Occupy My Slumber Chamber, Wild Bird.

By Robert Herbert

Buzzard pecks the glass pane that frames outsides.

He is pretty pissed about something.


I let him in, he beaksnaps my smoking jacket.

“Say something, you stupid bird, bogle me

less at such an hour as this, the gay sun

is still to galivant this way and you


should be nesting.” He perches on the shelf

for the poetry books and squawks, livid,

stomping now like a trooper. I could kill

him, and as I guage this ill, it becomes clear,


he is comparing the vague emptiness

of my bookshelves to a totalitarian regime.

He wants me to flail freestyle for freedom,

to scorn my propaganda in a false past,

to write better poems, that maybe outlast

links I like, I post, on Facebook, about David Graeber.


Robert Herbert’s debut collection of poems entitled, Pangs! & Intermittences, is forthcoming from Knives Forks & Spoons Press. The poem presented here is an Intermittence. Other works have appeared in Stop Sharpening Your Knives 3 and 4, Kritya, Magma, Gallous, Poetry Proper, Ink Sweat and Tears, Brand, and 3am Magazine. He solicits poems for the e-zine, Digital Behemoth, see http://digitalbehemoth.tumblr.com/ He has performed his poems at Wells Poetry Next The Sea, Flatlake Literary and Arts Festival, The Poetry Library, and The Seamus Heaney Centre.


THE WEEKEND: MARCH 2-4.

EDITOR’S PICKS:

Liz Biddle, Regine Granne, and Katherine Tzu-lan Mann at A.I.R. Gallery
http://www.airgallery.org/index.cfm?fuseaction=main.artists&artistid=885
03/01/2012-03/24/2012
6pm-9pm

This exhibition showcases Biddle’s continuing interest in mixed media, with a twist of humor found in much of her work. Old wires, light bulbs, screws and other found objects protrude from holes in ceramic objects, while creature-like robots – strange, disturbing and endearing – appear in collages and drawings. Liberty is a contemplation of the present in the wake of 9/11. The Statue of Liberty itself simultaneously represents an overused icon and a diminishing concept. These works offer a means of viewing such images and enable reflection of our world, our nation, our politics, our person, our perspective, and our relationship to all. Mann’s large paintings in Root, created by combining chance stains with highly rendered decorative elements on oversized, un-stretched paper, function as human-sized portholes into a landscape alive with minute details, patterns and interlocking systems.

Continue reading

THE WEEK/WEEKEND: FEB 24-26.

EDITOR’S PICKS:

Bruce Brosnan: See, hear, remember/Tyler Vlahovich: recent work
http://www.featureinc.com/
02/15/2012-03/18/2012
12pm-6pm

Bruce Brosnan began exhibiting with Feature Inc. in 2000 and See, hear, remember is his fourth one-person exhibition witht he gallery. He lives and works in Brooklyn, has a BFA from Maine College of Art (19915) and an MFA from Hunter College (1998), which is where I first saw his inspired installations. Tyler Vlahovich has a BFA (1989) from California Institute of the Arts and lives and works in Los Angeles. This recent work is his third one-person exhibition with the gallery and coincidentally, we also began working together in 2000.

BOTANICA
http://thisisbotanica.com/
02/22/2012-02/25/2012
8pm-9:30pm

BOTANICA is a creepy futuristic black comedy that examines our complicated relationship to plant life. Sealed in a human terrarium, two unorthodox botanists and a caretaker with a penchant for erotic literature unleash a flood of unusual findings and overturn the constraints of science and social norms. Riotously lush” and “a perverse kick.” -New York Times “Sex, drugs, and
botany? Plants will never seem the same after Jim Findlay’s BOTANICA, an original, mesmerizing, and disturbing piece of experimental insanity.” –Flavorpill “If you’ve had your fill of tame/lame Broadway shows, are a fan of Sci-Fi, and happen to have dendrophilia, this show is perfect for you.” –Papermag “If you’re into what’s probably the most expertly sculpted piece of weirdness in town, then I assure you, BOTANICA’s got the goods.” –NYtheatre.com

Opening Party
facebook.com/uncannnyvalleynyc
02/24/2012-02/25/2012
7:30 pm -1:00 am

UNCANNY VALLEY OPENING PARTY February 24, 7:30 p- 1:00a// $10 …In which we open up the floodgates. Join us to celebrate the official opening of Uncanny Valley as a public venue! This is a fundraiser for the space, to ensure that we are warm and well-lit in throughout the winter! Uncanny Valley, our new performance and art project space, will open with a party to benefit and celebrate the space. The party will feature performances from partners and residents, including a glimpse of “The Golden Veil”, the new show from The National Theater of the United States of America, new songs from Balkan no-wave band The Drunkard’s Wife, a play from Williamsburg’s Dome Theater, Lisa Ludwig’s Art Neighborhood installation, and much more! The event takes place at 26-09 Jackson Avenue (at 44th road, near the Court Square station) from 7:30 pm to 1:00 am on Friday, February 24, 2012. HERE IS A MAP: http://g.co/maps/k5p84

The Weekend:Dec 2-4.

FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1” buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

Continue reading

THE WEEK: Nov 15-18.

