OPERA ON TAP/Roulette Sisters.
THE WEEK: NOV 21-25.
From #occupy to revolution
Robert Ashley:That Morning Thing
The Oven: AND HUMBABA CAME FROM HIS STRONG HOUSE OF CEDAR
Citizen Cartography Workshop: Build a Virtual Atlas of New York
THE STORY COLLIDER: BODIES IN MOTION
The Underdeveloped and Overexposed Life and Death of Deena Domino
ANDRU BEMIS @ROOTS AND RUCKUS
Metropolitan Talent Presents PUSCIFER
Aid and Abet: Working With NGOs
THE WEEK: Nov 15-18.
99% – The Occupy Wall Street Collaborative Film
Web Extra: Behind the Scenes with Edgar Oliver.
BEATRICE CORON AT MURIEL GUEPIN, OPENING SAT.
OPENING RECEPTION SATURDAY APRIL 16, 2011 FROM 6:30 – 8 PM
NEW GROUP SHOW “JUXTAPOSED” FEATURING THE ARTWORK OF: BÉATRICE CORON AND ROBERT SZOT
ON VIEW FROM APRIL 16 – MAY 29, 2011
Muriel Guépin Gallery is pleased to announce “Juxtaposed” a new group show featuring the artwork of Béatrice Coron and Robert Szot. The opening reception is Saturday, April 16th from 6:30-8pm, and will be on view through May 29th.
Béatrice Coron’s paper cut images tell stories inventing situations, cities and worlds which all have their own logic and patterns. These compositions include memories, associations of words, ideas, observations and thoughts that unfold in improbable juxtapositions. Coron researchs collective memories and myths, questioning the notions of identity and belonging.
In her site-specific installation called “drifting Worlds” (displayed in the dramatic street level window of the gallery) the window is used not to see out but in, placing the spectator in an outsider/insider situation. Shadows, reminiscent of film noir and voyeurism, leaves room for multiple interpretations.
Béatrice Coron’s work has been purchased by major museum collections, such as the Metropolitan Museum, The Walker Art center and The Getty. She’s had numerous solo shows in galleries in the U.S.A., France and Japan.
Robert Szot will present his latest paintings called BLS (roman conflict). Szot’s oil paintings are wrestling with the conflict of impermanence. Szot’s methodology is primarily one of problem solving. Fine details are sometimes marred or sacrificed until the final composition has reached a more dynamic and complex resolution.Thin layers of activity and line drawing peer through a more dominant foreground of broad color fields. This process provides a depth that becomes sharper in definition over time.
Curator Robert Bunkin writes: “Robert Szot’s abstract paintings seem to come from the urban environment. They are reined in by architectonic structures, broad fields of color are interrupted by smaller gestures and idiosyncratic forms…his work has a palimpsest effect, where layers of previous activity bleed through the final layers of paint.”
Robert Szot lives and works in Brooklyn. He has exhibited throughout America and internationally. Szot has shown with The Painting Center and Melody Weir in New York and with the Saatchi Gallery in London. His work can be found in private collections worldwide. A portion of the artist’s proceeds will be donated to Rett Syndrome research.
ANDREW BINKLEY: Crossings
BY ANDREW BINKLEY
Throughout Andrew Binkley’s work as an artist, he has utilized a variety of media and approaches to uncover and explore our notions of time and patterns of human behavior. In ‘Crossings’, Binkley brings into play the time-based media of photography and video to observe the seen and unseen traces between people on the streets below.
Through the use of an overhead perspective and layering multiple photographs and video of people passing by on their daily routines, ‘Crossings’ works with the themes of intersecting or sharing paths, and integrating or transforming relationships, as well as the unknown or transient connections between people through time.