THE WEEK/WEEKEND: MAY 10-17.

EDITOR’S PICKS:

Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh

Jacqueline De Jong’s Situationist Times, 1962-1967
http://boo-hooray.com/the-situationist-times/de-jong-situationist-times/
05/09/2012-05/25/2012

Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.

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The Attendants Opens @ World Financial Center Winter Garden.

The Attendants is an interactive performance installation. The dominant set piece is an eight-foot, transparent plexiglass cube. Two performers move inside it, and a recording of a conversation about making theatre is heard. People can communicate with the performers by texting to them with their cell phones. The messages appear on two plasma screens that surround the cube.

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Henry Gwiazda: Claudia and Paul

claudia and paul 2:13 a.m. text version
by Henry Gwiazda

It’s late, and I’m looking out of my window onto the street below. Not because I’m bored, or some sound or movement has aroused me, but because I do.

I’m looking at a crossroads in an older part of the city from a height of about 5 stories. The buildings are only two or three stories and there are numerous streetlights. There is a man standing almost in the middle of the crossroads facing in my direction looking down the road to his left. There is a woman standing in the road as well, just a few feet from the corner of the lower right side of the crossroads. She is looking in the opposite direction than the man is looking. On the sidewalk, up the street that runs up and down, is a dog, a Great Dane, which is looking further up the street.

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