TUESDAY:

99% – The Occupy Wall Street Collaborative Film
Filmmakers Audrey Ewell and Aaron Aites in attendance for discussion including a video conversation with other film collaborators. Film critic Christopher Campbell will be moderating the discussion. Williams Cole will introduce the event.This feature length documentary film is spearheaded by over 50 independent filmmakers, photographers, and videographers across the country. We have come together to pledge our time, skills and gear to cover the events taking place in NYC and around the country. The end product will be a compelling, cinematic, resonant, and honest portrait of the Occupy Wall Street movement. Founded by NYC filmmakers Audrey Ewell and Aaron Aites, the project currently counts among its collaborative many award winning documentary producers, directors, musicians and editors (as well as PR people and distributors) including Michael Galinsky and Suki Hawley (Battle for BrooklynHorns and Halos), Ava Duvernay (distributor of independent black films via AFFRM, dir/prod I Will Follow), Aaron Yanes as supervising editor (a frequent Barry Levinson editor, he’s also edited many award-winning features and documentaries, from Sundance Grand Jury Prize winner Padre Nuestro to James Toback’s Cannes prize-winningTyson, Tyler Brodie (Another EarthTerri), Bob Ray (Total Badass) and many more.

Continue reading

THE WEEK: NOV 1-4.

TUESDAY:

PERFORMA 11 (ONGOING)
Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.

Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service
On November 1st, All Saints’ Day, The Day of the Dead — ancient holidays in honor of the saints, known or unknown; deceased friends and family — Ben Gerstein brings together for the first time a unique ensemble of enormous acoustic, experiential intensity to celebrate the powers of improvisation on this earth. FREEDOM CHOIR! A congregation for cathartic improvisational service. Inspired by the micro and macrocosms of nature, ecstatic spiritual and athletic experiences, dream, destiny, ritual, prayer, ancestry, and visions throughout Art and beyond… Dance floor, prairie, pow-wow, synagogue, church, mountain top, ocean, forest, desert, track and field, fighting ring, mosh pit … Ferocious love! A historic event for expansive sound and emotion; unnamable sound, unnamable emotion. We are the world! Communion between us all…

69°S. (Part of the 2011 Next Wave Festival)
“When I look back at those days, I have no doubt that divine providence guided us… it seemed to me often that we were not alone.” —Sir Ernest Henry ShackletonSixty-nine degrees south latitude, threshold of Antarctica, foreboding and cold. In an attempt to cross the continent, explorer Ernest Shackleton and crew have been shipwrecked, and now—through the work of Phantom Limb marionette maker and composer Erik Sanko and set designer Jessica Grindstaff (both at BAM with More Than Four, 2007 Next Wave)—they emerge before us in the snow.

CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Robert Ashley’s music has long been recognized as some of the most radical, forward-thinking work produced today. The Incubator Arts Project’s MUSIC series, curated by Travis Just, focuses on his chamber and instrumental music, in addition to re-thinking one of his best-known vocal epics: Automatic Writing. A new generation of experimental composers and artists is looking to Ashley’s work for inspiration; this week will show why.(ONGOING)

PHARMA
The Herb Lubalin Study Center at The Cooper Union examines the influence and impact of graphic design on the pharmaceutical industry in PHARMA, a new exhibit featuring original and rarely seen works by luminaries including Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin. PHARMA’s exploration begins with the avant-garde promotionals of the 1940’s, when a market need emerged to promote “miracle” drugs, such as Penicillin, to the medical industry. In a compelling and thought-provoking way, PHARMA presents the relationship graphic design has had with the pharmaceutical industry ranging from the federal government’s increased regulations to new marketing tactics where the everyday consumer, not the doctor, is considered the target audience. While the exhibition provides examples of past and present, the public is encouraged to reflect and question how graphic design is used to market drugs and design has transformed these commodities into objects of desire.

Spartacus Chetwynd: The Lion Tamer
7th Annual Alternative Processes Winners: Barbara Ciurej & Lindsay Lochman 
UMBERTO ECO in conversation with Paul
Tod Lippy: The Conception and Development of ESOPUS
Holdengraber
Migratory Media: A Film Event
Counterfactual: Muybridge’s Debt to Watkins
Tom Brokaw in Conversation with Paul Holdengräber
BROOKLYN REAL ESTATE ROUNDTABLE
OSCAR PEÑAS
Enid Ellen at Piano’s
Tomorrow Land/Collaspe
Barbara Siegel, Arboretum/Privacy Please! Jan Johnson
Influential Friends
Matthew Stone: Optimism as Cultural Rebellion
ARAB SPRINGS/ ATLANTIC WEALTH: TRADING ROOM
Serenity Now!
BRADFORD NORDEEN WITH GARY INDIANA
Playing with Form
CAP/ICP – Artist Lecture: Joni Sternbach – Surfland
365 Drawings
panel discussion | residency as refuge?
GLOBAL ISSUES IN DESIGN AND VISUALITY IN THE 21ST CENTURY: CULTURE – FASHION HACKING
ROXANE BUTTERFLY
Mur Murs

Continue reading

Allison Sommers: Ein Arbeitsloser Weniger.




This one is Ein Arbeitsloser Weniger, 1.5 x 2.5″ paper and ink-jet print hand-made accordion-fold art book, filled with ten different soldiers from various imaginary wars, in various states of life or injury. The book fits neatly into its own tiny government-manila envelope, ready for convenient filing away…

Ein Arbeitsloser Weniger is one less man out of work.

Ein Arbeitsloser Weniger because the state has sent them to war.

Ein Arbeitsloser Weniger because they won’t come home.

You can purchase Ein Arbeitsloser Weniger here.

FOR EVERY BOOK SOLD this month, I will donate $1 to Occupy Wall Street. You can find more information on their efforts here, or by searching #occupywallstreet on Twitter, and you can donate directly here.