HOW TO READ A NOVELIST and GOODBYE TO ALL THAT at Powerhouse

Two terrific events coming up at Powerhouse arena focusing on writing, living, and interacting as a writer in New York and the world….

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GOODBYE TO ALL THAT edited by Sari Botton
Tuesday Oct 08, 2013

In Goodbye to All That: Writers on Loving and Leaving New York, edited by Sari Botton, 28 women writers take up Didion’s literary legacy by sharing their own stories about New York. With stellar contributions from some of today’s most beloved female authors of memoir and literary fiction—Cheryl Strayed, Dani Shapiro, Emma Straub, Emily Gould, Emily St. John Mandel, Hope Edelman, and more—Goodbye to All That tells the stories of their own love/hate relationships with New York, as well as the city’s gravitational pull on them—even at the worst of times.

HOW TO READ A NOVELIST by John Freeman
Wednesday, October 9, 2013

Between 2000 and 2013 John Freeman put interviews to tape with just about every major writer who published a book: he spoke with such departed legends as Norman Mailer and David Foster Wallace; the Nobel laureates Doris Lessing, Mo Yan, and Günter Grass; bestsellers such as Amy Tan and John Irving; American greats from Toni Morrison to Philip Roth; and a younger generation of novelists that includes Dave Eggers, David Mitchell, Kiran Desai, and Jonathan Safran Foer. How to Read a Novelist rounds up 55 of Freeman’s very best profiles and interviews, but it is not simply a collection of discrete dialogues between interviewer and interviewee; these authors are also in conversation with one another, with Freeman serving as a deft moderator connecting the dots of a global literary culture. And in the poignant introduction about Freeman’s experiences interviewing John Updike, he gets to the heart of his enterprise: what it means to love a writer, to attempt to live up to his or her achievements—and then to come face to face with him or her in less-than-ideal circumstances.

THE WEEK/WEEKEND: Dec 13th-?????!!!

Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!

The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm

Where (we) Live
BAM
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)

Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.

JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House

Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.

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Letha Wilson

Higher Pictures
Thursday, December 13, 6 – 8 pm

Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.

 

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THE WEEK/WEEKEND: Dec 2nd-5th.

McSweeney’s Presents: A Book Release Party for T Cooper’s “Real Man Adventures”
Le Poisson Rouge
Sun., December 02, 2012 at 8:00 PM

Dylan Moran-yeah, yeah
St. Marks Theater
Dec 4-8

DYLAN MORAN’S perspective is unashamedly unique. He observes life through the tinted hue of a glass of fine full-bodied red and then paints what he sees onto a deliciously cruel and rich life canvas. Blisteringly funny, and painfully accurate, this is like looking at a Canaletto painting whilst someone simultaneously punches you in the stomach and tickles you breath-less. Called “the Oscar Wilde of Comedy,” by the London Evening News, Moran is universally considered one of the foremost comics of his generation.Moran is best known in the United States for his roles in several well known films, including Notting Hill, the cult classic Shaun of the Dead, Michael Winterbottom’s Tristram Shandy: A Cock and Bull Story and David Schwimmer’s Run, Fatboy, Run.

Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
NYPL

Wednesday, December 5, 2012, 7 p.m.

In How Music Works, Byrne explores how profoundly music is shaped by its time and place, and how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music. Writing as historian, anthropologist, raconteur and social scientist, Byrne searches for patterns and shows how they have affected his own work over the years with Talking Heads and his many collaborations with the likes of  Brian Eno and Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio, with all the big studios in between.

Kirk Nachman: de anima
HERE Arts Center
Nov 14 – Dec 22

The work of Kirk Nachman situates itself between the classic cartoon nostalgist and the formal self-consciousness of avant-garde practices. From the disjointed ‘stills’ – paintings rendered on drafting film, reminiscent of animation production art, to fragmentary serial animations which employ decontextualized snippets from old time radio shows, Nachman’s historical aesthetic populism collides with his background in the developments of 20th century fine-art.

