LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
Director, producer, activist, musician and Academy award winning actor Tim Robbins was born in West Covina, California on October 16, 1958 and raised in New York City. He began acting in the early ’80s and went on to star in such films as Bull Durham, Jacob’s Ladder, The Player, The Shawshank Redemption, The Hudsucker Proxy and Mystic River. He won a Best Supporting actor for the latter, and was nominated for Best Director for 1995’s Dead Man Walking. In 2010, Robbins rleased his debut album, Tim Robbins & the Rogues Gallery Band, a nine-track collection of self-described “raggle taggle and rousing gypsy Americana,” produced by Hal Willner, which featured the talents of Kate St. John, Leo Abrahams, David Coulter, Roger Eno, Rory McFarlane, Andrew Newmark and Dudley Phillips.
–by James Christopher Monger via All Music
July 28 , Thursday afternoon, 3pm
The Center is pleased to continue its series of Art Study Tours. Class will be taught off-site, behind-the-scenes at various institutions, collections, and artists’ studios. This summer series will take advantage of the cultural resources in New York City and will focus on color and the uses and making of pigments. Consisting of 3 visits throughout the city this July and August, students may sign up for all three in the series or just for one class, each taking place on a Thursday afternoon.
Illuminating Fashion at the Morgan Library and Museum. Visit this special exhibition and discover the uses of color in medieval manuscripts with an expert in the field, Karen Gorst. Drawn from the Morgan’s collections, over fifty illuminated medieval and Renaissance manuscripts and early printed books are featured in the exhibition. Join us and discover the difference between the depictions of contemporary fashions and the actual colors used in clothing of the time period. Students will discuss from a historical perspective the process of making paints and dyes. The exhibition will be used as a backdrop for a discussion on the different artistic techniques employed to produce the color in medieval manuscripts and on fabric from the medieval period.
Please join Asya Geisberg Gallery for the second annual Chelsea Art Walk on Thursday, July 28th from 5 – 8 pm.
At 6:15 pm we will host a wine reception and talk with the artists Thomas Bangsted and Allison Gildersleeve about the exhibition “The Woods are Lovely, Dark, and Deep”.
More than 125 galleries and institutions participating in Chelsea Art Walk 2011 will be open for extended hours, artist talks, receptions, and other special events to showcase the vibrancy of the summer arts scene in Chelsea.
To learn more about the Art Walk, click here.
To view images from the exhibition, click here.
White Hot @ Margaret Thatcher Projects.
July 7 – September 17, 2011
works by: Jaq Belcher, William Betts, Omar Chacon, Freddy Chandra, Carlos Estrada-Vega, Kevin Finklea, Adam Fowler, Teo Gonzalez, Susan Graham, Rainer Gross, Jus Juchtmans, Aric Obrosey, Joie Rosen, Analia Saban, Fran Siegel, William Steiger, Lars Strandh, Barbara Takenaga, Bill Thompson, Heidi van Wieren, and Venske & Spänle
Margaret Thatcher Projects is pleased to announce the opening of w h i t e-h o t, an exhibition of works by 21 artists, co-curated by Erin Brown and Margaret Thatcher. The exhibition, which includes work in a wide range of media from artists both represented in the gallery’s stable and guest artists, explores the visual and ideological possibilities of the color white.
Bas Jan Ader, Olaf Breuning, Jennifer Cohen, Scott Hug, Kevin Lips, Niall McClelland, Jesse McLean, Kristie Muller, Rbt. Sps, Brent Stewart
curated by Jamie Sterns and Joseph Whitt
Jul 28-Aug 27, 2011
@ THE STONE
7/26 Tuesday (NYDS)
Kamala Sankaram / Drew Fleming / Pat Muchmore / Jeff Hudgins
Kamala Sankaram (compositions, voice, accordion, electronics) Drew Fleming (electric guitar, voice) Pat Muchmore (cello, voice) Jeff Hudgins (reeds, voice)
The Summer Music Project: themes for imaginary cartoons, Bollywood noir, and other assorted weirdness.
