A mechanical spring:
A silent spring:
I met up with Eugénie Alquezar (the singer/keyboardist) and Peter Kryznowek (the guitarist) of the Parlor Snakes last week at a Parisian bar in the 11th quarter, and they are very much the embodiment of rock and roll music. Peter with his cool rockabilly swagger and Eugénie with her stylish and energetic demeanor, it’s difficult to find this certain purity of rock and roll today without the adulterated elements of Macbooks, alligator sweaters, or the ironic pair of glasses. No slamming the indie circuit, but it’s refreshing to see, well, rock and roll once again. After seeing the Parlor Snakes play live, I was convinced that I was back in the heyday of New York City rock music (where Peter lived and was heavily influenced by). On the other hand, labeling the Parlor Snakes retro-rock, nostalgic for the drugged-out days of Lou Reed, Jim Carroll or the Cramps would be a grave mistake. They bring their own twist of space-out and shoe-gaze as much as any young band today – mixing both high-energy with calm-down beer time. A perfect combination for cellar-dweller rockers thirsty for the times of CBGB’s but also ready for some fresh sounds as well.
The 22 Magazine: First of all I’d like to thank you for this interview with The 22 Magazine.
The Parlor Snakes: Thank you for inviting us.
The Three Furies: Writing with a Vengeance