WAR IS TRAUMA.

War is Trauma prints are now available for purchase and to print out for street postings. Beyond being beautiful pieces of art, each work is a call to end unneeded violence and to curb the destruction of life as well as the recognize the emotional and physical mark it leaves on those who survive.

More info: http://www.ivaw.org/war-is-trauma#content-begin

Prints from WIT are also currently on view at Bushwick Print Lab.
DOWNLOAD POSTERS.
BUY THE PORTFOLIO.
READ POEMS BY NANCY FLYNN (INSPIRED BY COMBAT PAPERS.) 

About WIT: War Is Trauma is a portfolio of handmade prints produced by the Justseeds Artists’ Cooperative in collaboration with the Iraq Veterans Against the War (IVAW). This portfolio transpired out of a street poster project, from November 2010, which a number of Justseeds artists provided graphics for “Operation Recovery” – the IVAW campaign meant to stop the redeployment of traumatized soldiers. Posters were pasted in public, replacing many corporate advertisements, to focus public attention towards the issues not being discussed – GI Resistance, Post Traumatic Stress Disorder (PTSD), sexual assault of women in the military, and Traumatic Brain Injury (TBI). The action led to another collaboration between Justseeds and IVAW – an “Operation Recovery” booklet published by Printed Matter in NYC and currently– the War is Trauma print portfolio. For this project over 30 artists from Justseeds, IVAW, and their allies have each created a print that addresses “Operation Recovery,” its larger goals of supporting GI resistance, a GI’s right to heal, challenging the culture of militarism in the US, and ending the wars overseas and the economic war at home. A total of 130 portfolios have been created, that equals 130 exhibitions as a starting point. Exhibitions that bring different people together – veterans, civilians, refugees from Iraq and Afghanistan, and others to dialogue on issues that matter.

The prints are housed within a handmade paper cover from the Combat Paper Project – paper whose source material derives from military uniforms that veterans have cut into small piece, mixed with water, and pulped into paper as part of the healing process. Drew Cameron of the CPP writes, “The batch that I made for the portfolio is mostly created from Army Combat Uniforms that we were worn with the Stryker battalions out of Fort Lewis, WA. These are the same guys who rolled out of Iraq early back in July 2010. I also added Egyptian cotton to strengthen it. I like to imagine that the mill workers who made the cloth I used were the same one’s rising up last spring.”

Continue reading

THE WEEK/WEEKEND: FEB 24-26.

EDITOR’S PICKS:

Bruce Brosnan: See, hear, remember/Tyler Vlahovich: recent work
http://www.featureinc.com/
02/15/2012-03/18/2012
12pm-6pm

Bruce Brosnan began exhibiting with Feature Inc. in 2000 and See, hear, remember is his fourth one-person exhibition witht he gallery. He lives and works in Brooklyn, has a BFA from Maine College of Art (19915) and an MFA from Hunter College (1998), which is where I first saw his inspired installations. Tyler Vlahovich has a BFA (1989) from California Institute of the Arts and lives and works in Los Angeles. This recent work is his third one-person exhibition with the gallery and coincidentally, we also began working together in 2000.

BOTANICA
http://thisisbotanica.com/
02/22/2012-02/25/2012
8pm-9:30pm

BOTANICA is a creepy futuristic black comedy that examines our complicated relationship to plant life. Sealed in a human terrarium, two unorthodox botanists and a caretaker with a penchant for erotic literature unleash a flood of unusual findings and overturn the constraints of science and social norms. Riotously lush” and “a perverse kick.” -New York Times “Sex, drugs, and
botany? Plants will never seem the same after Jim Findlay’s BOTANICA, an original, mesmerizing, and disturbing piece of experimental insanity.” –Flavorpill “If you’ve had your fill of tame/lame Broadway shows, are a fan of Sci-Fi, and happen to have dendrophilia, this show is perfect for you.” –Papermag “If you’re into what’s probably the most expertly sculpted piece of weirdness in town, then I assure you, BOTANICA’s got the goods.” –NYtheatre.com

Opening Party
facebook.com/uncannnyvalleynyc
02/24/2012-02/25/2012
7:30 pm -1:00 am

