Part of the 2011 Next Wave Festival
Sep 21—24, 2011 at 7:30pm
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
Read the full program here.
Sun, Aug 21, Red Lotus Room, Crown Heights, BK – address sent to RSVPs
5-7pm VIP patron salon and tea service, $30-300
7pm-12am party, $15, or with Dances of Vice Enchantment Under The Sea Dance (8/20): $25
Details & RSVP: http://www.geminiandscorpio.com/events.html
VIP & combo tix presale: https://www.brownpapertickets.com/event/191788
Coilhouse: http://www.coilhouse.net | DoV: http://www.dancesofvice.com
Inclusive and elegant, weird and sincere, Coilhouse Magazine is “A Love Letter to Alternative Culture.” For four full years –both as a high gloss print publication and a daily-updated website– Coilhouse has served as a vibrant international hub for DIY expression and outrageous bohemian creativity. This will be the first full-fledged Coilhouse party in three years, the first NYC event in Coilhouse history, and an official birthday celebration.
Enter into a secret lush cabaret room deep in the heart of Brooklyn, to revel in live music, dance and circus performances and dance to rollicking sets from DJ luminaries. Aerialists…fire…projections… dadaist spectacle…surprises galore. Bid on silent auction items donated by Diamanda Galas, Molly Crabapple, Jessica Joslin, Paul Komoda, Jason Levesque & Xeni Jardin, Century Guild, Disinfo, PUREVILE!, Kate O’Brien, Nicole Aptekar, and Asha Beta: a splendid array of autographed prints and books, and one-of-a-kind art objects, as well as a full set of the out-of-print, highly collectible back-issues of Coilhouse. Plus, the first glimpse of Coilhouse Issue Six, and an opportunity to pre-order it at a discount.
Brian Viglione (Dresden Dolls, World Inferno) – Energetic, expressive, powerful drum virtuoso.Franz Nicolay (World Inferno, Hold Steady, Guignol) – Dashing moutsachioed multi-instrumentalist, composer, and the hardest working boho-accordionist in NYC. Kim Boekbinder (Vermillion Lies) – Genre-defying songstress of murderous waltzes and epic pop ballads via voice, guitar, looping pedal and a bag full of mystery. Thomas Negovan– Occult-tinged, erotic, 1920s cabaret songcraft. Kelvin Daly – Builder of unique musical instruments; mysterious and elegant performances. Theremina – Wistful, theremin-drenched ambient music to sway and swoon to. DJs: Wengrofsky – Scrappy and eclectic vinyl wizardry. PUREVILE! – Sets of new wave, dark glam, new romantic from the co-founder of DISKO NOUVEAUX.
DIMANCHE ROUGE: CALL FOR ARTISTS IN BROOKLYN, NYC USA
Sun, Aug 21
FREE EVENT !!!!!
From Meghann Snow: I have been asked to be the Coordinator of Dimanche Rouge in Brooklyn, New York. Dimanche Rouge will hold a special August edition consisting in street interventions in different cities. Dimanche Rouge invites the general public to take part from these street interventions as group performers. These actions will be filmed and streamed live online. Viewers will be able to watch the performances over the internet.Performances will be held on August 21st, 2011, at 7 pm, Paris time–other countries will match this time so that performances are held simultaneously. (Our NYC starting time is 1PM)
“Dimanche Rouge is an international experimental performance event based in Paris, France taking place every third Sunday of the month. Dimanche Rouge showcases a variety of performances including but not limited to multimedia, audiovisual, sound, graffiti, actions, dance, body art, and interventions. In addition, experimental performers whose work is not generally seen in art venues, such as masseurs, coiffures, cooks, knitters, tatoo designers, and jewelry makers are welcomed to participate and invite members of the public to carry out their performances.
However, with this being said! I am looking artists who would like to perform short works that are 1min – 3 mins long. This venue is an hour long and I would like to squeeze in as many people that I can. With this being said, I would like to put a restriction on the materials that will be used, meaning you can not make a big mess.These are short performances that will be “livestream via video” along with the other venues around the world who can see. Participating cities, PARIS, KIEV, SOFIA, UTAH, BROOKLYN, ZAPORIZHYA, SANTIAGO DE CHILE, WENZHOU in China, CASTLEMAINE in Australia, and others.
IF YOU ARE INTERESTED IN PART TAKING IN THIS EVENT, please e-mail me at: firstname.lastname@example.org, and please put in the subject line “Dimanche Rouge #7 /Brooklyn (YOUR NAME). Please tell me what you would like to do, and a link for me to see your work.
And after you e-mail me with your work and confirmation, please feel free and fill out the Registration for performers. It is not mandatory but highly appreciated. Registration form
Thank you all for your time and I look forward to hearing from you soon! If you should have any other questions please feel free to contact myself or Dimanche Rouge for further details at dimancheRouge@gmail.com
Sat., August 20, 2011 at 8:00 PM
We take it the ten parties in ten cities thing is pretty easy to understand, so here’s the deal with the secret headliners: each event will feature one carefully selected artist who we think has positively influenced the electronic music landscape over the past decade. Their identities will remain strictly under wraps until they take the stage. Up to that point, each one will be known simply as the X (see what we did there?).