Miguel Frasconi and David First
Miguel Frasconi (glass, electronics) David First (guitar, electronics)
Wednesday, July 27, 8:30 PM
“MIKE + RUTHY’S FOLK CITY”:THE SILVER HOLLERS
Amy Helm, voice, mandolin; Elizabeth Mitchell, voice, harmonium; Daniel Littleton, voice, guitar; Byron Isaacs, bass; Ruthy Ungar, voice, fiddle
Opening Reception July 29th 6pm – 10pm
Gallery Open July 29th through July 31st
Painting: a process, a reflection, an expression.
With the series “Confluence,” Jess Hartely explores all-over abstraction. She begins her work by creating a series of thin layers from which the painting begins to emerge and take on its own form. Depth and color develop as the painting is built up with each layer. She uses masonite board because it resists the water and does not absorb it like canvas would. This extended period of fluidity allows her to explore risk and uncertainty. For Hartley, abstraction is all about the experiment. The work in this series is rooted in Hartley’s own imagination, but follows the rules of experimental process that she has developed.
Series: Strange NYC History Lectures@ BB.
A Rite of Return
Wednesday, July 27, 7pm, $10/$8 BHS Members
Out of an anonymous 1870 pocket-size diary bestowed on historian Ben Feldman, a fantastic story emerged, and a 100-year old rent in the cloth of a family’s history was repaired. Feldman will share the tale of Henry Knight Dyer (1846-1911), Brooklyn born and bred, who rose from a modest Fort Greene home and his first job as an office boy in the Dennison Paper Products Co. to become president of that multi-national enterprise at the turn of the twentieth century. Dyer’s daily scribblings in a cheap paper volume, as a single 24-year old living in Brooklyn and working in lower Manhattan, inspired Feldman’s lengthy journey for the truth of this man’s life and his wife’s sorry end after less than a year’s widowhood.
DISAPPEARS & THE PSYCHIC PARAMOUNT@ UNION POOL.
Tuesday night the 26th at Freddy’s Back Room,
a Trio concert at 8:30pm with
François Grillot, contrabass, compositions
Catherine Sikora, saxophones, compositions
Andrew Drury, drums, out of this world percussions
And at 10:00 Duo concert with Sabir Mateen & Ingrid Laubrock
627 5th Ave
Brklyn, N.Y. 11215
Arcade, Hosted by Kill Screen
Wednesday, July 27, 2011
PopRally invites you to Arcade, an interactive evening of games selected by Kill Screen and inspired by the exhibition Talk to Me. Guests can play games in a variety of spaces throughout the Museum and the Sculpture Garden, including Bit Trip Beat, Canabalt, Limbo, and a new motion-based Kinect project from Ryan Challinor and Matt Boch of Harmonix, creator of the hit music game Rock Band. Heathered Pearls (Ghostly International, ISO50) provides the soundtrack for the evening. more…
BOMB Magazine: Issue 116
Wednesday, July 27, 6:30–9 PM The powerHouse Arena 37 Main Street, Brooklyn, NY 11201 Please RSVP: rsvp@powerHouseArena.com
Join the editors of BOMB Magazine and the contributors to the summer issue for an evening of readings, performances, and chilling out by the water in DUMBO. There will be raffles, poster giveaways, and other surprises!
Have a drink with BOMB staff and enjoy the literary stylings of writers Nicholas Elliott, Sarah V. Schweig, and Simon Van Booy. With a special theatrical piece directed by playwright and director Richard Maxwell starring Obie Award–winning actor Scott Shepherd.
Nicholas Elliott was raised in the Grand Duchy of Luxembourg and lives in Woodside, Queens. His plays have been performed in Luxembourg, France, and Denmark. He is a correspondent for French film magazine Cahiers du Cinéma and the company manager for the theater company New York City Players. His poems appear in BOMB’s summer literary supplement, First Proof.
Richard Maxwell is a playwright and director living in New York. He is the artistic director of New York City Players. A volume of his plays from 1996–2000 has been published by Theatre Communications Group. His most recent play, Neutral Hero, premiered in May at the Kunstenfestivaldesarts in Brussels and recently toured Europe. Maxwell interviewed actor Scott Shepherd for BOMB’s summer issue.