UNCANNY VALLEY OPENING PARTY February 24, 7:30 p- 1:00a// $10 …In which we open up the floodgates. Join us to celebrate the official opening of Uncanny Valley as a public venue! This is a fundraiser for the space, to ensure that we are warm and well-lit in throughout the winter! Uncanny Valley, our new performance and art project space, will open with a party to benefit and celebrate the space. The party will feature performances from partners and residents, including a glimpse of “The Golden Veil”, the new show from The National Theater of the United States of America, new songs from Balkan no-wave band The Drunkard’s Wife, a play from Williamsburg’s Dome Theater, Lisa Ludwig’s Art Neighborhood installation, and much more! The event takes place at 26-09 Jackson Avenue (at 44th road, near the Court Square station) from 7:30 pm to 1:00 am on Friday, February 24, 2012. HERE IS A MAP: http://g.co/maps/k5p84

The Compendium: Tonight, Vaudeville Park 6pm

THE COMPENDIUM 2012 launch event.

Tonight (Jan 19th) we are excited to be a part of The Compendium  at Vaudeville Park. This will be a premier  meeting to discuss the future of The Compendium and giving other artists and organizations a chance to participate. We’ll be giving a special sneak peek of The 22 Vol 2/II and discussing how you can be a participant in the special volume for The Compendium.

There will be a gallery show from 6-7pm, featuring work from: Cat Gilbert, Alexander Barton, Aaron Howard

followed by performances from: Valerie KuehneIan Colletti, collaborative work by Thomas Bell, Christina DeRoos and Anya Liftig, performance by experimental music ensemble thingNY, performance collective Panoply Performance Laboratory, and more.


THE (LONG) WEEKEND MAY 27-29.

FRIDAY: MAY 27th

(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
http://www.myspace.com/mattlavelle

(BOTTOM video:The Local 269)

Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10

PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011

OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM

Paint it Now curated by participating artists Thomas Buildmore and Scott Chasse

The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)

READ OR LISTEN TO AN INTERVIEW WITH THE 22. 

SUPERCODA PRESENTS:
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.

http://www.myspace.com/mamieminch –
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.

http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire

http://anomylos.com/

Annual End-of-the-Season Poets’ Potluck

FRIDAY MAY 27 / 10PM

Come celebrate the end of another season at the Poetry Project!  The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food.  An array of writers from the Poetry Project series as well as other local reading series will read/perform their work.  Any one interested in bringing a dish for the potluck will contribute to an amazing feast.  If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.

VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
Brooklyn, NY

NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.

VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.

Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)


Photo Courtesy of Paper Magazine

CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm

Christopher Henry Gallery

127 Elizabeth Street
New York, NY

See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**

On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!

SHOW! 

Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.

Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)

Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)

Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)

Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.

We’ll have cheap beer! Shayna might make Baklava!

SATURDAY: MAY 28th


Return of the Mini Zine Fest @ PETE’S CANDY STORE

Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM
More info

Pub(l)ic Identities: Reading Medical Representations of Sex

woman1

An illustrated lecture with medical artist Shelley Wall
Date: Saturday, May 28th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy

“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.

Ashley Bickerton
Through 25 June 2011

540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)

http://www.reverbnation.com/nicklyons
http://www.yonikretzmer.com/
http://jessiemnelson.com/

JIM GAYLORD: SPOILERS @JEFF BAILEY GALLERY.

May 25 – July 1, 2011
Opening Reception:
Thursday, May 26

THE FITTING ROOM
25 MAY – 25 JUNE, 2011

DAVID BRODYMERNET LARSENNICOLE WITTENBERG
CURATED BY DAVID COHEN

PRESS RELEASE download
PARTICIPANTS download

(READ MORE.)

