Bathers: Mary Henderson @LyonsWier

Mary Henderson
Bathers
Exhibition Dates: May 12 – June 11, 2011
Artist’s Reception: Thursday May 12th, 2011 6-8PM
MAP 

Gallery Hours: Tuesday – Saturday 11-6PM Gallery Address: 542 West 24th Street Nearest Subway: C, E exit 23rd @ 8th Ave. Contact: Michael Lyons Wier

“Be a good craftsman; it won’t stop you from being a genius.” -Pierre-Auguste Renoir

Lyons Wier Gallery is proud to present Bathers by Mary Henderson.

Bathers, is Henderson’s newest group of hyper-real sociological oil paintings derived from found web images, focusing on a particular cultural experience – in this case, the ‘summer retreat’. Her paintings are based on vacation photos and snapshots of Americans engaged in the long-standing, class-specific summer ritual of departing the city and suburbs for shore and lake houses during the summer season. The images explore the contradictory nature of these escapes – both their sensory pleasures and their accompanying feelings of isolation, dislocation and wistfulness. (READ FULL PRESS RELEASE)

FRAMED: William Stone @James Fuentes.

William Stone
FRAMED
May 11 – June 12, 2011
Opening reception; Wednesday, May 11, 6 – 8pm
MAP 

James Fuentes LLC is pleased to announce William Stone’s forthcoming solo exhibition;Framed, this will be the artist’s third solo show at the gallery. The exhibition will primarily feature reconstituted paintings – the earliest of which date back to the eighteenth century.

Employing reverse paintings, commissioned portraits and landscapes – the artists’s revisions give these events, which were on the brink of being forgotten, new life.  These works speak to qualities inherent in these varied genres of painting; as well as their desire to render, consecrate and awe.

William Stone’s work categorically looks at everyday objects and the way they occupy the human condition.  From his earliest works that incorporated water and wind into household furnishings to his more recent inventions and revisions of chairs – the artist’s use of everyday objects supplies an endless resource of materials.  Stone’s practice is steeped in poetics and mechanics resulting in works that offer as many semiotic connotations as they do visual ones.

William Stone has presented solo exhibitions at The Clock Tower/P.S. 1 Center for Contemporary Art, Emily Harvey Gallery and Tom Cugliani and has participated in group exhibitions at The New Museum, Deste Foundation for the Arts, The Aldrich Museum, Socrates Sculpture Park, Voorkamer, Lier, Engholm Engelhorn Galerie and Tanya Bonakdar Gallery.

Gallery hours: Wednesday – Sunday, 11am – 6pm.

*
James Fuentes LLC
55 Delancey Street
New York, NY 10002
T. 212.577.1201

MORE WORK.

Snakes, a Big Apple and the Garden (of Eden) State

Snakes, a Big Apple and the Garden (of Eden) State
Tuesday, May 10 at 7pm
Proteus Gowanus

MAP

Photo by Sarah Brigden {http://www.flickr.com/photos/sarahb365/}

Join us for a multimedia tour of the decadence and divinity of two New Jersey Utopian communities founded in the 19th century: one for pleasure, the other for purity.
Edith Gonzalez presents two faces of the utopian mind of the 19th century: Ocean Grove, which remains to this day a “religious resort”, while Asbury Park, a secular pleasure zone, has faced more worldly ups and downs. Since their respective founding side by side on the NJ coast, these two communities have been engaged in a dynamic dialogue of morality.

Edith Gonzalez is an historical anthropologist specializing in nineteenth-century systems of power, and a native New Yorker with a deep and abiding love for New Jersey.

THE WEEKEND: May 6-8.

FRIDAY MAY 6th

Umirayushchii lebed (The Dying Swan), 1917 @ THE GUGGENHEIM.

Fridays, April 22 and May 6, 13 @ 1 and 2:30 pm

Directed by Evgeni Bauer
49 minutes, 35 mm, silent with musical score

Image Courtesy Milestone Film & Video

A figure of fundamental importance in the history of silent cinema, Russian director Evgeni Bauer brings to life a chilling tale that takes a sardonic view of popular morbid obsessions in pre-Revolutionary Russia. Bauer’s film features a decadent artist obsessed with capturing the image of death on canvas, an infatuation that drives him to the brink of despair until he watches a captivating and heartbroken ballerina perform. He sees in her the masterpiece he seeks, but ultimately, the young dancer cannot live up to the artist’s ideal and suffers the disturbing consequences.