Sarah V. Schweig‘s poems have appeared in Boston Review, Painted Bride Quarterly, Western Humanities Review, and Verse Daily. She is a graduate of the University of Virginia and Columbia University, where her manuscript was recipient of the David Craig Austin Memorial Award. Her chapbook, S, is available through Dancing Girl Press. She lives in Brooklyn, New York. Her poems appear in BOMB’s summer literary supplement, First Proof.
Scott Shepherd is a New-York based actor. Most recently, Shepherd took on the roles of two characters in The Wooster Group’s production of Tenessee Williams’s Vieux Carré. His performance as Nick Carraway in Elevator Repair Service’s acclaimed Gatz, for which he delivered most of the narration in the nearly seven-hour production, earned him a 2011 Obie Award. Shepherd was interviewed by playwright and director Richard Maxwell in BOMB’s summer issue.
Simon Van Booy is a New York-based novelist and short-story writer born in London and raised in rural Wales. He has published two collections of stories: The Secret Lives of People in Love (2007), and Love Begins in Winter (2009), which won the Frank O’Connor International Short Story Award. He has also edited three books of philosophy: Why We Fight, Why We Need Love, and Why Our Decisions Don’t Matter. His novel Everything Beautiful Began After is just out from Harper Perennial. His conversation with author Siri Hustvedt appears in BOMB’s summer issue.
Founded in 1981, BOMB Magazine is celebrating 30 years of delivering the artist’s voice. Check out The BOMB Digital Archive at BOMBsite.com and don’t miss daily features about art, music, fiction, poetry, film, and dance on BOMBlog.
Living Dolls: The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
A live automata demonstration and illustrated lecture>by Jere Ryder, Conservator of the Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
Date: Friday, July 29th
Time: 8:00 PM
Presented by Morbid Anatomy
The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum in Morristown, New Jersey is one of the finest collections of automata–or moving mechanical toys popular in the 18th Century and 19th Centuries–in the world. Compiled over 50 years by heir to the Guinness beer fortune Murtogh D. Guinness (1913-2002), the collection features scores of immaculately preserved historic automata–many of them produced in 19th Century France–with subjects ranging from snake charmers to magicians, singing birds to anthropomorphic monkeys, Cleopatra in her death throes to a waltz-playing Mephistopheles; it also includes a number of mechanical musical instruments and a variety of programmed media ranging from player piano rolls to pinned cylinders.
PAPACOOKIE: Flight of the Fancypants w/ ENID ELLEN (+many more.)
High above the lusty and lo-hanging midnight mist, we’ll gather like usual on floor number 8 but this time for something altogether different. Tonight Papa-C is a strange place. A spiritual place. A resplendent place. A haunted place. A place of sad, seductive glamour. Velvet. Sincerity. Lips. Pathos. Pretension. Rococo Red froufrou finery. It’s summertime so wear something appropriate—like a 2-piece bathos suit with a dead poodle pattern and a locket around your neck. Lots of sunscreen, too!
STAIN OF POETRY.
Anna Calvi @ LPR
Chelsea Art Walk
The Maria Bamford Show + Grey Gardens @MAD.
Summer, Sex and Spirits (PLANNED PARENTHOOD BENEFIT.)
MASTER CLASS & CONCERT SERIES – AMERICAN ACCORDIONISTS’ ASSOCIATION
GodByeBlueMonday: Mon Jul 25 11, 08:00 PM Retrospek, Tyler Rivenbark, la bruha desi la, tba 4 Tyler Rivenbark/Retrospek /la bruha desi la/tba4 & PROTOTHIEF, Beecher’s Fault, Michael Lafuentes, tba 4, BACKYARD – TUESDAY Plus Wed Jul 27 11, 08:00 PM Butcher Boy, Dane Terry, Pamola, The Waldos Dane Terry/tba2/Pamola/ Butcher Boy/The Waldos
Screening, Discussion, and Book Launch / The Beach Beneath the Street, with McKenzie Wark, Ali Dur, and D. Graham Burnett (Cabinet Magazine.)
