Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
THE WEEK: Nov 28-Dec 2.
THE WEEK: OCT 17-21.
SONIC: Sounds of a New Century (ONGOING)
Secret Science Club “Controlled Experiment
Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.
Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.
La MaMa 50 Gala
THE WEEK: Sept 26-30.
LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
THE WEEK: SEPT 19-23.
MoMA Premiere: Through the Weeping Glass: An Evening with the Quay Brothers
September 24, 2011
As part of a limited three-city tour that includes premieres in Philadelphia and Los Angeles, MoMA presents the Quay Brothers’Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum), a new work by the American-born, British-based independent filmmakers. In the tradition of their prior museum documentaries—The Phantom Museum (2003), on London’s Sir Henry Wellcome Collection, and Inventorium of Traces (2009), on Poland’s Lancut Castle—the Quays return to the city where they began their education as graphic designers to explore the medical collections of the Mütter Museum, part of the College of Physicians of Philadelphia. Examining obscure archives, antique volumes, and artifacts, Through the Weeping Glass investigates marvels of pathology and anatomical oddities, finding poetry in the ill-fated, true-life stories of the “ossified man” Harry Eastlack and famed Siamese twins Chang and Eng Bunker. The documentary Behind the Scenes with the Quay Brothers, shot during production ofThrough the Weeping Glass, also premieres. Directors Stephen and Timothy Quay will be present to discuss the film with writer David Spolum and moderator Barbara London.
THE WEEK: AUGUST 15-19.
PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday 8 and 10pm
PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS
THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Maya Zack: Living Room
The Jewish Museum
July 31, 2011 – October 30, 2011
In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.
Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.
In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument. But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.
Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.
Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.
What Makes Japanese Art: SALON SERIES NO. 40 WITH Sachiyo Ito.
*Salon Series No. 40*
*”What makes Japanese art?”*
Guests: Masayo Ishigure, T. Kenjitsu Nakagaki, Kaoru Watanabe, John Stevenson, Dale Walkonen
Time: Sunday May 22, 2011 3-4pm
Place: Tenri Cultural Institute, 43A W. 13th St., between 5th & 6th Ave, NYC
Admission: $15, $10 for student & senior
Information: Sachiyo Ito & Company
Salon Series # 40 on May 22, 2011 will be a collaboration of artists in various disciplines from dance, music, calligraphy, and literature.The program will begin with a haiku written and read as appropriate to season, place, occasion, followed by calligraphy on the haiku. Inspired by haiku, writing and image, dancer and musicians on koto, fue, and drum will unfold the program as an improvisation. Poetry in western style and haiku will weave through the improvisation as it develops. Post performance discussion will focus on Japanese aesthetics that threads through different forms of Japanese art, ”What makes Japanese art?”
*The Salon Series is a series of performances informative educational lectures, lecture-demonstrations performances, on the performing arts of Japan held three times a year on Sunday afternoons.
*Upcoming Events 2011*
Sat. & Sun., April 30 & May 1 2011 at 1pm
Sakura Matsuri (Cherry Blossom Festival)
Cherry Esplanade Main Stage at Brooklyn Botanic Garden
Sunday, June 26, 2011 3-4pm
Salon Series No. 41
At the Still Point of Turning World
Guests: Egil Rostad, Beth Griffith, Elena Rivera
The influence of Japanese theater on western theater and literature
Sunday, October 16 at 3pm
The 30th Anniversary Concert of Sachiyo Ito and Company
Manhattan Movement and Arts Center, NYC
This program is, in part, supported by public fund from New York City Department of Cultural Affairs in partnership with the City Council.
THE 22 VOL: 1 ONLINE NOW!
Well folks, it’s finally here. The first issue of The 22 in all it’s beautiful, gritty, hard wonness and I for one am glad to see it foisted upon the world. For the moment it is available to view on ISSUU and this evening I’ll have everything embedded so the tentacles of publication stretch far and wide. There are some amazing artists in here, and their words and pictures are now all yours. Over the next couple of months I’ll be shining a spotlight on each of these artists and telling you the story of why the were chosen to be one of the 22.(Look for a special post tomorrow morning as well, introducing you to the 22.)
Lots of very cool things coming up in the following months as well, including video interviews and some really terrific events involving the contributors.
Thanks again to all the folks that made this possible. We couldn’t have done it without you…and you….and definitely you.
Event photos online now.
Samantha Kostmayer-Sulaiman reads at The 22 Show/Release Party April 10th at Cafe Orwell
We hosted our first two events this past weekend and boy did we have fun!
Although things were a bit haphazard after a great game of musical venue’s we were thrilled to see all of you in the same room.
We hope you enjoyed yourselves and that you will come visit the future events we will be hosting throughout the year (including an upcoming reading on May 15th with one of 2011’s “Discovery”/Boston Review Poetry Prize winners!)
In the meantime all the photos are up online and video (and very likely more photos) will be coming very soon!
VIEW PHOTOS HERE.
AND if you haven’t seen it yet, check out the state of things to come with a preview for VOL 1!
THANK YOU ALL!