Flickrworks.

http://www.flickr.com/photos/btang/7492523988/in/faves-photodolce/

Happy 4th! All credits for photos are listed below and with photo.

Kim – 183/365  (Mechki): http://www.flickr.com/photos/mechki/7497919320/in/photostream/

Canada Day Fireworks (Gordzilla1): http://www.flickr.com/photos/gordzilla/7497704168/in/photostream/

Alexandra Carrie: http://www.flickr.com/photos/alexandrachilds/7496416074/in/photostream/

CCEVO BBQ (Jd Lazaro): www.facebook.com/twreckfilms

Mike P Scott: http://www.flickr.com/photos/41171029@N02/7495539332/in/photostream/

go chris go: http://www.flickr.com/photos/63511705@N06/7495458602/in/photostream/

Lake Burton Fireworks (William Klausmeyer): http://www.flickr.com/photos/68215493@N06/7494820362/in/photostream/

Canada Day Fireworks 075 (Toontown Whitefox) : http://www.flickr.com/photos/btang/7492523988/in/faves-photodolce/

Single Firework (Aaron Priestly-Wright) : http://www.apwpictures.com/

#jimmyrex is a #fireworks #wizard: http://www.flickr.com/photos/11494093@N02/7492167366/in/photostream/

Life_In_Colour: http://www.flickr.com/photos/life_in_colour/7492044916/in/photostream/

Fireworks0868 (Shelley B): http://www.flickr.com/photos/benshell/7491497820/in/photostream/

Fireworks have begun (calvarycapecod) : http://www.flickr.com/photos/cccapecod/7491199966/in/photostream/

Canada Day Fireworks Edmonton 2012 -25 (bpc1930’s) : http://www.flickr.com/photos/bpc1930/7490557168/in/photostream/

Bill Chivers: http://www.flickr.com/photos/11801694@N08/7490224632/in/photostream/

Ryan Stubbs: http://www.flickr.com/photos/haljackey/7490202740/in/photostream/

Paramus, NJ fireworks (Rebecca Schear) : http://www.flickr.com/photos/xiivii/7488217432/in/photostream/

shockwaves in the night sky II (Alan Mcclelland) : http://www.flickr.com/photos/eyelyft/7466234540/in/photostream/

glory night 3 (Flash Berger): http://www.flickr.com/photos/flashberger/7338584772/in/photostream/

phyirwerc (Alykk): http://www.flickr.com/photos/64373472@N03/7288686206/in/photostream/

Richard Spiller: http://www.flickr.com/photos/68510809@N06/7178215329/in/photostream/

Daytime Fireworks (J-Fish) : http://www.flickr.com/photos/j-fish/7057970665/in/photostream/

malta — grand harbour — fireworks (Adrian Cilia) : http://www.flickr.com/photos/drinu_c/6983825140/in/photostream/

Fireworks30 (Shine Sudhakaran): http://www.flickr.com/photos/sunny_royale/6864474538/in/photostream/

Firework Blur (Chris Thompson) : http://www.flickr.com/photos/fastchris/6318487930/in/photostream/

Swans and Fireworks 1 (sanpani) : http://www.flickr.com/photos/sanpani/6312924756/in/photostream/

Sparklers in a bucket : http://www.cjjohnson.tv/

Fireworks 1, Geneva (Federica): http://www.flickr.com/photos/nanakin88/6058899384/in/photostream/

fireworks (Stefan Pettersson): http://www.flickr.com/photos/seat55/5710280806/in/faves-photodolce/

Fireworks // Udine // 2011 (Ermanno Peressini): http://www.flickr.com/photos/22536107@N08/5312538382/in/photostream/

Fireworks across the lake (Sarah-Louise Burns): http://www.flickr.com/photos/sarahlouisee__xo/5152335823/in/photostream/

Fireworks (Shin Mimura): http://www.flickr.com/photos/kokix/4881394478/in/faves-photodolce/

fireworks 2 (Will Montague): http://www.flickr.com/photos/willmontague/3689143770/in/photostream/

Fireworks (Guus Krol) : http://www.flickr.com/photos/guuskrol/2948508897/in/faves-photodolce/

Fireworks (Radek Bednařík) : http://www.flickr.com/photos/rbe_czi/2817074442/in/faves-photodolce/

Eke Miedaner: http://www.flickr.com/photos/eam/756467806/in/photostream/

Monterey 4th of July Fireworks (Paige Adams): http://www.flickr.com/photos/phadams/722722143/in/faves-photodolce/

1344 Fireworks with prisms (Lois Elling) : http://www.flickr.com/photos/catdancing/186015425/in/photostream/

The 22 V 2/II SIGN & SYMBOL ONLINE NOW!