Beijing Welcomes You by Tom Scocca @Powerhouse Arena.
What We Know About the Moon@Jalopy.
DESERT STARS, XANDER DUELL, BIZI GARA
Sam Owens @Pete’s Candy Store.
The Soundtrack Series w/ Dana Rossi @LPR.
Laetitia Sadier (of Stereolab) @ LE POISSON ROUGE.
Arturo en el Barco
w/ Erika Spring (of Au Revoir Simone)
presented by Substrata
7:00pm doors | 8:00pm show
$15 in advance | $17 day of show
This is a first-come, partially seated event.
Taylor Mead @The Bowery Poetry Club
June 13, 6:30pm
Mikko Innanen – alto sax, Joe Fonda – bass, Lou Grassi – drums.
06/13/2011 8:00 pm $10.
Monday, June 13 – Performance EVOLVING MUSIC Series @ Clemente Coto Velez Cultural Center
Presenting Joelle Leandre solo & Joelle Leandre / Steve Dalachinsky Duo!
7:30 – Joelle Leandre Solo Contrabass
8:30 – Steve Dalachinsky & Joelle Leandre Duo
Admission is $16 per set or $21 for the evening
At Clemente Coto Velez Cultural Center
(Suffolk St and Rivington St) F or J to Delancey/Essex
TUESDAY AND WENESDAY:
LANDON KNOBLOCK/OSCAR NORIEGA/JEFF DAVIS @UNIVERSITY OF THE STREETS
Landon Knoblock – keyboard,
Oscar Noriega – alto saxophone,
Jeff Davis – drums.
06/14/2011 10:00 pm $10.
Lecture, Screening, and Discussion: “Aesthetic Justice,” with Carlos Motta and Niels Van Tomme
Date: Tuesday, 14 June 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary
Please join us for a lecture and screening by artist Carlos Motta, followed by a discussion with curator Niels Van Tomme.
In his lecture “Amnesia and Repression: A Series of Attempts to Establish a Memory Project of Political Conflict from an Aesthetic Practice,” Motta will discuss his recent video and performance projects Six Acts: An Experiment in Narrative Justice (2010) and Resistance and Repression (2010). In these works, Motta attempts to offer a space for the articulation of memory of political conflicts from an aesthetic perspective. He does so by using the concept of “narrative justice,” a notion of justice detached from the judicial field and focused on narrative and communication as pillars of possible reconciliation. The lecture reflects on unresolved instances of political violence in Colombia and Honduras—instances that unveil a lack of a culture of memory and of social justice.
This event is organized within the framework of Provisions Learning Project’s “Aesthetic Justice” exhibition on view at the Lambent Foundation in New York until 22 June 2011. The exhibition features the works of Alyse Emdur, Rajkamal Kahlon, Carlos Motta, and Larissa Sansour, and can be viewed by appointment, Tuesday to Thursday, 11 am to 4 pm. Email email@example.com to schedule an appointment.
Tuesday, June 14, 2011 6-8 PM
Featuring visual responses to a collaborative sound piece by artists John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O’Connell, Gonzalo Puch, and Zane Saunders.
Recess @ Kidd Yellin
133 Imlay Street
Red Hook, Brooklyn
Tuesday, June 14th- Photographer and video artist, Rob Carter, will give an audio visual presentation of his work at the Red Hook outpost of Recess Activities, in collaboration with Kidd Yellin. He will discuss the evolution of his work and screen several animations, including some new unseen projects. (READ MORE.)
Award-winning puppet company Drama Of Works premieres their new historically-based full-length puppet theater piece in progress, Leakey’s Ladies. A collaboration with playwrights Crystal Skillman, Rachel Hoeffel and Erin Courtney, Leakey’s Ladies explores the work of female primatology pioneers; Birutė Galdikas, Jane Goodall and Dian Fossey.
