The 22 Magazine: How long having you been playing in Brooklyn?
Shayna Dulberger: I have been playing in Brooklyn since 2004. My first couple of gigs were at the Lucky Cat in Williamsburg. That club is not around anymore. I attended Manhattan School of Music’s Preparatory Division from age 16 to 18. I doubled in the Classical and Jazz program. I graduated from Mason Gross School of the Arts at Rutgers University in 2005 with a degree in music. I studied to be a Jazz Musician.
22: What inspired the Basement recordings?
SD: I decided I needed to work on a conceptual project that would produce a lot of recordings. I was checking out the performance artist Tehching Hsieh. I was interested in his processes and focus on duration and repetition. For this project I was also influenced by the rhythmic elasticity and percussion of Southeast Asia, The Thai Elephant Orchestra for their sense of space and rhythm, and Throbbing Gristle for their experimentation with reverb and delay. I was also thinking a lot about the upright bass and how it doesn’t sound well on ear buds. I wanted to make recordings where the bass sounded like an upright bass but also had enough treble to cut through headphones on the subway. I made short pieces that would sound good on shuffle with a massive music library. After working a lot of odd jobs I thought a lot about ipod shuffles and meditation. I live pretty far south in Brooklyn.
Dulberger was born in 1983 and raised in Mahopac, NY. She attended Manhattan School of Music’s preparatory division during high school and graduated with a BM in Jazz at the Mason Gross School of the Arts, Rutgers University. www.shaynadulberger.com
Tuesday, June 28th. 730-11
1. duos/trios/large group exploration::
:: Dafna Naphtali (voice & live sound processing)
:: Sarah Bernstein (violin)
:: Jen Baker (trombone)
:: Stuart Popejoy (bass):: Andrew Drury (drums & percussion) 2. Johnny Butler’s SOLO www.johnnybutler.com 3. Jonathan Goldberger Group www.myspace.com/jgoldberger
Food, Democracy, and Resilience
Monday, June 27, 6:30 p.m.
Wollman Hall, 65 West 11th Street, 5th floor (enter at 66 West 12th Street)
Admission free; no tickets or reservations required
Come hear how global communities are resisting predominant models of agriculture and trade and forging their own food sovereignty alternatives based on their particular cultural and ecological contexts. With Nic Paget-Clarke, author of And the Echo Follows; Carlos Marentes, Jr. of the Via Campesina global farmers movement; and Jorge Valero, Venezuelan Ambassador to the United Nations. Moderated by Christina Schiavoni, Director, Global Movements Program, WhyHunger.
Thursday, June 30, 7:00 p.m.
Theresa Lang Community and Student Center, Arnhold Hall, 55 West 13th Street, 2nd floor
Admission: Free; no tickets or reservations required
Democracy Now’s Amy Goodman interviews journalist Christian Parenti as he discusses his new groundbreaking book Tropic of Chaos: Climate Change and the New Geography of Violence, which examines the growing social and environmental catastrophe as extreme weather from global warming unleashes violence from Africa to Asia to the Americas.
John Bock @ANTON KERN
Im Schatten der Made (In the Shadow of the Maggot) June 30 – August 12, 2011
Im Schatten der Made (In the Shadow of the Maggot), 2010, 74:16 minutes Written and directed by John Bock. With: John Bock, Matti Isan Blind, Heiner Franzen, Friederike Kempter, Adrian Lohmueller, Linnart Schneider.
Camera: Rene Gorski Music: Richard Siedhoff Produced by John Bock, Anton Kern Gallery, Museum Tinguely & Universal Museum Graz.
Styled after 1920s German Expressionist films, Im Schatten der Made (In the Shadow of the Maggot) tells the story of an artificial creature, an automaton that is created from biological materials and resembles a human. For falling in love with a human, the android is brutally punished and destroyed, while his human lover Merle is incarcerated and humiliated. In great secrecy, Merle attempts to recreate her loverʼs body out of saliva and bread with surprising consequences…
To preview: http://www.antonkerngallery.com/video/bock2011.html
Date: Tuesday, 28 June 2011, 7–9 pm Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here) FREE. No RSVP necessary
Please join us for the launch of Cabinet editor Christopher Turner’s book Adventures in the Orgasmatron (Farrar, Straus and Giroux), which tells the story of the pre-1960s sexual revolution in the US, one led by expatriated European thinkers who saw a vast country ripe for liberation.
Central to this narrative is the orgone box—a tall, slender construction of wood, metal, and steel wool. A person who sat in the box, it was thought, could elevate his or her “orgastic potential”—ridding the body of repressive forces and improving sexual potency. Norman Mailer, Saul Bellow, J. D. Salinger, Allen Ginsberg, and William Burroughs sat in an orgone box, seeking synthesis of sexual and political liberation. Woody Allen satirized it as the Orgasmatron.
(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot http://www.myspace.com/mattlavelle
Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @ The Church of All Nations 410 West 57th Street, $10
The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.
Come celebrate the end of another season at the Poetry Project! The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food. An array of writers from the Poetry Project series as well as other local reading series will read/perform their work. Any one interested in bringing a dish for the potluck will contribute to an amazing feast. If you’re interested in bringing food, please email Brett Price at email@example.com.
VIDEOROVER: Season II Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St Brooklyn, NY
NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.
VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.
Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)
See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**
On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!
Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.
Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)
Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)
Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)
Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.
Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM More info
Pub(l)ic Identities: Reading Medical Representations of Sex
An illustrated lecture with medical artist Shelley Wall Date: Saturday, May 28th
Time: 8:00 PM
Presented by Morbid Anatomy
“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.
540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)
Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here
Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)
SUNDAY: MAY 29th
Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60 *** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)
Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp
Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st. This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils. The artist delighted in painting myriad details. These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”