OBSTACLE @INVISIBLE DOG ARTS CENTER

MAY 14 – JULY 10

Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES

Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here

OPENING PARTY SLIDESHOW HERE


Through The Warp @REGINA REX
5/28/2011 – 6/19/2011 

Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)

SUNDAY: MAY 29th

Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)

Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck

Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:

The Red Light New Music Collective – http://www.redlightnewmusic.org/

Sxip Shirey – http://www.sxipshirey.com/

Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
http://www.youtube.com/watch?v=q8W01gC1Mik

Jonathan Wood Vincent – http://www.reverbnation.com/jonathanwoodvincent

Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp

Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st.  This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils.  The artist delighted in painting myriad details.  These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”


An Interview with Deborah Simon.

Deborah in the studio with her sculptures. ©2011 The 22 Magazine

This past Friday, I paid a visit to Deborah Simon who has an upcoming show at NY Studio Gallery‘s LZ Project Space opening this Friday, May 20th. Deborah has been a painter and sculptor for several years now and will be part of the Sculpture Space residency  in Utica, this coming October and November. She has worked at the Bronx Zoo building habitats and “intellectual toys” for the animals, and her work reflects the understanding of the dual nature of man-made versus natural environments and the drawbacks and necessity of both. Her sculpture’s present a strange encounter and cause the viewer to approach the animal in an unusual and raw manner, suggesting a reevaluation of the nature of human and animal interaction.

We truly appreciate her taking the time to talk about her work and upcoming show.

LISTEN TO THE INTERVIEW

The 22 Magazine: You worked at the Bronx Zoo correct? Can you tell us a little about what you did there?

Deborah Simon: Sure, I did some design work. It was everything from giving exhibits face lifts to mural work, to sometimes just flat out designing and building exhibits. [I also built] intellectual toys for the animals. With that you have to make everything look natural. So [you have to make a] tiger toy that looks [for example] like a rotten piece of wood. It was one of those oddball weird request situations, keepers would come and say we need hummingbird feeders made out of XY and Z and we’d have to figure how to make them look natural.

The 22: How did you get into that kind of work? Did you study design in school or elsewhere?

DS: No, I’ve got a fine arts background. [I studied at] San Francisco Art Institute, which prepares you for nothing but making conceptual art. I just happened to have a realistic bent to what I do, which was thoroughly discouraged but…
I started working as a muralist and then the zoo had an ad in the paper. I replied to it and got hired. It’s one of those jobs where the guy who runs the department is fantastic, and he just expects that you need a lot of on the job training. You need to be able to weld, you need to be able to fiberglass, you need to be able to do some basic carpentry. There are just so many skills that no one person is going to have them all. They do invest in teaching you quite a bit [so], I learned a lot, and it all goes back into what I do.

The 22: In regards to your artists statement, which talks a little about the animal confronting the viewer in an unrestricted environment, did working at the zoo conflict with ideas of how animals should be treated in any way?

DS: I think it’s a conflict a lot of the people who work at the zoo have, because everyone who works there more or less loves animals. We all have multiple animals, we are deeply concerned about animal welfare. Some of the holding areas are very old and not that great. Some of the animals are permanently on medications because [there is] not the best ventilation but, on the other hand, you can’t just let them go. [I believe] Finland ran into this problem. They decided it was cruel and inhumane to keep this baboon exhibit. They decided it was inhumane to keep more tropical animals in Finland, but they couldn’t get rid of them because they breed really well and every zoo has a ton of them. So, they were going to euthanize them but the public had a fit and they had to keep them. So, now they have these unhappy baboons; animals that are obviously not doing well, but there are no other options for them. [I think] a lot of the people [that work at the zoo] go through this. [They think] these animals didn’t ask for this, they didn’t want to become ambassadors of their species, but on the other hand sometimes when your standing and watching the public watch these animals and they suddenly make this connection to the human traits of the animals you really hope it does something. They are suddenly more aware of them and, you think, I hope this means that it will translate into something, maybe [that wouldn’t be there] if they hadn’t seen it. Then again, zoo animals they don’t behave like wild animals, they have three meals a day, they sleep all day. [In the end] it’s a lot of mixed emotions.

The 22: A lot of your animals actually are puppets or look a lot like traditional marionettes. Stylistically how did you decide this was how you were going to build?

