THE WEEK/WEEKEND: October 25th-Oct 31st.

PLEASE NOTE: ALMOST ALL EVENTS IN NEW YORK AND BROOKLYN THIS WEEK ARE CANCELLED DUE TO HURRICANE SANDY. PLEASE CHECK WITH EACH VENUE ON CURRENT CONDITIONS. IF RELIEF AND TRANSPORTATION EFFORTS GO WELL, WE WILL BE BACK NEXT WEEK  (NOV 7th) WITH NEW LISTINGS. 

JUDY FOX: OUT OF WATER
PPOW GALLERY
October 27 – December 15, 2012

P.P.O.W is pleased to announce Out of Water, our sixth solo exhibition of figurative sculpture by Judy Fox. Well known for her exquisitely rendered human figures, including children that are at once iconic, psychological and subversive, Fox continues to explore mythological references that are used to reflect upon contemporary sociological issues. In her latest installations, virtuoso use of form extends to the surreal, with visual puns used to provoke conflicted emotional reactions. The centerpiece of this new installation is a comely standing life-size figure of a Mermaid. Legs pressed together as if fused into a tailfin, hands paddling downward, she looks dreamily over her entourage. A set of Worms spread out before her like the writhing sea horses that pull the chariot of a Greek sea goddess. They are curvy and sensual — some profiles resemble parts of naked human bodies.

Lubomyr Melnyk
Sat, October 27, 2012 – 3:00pm
First Unitarian Congregational Society

Composer and pianist Lubomyr Melnyk is the pioneer of Continuous Music— a piano technique he has developed since the 70s that uses extremely rapid notes and note-series to create a tapestry of sound. Inspired by the minimal, phase and pattern musics of Steve Reich, Philip Glass, and Terry Riley, yet frustrated by the ecstatic detachment from reality they can encourage, Lubomyr Melnyk created Continuous Music, based in the innovations of the minimalist composers but with its roots more deeply planted in harmony. His first recordKMH: Piano Music in the Continuous Mode (Music Gallery Editions, 1978) is the fruition of the idea he began developing in 1974 reimagines the sentiment expressed by Reich in his watershed Music for 18 Musicians, realized entirely for Solo Piano. Overtones blend or clash according to the harmonic changes. The technique of mastering his complex note patterns and speeds makes his music difficult for the normal pianist, and the kinetic athleticism of Melnyk’s performance is unparalleled.

Teodora AxenteMade of Matter
Ana Cristea Gallery
October 25 – November 24

Ana Cristea Gallery is pleased to present “Made of Matter,” the first solo exhibition in the United States by artist Teodora Axente. Teodora Axente’s work is centered on the duality of spirit and matter – the two spheres of existence between which humans oscillate in an attempt to uncover themselves. Portraying an unexpected array of materials, Axente addresses the essential human drive to reshape oneself. Through the flashy materiality of aluminum foil, satin pillows, nylon bags or curtains, she brings us into a world of mystery that appears to be spiritual, noble and attractive, on first glance. Aluminum foil serves as the central symbol of matter throughout many of her paintings. Its outward shine and its ability to reflect give off an illusory sense of nobility that blinds her subjects.

Andrea DeFelice
Harvestworks
Friday, Oct 26 at 6pm – Opening
Saturday/Sunday Oct 27/28 from 3pm to 7:30pm – Installation

A small coupling of works combining both obsolete and new technologies, then reassembled to represent obsolete fables, folklore, literature, philosophy, mythology, and music. As responses to such stories inspired by the observation of human behavior, symbolic animals, objects and mechanics are used to further illustrate their foibles and behavioral patterns, whether expected or unpredictable.

Vital Vox Festival | “Vox Electronics: Philip Hamilton / Sabrina Lastman / Sarah Bernstein
Roulette
Monday, October 29, 2012 @ 8:00 pm

VITAL VOX: A VOCAL FESTIVAL explores the myriad power of the human voice in its solo and ensemble forms across a multitude of genres. It celebrates composer-performers in the vocal arts who stretch and expand the voice in new and original ways, continuing a strong contemporary tradition developed in the United States. Over the course of two diverse evenings VITAL VOX explores “Vox Electronics.”  Performances draw from wide-ranging international influences and genres including jazz, experimental, contemporary, free improvisation, world music, interactive electro-acoustic and audio sampling.

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Tiny Resistors/Cleon Peterson/Tat Ito/Exit Art/Rosmarie Fiore

Undead Jazz presents: Todd Sickafoose’s Tiny Resistors and Mary Halvorson Trio
@ LE POISSON ROUGE

$15 GA
$10 w/ Student ID

This is a first-come, first-served partially seated event. Seating is limited and not guaranteed; please arrive early.

Search & Restore and BoomCollective are proud to present another even of Undead Jazz, featuring two of our favorite groups. It is going to be unreal. Todd’s band will include the magnificent Andrew Bird on violin, and the rest of the cast of characters are listed below. GET ‘EM!

