Seven in One Blow – 10th Anniversary Production!
A-Lab Forum: ARTE UTIL
Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.
Lehmann Maupin Gallery in collaboration with Sikkema Jenkins & Co.,is pleased to present, Fall Frum Grace, Miss Pipi’s Blue Tale, a joint exhibition of new works by Kara Walker, on view 21 April – 4 June, 2011 at 201 Chrystie Street. At Lehmann Maupin Gallery, Walker will present three new video works, which draw on her own experience in the Mississippi Delta, “a region mythologized in song and popular culture but tragically depressing.” She explains, “I drove down to the Delta thinking about the terrors of Jim Crow and slavery, yet the silent indifference of the landscape and the economic stasis, lack of mobility, and the persistence of a racist memory in the area was what stuck.”
The exhibition at Sikkema Jenkins & Co., Dust Jackets for the Niggerati- and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker, will feature new graphite drawings and hand-printed texts on paper. This body of work grew out of the artist’s search for understanding of the way that power asserts itself in interpersonal and geopolitical spheres. As she embarked on this quest the figural elements began to disappear from her work. Now, they emerge again in what Walker describes as a “giddy embrace” of the figural and the narrative.