Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!
The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm
Where (we) Live
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)
Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.
JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House
Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.
Thursday, December 13, 6 – 8 pm
Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.
THE SECRET CITY (NEW YORK)
Sunday, September 30th
- Cabaret star, Justin Vivian Bond will sing for us
- Chef Amanda Freitag will present the food offering.
- Painter John Devaney will share his beautiful work, which captures the endless parade of life.
- Brooklyn Express Drumline will energize with their rhythms.
- Charlotte Booker will make a New York poem with the assembled crowd. We’ll play a game of New York trivia…
And, of course, there will be storytelling, live music, community, art and LOTS of clapping. What more could you want out of a Sunday morning? Come celebrate the city with us. Oh, and feel free to bring something tasty for the refreshment table!
WADE GUYTON OS
OCTOBER 4, 2012–JANUARY 13, 2013
Over the past decade, New York–based artist Wade Guyton (b. 1972) has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to daily lives now punctuated by misprinted photos and blurred images on our phone and computer screens. Comprising more than eighty works dating from 1999 to the present, Guyton’s first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor.
The exhibition’s title Gaia refers to the Greek earth mother goddess as well as the scientific Gaia Principle, proposing that “all organisms and their inorganic surroundings on Earth are closely integrated to form a single and self-regulating complex system, to maintain the conditions for life on our planet” (James Lovelock). Mi explores the significance of Gaia pictorially, as it relates to today’s ecological challenges. In works such as One -as well as Wind and Water–the artist celebrates and pays homage to the elements in all their glory by examining both microcosms and macrocosms in nature. Mi deconstructs space in the manner of classic Asian landscape painting to present a floating menagerie of symbols – disembodied lanterns, birds, insects, dragons and other hybrid creatures, rich organic matter – looming up from the primordial void. Mi also employs radical shifts in scale and density, subtle hues juxtaposed with jarring color, fluctuating perspective and other dramatic methods to convey her otherworldly vision. Negative space is addressed lovingly and carefully, with as much and perhaps more import than actual objects.
Adam Rudolph – GO Organic Orchestra
Monday, October 1, 2012 @ 8:00 pm
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
NY ART BOOK FAIR
September 30 to October 1, 2011
Printed Matter presents the seventh annual NY Art Book Fair, from September 30 to October 1, 2011, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 29th. Free and open to the public, and featuring more than 200 exhibitors, the NY Art Book Fair is the world’s premier event for artists’ books, contemporary art catalogs and monographs, art periodicals, and artist zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from twenty-one countries.
Martha Colburn : Camera, lights, charge, Pop!
Sep 28 – Nov 4, 2012
Horton Gallery is proud to announce Martha Colburn’s Camera, lights, charge, Pop! – opening Friday, September 28th in the gallery’s new, expanded Lower East Side location at 55-59 Chrystie Street. Marking the first time that her work has been seen in this capacity, the exhibition will feature an hour and a half program of about thirty manipulated found footage and stop animation films from the mid-1990s to the present as well as Polaroids and large-scale collages.
Collaborations with Marina Rosenfeld, Jason Lescalleet, Tamio Shiraishi + Cammisa Buerhaus
Abrons Arts Center
Fri, September 28, 2012 – 8:00pm
The second evening of “Voices and Echoes” presents a series of unique collaborations including Otomo Yoshihide + Marina Rosenfeld duo, Gozo Yoshimasu + Tamio Shiraishi + Cammisa Buerhaus trio, and Akio Suzuki + Jason Lescalleet duo.
Bob Log III
Felipe Jesus Consalvos: EXPLODED WHIMS
Vincent Castiglia @Sacred Gallery
LUZ at LaMama
AdA – Author Directing Author
Your Land/My Land
Brooklyn Commons: Martha Rosler and Michael Arcega
CHAPTER 2: PLACES
Pierce Warnecke + Richard Garret
Slow Boys – Michael Lowenstern and Todd Reynolds
Show #8: Forced Collaboration
Lighthouse / Lightning Rod and Griot New York (excerpts)
Gasland Screening with Council Member Stephen Levin
Carver Audain (Jerome Commission) // Composers Inside Electronics (John Driscoll, Tom Hamilton and Doug Van Nort)
World Maker Faire New York
“THERE WAS A TIME WE WERE PRESENT” WORKS BY DAN SABAU
2011 Digital/Electronic Arts NYFA Fellows Exhibit
Wild Leaves/Nathan Xander
Melanie Daniel: Artist Talk
THE END TIMES CABARET: THE LAST DAYS OF DISCO
Art & Law Residency Exhibition 2012
gozoCine: Works by Gozo Yoshimasu
Sonagi Project: Barame Soop
How Can Art Affect Political Change?