ALCHEMICALLY YOURS – A Group Art Show @ OBSERVATORY.

alchemically

Robert M. Place “Caduceus” detail 2011

Opening: Saturday, May 7th, 2011 7-10pm
On View: May 8th – June 12th, 2011
Hours: Thursdays & Fridays 3-6pm; Saturdays & Sundays 12-6pm
MAP 

Observatory and Phantasmaphile’s Pam Grossman are proud to announce ALCHEMICALLY YOURS, a group show of alchemy-themed artwork, on view from May 7th through June 12th.

Alchemy is the art of transmutation. Of taking the rough and raw, and rendering it more precious. Rather than accepting the literal “lead into gold” definition, Carl Jung believed that alchemy is a process of individuation, a symbolic and active language which guides one’s personal journey toward the realization of selfhood. An alchemist is a shape-shifter, a mystic chemist. A patient and meticulous devotee who turns the base into something resplendent.

Like dreams, alchemy speaks in pictures. At first glimpse, alchemical manuscripts from the 16th and 17th centuries look like a panoply of hallucinations. They feature images of fornicating kings and queens. Suns and moons shining in stereo. Lions and serpents and eggs, oh my. Black and white and red all over. Secret codes and effulgent iconographies teeming with meaning, yet ultimately ineffable. These pictures beget picturing. They’re signs that beg to be resignified; to be reinterpreted and refined.

The participants in ALCHEMICALLY YOURS have done just that. Varying in medium and style, each piece in this exhibition pays homage to the alchemic tradition — all the while affirming that the artist fills the role of alchemist in the present-day. For who better can elevate the mundane, turn the sub- into the sublime? From the prima materia of color and canvas comes great and vivid work.

PARTICIPATING ARTISTS

Jesse Bransford
Molly Crabapple
Ted Enik
Marina Korenfeld

Adela Leibowitz
Sara Antoinette Martin
Ann McCoy
Robert M. Place
Ron Regé, Jr.
J.L. Schnabel
Hunter Stabler
Panos Tsagaris

ABOUT THE CURATOR

Pam Grossman is the creator and editor of Phantasmaphile, the premiere online destination for art aficionados with a passion for the surreal and the fantastical. An internationally beloved art and culture blog, it features daily spotlights on artists and events, as well as interviews with such visual luminaries as Thomas Woodruff, Nils Karsten, and Richard A. Kirk. Phantasmaphile was written up two years in a row on the Manhattan User’s Guide Top 400 New York Sites list, and Grossman’s previous shows, “Fata Morgana: The New Female Fantasists” and “VISION QUEST” were featured by myriad taste-making outlets including Juxtapoz, Arthur, Upper Playground, Reality Sandwich, Urban Outfitters, Creative Time, and Neil Gaiman’s Twitter page. “ALCHEMICALLY YOURS” is her latest curatorial effort, and she is proud to have it hanging at Observatory, the art and events space she co-founded.


Idée Fixe : Drawings of an Obsessive Nature @WINKLEMAN GALLERY

WINKLEMAN GALLERY
MAP
Featuring work by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, Daniel Zeller

May 6 – June 11, 2011

Opens May 6 6:00 PM – 8:00 PM
Winkleman Gallery is very pleased to present Idée Fixe: Drawings of an Obsessive Nature, a group exhibition of black and white drawings by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, and Daniel Zeller. The drawings in Idée Fixe either build toward or seem to disintegrate away from complex systems and through what is obviously a time-consuming, perhaps even obsessive process. Running the gamut from highly photo realistic representation to abstractions that suggest imagined landscapes or fields, these works are created from intense, often repetitive gestures.


Jeff Whetstone “Seducing Birds, Snakes, Men”

at Julie Saul Gallery, Chelsea. Closed Sunday/Monday. Through May 21.
Jeff Whetstone’s second exhibition with the gallery explores the nexus of language and wilderness through narrative video, 16mm film, digital animation and photography. Hunters transcend gender, men draw with snakes, and a landscape is made from sound-waves. (READ MORE.)