TODD SICKAFOOSE’S TINY RESISTORS:
John Ellis (sax & clarinet)
Alan Ferber (trombone)
Andrew Bird (violin & looping)
Steve Cardenas (guitar)
Jonathan Goldberger (guitar)
Ted Poor (drums & percussion)
Todd Sickafoose (bass & piano)

MARY HALVORSON TRIO:
Mary Halvorson (guitar)
John Hebert (bass)
Ches Smith (drums)

10PM – Bassist/composer Todd Sickafoose’s band is a marvel of musical cross-breeding, pairing indie rock muscle and whimsy with the extended forms, timbres, and sophistication of a jazz orchestra. Their newest recording “Tiny Resistors” (Cryptogramophone) has been called “thoroughly original, endlessly creative…one of the year’s most compelling listens” (JazzTimes), “stunningly brilliant…a modern jazz masterpiece” (Bassplayer), and “a one-disc explanation of why today’s Brooklyn jazz scene is so exciting” (HotHouse). A Bay Area native, Sickafoose’s penchant for genre-bending may or may not be attributible to a classical upbringing, CalArts years studying bass with Charlie Haden, or the last seven years with folk hero Ani DiFranco, performing as a duo and quartet everywhere from punk clubs to Carnegie Hall. Since 2005, he’s been active in New York, performing with a ton of innovative folks including Jenny Scheinman, Ron Miles, Nels Cline, Allison Miller and Myra Melford. For tonight’s special performance, Tiny Resistors, which features saxophonist John Ellis, trombonist Alan Ferber, guitarists Steve Cardenas and Jonathan Goldberger, and drummer Ted Poor, will be joined by special guest violinist (and whistler) Andrew Bird. (READ MORE.)

Cleon Peterson: White Flag &  Tat Ito: Memento Mori @ Joshua Liner
 May 17 to June 11, 2011
MAP 

Joshua Liner Gallery is pleased to present White Flag, an exhibition of new paintings by the Los Angeles-based artist Cleon Peterson. This is Peterson’s first solo show at the gallery.

If the title of this new body of work suggests a surrender, it’s not the conventional sort. Known for his depictions of graphic violence and depravity, Peterson’s dystopian art rips the lid off of accepted social decorum to unleash aggression and other pent-up impulses. As figures torture, maim, cut, and abuse one another, a surrender to the worst in humanity is staged on the surfaces of the artist’s work—here, it can be safely, cathartically, and even aesthetically enacted. (READ MORE.)

Joshua Liner Gallery is pleased to present Memento Mori, an exhibition of new paintings by the New York-based artist Tat Ito. This occasion marks Ito’s solo debut in New York, and is his fourth appearance in shows at the gallery.

Tat Ito was born and raised in Japan, but he later made his art studies in the United States. Consequently, the artist and his paintings are a dynamic confluence of East and West, traditional and contemporary. The poetic analogy of “oil on water” describes Ito’s approach to both imagery and cultural references; in his vibrantly colored work, traditional Japanese aesthetics are a foundation upon which floats a contemporary (i.e., Western-influenced) viewpoint. Like a skim of oil on water, the beautiful, reflective surfaces of his paintings fascinate viewers. These top layers never mix but, rather, are presented in dialogue with the substance beneath. (READ MORE.)


Cao Fei: Play Time @ LOMBARD FRIED
May 18- June 25, 2011
Mat 12 6:00pm-8:00pm

Play Time by Cao Fei, one of the key artists of the new generation emerging from Mainland China, will open at Lombard Freid Projects on Wednesday May 18th 2011.

For her fourth solo exhibition at Lombard Freid, Cao Fei’s recent exploration into the theme of “play” has multiple connotations; Play Time is layered with ambiguities. Does it relish a time of game planning and exhilaration, or an onstage performance? This exhibition leaves viewers with no clear-cut answers, but rather with ideas and associations of different dimensions.

Following her powerful and widely influential RMB City Series (2008-2011), Play Time returns to Cao Fei’s previous interest in the convergence of fantasy and reality and premieres her latest works. She continues to utilize different types of media including video, photography and sculptural installations that evoke childhood games, story telling and TV programs that have a profound influence on children. (READ MORE.)

EXIT ART: OUTER SPACE BENEFIT AUCTION
Wednesday, May 18, 7:30-9:30PM at EXIT ART / LIVE AUCTION 8:15PM

475 10th Ave at 36th Street
CLICK HERE  TO VIEW AUCTION CATALOGUE

CLICK HERE TO BUY TICKETS

PRISKA C. JUSCHKA FINE ART
Thursday, May 19, 6 – 9 PM
Priska C. Juschka Fine Art is pleased to present Artificiere, Rosemarie Fiore’s second solo exhibition at the gallery. Fiore continues her practice of using fireworks as her sole medium to create works on paper and, most recently in addition, glass sculptures by uniquely utilizing fireworks and smoke bombs for her work and compositions. By referring to the Italian word artificiere for ‘pyrotechnician,’ Fiore points out that the first gunpowder and fireworks specialists were considered artful masters of a rare trade. Ars the Latin noun for ‘art and skill’ and ficere or facere the Latin verbs for ‘creating and making’ extrapolates Fiore’s intent. “I control my mark making as much as I can. I keep in mind that it is a balance between chaos and control and that too much control suffocates the work.” (READ MORE.)