Jacqueline De Jong’s Situationist Times, 1962-1967
Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.
Drew Maillard Solo Show: “Living In Interesting Times”
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Bruce Brosnan: See, hear, remember/Tyler Vlahovich: recent work
Bruce Brosnan began exhibiting with Feature Inc. in 2000 and See, hear, remember is his fourth one-person exhibition witht he gallery. He lives and works in Brooklyn, has a BFA from Maine College of Art (19915) and an MFA from Hunter College (1998), which is where I first saw his inspired installations. Tyler Vlahovich has a BFA (1989) from California Institute of the Arts and lives and works in Los Angeles. This recent work is his third one-person exhibition with the gallery and coincidentally, we also began working together in 2000.
BOTANICA is a creepy futuristic black comedy that examines our complicated relationship to plant life. Sealed in a human terrarium, two unorthodox botanists and a caretaker with a penchant for erotic literature unleash a flood of unusual findings and overturn the constraints of science and social norms. Riotously lush” and “a perverse kick.” -New York Times “Sex, drugs, and
botany? Plants will never seem the same after Jim Findlay’s BOTANICA, an original, mesmerizing, and disturbing piece of experimental insanity.” Flavorpill “If you’ve had your fill of tame/lame Broadway shows, are a fan of Sci-Fi, and happen to have dendrophilia, this show is perfect for you.” Papermag “If you’re into what’s probably the most expertly sculpted piece of weirdness in town, then I assure you, BOTANICA’s got the goods.” NYtheatre.com
7:30 pm -1:00 am
UNCANNY VALLEY OPENING PARTY February 24, 7:30 p- 1:00a// $10 …In which we open up the floodgates. Join us to celebrate the official opening of Uncanny Valley as a public venue! This is a fundraiser for the space, to ensure that we are warm and well-lit in throughout the winter! Uncanny Valley, our new performance and art project space, will open with a party to benefit and celebrate the space. The party will feature performances from partners and residents, including a glimpse of “The Golden Veil”, the new show from The National Theater of the United States of America, new songs from Balkan no-wave band The Drunkard’s Wife, a play from Williamsburg’s Dome Theater, Lisa Ludwig’s Art Neighborhood installation, and much more! The event takes place at 26-09 Jackson Avenue (at 44th road, near the Court Square station) from 7:30 pm to 1:00 am on Friday, February 24, 2012. HERE IS A MAP: http://g.co/maps/k5p84
Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
PERFORMA 11 (ONGOING)
Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service
69°S. (Part of the 2011 Next Wave Festival)
CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Spartacus Chetwynd: The Lion Tamer
“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm
For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.
Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.
LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.