Macular Degeneration Reception and Listening Party
My Favourite Things
PARTY HEADQUARTERS – ART IN THE AGE OF POLITICAL ABSURDITY
A Postcard from New Yorkshire New works by Doktor A.
8th Annual AQUAEFEST
Carnival Des Corbeaux
The Para-Architectural Imagination of Gustav Klutsis
Devin Powers, “Paintings”
SAM FALLS: BOOK AND SHOW
Local Report 2012
Adults in the Dark: Avant-Garde Animation (MAD)
The Mountain Goats
THIRD ANNUAL BRING TO LIGHT: NUIT BLANCHE NEW YORK
VALERIE HEGARTY: Figure, Flowers, Fruit
Nicelle Beauchene Gallery
September 9, 2012 – October 21, 2012
In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.
Strange Tales of Liaozhai
Friday, September 7
HERE Arts Center
Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.
Nancy Davidson: Dustup
Betty Cunningham Gallery
9/6/2012 To 10/6/2012
Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.
Thomas Allen: Beautiful Evidence
Sep 9 – Oct 14, 2012
Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”
David Stoupakis/Matthew Bone
September 8th – October 19th
Last Rites Gallery
David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.
Following his acclaimed project SEEK, featured as a 2011 TED Talk, Hembrey’s new work attempts to visualize his 20 year exploration of dark matter and dark energy (scientifically hypothesized to comprise over 95% of the cosmos). Hembrey’s paintings and sculptures are a collective meditation on the unseen structure of our universe. Painted with trompe l’oeil technique, the series Unstill Lifes attempts to visualize the tangible structures of matter pared down to bits. Ghostly wisps of smoke appear to the viewer at certain angles and improbable assemblages of matches, tree branches, and string appear to float off of the inky blackground.
MERNET LARSEN: THREE CHAPTERS
CHAPTER 1: HEADS AND BODIES (SEPT. 6 – 26)
CHAPTER 2: PLACES (SEPT. 27 – OCT. 10)
CHAPTER 3: NARRATIVES (OCT. 11 – 27)
Larsen is an accomplished painter who has always challenged herself to invent new styles and ways of composition. Her recent oeuvre marks a synopsis of previous works ranging between abstraction and figuration. Using modernist Russian constructivist paintings as a point of departure for numerous compositions, she also engages ideas of reverse perspective and conflicting vanishing points, as can be found in Japanese narrative scrolls. Her pool of inspirations is vast, ranging from masterpieces of Renaissance through 20th century art, to traditional Japanese puppet theatre, to photographs she has taken of classrooms and faculty meetings during her 35-year long Professorship in Florida.
Ghostly International & Rvng Intl. Present: Jacaszek (Poland) / Holly Herndon (USA)
Thursday, September 6, 2012 @ 8:00 pm
Roulette with Ghostly International and Rvng Intl. are pleased to present an evening of electroacoustic music, featuring a rare US performance by Polish composer Jacaszek and San Francisco based Holly Herndon.
ERIK PARKER: BYE BYE BABYLON
Thursday, 6 September, Opening Reception 6-8PM
Paul Kasmin Gallery
Paul Kasmin Gallery is pleased to present an exhibition of eleven 2012 still-life and jungle-landscape paintings by Erik Parker (b. 1968 Stuttgart, Germany; lives and works in New York City). Updating these traditional art-historical genres through the pictorial idioms and sly humor of satirical cartoons, psychedelia, and underground comic books, Parker’s paintings provide vistas into brilliantly colored worlds of semi-sentient flora and idiosyncratic geometries.
Julia Haltigan / Rusty Belle
The members of Rusty Belle swagger between raw blues, tiny tangos, country waltzes and backyard symphonies. Sometimes a walk with the Roma, a twisted tale in metered time, or a yell-along-after-dinner drunken opera. A dance band that tries to tie your shoes together. The music is littered with dented paint cans, smashed up trashcan lids, old hacksaw blades, and broken glass. Like junkyard songbirds, they sing sweet through all the rubbage.