LUMEN BENIFIT @Spattered Columns
491 Broadway, fifth floor, Manhattan
Come down to Spattered Columns for one heck of a party. Check out a performance by Quinn Dukes McDivitt, and videos by Matthew Sleeth and Sander Houtkruijer. Music by DJ Mountains. Our sponsor BOMB Lager will be there handing out free merchandise ALL NIGHT LONG.
All proceeds from the party go to the participating LUMEN artists and curators. Tickets are pretty cheap, $10 in advance, $15 at the door. Where else does $10 get you food, drinks, art, and cool people??
Get your tix: http://statenislandarts.org/lumen.html
James Cohan Gallery is pleased to present the group exhibition, Catch the Moon in the Water: Emerging Chinese Artists, running from June 16 through July 29, 2011. Over the past decade, while the West consumed new art from China, a young generation of Chinese artists imagined America as the center of contemporary art discourse. This exhibition showcases a group of young Chinese artists and their thoughts and responses to America as an exotic and remote source of inspiration. (READ MORE.)
20 Jay Street, Suite 740
Brooklyn, NY 11201
Thursday, June 16, 2011
Please join us on Thursday, June 16 for NYFA’s literary mingle, a gathering of NYFA Fellows in Fiction, Nonfiction, and Poetry, NYFA Fiscally Sponsored Writers, as well as editors, agents, and the rest of New York’s literary community.
Wine and cheese will be served
$5 suggested donation to support NYFA Current, NYFA’s online arts magazine
June 16th – July 16th, 2011
Artists’ Reception: Thursday, June 16th, 6-8pm
Best Coast w/ Those Darlins
A Planned Parenthood of New York City Action Fund Benefit
A Planned Parenthood of New York City Action Fund Benefit
UGLY ART ROOM PRESENTS:
The Man, The Myth, The Moustache, a solo exhibition of Scott Chasse’s
paintings of Burt Reynold’s at Brouwerij Lane (78 Greenpoint Ave) a
Beer Store in Greenpoint, Brooklyn. June 11-July 18, 2011
Opening reception: Thursday, June 16, 8-10pm.
Noise Jam, an exhibit at The Gutter Brooklyn (200 No. 14th St), in
which musicians participating in the Northside Music Festival will
submit cell phone photos to explore the accessibility of experiences.
Opening reception: June 16, 2011, 10pm-12am.
27 Bowery, at 2nd Street, Manhattan
BLOOMSDAY @ ULYSSES FOLK HOUSE.
Thursday, June 16 starting at 11:30am
BLOOMSDAY At Brooklyn Lyceum Cafe
Thursday June 16th 8pm
- It’s Bloomsday, the 16th of June, in the Brooklyn Lyceum Cafe. You are very welcome to join our resident Joycean scholar, Emmet Mc Gowan, in a casual celebration of this great day.
Bloomsday, named after the protagonist of James Joyce’s Ulysses, is an annual commemoration of Joyce’s life, and is a beloved Dublin tradition. The day typically involves food, drink, and readings and reenactments of excerpts from Joyce’s 265,000 word epic novel.
Our humble nod to Bloomsday will be a spontaneous evening of recitation and quaffing. We dedicate this evening to The New York Society for the Suppression of Vice, who in 1920 objected to the book’s content and took action to keep the book out of the USA.
Ulysses was banned until 1933.
Bring along a copy if you have one.z
Tickets: This event is FREE.
SUPERCODA Thursday, 6/16. 8-11 A musical sandwich, with a classical septet in the middle @ CAFE ORWELL
1. A new trio by Sean Ali/Carlo Costa/Frantz Loriot
2. Achordial Brio – performing new compositions instrumented for oboe, english horn, bassoon, piano, bass clarinet, cello, violin
3. Allison Tartalia. Partner in crime of Achordial Brio.
June 16-18 | 8 pm | $20
Subject of the Academy Award-winning Man On Wire, Philippe Petit comes down to earth for three special evenings to share stories from his life as a creator and performer. WIRELESS! is a 90-minute, one man tour de force that is touching, funny, clever, and extemporaneous. Philippe reveals and demonstrates how he taught himself magic, juggling and the high wire.