ANN HAMILTONthe event of a thread
Park Ave Armory
December 5, 2012 – January 6, 2013

In being alone (on a swing) together (in a field), we find a condition of the social that is… the event of a thread. Commissioned by the Armory, Ann Hamilton’s major new work fills the Drill Hall with a visceral and literal poetry. Set into motion by visitors, a field of swings, a massive white cloth, a flock of homing pigeons, spoken and written texts, and transmissions of weight, sound, and silence weave through this expansive space to create a fabric of experience

Carlos Fragoso: Etchings and Paintings
Kathleen Cullen Fine Arts
November 30, 2012 – January 5, 2013

The current body of work was begun in 2007. These paintings and drawings feature human and animal figures in landscape and interior settings. Either alone or in groups, the figures do not tell a story. Rather, they form self-sufficient images with the power to shock, move, attract and repulse, without labels or explanations. The work constitutes an emotional research into the underlying motivations of human actions and interactions. This investigation goes beyond the rational, culturally and socially accepted surface, and looks closely at the irrational, unconscious and primitive animal instincts that ignite passion, violence and desire.

CAG SINGS. A new vocal series presented by Concert Artist Guild and Barbès. MISHA BOUVIER
Barbes
12/04

Praised by The New York Times for his “rich timbre” and “fine sense of line,” Mischa Bouvier is a winner of the 2010 CAG Victor Elmaleh Competition. A “delight to encounter for the first time” (Pittsburgh Tribune-Review). An advocate for new music, Mischa offers a series of concerts in 2012-13 at Barbes that focuses on contemporary music and explores American song in a collaboration with soprano Sarah Wolfson. Mr. Bouvier has performed with a wide array of ensembles including Anonymous 4, the Mark Morris Dance Group, American Handel Society, the Bach and the Baroque Ensemble of Pittsburgh.

Neil Young & Crazy Horse
Special Screening of “Dear Governor Cuomo”
Gowanus Canal Community Advisory Group (CAG) with senior-level officials from the NY State Department of Environmental Conservation 

DALeast Powder of Light/Vinz Batella
Art in Flux Harlem presents DISCOVERY
The New Yorker “The Big Story”
TEDxSiliconAlley with Ray Kurzweil & Juan Enriquez, music by Jon Carin of Pink Floyd
TICA DOUGLAS // MOTION STUDIES // CATFOX // DANNY CHAIT
JOHN WILLIAMS NEW WORK
Workshop at the New Museum with Ximena Garnica

Joëlle Léandre “Hommage a John”
alina & jeff bliumis: CULTURAL TIPS takeaway
DOUBLE TAKE READING SERIES
HAIRSHIRT
The Return of THE MALABY TUBA TRIO
Russell Maliphant: The Rodin Project
THE SUPERNUMERARY RAINBOW
THE WHITE SWALLOW READING SERIES
Mamie Minch
From Tesla to the Transistor: An Introduction to Electronic Circuits
NEVERENDING STORY: Kari Steihaug & Tina Jonsbu
Brooklyn Holiday Book Fair
Etsy Holiday Fair
The Things Between
LAUNCHING A NEW ISSUE OFSOCIAL RESEARCH: AN INTERNATIONAL QUARTERLY
Jess Mynes + Simon Schuchat
Objects of Desire (EOC)
Ben Berlow at Rawson Projects
THE MOTH STORYSLAM HOSTED BY PETER AGUERO
Detroit City is the Place to Be
THE NEW SALON: READINGS AND CONVERSATIONS Iain Haley Pollock, with Charif Shanahan
THE FUTURE OF HIGHER EDUCATION LAUNCHING A NEW ISSUE OF SOCIAL RESEARCH: AN INTERNATIONAL QUARTERLY
Share and Share Alike: New Applications for Collaboration & Resource Optimization
Beyond Geography with Hari Kunzru, Jennifer Haigh, Sonya Chung and Jennifer Acker
The Holiday Train Show
ESTERHAZY PREVIEW: CALDER QUARTET
AMRAM & CO

Hohoho 2012
Rachael Yamagata

HURRICANE SANDY FUNDRAISERS:

The Brick Benefits Brooklyn: A Hurricane Sandy Benefit
THE TELL YOUR FRIENDS! THE CONCERT FILM! RELEASE SHOW/SANDY BENEFIT
STEAMPUNK BURLESQUE FUNDRAISER FOR CONEY ISLAND USA!

