SUPPORT THIS PROJECT: Jeffrey Beebe, Printing the Map of Western Refractoria.

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Jeffrey Beebe is a mapmaker but the only place you’re likely to find any of his cartography is in his brilliant mind or broken heart. His past experiences  are laid out as complex and often hilarious lands. We’ve featured some of his phenomenal creations  before, and now he’s looking to print a 25 limited edition set of The Map of Western Refractoria. A cross between geek and psychoanalysis it contains things such as the lands of Vast Nonsense, The Impossible Narrative, and The Oldest Ocean. He’s only got a few days left and a little ways to go, so please help him out if you can!

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THE WEEK: APRIL 16-20.

EDITOR’S PICKS:

Cross-Reference: A Collaborative Exhibition Featuring the work of Hans + Gieves
http://www.likethespice.com/Cross-Reference-Hans+Gieves.html
04/20/2012-05/27/2012

Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.

Marc Brotherton – New Work
http://www.causeycontemporary.com/node/marc-brotherton/6235?tpl=tpls/exhibitionpressrelease&location=6235
04/20/2012-05/27/2012

Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”

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