BROOKLYN ART SONG SOCIETY presents MASTERWORKS: THE COMPLETE SONGS OF HENRY DUPARC




The 16 songs that comprise the French master’s entire surviving output feature some of the most moving and haunting vocal music ever written. The concert features some of New York’s finest established and up-and-coming artists: pianists Michael Brofman, Michael Rose, and Miori Sugiyama; baritones Robert Osborne and Kyle Oliver; and in her Brooklyn Art Song Society debut, soprano Eleanor Taylor. Tickets are $20\$10 for students and seniors.
WHERE: Brooklyn Conservatory of Music, 58 7th Ave. Park Slope. B or Q to 7th Ave, 2 or 3 to Grand Army Plaza
WHEN: Friday May 6, 7pm
CONTACT: 917.509.6258; www.brooklynartsongsociety.org


3
rd Ward Member Group Show
May 6, 2011, 7-10pm
195 Morgan Avenue, Brooklyn NY
MAP
FREE Admission
3rd Ward Members are some of the most creative and ground-breaking people we know. Now they’re taking their work out of the media lab, shop, and photo studios, and showing the world in our biggest 3rd Ward Member Group Show ever. 

(READ MORE.)LOST WAX CASTING @3rd WARD

Lost Wax Casting is the process in which an object, preferably wax, is turned into a metal form. The process is useful for jewelry or small scale metal fabrication.  Your object can be made out of other materials such as resin, plastic, or a variety of found objects. The exact surface that is on your initial model is going to be the surface of your metal piece.
(READ MORE.)

SATURDAY MAY 7th

7th Annual Brooklyn Peace Fair
Saturday May 7, 12 noon to 5 pm:

Location: Brooklyn College Student Center
Campus Road & E. 27th Street (near Flatbush–Nostrand Junction) (See below for how to get there)

2 pm: Keynote speaker: Juan Gonzalez, Daily News Columnist & co-host “Democracy Now”

Theme: “Peace Budget?…War Budget! How War and the Military Economy Affect YOU!!”
Workshops! Tables with information and resources by community peace and justice organizations!

4:45 pm: Peace Parade to local military recruiting station, led by Rude Mechanical Orchestra

Free admission.

Sponsor: Brooklyn For Peace
Co-Sponsors: Brooklyn College Student Center and Iraq Vets Against the War
Check out the schedule
See the Program (PDF)

How to get there:
Convenient Transportation from all over Brooklyn
Subway:
2 to Flatbush Ave/ Brooklyn College (NOTE: 5 does not run to Brooklyn College on the weekend)
Bus: B6, B103, B41, Q35, B44, B11, BM2
From 2/5 train, Flatbush Avenue Station (at Nostrand Ave)

Locate Hillel Place, direction Brooklyn College; turn right at Campus Road
Campus Road curves around to the left
Student Center is on the right, at Campus Rd & 27th Street

See a map (printable, PDF)
Learn more>>


STOREFRONT EVENTS @ FESTIVAL OF IDEAS FOR THE NEW CITY

VIEW FULL FOIFTNC listings.

PAINTING URBANISM: LEARNING FROM RIO

SATURDAY MAY 7, 2011

Haas & Hahn Opening Reception: Friday, May 13th, 7pm

Storefront is pleased to present the work of Dutch artists Haas&Hahn [Dre Urhahn and Jeroen Koolhaas] in the exhibition “Painting Urbanism: Learning from Rio”. 

The exhibition will showcase paintings, documentary footage, pictures, sketches and plans of past, present and future projects developed by Haas&Hahn. Featured past projects include the Favelapaintings in Praça Cantão in Santa Marta and “Rio Cruzeiro” on the stairs of Rua Santa Helena all in Rio de Janeiro. Present projects include proposals for two New York interventions and future projects span throughout the world.  READ MORE.

 SPACEBUSTER BY RAUMLABOR
11am-7pm at the intersection of Houston Street and the Sara D. Roosevelt Park

 

Spacebuster is a mobile inflatable structure – a portable, expandable pavilion – that is designed to transform public spaces of all kinds into points for community gathering. A new iteration of a Raumlabor project, the Küchenmonument (presented in Europe in 2006-8), the Spacebuster made its first appearance in the US in New York in 2009 and has returned for the Festival of Ideas for the New City.


Martha Colburn: Dolls vs. Dictators

at the Museum of the Moving Image, Queens. $10 general/$7.50 students and seniors. Closed Monday. Through May 15.


Urban Disorientation Game
The Urban Disorientation Game is an active, participatory journey through the City that involves map-making, exploration, homing instincts, and blindfolds. (READ MORE.)

Sublime Frequencies
Sublime Frequencies, the Seattle-based record label responsible for bringing Omar Souleyman to NYC, presents two documentaries with director Robert Millis in person. (READ MORE.)