Stephen Powers: A Word is Worth A Thousand Pictures
Joshua Liner Gallery
September 6 to September 29, 2012
After seven years since Stephen Powers’ last solo exhibition in New York, Joshua Liner Gallery is pleased to present A Word is Worth a Thousand Pictures. In this new exhibition series, the prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10-x-8 inches to 10-x-10 feet.
ECLIPSE (Jonah Bokaer x Anthony McCall)
Sep 5—Sep 9, 2012
Choreographer Jonah Bokaer and artist Anthony McCall explore total motion in this breathtaking collaboration that places dance within an installation built from shifting avenues of light and spatialized, sonic images. Featuring four dancers as well as a special appearance by Bokaer,ECLIPSE utilizes the unique flexibility of the Fishman Space, with a four-sided seating configuration to create an utterly intimate experience between artists and audience.
MICROCOSMOS with live soundtrack by LDP, David First, and Matthew Regula
Friday September 7th with composer David First
Saturday September 8th with Telecult Powers mem Matthew Regula
LONG DISTANCE POISON play live music & soundscape to the film. Composer David First will be sitting in with LONG DISTANCE POISON on Friday and TELECULT POWERS member Matthew Regula will be sitting in on Saturday.
August 31 – September 21, 2012
The Shirey is pleased to present Bushwick Blackout, an immersive multi-media exhibition and video screening of luminous works that twinkle and glow in the dark.In this exhibition, traditional gallery lighting is abandoned. The only sources of light are ultraviolet lamps and the works themselves. Emerging from the walls, ceiling, and floors, the works create a three-dimensional constellation, encompassing the viewer and transforming the conventional gallery space into a spellbound landscape.
FLASH POINT/ NYC: WRITERS AND COMPOSERS
Thursday, Aug 30 – 6:00PM
Cornelia St Cafe
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
August 29 – September 8
The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
KWANG YOUNG CHUN
Brötzmann/ Adasiewicz Duo and Joshua Abrams Natural Information Society with Chad Taylor
JISOO LEE/Marie Sivak/Sylvia Netzer
Dreamland: Adventures in the Strange Science of Sleep
LIEBE LOVE AMOUR!
MICHAEL ANDERSON ABJECT STREET WALLPAPER
Governor’s Island Art Fair
Elad Lassry: Untitled (Presence)
Harry Pussy Record Release Party with Bill Orcutt & Chris Corsano
The Snow / C. Gibbs/Annie and The Beekeepers with special guest Wilsen
Fujiya & Miyagi, Hess Is More, Wishes
THE FEVERISH LIBRARY
DO IT AWAKE! (on Mysterious Mountain)
Riitta Ikonen: Post
How Not to Read: Harnessing The Power of a Literature-Free Life”
Jiha Moon: Stars Down to Earth (Artist Talk)
SAUL WILLIAMS Presents CHORUS – A spoken word tour
PILC MOUTIN HOENIG
Slice Magazine Issue 11 Launch Party
The Emily Dickinson Reader
Matthew Miller: “Fools Are Those Who Lose Their Mirrors”
AMRAM & CO
Final opening of: …Is This Free?
ERIC YAHNKER: Virgin Birth ‘N’ Turf
DANCENOW Joe’s Pub Festival
KILL LIES ALL / JAVIER ARCE
Bridget Everett & The Tender Moments
The Performing Garage Presents: Findlay//Sandsmark’s Fractured Bones/Let’s Get Lost
Todd Sickafoose’s TINY RESISTORS
I THOUGHT WE WERE THE SAME PERSON
Happy Birthday, Conlon! A Tribute to Nancarrow on his 100th Birthday
w/ The Bugallo-Williams Piano Duo
David Stoupakis/Matthew Bone
EatSleepDraw (5 Years)
Arnold Dreyblatt: Turntable History / Spin Ensemble
Ryan Turley’s Hi/Lo
ELISA LENDVAY: Small Sculpture
Strange Tales of Liaozhai
Thomas Allen: Beautiful Evidence
Wondering Around Wandering
Pauline Oliveros with Doug Van Nort and FILTER
Pictures from the Moon: A Symposium on Holograms and Art
Steve Reich: complete string quartets (Different Trains, Triple Quartet, & world premiere of WTC 9/11, all-live version) performed by ACME
Jozef Van Wissem and Noveller
Odd Job @Fowler Arts
THE NY ART BOOK FAIR
Next wave Festival
The Mountain Goats
Origins of the Forest
Screening with Director David Cronenberg: “Cosmopolis”
Film Society of Lincoln Center
Friday, August 17th
“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” –Chloe Wyma
Tales of Social Activism
Museum of the City of New York
Saturday, August 18 at 2:00 pm
Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.
