEWSLETTER WITH THIS LINK: http://mim.io/3fe011
Closing May 8th.
As The World Burns
Final Week at James Fuentes LLC, Gallery hours; Wed. – Sun., 11-6pm.
Special New York Gallery Week extended day, Sunday, May 8th, 12-8pm.
View exhibition images: here
New York Gallery Week link: here
James Fuentes LLC proudly presents, as part of The New Museum’s Festival of Ideas For The New City;
Daniel Subkoff & Will Chancellor
Past Fits and Future Pulls
Clemente Soto Vélez Cultural and Educational Center at 107 Suffolk St between Rivington and Delancey.
If you have trouble locating this project please text; (917) 509-2250
Saturday from 10am to midnight
Sunday from 2:30pm until 7pm
Festival of Ideas: link
Subkoff & Chancellor are offering their artwork for free to everyone who joins them, and ultimately back to the earth itself. Having traded their cash for living native seeds, soil and local clay, they’ve constructed a 13 foot tall sculpture with this material that they invite the public to help disassemble. Visitors are welcome to grab a handful of the sculpture and recast it in a provided mold, walking away with a small sculpture of their own. If left in an appropriate place such as an abandoned lot, garden or any soft ground it should dissolve and yield a significant number of native wildflowers within a month. If taken home and treated as an art object, it will likely dry out, crack and expire worthless. The main small sculptural casting will be of a rendition of Tlaloc, the elemental Aztec god of water, rain and fertility whose name translates as “he who is made of earth”.
April 14, 2011–May 14, 2011
Susan Graham’s exhibition, New Gardens, features sculpture, photography and video that use strategies of pattern and decoration to poetically depict the eternal struggle between nature and technology. Central to the exhibition are Toile Landscape, a large scale installation of Graham’s delicate sugar sculptures, and the intimate porcelain Toile Floating Landscape sculptures. Mimicking the recurring patterns of complex pastoral scenes found on Toile de Jouy, these works depict clusters of invented flora interspersed with industrial structures such as transmission towers, satellite dishes, or even cell phone towers disguised as trees. Charming, delicate and foreboding, each small pastoral scene compresses nature and technology in a bittersweet attempt at reconciliation. Graham’s photographs and videos on view in New Gardens depict skies choked with flocks of airplanes, modern-day birds staking their claim on the atmosphere. These works showcase Graham’s deft touch and ability to evoke rich, multivalent narratives from a few simple, quiet gestures. New Gardens is Graham’s fourth solo exhibition with the gallery.
April 14, 2011–May 14, 2011
Cletus Johnson: Collage 1968–2010 presents a selection of Johnson’s beguiling collages, including collaborative pieces made with famed Black Mountain poet Robert Creeley. Johnson’s works are composed of deceptively simple materials inviting private, almost meditative contemplation on subjects of longing, erotic love and primal lust. Their quietude evokes a Cagean musicality, while a minimal juxtaposition of images wrings endless narrative associations. Envelopes containing black and white photographs of a woman’s breast are intimate love letters being sent and received, revealing a desire to both contain and set free the object of affection. Amusement park ride tickets are coupled with cropped images of naked male youths, granting the viewer permission to experience desire. Portrayals of Antinous—Roman Emperor Hadrian’s lover—as Cyclops become homorobotic emblems of a carnal hunger for an idealized beauty. Johnson’s collages show him as a master of the simple, poetic intervention.