DS: It’s weird because I have this totally anal goal to be as accurate as humanly possibly, but I’m always reminding myself it’s art, not taxidermy. I was living in India for a while and India is a very sculpture oriented place. I had been painting for years and years at that point, and maybe it was just being around so much sculpture. I was home in the states and one day I just thought, what would happen if I make sculpted animals with fake fur? The hyena was the first one. I found [the hyena’s fur] in the bargain bin and I thought, this looks just like spotted hyena fur, no wonder it’s on sale. I brought back Sculpy and fur and whatever else I thought I wouldn’t be able to get in India, and just started working. I was originally thinking of porcelain dolls-[with] the hard heads and the soft body. I was thinking more along the lines of what would it be like to make these things so they look like creeped out porcelain dolls, but they actually ended up a little but more like [weird] taxidermy.

Deborah working in her studio. photo ©2011 Ted Szczepanski

The 22: They seem to have this really human quality, a very aggressive straight on gaze…

DS:I feel even though animals are a really popular subject right now, it’s always animal as metaphor or animal as parable. They play the role of an odalisque and they don’t confront the viewer. They are a stand in for history, they’re a stand in for human behavior, but they are never just themselves, and when they are themselves it’s more kitschy animal art. I want it to be as if you were walking into their space. It’s kind of that feeling when you out in the woods or hiking, or even in Central Park [where] it tends to be a bird of prey, a hawk or something, and you have that instant where they look at you, and you look at them, and you have no idea what’s going to go on. Especially if it’s big enough to hurt you. Then it’s this totally different interaction than the zoo or anything else. Your walking into their space, and they are psychologically dominating it. The sculptures themselves are going to be hung so your going to have to walk around them. They force you to move around them instead of being on the walls or giving a pathway.

The 22: Can you tell me a little about Coyote Pursue’s puppet project?

DS: It was a pretty amazing experience. Collaborating was new to me but Matt Reeck is a good friend and amazing to work with. We shored up each others strengths and weaknesses really well. I would never have been able to direct something like that. I think in the future I may do more puppetry but do it so it’s video.

Coyote Pursues, 2010. photo courtesy of St. Ann's Warehouse

 The 22: Is there a difference between building the puppets versus building the sculptures? Is that something you had to learn?

DS: Yes. St. Ann’s puppet lab is a nine month program so they are a huge resource, but it took me forever just to figure how to walk them. It took me two months just to build one, to actually physically construct it so that it moved properly. Once I got the basic structure it took me weeks to figure out how to string it, and that’s one of the times the lab was great. I brought them in and said I don’t know what to do, and one of the guys [showed me], and it was done. It was wonderful.

The 22: The piece itself was about a world where humans are gone, and coyotes are the only ones left right?

DS: [Matt Reeck] is a wonderful poet and he gave me a book of his poetry and asked me to illustrate it. At the time I was just feeling like, I don’t want to paint anything, and I don’t want to sketch.
[But] I was thinking [the poetry] would be perfect to do a puppet show with, and so we said what the hell, we’ll write a puppet lab. We threw it together in two weeks, and we were really surprised we got in. Originally we had taken three of his poems, more short prose really, and the one we both had a very clear vision-that was the same vision-was [the coyote] one. We started building and time started ticking by, and we realized the other two we’re never going to make it, and that we wouldn’t have time [to perform more than one]. You only got twenty minutes tops to perform. So, we decided just to focus on the coyotes, and it was really based on his writing, and [the idea of] not using the animals as parables but to be really Darwinian about it. What would a coyote really be doing if they were wandering around in this world with nothing really left. We were thinking of it as The Road but with coyotes.

The 22: Did you do a cover for The Beastie Boys [Intergalatic]?

DS: I had actually done the paintings and they ended up on the cover. The paintings were actually in the small works show at NYU and Mike D’s wife  bought them. So, she came over to my studio and she’s chatting and we’re having this very nice conversation, and she keeps talking about her husband’s band and so I’m thinking….ok, band whatever and being polite, I ask oh what band is your husband in? And she’s says, The Beastie Boys, and at that point I’m immediately intimidated. So about six months later, they called to see if it was ok with me if they used it as an album cover and I just thought….ooook, twist my arm. It was just this little freak thing, they were just these little freak paintings, that I wasn’t planning to do as a body of work or anything.