What Can You Do?/Remember, Dream v. 2.5
Wens, August 22nd
All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.
Wed, August 22nd
Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.
Cassie Ramone/Deep Time/Turn to Crime
285 Kent Ave
Thursday, August 16th
Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into
OurGoods:Barter: Theory and Practice
Eyebeam: Art and Technology Center
Saturday, August 18
From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email firstname.lastname@example.org with your name and the item/service you plan to bring.
Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART
Saturday, August 18
A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.
Pressed And, It is rain in my face, Cuddle Formation
Saturday, August 18
Sxip Shirey’s Hour of Charm
Friday, August 17th
A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)
Sky-Pony/PitchBlak Brass Band
Sunday, August 19th
Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.
“CORIOLANUS” (Shakespeare in the Parking Lot)
Municipal Parking Lot at the corner of Ludlow and Broome Streets, Manhattan
Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness.
Wed, August 22nd
GEORGE BARBA YIORGI AND THE BYZAN-TONES
Wed, August 22nd
An Illustrated lecture and book signing with Rachel Poliquin, author of The Breathless Zoo and the blog “Ravishing Beasts”
Friday, August 17th
In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.
The Fall of the American Movie Palace
Saturday, August 18th
There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.
Presentation Party Night 2 Year Blow Out
Sunday, August 18th
Topics this month:
• L Train History
• History of Riddles
• PPN Past, Present, and Future!
Saturday, August 17th
REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau
Microcosm: Sonic Territories
Saturday, August 17th
Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.
Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
August 12, 2012–January 7, 2013
Moonface with Siinai
Where: The Bowery Ballroom
When: Sat, June 30, 2012
Featuring Spencer Krug who also leads Sunset Rubdown and plays in Swan Lake. He debuted Moonface in 2009 with Dreamland EP: Marimba and Shit-Drums, which consisted of a single 20-minute track. He’ll follow that up on August 2, when Jagjaguwar releases a full Moonface album called Organ Music Not Vibraphone Like I’d Hoped.
Sam Prekop and Archer Prewitt (of The Sea and Cake)/Helado Negro
Where: Mercury Lounge
When: Sat, June 30, 2012
Over the last few years Lange has collaborated with David Ellis, Brian Alfred and Nene Humphrey on sound installation work. Recently he has created a series of solo sound installation pieces ranging from Music Box HVAC systems to Floating speakers that hover playing back original site specific compositions. Lange has also worked with Bear in Heaven and Julianna Barwick as well as famed music producer Guillermo Scott Herren to produce Prefuse 73 and Savath and Savalas as an active member and contributor.
“Composing with Patterns”: Music at Mid-Century
When: Tuesday, July 10, at 7:30 pm
Listen to experimental 1950s music by composers such as Earle Brown, John Cage, Giacinto Scelsi, and Karlheinz Stockhausen in the museum’s rotunda while viewing works by Louise Bourgeois, Alexander Calder, Jackson Pollock, Antoni Tàpies, and more in Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960. Christopher McIntyre directs an all-star ensemble featuring musicians from the International Contemporary Ensemble, Ne(x)tworks, and Either/Or Ensemble, among others. A talk by composer R. Luke DuBois precedes the performance.
Repository: a Nuclear Waste Card Game
Where: Proteus Gowanus
When: Thursday, June 28, 8pm
We are excited to host the launch of Repository: A Typological Guide to America’s Ephemeral Nuclear Infrastructure, an informational card game created by Smudge Studio. Elizabeth Ellsworth and Jamie Kruse will present their graphically vivid cards and tell the terrifying tales of America’s real-life nuclear waste shell game, as part of our Future Migration segment in this Migration year.