COMING UP: 

clickYEAR TWO (Postcard Show)
Fowler Arts Collective
OPENING EVENT: Friday, Dec. 7th from 7-10pm
EXHIBITION ON VIEW: Sat. + Sun., Dec. 8 + 9, 12-6pm

On Friday, Dec. from 7-10pm, Fowler Arts Collective presents YEAR TWO, a group exhibition of postcard-sized works sent from artists all across the United States, our annual birthday party celebration, and year-end fundraiser and raffle. All of the work in the exhibition will be affordably priced at $80 or below, so come ready to do some holiday shopping! Many local businesses have generously donated gifts and prizes to be raffled off at the end of the evening. See the amazing list of prizes below and RSVP on Facebook!


Concert for Sandy
Calico Presents: “CALICORNUCOPIA”

EELS
PUPPET PARLOR goes $BUCK NAKED$
Bouffon Glass Menajoree

Justseeds Sowing the Seeds of Love
MEREDITH MONK: A Benefit For Roulette
Sounds Elemental with the Association of Independents in Radio: GRAVITY
Humans and Other Animals (Bobby Lucy)
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
An Evening with Joyce Carol Oates
DJ Shadow
Witnessing Human Rights: Past, Present, and Future

Caroline Burton & Susanne Slavick
Jacob Garchik w/special guest Ellery Eskelin- tenor sax “1st Thursday of the Month Series” at Ibeam Music 
CP8 Exhibition @Blackburn 20I20 gallery (Location: Blackburn 20I20 galleryW 39th Street between 8th and 9th, 5th floor)
Dave Kinsey ‘Everything at Once’
LOVE FAIL
Brooklyn Literary Mash-Up

BIBLOBALL 2012
The Musical Parlor of Emily Dickinson
Everything at Once
THE SKINT PRESENTS: THE WINTERLAND ROMP
Os Mutantes
Blockhead
Neuroscience and the Arts Today: Shared Interfaces
The Faint performing Danse Macabre in its entirety
4 Artists 1 Cause: A Benefit Concert for Sandy Relief Efforts with Sleigh Bells, Grizzly Bear, The Antlers, Cults
The Plowmen present SOLDIER
The Royal Huntsman’s Ball
CPS: Giving: the Needs of Strangers
COIL 2013 Festival
Annual Belladonna* Benefit

A Christmas Carol by the Puppet People
Navigating the New York Small Claims Court System
Smoking Kids | An Exhibition by Frieke Janssens
Peter Nadin Taxonomy Transplanted
RACHELLE GARNIEZ/GATO LOCO
OPERA ON TAP
A.I.R. Gallery’s 10th Biennial Exhibition
Erin Barra, Lily and the Parlour Tricks, Cold Blood Club with Blank Paper. Hosted By Genesis Be

THE WEEK/WEEKEND: Nov 15th-21st.

 

SANDY FUNDRAISERS: 

WAW CLOSING AND SANDY FUNDRAISER
FLAVORS / SANDY RELIEF FUNDRAISER
Sandy Hates Books Hurricane Relief Fundraiser
Foley Gallery presents #SANDY
THE SECRET CITY: ANCESTORS AND 3rd ANNUAL FOOD DRIVE
QMA ROCKAWAY FUNDRAISER
WHITE BOX FUNDRAISER (RED HOOK)
House of Yes
Jalopy Theatre And Friends Present: A Benefit to Restore Red Hook-Starring Rosanne Cash at THE BELL HOUSE
New Amsterdam Headquarters Fundraiser
Soup Bowl Fundraiser at EAT (Greenpointers)
THE KITCHEN: FUNDRAISER
Donations for Printed Matter

MORE EVENTS:

Kid Koala 12 bit Blues Vinyl Vaudeville
Music Hall of Williamsburg
Nov 21st

KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)

Calico Presents “Bad on its Own”
Calico (67 West St)
November 16 – December 2, 2012

Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.