Memento mori: Ocelot and ocelot skeleton, oil on wood, 68” w x 36” h, 2001

The 22: What about the memento mori series paintings? Can you talk a little about what this series means to you and why you decided to do it?

DS: I think in that series I’d been reading a lot about evolution. I was thinking about how death influences life. I was thinking about a Darwinian perspective, you have these animals with these constant pressures, and it’s survival of the fittest but also thinking about viewing what human’s do in the world [destruction and pollution] as unnatural, but it is natural because we are part of the world and this is part of what we do. Animals routinely destroy their environments, but they don’t do it in the same numbers that we do. Elephants constantly  trash environments and have to move on, but there are so few of them, they aren’t ruining Africa or Asia-we sort of beat them to it. I guess I was thinking about that simple pressure and interaction, and how some of your stiffest competition is from your species. You know species always have more children than your going to need. You really only need a one to one replacement and chances are that’s all your going to get if your lucky.

PPL FOCUS WRKSP at Anarchist Book Fair April 9th and 10th.

 

http://panoplylab.org/institute.html

We’ll be at the Anarchist Book Fair next weekend!

April 9, 11am-12:30pm
…FOCUS WORKSHOP for kids and their parents:

Institute_Institut FOCUS WORKSHOP #5: the self and its image
The Panoply Performance Laboratory

What is an individual? What is an “institution”? Using live-feed video that allows kids (and parents) to see themselves move onscreen in real time, we will explore the place where our selves are often asked to “feed” into structures such as school, work, and family. Kids/parents may play an interactive game that examines the mechanics of institutional engagement and invites subjective critical analysis of any current institutional relationships that the participants may have. Smaller kids may choose to play with their own image and their endlessly repeating, smaller and smaller images continuing off into the distance.

and for adults and teens, April 10, 4:15-5:45pm

FOCUS WORKSHOP on “Institutions.”
Part radical think tank, part focus group, part physical workshop, the Panoply Performance Laboratory invites participants to discuss their relationships with institutions, and focus on the role(s) that institutions play, both as groups of individuals and as emergent entities, through group exercises. Each participant will also have the opportunity to make an individual public statement on video for inclusion in PPL’s 2011 documentary opera, Institute_Institut (and will get a free ticket to PPL’s final performances.)

***********

Join PPL for a Focus Workshop in March and April, 2011!

Seeking opinions, experiences, and feedback from individuals, these workshops form a public co-creation aspect of the experimental opera project Institute_Institut.

NO EXPERIENCE REQUIRED, ALL INDIVIDUALS OF ALL AGES, FROM ALL BACKGROUNDS INVITED!

(March workshops complete, THANK YOU TO ALL WHO ATTENDED!)

APRIL:

Saturday, April 9th
6-7:30pm (kids and parents)

Sunday, April 10
4:15pm-5:45pm (adults and teens)

both as part of the Anarchist Book Fair
at Judson Church
55 Washington Square South
New York (A/C/E/F/M/B/D to W4 or R to 8th Ave)

JUST SHOW UP!

FREE

Between Dec. 2010 and June 2011, PPL is conducting a series of Focus Workshops, investigating cultural structures, interpersonal politics, daily conceptions of reality, and institutional ecologies through group discussion, performance work, and co-creation.

A Focus Workshop is part focus group and part thinktank. “Workshop” is used to note the performance-based perspective held by the workshop facilitators (the artists creating the project) and the performance research direction that some workshops take, depending on the interests of the participants.

Part I: Group Discussion. What are institutions? How do they function in your life? What are some of your experiences with them?

Part 2: Enactions, observations, and games.

All participants will receive a free ticket to the performances of Institute_Institut, in Fall 2011. The project is a staged documentary opera about authority, reality, institutionality, and sensibility. Issues and ideas discussed and researched through these Focus Workshops, as well as selected experiences, statements, and documentation from them (and many other forms of research) will largely form the libretto.

For more information, email panoplylab@gmail.com.