Henry Chung continues his exploration of obsolete technologies as metaphor for the changes and complexities of contemporary life in a series of portraits of computer enhanced images culled from flea markets and garage sales, rendered in computer punch tape. (READ MORE.)
Cooper-Moore & William Parker@ THE STONE.
Cooper-Moore (multiple instruments) William Parker (multiple instruments)
The Books @CELEBRATE BROOKLYN
Friday, June 17 / 7:00pm / gates 6:00pm
With their dizzying folktronica—a mix of innovative instrumentation and songwriting with obscure found sound and speech samples—and perfectly calibrated, hallucinatory quick-cut video collages, THE BOOKS “remain more or less a genre of one… the flotsam and jetsam of American culture aren’t a cheap joke to the Books, but a source of endless discovery and joy.” (Pitchfork) JUNIP, the band that predates Swedish-Argentine singer José González’s solo stardom, conjures an expansive and mesmerizing take on his songs in which “González’s classical guitar and weightless tenor float over soul jazz, Afrobeat, Ethiopian funk and krautrock.” (Rolling Stone) With the “haunting, ethereal, and beautifully melodic” (Paper Magazine) bedroom pop of in-demand pianist and composer Thomas Bartlett’s DOVEMAN. Sponsored locally by Aguayo Realty Group.
Greetings Art fans! In celebration of Father’s Day, the Observatory Things-That-Move Dept. invites you all to take a peek at procreation! In nature, talents can be predisposed, and passed on from generation to generation. Families like the Gentileschis, the Peales, the Bachs, the Wyethes, and most recently, the Kominsky-Crumbs have all made a strong case for this heredity thing; the Bush presidencies, not so much, but hey, it’s a crap shoot! Anyway, our latest show is about a wee dynasty of painters named Corrigan, and through their family oddments, we will examine art, eccentricity, and the vagaries of genetic code.
Fowler Arts Collectiveis pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.
Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun., June 18 + 19 from 12-6pm for Northside Open Studios.
Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222
Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.
Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.
Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.
For more information on our current exhibition, Paint It Now, go here: http://www.fowlerartsbrooklyn.org/paintitnow2011.html
Performance Space 122’s longest running series kicks it up a few notches for this demolition derby of theatre, dance, music, and video installation as part of the 30th Anniversary RetroFutureSpective Festival.
Join us for hard core performance during what “always ends up exploding into an all-out party.” – Flavorpill
Hosted by Murray Hill
Performances by Salley May, Alien Comic, Tigger!, Janet Clancy, John Kelly, Andrew Schneider, The Factress aka Luc Sexton, The Dazzle Dancers, Julie Atlas Muz, Urban Bushwomen, Joe E Jeffreys, Miss Joan Moosey, Gina Vetro, Jonathan Berger Music by Hank & Cupcakes, Rockman
Friday-Sunday, June 17-19 and 24-26, 2-10pm
Known for transforming narrative into something richer, stranger, and ineluctably feminine, OBIE Award-winning PearlDamour (Katie Pearl and Lisa D’Amour) join forces with New Orleans-based visual artist Shawn Hall for a hybrid project: part visual art installation, part theater performance that unfolds over an extended eight-hour interval. Beginning with an empty stage, PearlDamour, Hall, and a team of performer-workers transforms The Kitchen’s theater from floor to ceiling, constructing and then dismantling an elaborate evolving environment evocative of an old growth forest at one moment and a spectacular deep-sea landscape the next. (READ MORE.)
A collection of new works from emerging voices in contemporary drawing.
Featuring works by:
_AILENE de SOUZA HOWELL
Hyperallergic: Mail Art Show
SUPERCODA @ CAFE ORWELL: Rhymes with Opera and the West End String Quartet. They will be taking over Cafe Orwell for the Evening. They are an organization that is committed to presenting opera in unexpected spaces. Excellent.
JUNE 18th: Out of Sight, Ellen Kooi
JUNE 18th: THE COOPER UNION END OF YEAR SHOW
JUNE 18th: ISABELLA KIRKLAND @FEATURE INC.