Ethan Lipton & His Orchestra/Sven Ratzke with special guest Joey Arias/Alice Smith
Joe’s Pub
11:30 PM – November 16 

There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.

DREW CONRAD, AIN’T DEAD YET
Fitzroy Gallery
November 15, 2012 – January 20, 2013

Jeffrey Gibson
Marc Strauss
November 18 – December 23, 2012

Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.

SUGAR presents: Expressly Physical
449 Troutman St. #3-5, third fl. buzz #21
opening reception: Sunday Nov. 18th, 4-7pm

The Bunker (Untold/Bryan Kasenic/Nihal Ramchandani)
285 Kent
Saturday, Nov 15

Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.


Mind Over Mirrors + Miguel Gutierrez

Fri, November 16, 2012 – 8:00pm
Actors Fund: 160 Schermerhorn Street, Brooklyn

Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.

THE LITTLE TOP CIRCUS & MEDICINE SHOW/HEART OF DARKNESS W/GREG BARRIS
Union Hall
Sat, Nov 17

Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.

The Poetry Brothel’s 327th Annual Masquerade [Rescheduled]
The Back Room: 102 Norfolk Street
Nov 18th

Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.

Short & Sweet: The Brooklyn Filmmakers Collective
Union Docs
Sunday, November 18 at 7:30pm

The BFC will present a night of short films by its members.  Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers.  Beyond the workshops, members share resources, ideas, gear, and crew-power.  The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.

My Ideal Bookshelf by Jane Mount and Thessaly La Force
Powerhouse Arena
Nov 16th

PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.

Perpetual Recombination : Ian Trask Solo Exhibition
Recession Art
OPENING, Saturday, November 17, 6–10pm

In Perpetual Recombination, Recession Art’s  featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique.  The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems.  By analogy, this body of work represents nearly a decade of creative evolution.  The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.

PEPPE VOLTARELLI: THE JOURNEY, THE FATHER, THE MEMBERSHIP”/TARRAS BAND
Barbes
Sat 11/17

Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.

First Look: Aboveground Animation
New Museum
11/17

Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.

As Real As It Gets
ApexArt
Opening Reception: Thursday, November 15: 6-8 pm

Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.

Roman Tragedies
BAM
Nov 16—Nov 18, 2012

Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius CaesarAntony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.

THE SCREWTAPE LETTERS
Skirball Center
Nov 15-18

The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.

HABEAS CORPUS
IF IT’S SO THEN LET ME KNOW / CHRIS FENNELL
Gym, Dear, Northwood, Twi the Humble Feather
Meta-Monumental Garage Sale
RADIO UNNAMABLE
Mickalene Thomas: Origin of the Universe
NOVEMBER OPEN HOUSE and SUNDAY SESSIONS
CONTINUUM: CAGE CENTENNIAL
American Landscapes
Surfaces, Supports. Tatiana Berg & Evan Nesbit
Katarzyna Krakowiak “Possibility 02: Growth, Part II”
Haik Kocharian CD Release
André Cypriano: Two Decades
Y? O! G… A [RESCHEDULED]
THOMAS BROADBENT
Fall into Frost : New works by Kelly Denato/The Dandy : New works by Julie West
R. SIKORYAK & NEIL NUMBERMAN CAROUSEL FOR KIDS!