MAY FAIR AT DING DONG


A Zine, Small Press, and Music Fair

Ding Dong Lounge
929 Columbus Ave. @ 106 St.
Saturday, May 7, 2011
1pm – 7pm

A zine, small press, and music fair. For one day, join us as we transform Ding Dong Lounge into an ephemeral bookshop, crafts fair, art gallery, speakeasy, underground music venue, cookie den, and inappropriately timed Christmas Party. This is the fifth fair of its kind over the course of three years, and it gets better each time. This year includes the rare opportunity to decorate a Christmas tree with both friends and total strangers in the middle of spring.(READ MORE.)

SUNDAY MAY 8th

Black Magic(1949) – Gregory Ratoff, stars Orson Welles
LOST ORSEN WELLS @SPECTACLE. Sun, May 8: 2:30pm
124 South 3rd Street
MAP

Blackmagicposter

Sun, May 8: 2:30pm
This movie has it all: swashbuckling action, intrigue, romance, mind control, and Orson Welles!

A curious, little-seen oddity based on an Alexander Dumas tale, Black Magic adapts the story of Cagliostro (Welles) an 18th century magician and gypsy charlatan, discovered by Doctor Anton Mesmer himself, whose hypnotic powers, derived by the sheer force of his presence, involve him in a plot to overthrow the French monarchy and an opportunity to revenge himself on the aristocrat who was responsible for the execution of his parents. (READ MORE.)


THE 22 FEATURED CONTRIBUTOR: BRIAN DETTMER

Part of what we do here at The 22 is highlight each of our contributor’s with a special “featured artist” section on the blog and our main site. This includes special content, and show announcements. This month we are starting our featured artists series with Brian Dettmer. Carver, collector, “book surgeon”, call him what you will, Dettmer’s work is layering of magnificent patience combined with a playful mind. His sculptures are reminiscent of futuristic depictions of urban and organic structures built out of the pre-history of encyclopedic and vintage texts. For most of the month of May we will be celebrating Dettmer’s work with special blog content, as well as many posts featuring his amazing creations. To view this and all of Brian’s work look for the “BRIAN DETTMER” tag under the categories section. To see all our past featured artist’s look for “THE 22 FEATURED ARTIST.”  To see all of Brian’s featured content from The 22 Magazine visit his page online: http://www.the22magazine.com/Pages/briandettmer.html

Historic Gastronomy @ Brooklyn Brainery.

HISTORIC GASTRONOMY classes complete with hints of political undertones and a sprinkling of vintage cookbook porn at Brooklyn Braniery start May 3rd. Read below for more info and CLICK HERE  to sign up.

Instructor: Sarah L.
Cost: $50
Meeting Schedule: Three Tuesdays, May 3, 10, and 17, 8:30-10:30pm
Semester: May 2011

In this course, we will explore the day-to-day cooking of the past 200 years: tasting; talking; and extracting inspiration from the past to inspire contemporary cooking. In this three-part course, you’ll become familiar with the popular flavors and recipes of different eras, then learn how to interpret historic and vintage recipes for a modern day kitchen.

Part 1: A Timeline of Taste

A Timeline of Taste will explore the history of American food through flavor: we’ll travel from 1796-1950, making a pit stop every 50 years to explore the tastes of a particular time. You’ll be allowed to smell and sample the spices, fruits, extracts, and other ingredients that defined the flavors of different time periods. From rosewater to vanilla; nutmeg to cinnamon; citron to reddi-whip, we’ll discuss why each of these flavors were popular and how they were used in day to day cooking.

Part 2: Iconic Dishes

What was being cooked in the kitchens of American can reflect the politics and popular culture of an era. Looking at the past 200 years, we’ll explore iconic recipes from each time and discuss why each was popular: including the legends behind them and the technology that made them possible. We’ll taste each of these recipes and talk about what they represented to families, communities and culture.

Part 3: Re-writing Recipes

In our final session, participants are invited to bring in their own vintage cookbooks and handwritten recipe cards from the past as we learn how to interpret historic recipes. We’ll unveil tricks to modernize these recipes for today’s kitchen: how to interpret amounts, flesh out directions, find comparable ingredients and most importantly, learn how to pull inspiration from these recipes to create unique contemporary dishes.

http://brooklynbrainery.com/courses/84-historic-gastronomy