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CONVOCATORIA:
Participa con tus opiniones, experiencias y reacciones.

Se parte de nuestro Grupo de Enfoque.

Experiencia no necesaria. Personas de cualquier edad y nacionalidad pueden participar.

Domingo, 13 de Marzo, 2-5pm en Surreal Estate (15 Thames St., Brooklyn)

Domingo, 20 de Marzo, 2-5pm en Studio Maya (603 Bergen St., Brooklyn)

Domingo, 27 de Marzo, 2-5pm en PULSE Studios (1102 Dean St., Brooklyn)

(Reservaciones: panoplylab@gmail.com)

GRATIS

Desde el mes de diciembre 2010 a junio 2011, PPL ha estado realizando una serie de talleres informativos en Brooklyn, Manhattan y Queens. Los talleres investigan las estructuras culturales, las políticas mediativas, las construcciones diarias de la realidad, y las ecologías institucionales.

Se hace un llamado a personas de todas las edades y nacionalidades que quieran participar y contribuir con sus opiniones, experiencias e ideas en los talleres creativo-informativos. Los resultados serán incluidos como parte de colaboración en el proyecto Institute_Institut.

El Grupo de Enfoque funcionara también como fuente de inspiración y creación. En este sentido, “Taller” se refiere al aspecto performativo realizado por los artistas que facilitan la creación del proyecto y dirigen la investigación del mismo en base a los intereses de cada participante.

PRIMERA PARTE: Discusión en grupo.
– ¿Qué son las instituciones?
– ¿Cómo funcionan?
– ¿Cómo han sido tus experiencias con ellas?

SEGUNDA PARTE: Interpretaciones, observaciones y juegos.

Participantes recibirán una entrada gratis para la presentación de
Institute_Institut, en Otoño 2011. El proyecto se presentara como un documental montado al estilo de una ópera que tratará temas de autoridad, realidad, institucionalidad y sensibilidad. Las ideas y conceptos que fueron discutidos e investigados durante los talleres de enfoque de grupo, así como las experiencias, declaraciones y documentación de los participantes, serán incluidos como parte del libreto.

PERFORMANCY FORUM XII: THIS SATURDAY!

PERFORMANCY FORUM is a monthly exhibition and thinktank revolving around post-product performance work, including music, theater, dance, video, installation, action, and all that exists in between these mediums. Events are structured around the needs of the artists, creating spectator/artist relationships, participation frameworks, and platforms that allow the work to operate in an intentional manner. Past PERFORMANCY FORUMS have addressed female authorship, the roots of performance art, map-based music, and found materials…new curators, collaborations with collectives and other groups, and artists are always welcome. Full list of PERFORMANCY FORUM artists is on its way…

SATURDAY NIGHT: MARCH 5, 7PM-1AM performances. Suggested donation $5

SUNDAY AFTERNOON: MARCH 6, 2PM-6PM. open house with installations by Alejandro Acierto and Ivy Castellanos

COLLABORATIONS AND INFLUENCES: Collaborative artists present solo work,asking how their collaborations influence them, and solo artists speak to influences arising outside of collaboration…

FEATURING:
Alejandro Acierto (installation with performance on Saturday night)
Gelsey Bell (performing from her solo song cycle “Bathroom Songs”)
Hector Canonge (performs ‘Ocular-Trance-Ocular’ with Maria Fernanda Hubeaut)
Ivy Castellanos (installation with performance on Saturday night)
Brian McCorkle (music/performance)
Esther Neff (video/theater)
Paul Pinto (experimental music)
Brian Rady (theater/performance)
Matthew Stephen Smith (theater, excerpt from an upcoming one-man show)
Meghann Snow (performance art)

Part of Arts in Bushwick’s SITE Fest.

GET INVOLVED
If you are interested in participating as a performer at the PERFORMANCY FORUM please e-mail an inquiry to Esther and Brian at panoplylab@gmail.com with a bio/CV, description of proposed work, and any links (video is best) that would help us understand what you do. All other inquiries, same e-mail address…Check out http://surrehearsalspace.wordpress.com/ for tech specs and pictures of the performance space at Surreal Estate.