Ital Tek Us Tour feat. Howse (Tri Angle) & Lamin Fofana (Dutty Artz)
Uncommon Ground: Alternative Realities (Forum Gallery)
IOVIS reading at Poets House

AFTERMATH (ARTIFACT)
DAVID GARLAND/GLENN JONES/C SPENCER YEH
ED RUSCHA
A CATHODE RAY SEANCE
THE MUPPET VAULT: THE MAN OF A THOUSAND MUPPETS
Lauren Elder
Ellipsis: Allison Somers
Bernadette 
Corporation
Lines of Sight: Readings of photography in fiction
Opening Reception for “On Purpose: Art & Design in Brooklyn, 2012”
Secret Keeper
Chavisa Woods author of Love Does Not Make Me Gentle or Kind with Steve Dalachinsky

CHRISTEENE
JOHN BLAKEMORE (KLOMPCHING GALLERY)

Renegade Craft Fair Holiday Market in Brooklyn
UP IN THE AIR: Antoine Rose
Melodie Provenzano “Rock Center”(Lyons Weir)
Jim Krueger and artist Zach Brunner (The High Cost of Happily Ever After) Book Signing
“How I Learned” Storyslam
NAOMI PUNK/G Green/Parquet Courts/Psychic Blood
Live Drone Performance w/Acupuncture

Devin Powers (Book Release and Artist Talk)
Repo: The Genetic Opera
From the Akashic Jukebox: Magic and Music in Britain, 1888-1978: Illustrated Lecture and Rare British Occult Recordings with Mark Pilkington of Strange Attractor Press
Echo Eggebrecht: Probably Science
Andrew Kalleen
talk: zoo-topia: zoo architecture as taxonomies of representation
Phutureprimitive, Space Jesus, Soulacybin
Trenton Doyle Hancock
BARE!
Tokyo 1955–1970: A New Avant-Garde

COMING UP:

PUPPET PARLOR goes $BUCK NAKED$
{RESCHEDULED} 25TH ANNUAL HILLA REBAY LECTURE: The Para-Architectural Imagination of Gustav Klutsis
Witnessing Human Rights: Past, Present, and Future
Aki Sasamoto’s Centripetal Run
Selected Shorts: Comedy
Laura Vitale: White Sands
DJ Shadow
An Evening with Joyce Carol Oates
Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
Night Train with Wyatt Cenac

THE WEEK/WEEKEND: Nov 9-14.

SANDY FUNDRAISERS:

GREENPOINTERS ONLINE RAFFLE
Brooklyn Relief: A night of words, music, and comedy to Benefit Hurricane Sandy Relief Efforts

THE KITCHEN: FUNDRAISER
Fuck. Off. Sandy. // Vintage Crawl // Dog Masquerade
New Amsterdam Headquarters Fundraiser
Defiance: A Literary Benefit to Rebuild Red Hook
ROB DELANEY Benefit
FASHION ACTION AT HOUSING WORKS
SPIRITUAL LEADERS AND ELDERS | PRAYER | LIVE MUSIC | FOOD | HEALING
SANCTUARY | ARTISAN MARKET
BROOKLYN LOVES BROOKLYN
QMA ROCKAWAY FUNDRAISER
“Anything But Politics” – A Pop Culture Trivia Benefit for Hurricane Sandy Relief
GENERAL ASSEMBLY
ED OSBORNAlbedo Prospect

Party + Auction + Community = TLC for an Ailing DUMBO
FOOD EVENTS FROM GRUB ST
Bushwick Star Auction
HURRICANE SANDY FUNDRAISER WITH…NASS GNAWA

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A Rain to Heavy for Kites by Jeff Burns.

A Rain to Heavy for Kites just became more apropos, especially considering author, Jeff Burns was one of the folks spending Monday night through Tuesday saving the city’s internet.

Read all about in this NYT article.

A Rain to Heavy for Kites chronicles the story of Sidney Shoemaker, and his battle to succeed as a “man,” a golfer, and a lightning knight. When his younger brother is killed in a playful “robotics” experiment gone wrong, Sidney takes to road while his father stays home heading the call of the almighty to build an ark in preparation for a coming storm. Life, love, ensues in only the most interesting way.

Pick up a copy here: http://www.amazon.com/Rain-Too-Heavy-For-Kites/dp/1477509283

How to Help (Hurricane Sandy.)