CARA BARER AND GUY LARAMEE
Where: Foster/White Gallery
When: Thursday, July 5, 6 – 8 PM
For artist Guy Laramée, the land is full of history and stories, much like the books he sculpts. Each has a life, independent of those who travel upon its ridges or wander through its pages. Laramée carves and sandblasts carefully selected texts into detailed landscapes from timeless locations. Mountains will explore Laramée’s admiration for mountains and the life they provide.
Radiolab Live: In the Dark
Where: Theodore: BAM
When: Tue & Wed, Jun 26 & 27, 2012 at 8pm
Prepare to have your mind blown at the new live show from the hit podcast series Radiolab. Hosts Jad Abumrad and Robert Krulwich explore the dawn of sight and the evolution of the eye in an evening that includes storytelling, music, stand-up comedy, and dance. Featuring dancer athletes, comedian Demetri Martin, and singer-songwriter Thao Nguyen.
The Adventures of Prince Achmed
When: Sun, Jul 1 at 6pm
For this special BAMcinemaFest closing day event, two of 3epkano’s founding members are joined by avant-garde cellist Erik Friedlander as they find their muse in the oldest surviving animated feature, The Adventures of Prince Achmed. Under the influence of Georges Méliès’ special effects, pioneering avant-garde German filmmaker and artist Lotte Reiniger employed silhouettes of cardboard cutouts on illuminated glass to craft this dreamlike homage to The Arabian Nights, in which a prince joins forces with Aladdin and a magic horse to vanquish an army of demons.
Opening Reception: Peter Bardazzi, Peter Bocour, Joe Pimentel, Amanda Dandeneau
Where: Skylight Gallery
When:Thursday June 28th, 6-9pm
Four Solos, exhibition runs from June 25th thru August 4th
WISH YOU WERE HERE
Where: Ana Cristea Gallery
When: June 28 – August 4, 2012
Ana Cristea Gallery is pleased to present “Wish You Were Here,” a summer show of three artists from Slovakia, Romania and Belgium. The works of Andrej Dubravsky, Oana Farcas and Gideon Kiefer are masterfully painted and reflect their individual training at the highest levels of the fine art academy. Whether billboard or postcard-sized, the works command the viewer’s attention through colors, lively settings and inspired brushwork. The narratives in these works honor the role of the natural world and self-selected communities. A lake at summer camp, an artist studio or laboratory environment might appear familiar initially, but the evident strange(r) element in all three artists’ works give them charge and wisdom.
Where: Jonathan LeVine
Dr. Eugene Chadbourne + Bryan and the Haggards + Pull My Daisy
Where: Vaudeville Park
When: Mon. 7/2, show at 8pm
Legendary freak-guitarist/banjo player, Eugene Chadbourne, is getting ready to record a new album with Bryan and The Haggards for the Northern Spy record label. Eugene will also be playing a solo show at The Stone on July 5th.
WORLD ON A WIRE
Where: bitforms gallery nyc
When: June 28 – August 3, 2012
bitforms gallery is pleased to announce a summer group exhibition that features the work of seven artists: Marco Brambilla, Daniel Canogar, Yael Kanarek, Tim Knowles, Mark Napier, Casey Reas, and Marina Zurkow. Borrowing its title from World on a Wire, Rainer Fassbinder’s 1973 sci-fi film set in a cybernetics and futurology lab, the exhibition explores behavioral complexity, madness and simulation. Three projects in the exhibition are New York debuts: Mark Napier’s net.flag: ten years of flags, comprised of nearly 23,000 flags created by visitors to the net.flag website; Marina Zurkow’s The Thirsty Bird, an ecologically-charged animation informed by a recent residency in Houston, Texas; and Marco Brambilla’s RPM, a psychological video portrait of a Formula One driver’s point-of-view.
Where: Brooklyn Bowl
When: Thu, June 28, 2012
The Breakestra began as the house band for the legendary late 90’s hip hop party that Miles promoted called the Breaks. Egon from Stonesthrow Records further explains the etymology of their name: “Break. As in “breakbeat.” That ten second slice of percussive magic in the middle of a funk song that, when looped together by progressive South Bronx DJs in the 1970s, became the basis of the hip-hop movement. Arkestra. Out-there jazzer Sun Ra’s funkafied concept of the stuffy classical orchestra.” When we combine the two concepts, you have the Breakestra or in other words an orchestra that plays funky ass classic & new original breaks.