It is with no small amount of honor that we present the contributors of Vol 2/II: Sign & Symbol. These works are potent and it is with great awe, wonder, shock, respect, and pride that we raise The 22’s banner to pay tribute.

The contributors in Volume 2/II display an uncanny ability to manipulate context. Artists, writers, and musicians often stand at the forefront of cultural change, reflecting visions and revisions of our shared history. The contributors in this volume prove that icons come in many shapes, sizes, and media. At The 22, it is not our job to decide which is more correct, but instead to showcase a spectrum of interpretations. From the brash innuendos of Alexander Barton, the subtle humor of Captain Panda Pants, the visceral statements of Kikuko Tanaka, the humorous apocalypses of Marcus Kenny, the bold words of Nancy Flynn, the pressing urgency of Robert Kulesz, the enduring marks of David Bailin, the mementos and monuments of Kyle Coffin and Joseph Leroux, the clockwork perfection of Emily Ginsburg, the quiet intensity of Edwin Rostron, Mario Kolaric and Thera Webb, the humanity of Jonathan Wood Vincent, the minimalist seduction of James Gallagher, the perfected symbols and sounds of Yuko Otomo and Steve Dalachinksy, the strange surrealities of Derek Larson, the gut-wrecking prose of Ventral is Golden and Damien Knightley, the unabashed beauty of Robert Lucy, to the professed arbitrariness of Colin Oulighan, this volume covers the gamut of symbology and speaks to the underlying notion that we all are highly aware of our public and personal icons-whatever they may be.

Thank you to each and every person who made this volume possible including our generous fundraiser contributors.

~Cat Gilbert, Editor and Publisher

The 22 Volume 2/II: Sign & Symbol (ISSUU version)

The 22 Volume 2/II: Sign & Symbol (Website Version)

Visit our Website

THE WEEK: Dec 5-9.

MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

Continue reading

HELP SUPPORT THE 22 VOL/2: SIGN AND SYMBOL.

Please take the time to read the editor’s letter below and check out the many reasons to donate to The 22 now!

Howdy Folks,

I write to let you know The 22 Magazine is now hosting its first fundraising campaign, and how important it is for The 22 that we meet our fundraising goal for this project. Every person involved has done a huge amount of work out of the kindness of their hearts and has helped to make this magazine a bigger success than I ever could have imagined. I cannot thank them, or you the readers, enough for what you contribute on a daily basis. That being said, in these times, everyone needs as much help as they can get. We are no exception.

Nearly everything about The 22 is funded from our own pockets and unfortunately circumstances no longer make it possible to give in the same way. Thus I have to turn to you. For the past year we’ve implemented several series that showcase the works of artists, writers and musicians, with almost no funding. This is no small feat in New York City, and undoubtedly everyone sacrificed a huge amount of themselves to make it possible. While it may be ideal to continue in this way, it’s definitely not feasible. What we are asking for is only a very small fraction of what is needed to create things like the first print version of The 22 Review, a bigger, badder, better website, more in-depth content and larger, more excellent events.

Even $10 will help us take small steps towards our goal. In the long run you will find, as always, that with The 22 the benefits outweigh the cost. Please take the time to read some of the reasons to donate below and consider helping out.

Thank you all for your time and for the amazing things you create on a daily basis.

Your Editor,

Cat Gilbert

THE 22 FUNDRAISER: VOL 2/II, SIGN AND SYMBOL.

THE 22 MAGAZINE: VOL 2/II, SIGN & SYMBOL: THE FUNDRAISER.

We know. You wait for this moment all year. Perhaps with bated breath. Likely with tingling anticipation. Well, tingle no longer my friends. THE 22 FUNDRAISER has officially begun.

There are some amazing (and expensive) things coming up for The 22, including the rather mad attempt at publishing THE 22 REVIEW, our first print incarnation of The 22 Magazine: Vol I and II. Encompassing a year’s work of work, this volume is testament to the first year of the 22 and the contributor’s (both in the magazine and on the web) that have made it possible.