If you didn’t catch this in our newsletter, please take a look.  There is still a whole lot of help needed.

As many of you already know, New York was hit by Hurricane Sandy over Halloween weekend. While the resolve and community of New Yorker’s during hard times is a stunning thing to behold, there is a lot of work that is going into sustaining New York right now and the destruction is great. Below is a compiled list of ways you can help the effort. During times of trouble in NY local media outlets can be integral for getting out information quickly. It would be impossible to credit them all but an enormous thanks to my local outlets:
GreenpointersGothamistBrokelynBrooklyn-basedNYTThe AtlanticBon Appetit, Hyperallergic as well as HOYYoko Ono and the many many others who provided information on how to help or on understanding the storm:

Fundraising:
Jen Bekman is donating profits from 2 pieces to Sandy
New Amsterdam Building
EatSleepDraw is donating profits from Mini Sketch Books
Bell House Open Mic on Sunday
Greenpointers Raffle
Temporary Residence Ltd is donating 20% of the profits to Sandy
Coney Island Aquarium
L angoliers Jewelry Auction (100% of bid on chandelier goes to Sandy relief efforts) 

Helping in NY(and surrounding):
Volunteering at shelters
Donating Blood
Recovers.org
Direct Relief
NY Food Banks
BCF
New York Cares
Jersey Cares
CAAAV (Chinatown)
InterOccupy
Rockaway Help

FOOD DROP LOCATIONS: http://www.nyc.gov/html/misc/html/2012/foodandwater.html
FREE EXERCISE AND SHOWERS: http://www.mysportsclubs.com/default.htm?utm_source=Hurricane+Sandy+links+for+relief+efforts&utm_campaign=sandy+relief+&utm_medium=email

Donating Goods (Local) :

DONATION LOCATIONS (Greenpointers): http://www.thegreenpointers.com/

WNYC (Donations by borough): http://www.wnyc.org/articles/wnyc-news/2012/oct/30/how-help-hurricane-sandy/

House of Yes will be acting as a hub donation drop off point for Sandy victims in Far Rockaway 10am-10pm Sunday through Thursday
****NO CLOTHING ACCEPTED*** ACCEPTING: Water, Food, Flashlights, Batteries, Candles, Work Gloves, Bleach, Brooms, Shovels, Blankets, Coats, Etc. Please check relief group websites for updated and ongoing lists of what is needed!

The American Legion (519 Leonard @ Driggs) is accepting donations until 4pm (Sunday 11/4) today. NO CLOTHES. They really need over the counter meds such as aspirin, throat spray and personal hygiene items.

The NYCC Downtown Brooklyn office will be open from 8 a.m. to 8 p.m. every day and is in urgent need of donated supplies, which can be dropped off at their conveniently-located office. They’re also accepting volunteers—especially those with vehicles who can help deliver aid. Have questions? EmailInfo@nycommunities.org or call (347) 410-6919 extension 286. Their address is 2-4 Nevins St, 2nd Fl Brooklyn, NY 11217.

In an effort to help New York neighborhoods in need, SculptureCenter will be serving as a depot for donated supplies through this weekend. We’ll have hot coffee and tea on hand, and we will be waiving our suggested admission.

Two Boots Hurricane Relief Effort

EPA Regulations 

Assistance:
Disaster Assistance
Disaster Unemployment 

POLLING SITE CHANGES IN NEW YORK: http://www.elections.ny.gov/CountyBOEStormInfo.html
NY has toll-free number for voters with questions about voting, poll site changes and absentee ballots: 1-855-NYS-SANDY (1-855-697-7263) #nyc #votingDispelling myths:
Fake Photos
Teaching Sandy

ART RELATED:
Hyperallergic: http://hyperallergic.com/59536/some-help-for-artists-galleries-private-collections-museum-impacted-by-hurricane-sandy/

BAC: http://myemail.constantcontact.com/Sandy-Alert–BAC-is-Closed–Artist-Resources.html?soid=1101266580644&aid=Ji43aTMIHxA