Paint It Now installation in progress
This past Sunday, I took a moment to swing by Fowler Arts Collective in Greenpoint. I had the opportunity to speak with founder Cecelia (aka Lia) Post and Scott Chasse, one of the curators of the upcoming Paint It Now show which will be part of this year’s Northside Open Studios. Paint It Now opens Friday, May 27 from 7 to 10pm with an additional reception for NOS is June. We appreciate them taking the time to chat with us! Read or listen below!
The 22 Magazine: First off, I just wanted to talk to you about how Fowler started. What year did you start?
Lia Post (Founder): It’s only been about a year. I came in July of 2010. So, last Summer. This July will be our official anniversary, but our first show was just in October, so its been about eight months now.
The 22: What show was that [the first show]?
LP: It was called ENTER, it was a big group show with some of my studio artists and some friends from the neighborhood. It coincided with the first Greenpoint Open Studios-oh actually it was the second! …of the Open Studios in Greenpoint and it coincided with a big light festival called [Bright to Light]. It was a good way to start off the space.
Bright to Light: Nuit Blanche in Greenpoint, part of the opening of Fowler Art Collective
The 22: And you came from Philadelphia?
LP: Yes. Originally I’m from South Carolina, and I’ve kind of lived all over the place, but my most recent was Philadelphia. I went to an MFA program at The University of Pennsylvania and moved to New York after that. So I’ve been in New York for about two years now.
The 22: On the blog it said you got laid off and decided to open to a collective. Exactly how did you do that?
LP: Well the first year in New York was really hard. It was in the midst of no one having any jobs, so I was trying to do a lot of freelance work and that’s sort of hard. Finally I was able to get a waitress job and I had that for a few months, got laid off, and I was just like “Oh my God I can’t even keep a regular restaurant job.” So it was kind of out of a sense of the bottom, and having to figure out something to do, and I was really missing the artists community I had in Philly before I came here and knew there was a good artists community in the neighborhood. [So it was] wanting to kind of find a way to connect with that community, [and then] I sort of impulsively [decided] to make this whole thing and got a few friends to help me. It kind of evolved from wanting to have a live/work space with friends and I found all these really interesting huge commercial spaces in Greenpoint, which is really exciting because I live in Greenpoint. So that evolved, and I did the budget and realized I could have a gallery along with studio spaces, if I rented out the studio spaces. I got some friends to help me build the walls and it was good to go. It filled up pretty fast. Scott was actually one of the first artists that came when none of the walls were built and was like, “yeah, I’ll do it, I’ll take a studio. ”
The 22: So, are you funded by anyone?
LP: It’s pretty self-sufficient. I put a large investment [in] myself. I got a small business loan and [had some] small savings. Mostly I just had to fund the start-up costs, like the walls. Almost right away it was running itself with the studio spaces. So that’s really good, it worked out well. I’m starting to look into getting funding with indiegogo and I just got fiscally sponsored with Fractured Atlas so that will sort of start helping us in getting some grants and things.
The 22: Great, so this show is Scott and one other curator? [To Scott] So do you want to tell me a little about what this show?
Scott Chasse: Sure, it’s a show that we actually did, Thomas Buildmore and I, two times now in Boston-in 2008 and 2010. [Basically] we’re taking a handful of painters that we either know personally or respect and have been able to connect with, and we’re putting them all in the same room. We’re providing the paint itself, we’re providing the material and we mix it down to a certain viscosity, we try to control that and that’s about it. We just set them loose, they’re able to paint on the walls, react to the space, react to each others work and at the end our goal is to have this giant cohesive painting installation that just takes over the space but is unified by the control of the materials. We explain to the artists up front that we want to see this opaque black directly on the white, the harsh contrast, as opposed to them being able to water it down to gray or mix it with white, or mid-tones, we don’t want any of that we just want harsh black on white.
The 22: So the viscosity, was that for any reason?