Where: Carriage Trade
When: June 29 – July 29, 2012, Opens Friday, June 29, 2012, 6-8 p.m.
Traditionally highlighting the unique personality of a subject, the genre of portraiture is at odds with the increasingly disparate quality of our current experience of the self. The popularity of social media and instant communication has meant much more frequent interaction between individuals, which favors brevity and is often disconnected from place. Now being available “anytime” takes precedence over one’s location, as the disengagement of context (where and how we encounter one another) from interpersonal exchanges poses questions for the ongoing relationship between perception and identity.
AMERICA IN ARABIC – BASSEM YOUSSEF IN NYC
Where: Galapagos Art Space
When: SUNDAY JULY 1
join us for an evening with egypt’s best-known political satirist and some of america’s top arab comedians. featuring: BASSEM YOUSSEF, MAYSOON ZAYID, MO AMER, MEENA DIMIAN
Show #5:FIRST CONTACT
Where: Field Projects
When: June 28 – July 15, Opening: Thursday, June 28th, 6:00-8:00pm
Join us Thursday, June 28th, for the opening of Field Projects Show #5: First Contact. The works in this exhibition were chosen to recreate the sublime moment of an adolescent’s first discovery of the world of Science Fiction. Show # 5: First Contact includes work by Lisha Bai, Megan Burns, Lisa Rybovich Crallé, Sean Duffy, Allison Edge, Matt Frieburghaus, Shawn Gallagher, Sarah Gamble, Micah Ganske, David Herbert, Laura Kaufman, Hein Koh, Jennifer Ku, Amanda Lechner, Erica Magrey, Betsy Odom, Julia Oldham, Naomi Reis, Rachel Ritchford, Mike Peter Smith, Louis Spano, Studio AND, J.P. Roy, and Christopher Ulivo.
Max Johnson / Weasel Walter Residency Part 1
When: Thursday, July 5th 8:30
Two sets of newly and freely improvised brought to you every Thursday night in July by Max Johnson & Weasel Walter with a slew of very special guests. Come enjoy as musicians from all over collide to create sounds that you may never hear again in your life!
BEN MONDER, THEO BLECKMAN DUO
Where: Cornelia St Cafe
When: Friday, Jun 29 – 9:00PM & 10:30PM
For over 15 years, the Theo Bleckmann & Ben Monder Duo has been touring the U.S., Europe and Asia creating a unique approach to what might be called “jazz art song”, blurring the boundaries between jazz, classical, ambient and rock. Bleckmann’s vocal style is based on a thorough understanding of the jazz vocal tradition as well as “extended vocal techniques” (he has been a principal in Meredith Monk’s Vocal Ensemble since 1994) and also uses electronic looping and processing in order to create choral and textural soundscapes. Film fans will note that Bleckmann created the alien language used in the film Men In Black.
Pretty Lights Music Album Release: Eliot Lipp
Where: Mercury Lounge
When: Fri, June 29, 2012
Eliot Lipp didn’t choose to become one of the most looked to artists in contemporary electronic music, but somehow, Lipp’s sound, one that uses vintage gear to create a unique take on Hip Hop and House, has quickly garnered the respect among the industry’s most influential musicians and producers as well as the deep admiration among audiences worldwide.
Animal Hospital / Kevin Micka Solo
Where: The Stone
When: Sunday July 1, 10pm
During performances, Micka buries himself in a pile of electronics-shelves of effects, mixing consoles, amps and delay units-while patiently constructing a layered nest of loops consisting of live drum beats, guitar chords, scrapes, chucks, chimes, and melodies resulting in anything from more conventional songs to meticulously crafted ambient movements on to full on improvisation.
By Robert Herbert
Buzzard pecks the glass pane that frames outsides.
He is pretty pissed about something.
I let him in, he beaksnaps my smoking jacket.
“Say something, you stupid bird, bogle me
less at such an hour as this, the gay sun
is still to galivant this way and you
should be nesting.” He perches on the shelf
for the poetry books and squawks, livid,
stomping now like a trooper. I could kill
him, and as I guage this ill, it becomes clear,
he is comparing the vague emptiness
of my bookshelves to a totalitarian regime.
He wants me to flail freestyle for freedom,
to scorn my propaganda in a false past,
to write better poems, that maybe outlast
links I like, I post, on Facebook, about David Graeber.