So HOW do you get a copy? Well, one way to ensure you do it to GIVE US MONEY. There are a plethora of things we’ll reward you with for donating (besides our undying devotion) and you’ll also help stroke our fundraising egos so in the future we can do bigger and better things.

We truly thank you for whatever you can give.

DONATE NOW! OUR THANKS FOREVER.

SUBMISSIONS NOW OPEN FOR THE 22 MAGAZINE, VOL II: SIGN & SYMBOL.

THE 22 MAGAZINE V II: SIGN AND SYMBOL

“Wild, dark times are rumbling toward us, and the prophet who wishes to write a new apocalypse will have to invent entirely new beasts, and beasts so terrible that the ancient animal symbols of Saint John will seem like cooing doves and cupids in comparison.”

~Heinreich Heine

DEADLINE: September 1st

Despite our previous intent, Volume II has slowly progressed into a theme that we could not ignore. For Vol II we ask our contributors to dig deep into their psyche and take hold of those great occurrences that trigger action, reaction or deep awe. Signs and symbols are often on the peripheral but when brought to light, when explored and examined they can elicit great change both on small and large scales. What makes up your triggers? What cues cause your reaction? What represents you or others? How do we manipulate these tools? And in the end, what do they all really mean?

TO SUBMIT for the magazine, the blog or as a writer for the 22 send your work by link (or a sample of) to the22magazine@gmail.com.

For more information or issue themes visit http://www.the22magazine.com/Pages/submissions.html

THE (LONG) WEEKEND MAY 27-29.

FRIDAY: MAY 27th

(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
http://www.myspace.com/mattlavelle

(BOTTOM video:The Local 269)

Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10

PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011

OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM

Paint it Now curated by participating artists Thomas Buildmore and Scott Chasse

The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)

READ OR LISTEN TO AN INTERVIEW WITH THE 22. 

SUPERCODA PRESENTS:
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.

http://www.myspace.com/mamieminch –
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.

http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire

http://anomylos.com/

Annual End-of-the-Season Poets’ Potluck

FRIDAY MAY 27 / 10PM

Come celebrate the end of another season at the Poetry Project!  The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food.  An array of writers from the Poetry Project series as well as other local reading series will read/perform their work.  Any one interested in bringing a dish for the potluck will contribute to an amazing feast.  If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.

VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
Brooklyn, NY

NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.

VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.

Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)


Photo Courtesy of Paper Magazine

CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm

Christopher Henry Gallery

127 Elizabeth Street
New York, NY

See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**

On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!

SHOW! 

Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.

Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)

Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)

Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)

Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.

We’ll have cheap beer! Shayna might make Baklava!

SATURDAY: MAY 28th


Return of the Mini Zine Fest @ PETE’S CANDY STORE

Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM
More info

Pub(l)ic Identities: Reading Medical Representations of Sex

woman1

An illustrated lecture with medical artist Shelley Wall
Date: Saturday, May 28th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.

Ashley Bickerton
Through 25 June 2011

540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)

http://www.reverbnation.com/nicklyons
http://www.yonikretzmer.com/
http://jessiemnelson.com/

JIM GAYLORD: SPOILERS @JEFF BAILEY GALLERY.

May 25 – July 1, 2011
Opening Reception:
Thursday, May 26

THE FITTING ROOM
25 MAY – 25 JUNE, 2011

DAVID BRODYMERNET LARSENNICOLE WITTENBERG
CURATED BY DAVID COHEN

PRESS RELEASE download
PARTICIPANTS download

(READ MORE.)

OBSTACLE @INVISIBLE DOG ARTS CENTER

MAY 14 – JULY 10

Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES

Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here

OPENING PARTY SLIDESHOW HERE


Through The Warp @REGINA REX
5/28/2011 – 6/19/2011 

Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)

SUNDAY: MAY 29th

Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)

Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck

Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:

The Red Light New Music Collective – http://www.redlightnewmusic.org/

Sxip Shirey – http://www.sxipshirey.com/

Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
http://www.youtube.com/watch?v=q8W01gC1Mik

Jonathan Wood Vincent – http://www.reverbnation.com/jonathanwoodvincent

Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp

Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st.  This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils.  The artist delighted in painting myriad details.  These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”