The 22 Magazine is pleased to present an evening of music, art, food and puppetry with Andru Bemis, Anna Gevalt, Elizabeth Laprelle and Katherine Fahey, who along with singing, will be presenting a cranky. Also known as scrolling panorama, or crank box, the cranky is an old-fashioned hand-cranked scrolling device, illustrating a story or song. They will be joined by FAHEY, puppeteer Daniel Patrick Fay, and visual artists Jimmy McBride, Megan Canning, Eileen Hoffman, Reineke Hollander and more. There will be a potluck style buffet, so feel free to bring something to contribute! The event will take place on April 26, at Vaudeville Park in Brooklyn.
Paul McCarthy, The Dwarves, The Forests Hauser & Wirth New York is proud to present an exhibition of major new works by Los Angeles-based Paul McCarthy, one of America’s most challenging and influential artists. Comprising bronzes, a massive tour de force wood carving, and a pair of fantastical landscape maquettes all presented on the gallery’s two floors, ‘The Dwarves, The Forests’ is the first exhibition of sculptures to emerge from McCarthy’s recent exploration of the famous 19th century German folk tale Snow White (Schneewittchen) and the modern interpretation of that story in Disney’s beloved 1937 animated classic film ‘Snow White and the Seven Dwarfs’
AMRAM & CO @ Cornelia St.
David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion
Listen to This by Alex Ross Listen to This—which collects Alex Ross’ finest writing for The New Yorker since 1994—is that rare book that moves across the entire landscape of music, from classical to rock and back again. In this series of lively, erudite essays, Ross tells of his own late-blooming discovery of pop, and of how contemporary sounds relate to centuries of musical tradition. He vividly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and, in a previously unpublished essay, brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. Witty, passionate, and brimming with insight, Listen to Thisshows how music expresses the full complexity of the human condition.
A series of staged fauxtographs reenacting the History of the American Funeral Industry. The second in a series of videos documenting the life of a mortuary professional as she sets out to revolutionize the death industry one corpse at a time. For more info: orderofthegooddeath.com
Directed by Evgeni Bauer
49 minutes, 35 mm, silent with musical score
A figure of fundamental importance in the history of silent cinema, Russian director Evgeni Bauer brings to life a chilling tale that takes a sardonic view of popular morbid obsessions in pre-Revolutionary Russia. Bauer’s film features a decadent artist obsessed with capturing the image of death on canvas, an infatuation that drives him to the brink of despair until he watches a captivating and heartbroken ballerina perform. He sees in her the masterpiece he seeks, but ultimately, the young dancer cannot live up to the artist’s ideal and suffers the disturbing consequences.
Opening: Saturday, May 7th, 2011 7-10pm
On View: May 8th – June 12th, 2011
Hours: Thursdays & Fridays 3-6pm; Saturdays & Sundays 12-6pm MAP
Observatory and Phantasmaphile’s Pam Grossman are proud to announce ALCHEMICALLY YOURS, a group show of alchemy-themed artwork, on view from May 7th through June 12th.
Alchemy is the art of transmutation. Of taking the rough and raw, and rendering it more precious. Rather than accepting the literal “lead into gold” definition, Carl Jung believed that alchemy is a process of individuation, a symbolic and active language which guides one’s personal journey toward the realization of selfhood. An alchemist is a shape-shifter, a mystic chemist. A patient and meticulous devotee who turns the base into something resplendent.
Like dreams, alchemy speaks in pictures. At first glimpse, alchemical manuscripts from the 16th and 17th centuries look like a panoply of hallucinations. They feature images of fornicating kings and queens. Suns and moons shining in stereo. Lions and serpents and eggs, oh my. Black and white and red all over. Secret codes and effulgent iconographies teeming with meaning, yet ultimately ineffable. These pictures beget picturing. They’re signs that beg to be resignified; to be reinterpreted and refined.
The participants in ALCHEMICALLY YOURS have done just that. Varying in medium and style, each piece in this exhibition pays homage to the alchemic tradition — all the while affirming that the artist fills the role of alchemist in the present-day. For who better can elevate the mundane, turn the sub- into the sublime? From the prima materia of color and canvas comes great and vivid work.
Pam Grossman is the creator and editor of Phantasmaphile, the premiere online destination for art aficionados with a passion for the surreal and the fantastical. An internationally beloved art and culture blog, it features daily spotlights on artists and events, as well as interviews with such visual luminaries as Thomas Woodruff, Nils Karsten, and Richard A. Kirk. Phantasmaphile was written up two years in a row on the Manhattan User’s Guide Top 400 New York Sites list, and Grossman’s previous shows, “Fata Morgana: The New Female Fantasists” and “VISION QUEST” were featured by myriad taste-making outlets including Juxtapoz, Arthur, Upper Playground, Reality Sandwich, Urban Outfitters, Creative Time, and Neil Gaiman’s Twitter page. “ALCHEMICALLY YOURS” is her latest curatorial effort, and she is proud to have it hanging at Observatory, the art and events space she co-founded.
WINKLEMAN GALLERY MAP Featuring work by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, Daniel Zeller
May 6 – June 11, 2011
Opens May 6 6:00 PM – 8:00 PM
Winkleman Gallery is very pleased to present Idée Fixe: Drawings of an Obsessive Nature, a group exhibition of black and white drawings by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, and Daniel Zeller. The drawings in Idée Fixe either build toward or seem to disintegrate away from complex systems and through what is obviously a time-consuming, perhaps even obsessive process. Running the gamut from highly photo realistic representation to abstractions that suggest imagined landscapes or fields, these works are created from intense, often repetitive gestures.
