The Week/Weekend: Sept 13-20.
Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
Wendy White: Pix Vää
Opens September 13 6:00 PM – 8:00 PM
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble/Baby Soda Jazz Band
Sat, Sept 15th
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
War of Words
Strange Tales of Liaozhai
Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
R. SIKORYAK & FRIENDS: CAROUSEL
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Masami Teraoka: Cloisters Inquisition
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Sally Mann: Upon Reflection
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors
LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
Miriam (BAM 30th Next Wave Fest)
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)
Anthony Keith Giannini.
THE WEEK: MARCH 12-16.
Fiction Magazine 40th Anniversary Celebration
Celebrate the new issue and Fiction’s 40th anniversary with contributors Sheila Kohler, Jerome Charyn, Brendan Kiely, and Kesi Foster.
OPERA ON TAP.
OPERA ON TAP. Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandeliers.
With its cautionary title, Triumph skewers the hubris and folly of human ambition. This cavalcade of epic works references mythology, the occult, and organized religion, and uses age-old techniques of visual storytelling to voice personal angst. Depicting grand themes with extravagant embellishments, Kuksi’s assemblages of small, mass-produced materials are intrinsically narrative. Like gilt Baroque altarpieces, their stunning excess of detail is the ideal vehicle for the artist’s critique of power and piety. And like those early works of public art, they appeal to the viewer to transcend the strife and striving associated with greed.
THE WEEK: Dec 5-9.
Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
SUPPORT THIS PROJECT: THIS HOUSE.
When Daniel Hymanson approached me to support “This House,” a documentary of a living installation project in 75-year-old Jackie Seiden’s Chicago home, I was intrigued but wary. Documentaries of artists (particularly older artists) often have the, sometimes unfair, stench of exploitation. However, upon further review, it became clear that this was a story of lifelong creation, a mentor, a kinship and a friend. Jackie and Daniel met when Daniel was only four years old, while Jackie was teaching at SAIC, where she inspired in Daniel for love of creation and building. Daniel went on to study film while Jackie developed an incredible, mutable home, with a different installation in each room. Straddling the line between pastels and coffins, Jackie’s unique perception of the world is wholly countered by Daniel’s incredibly charming devotion towards memorializing a teacher who inspired his love of narrative. I hope you’ll take the time to look not only at the project but the beautiful story that started it, and help support.
(Left: Daniel and Jackie)
Jackie Seiden and her husband Don Seiden live in a large pink and yellow house in Rogers Park, on the north side of Chicago. Each room in the house is a distinct installation–a world of painstakingly found and placed objects. Ever since Jackie moved into the house 30 years ago, these installations have been constantly evolving. They are deeply personal and generally explore subjects relating to Jackie’s own childhood.
When I was four years old, my mom enrolled me in Jackie’s children’s art class at the School of the Art Institute of Chicago (that’s me on the left and jackie in the middle in the picture below). Every week Jackie would guide us as we completely transformed the classroom and traveled to impossible places. Once, we used huge sheets of crunched up brown paper to change the classroom into a prehistoric cave and made cave paintings. Another week, with chairs, a slide projector, echoing chugging sound effects, and a sheet, the classroom became a train and Jackie took us on a tour of India. Ever since that class, Jackie has been a friend and huge inspiration to me. (READ MORE.)
THE WEEKEND: SEPT 23-25.
KRONOS QUARTET: Awakening: A Musical Meditation on the Anniversary of 9/11
Part of the 2011 Next Wave Festival
Sep 21—24, 2011 at 7:30pm
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
Read the full program here.
Drum School (Part 3) by Erik Svehaug.
Life is short, and Art long;
The crisis fleeting;
Experience perilous and
Lucius spoke to Marsyas: “The Red Galley was at Full Stroke, four lengths off the dock.”
Marsyas nodded. He turned to the Supplicant. “How did they know about the challenge?” and he waited, like a cat crouched at the mouth of a gopher’s tunnel.
The Supplicant stared in front of him, trembling. My bench mates moaned and cried for help.
“Stand up,” said Marsyas.
Involuntarily, the Supplicant rose and said: “You can’t touch…”
Drum School (Part 2) by Erik Svehaug.
In elegant robes, my mother floats
Through the gardens thick and fragrant;
Strong lines of care carve my father’s face
As he scratches for our fortune.
Once, during a rest, as we ate some bland slop and tossed a skin of water back and forth, I noticed our Drummer eying me. I was feeling briefly light-hearted as I watched the swift movement of the water skin above the heads of the crew. It was our game: the unwary would catch the goat skin in the side of the head. The old man stared at me across his meal of soft bread and small fish. He had apparently noticed my feet tap a song that had been running through my head, a song of childhood. He smiled.