NYFA: http://www.nyfa.org/source/content/content/disasterresources/disasterresources.aspx?DRID=54&CID=5&UDRID

ON RECOVERING ART: A free public presentation on recovering wet art and cultural materials on Sunday, Nov 4, 12 – 2 p.m. MoMA The Museum of Modern Art Know how to safely handle and dry wet materials such as paintings, drawings, books, sculpture, and other artistic and cultural works.
FREE LEGAL ADVICE FOR ARTISTS: http://brokelyn.com/free-legal-advice-for-artists-affected-by-sandy/

Help Needed:

Eyebeam suffered significant water damage (water up to 3 ft high during surge), cleaning out the space and salvaging valuables and works this week. We need volunteers to help save archive, all formats (VHS, CD, Mini-Disc, etc). Experts needed to help restore. Call Marko: (646) 284-4187

Gowanus Ballroom needs cleaning and rebuilding help. 55 9th street #61BrooklynNY. (347) 460-2687

If your creative organization or business was affected and needs volunteers or will be seeking rebuilding funds and would like to be listed in upcoming weekly listings, or newsletters/recaps please contact at the22magazine (at) gmail (dot) com with a link or more information.

How to Break at HERE.

Above: Dan Domingues as Aden and Amber Williams as Ana

         How to Break, HERE’s most recent production, centers on the revolving story of a doctor, 2 patients (one with leukemia, the other with sickle-cell anemia) and a well-meaning artist in residence at a hospital. The show, while focusing on hip-hop, freestyle culture, more complexly focuses on the decision facing a person, particularly a young person, with a fatal disease and a moment of “breaking” for both strength and freedoms sake.
         The show itself is incredibly well suited for adolescents (highly recommend for high school classes,) slightly dull at times for the older crowd, but Jafferis writing is fast paced, funny, if never completely emotionally raw. Part of this may be the nature of utilizing freestyle throughout the piece. While this is definitely a central component in understanding a big part of the “break” of the piece, at times it makes difficult moments funny or more lighthearted than necessary. For anyone who has had, or known someone with cancer, you can’t help but wonder when the true “break” is going to happen and think that when it does…it’s probably not going to rhyme. That being said, grain of salt included, we all cope in our own ways and Christopher V. Edwards says in the director’s note “Everyone involved in the initial collaborative process has been inspired by hip-hop. Some of us breathe it and eat it for breakfast….” so it’s hard to fault her for utilizing freestyle throughout the piece that is based on it. Likewise, the age of the patients also make the flirtatious insult on the playground behavior more realistic and the piece itself, written in part by actual hospital patients through the Mixing Texts Collective project, does speak to Jafferis claim to portray “breaking” as “inspiration, courage, and possibility.”
         The standout actors included Dan Domingues and Amber Williams who portray both the over involved doctor (a bit of a fantasy no doubt) and leukemia ridden Ana, popper, design student, and love interest of Joel played by Perdro Morillo, a professional break dancer who is admirably comfortable in his first acting role.
         The set, a series of medical curtains that range from translucent to opaque were used to highlight the beatboxer Yako 440, playing a nurse character who provided beatbox accompaniment (written by Adam Matta) and sometimes comic relief, as well as the canvas for graffitiesque sketches. Yako 440 definitely could have been utilized more fluidly with the other characters on stage. One of the most interesting moments comes at the start of the play when he tells Ana to “breathe” into the microphone and creates a series of loops from it. And while the setup was interesting and the cast navigated the curtains flawlessly, the opening and closing did at times get distracting. Likewise one wanted to see more physical moments to accompany the soundtrack which was often lost behind the curtains.
         Overall this piece feels like a very dynamic moment set within the context of a beautiful but sometimes misunderstood artistic culture, as well as the experience of facing mortality head on. What is lacking is visceral emotion, is often made up for in surprising moments of writing and acting, and it’s this combination that speaks to the strength of the creators and the cast.

READ MORE ABOUT THE SHOW or BUY TICKETS.