SC: It’s A) the look, and B) it’s such a pleasure to work with at this viscosity. We get that feedback from the artists all the time. It’s just so enjoyable to use the paint and it’s actually a specific brand. I’m happy to say Lascaux sponsored this show very generously. They handed us some product and we have always cut it down the same way, since day one. We were actually just buying it for the very first show, out-of-pocket, and we are continuing to develop our relationship [with Lascaux]. It was really nice of them to give us a bunch of paint for this one, and everybody is really enjoying it again.
The 22: I was reading the statement and it seemed part of what you guys were trying to do was make commentary on the state and style of art, as opposed to personal interpretations and a lot of it looks really pop and street art. Does that just come from your [personal] backgrounds [or connections]?
SC: There is definitely that influence. I don’t think we’re trying to make this at all a reflection of street art, but just painting in general. Street art is just a part of painting these days. We want the show to be taken as a painting exhibit. These are painters, regardless of what their backgrounds are, and there are definitely painters in this show that are very far away from anything having to do with street art but when they are painting on the wall next to someone you might recognize from the street, it’s easy to blur those lines between which is which, and that is definitely a goal of the exhibit. To see how people are reacting to each other in the space as well as how their varied backgrounds just coexist.
The 22: So more about collaboration than anything?
The 22:So the exhibit is only the painting on the wall?
(LEFT: Morgan Anderson from Philadelphia works on
the Paint It Now installation.)
SC: It will be eighty percent painting on the wall and we’re going to hang some of the 2D and 3D work from the artists. Probably eight to ten pieces. We’ve actually saved one wall in the space [for that].
The 22: What are the dates of the show?
SC: It opens on May 27th. The opening reception is 7-10 and it runs through July 6th. And we’re going to have a 2nd party during Northside Open Studios. That is June 17th from 8-10. It will be another artist reception and that’s the Friday night of Open Studios weekend here, so it should be really fun.
The 22: I know most [of your artists] are from Brooklyn, but some of them are from Philly and Boston? Who’s coming from Philly and Boston?
SC: I think we’re at about twenty artists now, there are great people from all towns, I could go through the whole roster but I’d probably space on somebody. [laughs]
The 22: [laughs] Oh that’s fine, I totally understand!
SC: Tom Buildmore is actually based in Philly right now, but I met him in Boston, so that’s probably the connection right there. That’s why we are still dipping into the Boston pool and we’re actively participating in the Philly pool. Tom’s down there right now, he has a great space down there called Stupid Easy. It’s almost like this, just a smaller version. It doesn’t have a whole bunch of studios, it’s just a room they use for a production studio and they use it as a gallery as well. So he’s really connected with the scene in Philly.
The 22: And where did you guys meet?
SC: Boston, MA. At this building, The Distillery, in South Boston where we both had studio space. And that building [in the main lobby] is where we did the first two Paint It Now shows.
The 22: Are you both painters?
SC: Yes we are.
The 22: So is there anything interesting on the horizon for the space?
Lia Post: Well this show I’ve been really excited about. Scott and Thomas have been planning it for a really long time so its nice it’s finally coming together. So this will be up for most of our summer. Right now I’m not exactly sure what I’m going to do for the next show, but it’s probably going to allow the show to evolve. So I’ll probably sand out some of the pieces and then have a show of studio artists. More of a process based show, so they kind of collaborate in the gallery together, or have a long-term process going on. I think there will be another one of the light shows that we had last October so that will be our anniversary, and I [want] to have a studio [show along with that]. After that I have some friends coming from Philly that were part of my MFA program that are going to come and do a show. Photo based and paper based, I think. It should be really interesting. Then, two Australian artists are going to come and do a really short kind of performance based piece in the fall.
The 22: How many studios do you have now?
LP: There are eighteen built studios. All kind of varying sizes. A lot of people share the larger spaces. I think there are about twenty-five artists working in here now. The spaces range from a hundred square feet to over two hundred square feet.
The 22: And you do photography as well?
LP: Yep, we built this photo wall, so that’s been fun. It’s been kind of slow. I’m a photographer and I don’t even know how I’m going to use it yet but it’s been a nice resource to have.