Jeff Whetstone “Seducing Birds, Snakes, Men”
at Julie Saul Gallery, Chelsea. Closed Sunday/Monday. Through May 21.
Jeff Whetstone’s second exhibition with the gallery explores the nexus of language and wilderness through narrative video, 16mm film, digital animation and photography. Hunters transcend gender, men draw with snakes, and a landscape is made from sound-waves. (READ MORE.)
BROOKLYN ART SONG SOCIETY presents MASTERWORKS: THE COMPLETE SONGS OF HENRY DUPARC
The 16 songs that comprise the French master’s entire surviving output feature some of the most moving and haunting vocal music ever written. The concert features some of New York’s finest established and up-and-coming artists: pianists Michael Brofman, Michael Rose, and Miori Sugiyama; baritones Robert Osborne and Kyle Oliver; and in her Brooklyn Art Song Society debut, soprano Eleanor Taylor. Tickets are $20\$10 for students and seniors.
WHERE: Brooklyn Conservatory of Music, 58 7th Ave. Park Slope. B or Q to 7th Ave, 2 or 3 to Grand Army Plaza
WHEN: Friday May 6, 7pm
CONTACT: 917.509.6258; www.brooklynartsongsociety.org
Lost Wax Casting is the process in which an object, preferably wax, is turned into a metal form. The process is useful for jewelry or small scale metal fabrication. Your object can be made out of other materials such as resin, plastic, or a variety of found objects. The exact surface that is on your initial model is going to be the surface of your metal piece. (READ MORE.)
Location: Brooklyn College Student Center
Campus Road & E. 27th Street (near Flatbush–Nostrand Junction) (See below for how to get there) 2 pm: Keynote speaker:Juan Gonzalez, Daily News Columnist & co-host “Democracy Now”
Theme: “Peace Budget?…War Budget! How War and the Military Economy Affect YOU!!” Workshops! Tables with information and resources by community peace and justice organizations!
Sponsor: Brooklyn For Peace Co-Sponsors: Brooklyn College Student Center and Iraq Vets Against the War Check out the schedule See the Program (PDF)
How to get there: Convenient Transportation from all over Brooklyn
Subway: 2 to Flatbush Ave/ Brooklyn College (NOTE: 5 does not run to Brooklyn College on the weekend) Bus: B6, B103, B41, Q35, B44, B11, BM2 From 2/5 train, Flatbush Avenue Station (at Nostrand Ave)
Locate Hillel Place, direction Brooklyn College; turn right at Campus Road
Campus Road curves around to the left
Student Center is on the right, at Campus Rd & 27th Street
Haas & Hahn Opening Reception: Friday, May 13th, 7pm
Storefront is pleased to present the work of Dutch artists Haas&Hahn [Dre Urhahn and Jeroen Koolhaas] in the exhibition “Painting Urbanism: Learning from Rio”.
The exhibition will showcase paintings, documentary footage, pictures, sketches and plans of past, present and future projects developed by Haas&Hahn. Featured past projects include the Favelapaintings in Praça Cantão in Santa Marta and “Rio Cruzeiro” on the stairs of Rua Santa Helena all in Rio de Janeiro. Present projects include proposals for two New York interventions and future projects span throughout the world. READ MORE.
Spacebuster is a mobile inflatable structure – a portable, expandable pavilion – that is designed to transform public spaces of all kinds into points for community gathering. A new iteration of a Raumlabor project, the Küchenmonument (presented in Europe in 2006-8), the Spacebuster made its first appearance in the US in New York in 2009 and has returned for the Festival of Ideas for the New City.
Ding Dong Lounge
929 Columbus Ave. @ 106 St.
Saturday, May 7, 2011
1pm – 7pm
A zine, small press, and music fair. For one day, join us as we transform Ding Dong Lounge into an ephemeral bookshop, crafts fair, art gallery, speakeasy, underground music venue, cookie den, and inappropriately timed Christmas Party. This is the fifth fair of its kind over the course of three years, and it gets better each time. This year includes the rare opportunity to decorate a Christmas tree with both friends and total strangers in the middle of spring.(READ MORE.)
Sun, May 8: 2:30pm
This movie has it all: swashbuckling action, intrigue, romance, mind control, and Orson Welles!
A curious, little-seen oddity based on an Alexander Dumas tale, Black Magic adapts the story of Cagliostro (Welles) an 18th century magician and gypsy charlatan, discovered by Doctor Anton Mesmer himself, whose hypnotic powers, derived by the sheer force of his presence, involve him in a plot to overthrow the French monarchy and an opportunity to revenge himself on the aristocrat who was responsible for the execution of his parents. (READ MORE.)
A handmade book-making workshop
Sunday, May 1st, 2011, 5-8pm
at A.I.R. Gallery
FREE – RSVP is required!
2010-11 A.I.R. Fellow Jiyoon Koo in collaboration with professional book-binder Susan Mills A.I.R. Gallery and 2010-11 A.I.R. Fellow Jiyoon Koo invite the public to Boring Stories, an workshop and literary event on Sunday, May 1, 2011 from 5-8pm. The event will be limited to 15 people and a donation of $10 is requested to cover the cost of materials. Due to the limited number of participants, advance registration is recommended. Please RSVP to email@example.com to participate and make your donation.
Jiyoon has invited a professional book-binder, Susan Mills, to teach basic book binding.Each participant will be asked to bring to the workshop four sentences that describe special or disappointing events from childhood memories. These will be the basis for a narrative. In its final form, however, each book will be a “blank” book because the conclusion or climax will be missing and the point of the story will be absent, thus creating a void. Attendees will bind their own books, which they will take home with them. In addition, all stories will be bound into a single volume, a copy of which will be given to each participant; one copy will be left in the gallery space.