For the US stop on our ten-part series, we take over Le Poisson Rouge, a live concert venue in Manhattan. With the live dynamic firmly in mind, the X has curated a line-up that combines Montreal Jazz Festival stars King Sunshine, a nine-piece ensemble that’s worked with everyone from Robert Owens to DJ Sneak, with master of all things soulful deep house Peven Everett, plus Mala, half of pioneering dubstep duo Digital Mystikz, and Japan’s DJ Masashi Nakazawa. The night will close with a performance by the X, an esteemed headliner whose identity will remain unknown until he or she takes the stage.
PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday 8 and 10pm
PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS
THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Maya Zack: Living Room
The Jewish Museum
July 31, 2011 – October 30, 2011
In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.
Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.
In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument. But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.
Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.
Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.
Help out New York’s premiere audio-visual techie art camp, IMAGE NODE!
Come for the badass glitchy music and stay because you are hypnotized
by the pretty blinky lights!!!
DJ Line up:
Jon Margulies, Hobotech
Willy Whompa, http://soundcloud.com/willywhompa
VJ Line up:
Housewives’ Guide To Anatomy
VJ Fuzzy Bastard
10pm-5am, $10 before midnight, $15 after
****All proceeds got to camp Image Node in our effort to blinkie out
NATMF: A quirky combination of indie rock songwriting with Gypsy Jazz. Think Tom Waits meets Django Reinhardt – with a full horn section, violin and vocal duets.8:00pm
BS: They play an eclectic mix influenced by New Orleans brass bands, jug music, southern gospel and hot jazz and feel at home at the Village Vanguard or playing on the street. The band features members New Orleans band the Loose Marbles and alumni of Stephane Wrembel’s Hot Club of NY. With Ben Polcer, Trumpet; Patrick Harison, Accordion; Jared Engel, Banjo; David Langlois, Washboard and Peter Ford, Washtub bass.
Game Play 2011 @ THE BRICK.
July 7 – 31, 2011
A Celebration of Video Game Performance Art
Now in its 3rd year, the video game performance festival continues in what Seth Schiesel of the New York Times called “the most ambitious effort I know of to fuse the techniques and live presentation of theater with the themes, structures and technology of interactive electronic entertainment.” See the media of stage and game collide in the most unexpected and surprising ways.
Game Play explores the collision of technology, theater, performance art, and video game culture by staging the collaborative work of performance and media artists across the digital spectrum.
Music in the Garden featuring So Percussion
Sunday, July 10, 2011 – 3:00pm
So Percussion (Eric Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting) will join with Grey McMurray on guitar to perform work-in-progress excerpts from their next major theatrical work. A celebration of diversity, community, and collaboration, this project is an exploration of their outermost artistic boundaries, as well as a re-examination of comfort zones.
For more information about So Percussion, see www.sopercussion.com.
Music in the Garden is presented through partnership with Bang on a Can
Tickets & Info: http://www.axiscompany.org/mainstage.htm
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
While most audience members return to see multiple, if not all four, parts of the summer’s production, each episode is a self-contained short play that can be seen in isolation. The brief premise film that begins each year’s production—depicting the event that brought on the coma—is shown at the beginning of each performance.
July 9 – August, 7, 2011.
Opening reception July 9, 2011; 7 – 10pm.
The Booklyn Art Gallery is pleased to present Hunter/Gatherer, featuring works by Evan Robarts, Jason Kachadourian, Jessica Williams, Jon Bocksel and Scott Meyers.
Hunter/Gatherer includes artists with the common practice of borrowing both aesthetic inspirations and found objects from their local surroundings. These artists accumulate visual, physical, and conceptual source material from everyday encounters and observations. They manipulate materials and appropriate techniques from discarded objects, sign-painting and murals, printed ephemera, and urban architecture. While each artist has their own unique approach to collecting and manipulating, their work evokes similar appreciations for the found and overlooked. With their work combined, Hunter/Gatherer creates a personal map of the city they share and the scenery they encounter. The viewer is confronted by these recognizable, yet often ignored images and encouraged to take a second look when walking down the street.
LA MACCHINA AMMAZZACATTIVI @ SPECTACLE
Sat, July 9: 5:00pm
Minor but pleasing Rossellini, set in a small town in Southern Italy thrown into a tizzy by the machinations of a mysterious old man. Saint or devil, he endows a camera with the power not merely to kill people, but to ferret out sources of wealth. Cue for a flurry of treachery and greed, all casually swept under the carpet in a final pirouette. The neo-realist techniques don’t always mix too comfortably with the fantasy, making it an Ealing comedy with an edifying bent.
“… anticipates with remarkable prescience the conceits of Godard and others about photography in the 60’s” — Jonathan Rosenbaum, Chicago Reader
DAY IN PICTURES
is saxophonist and clarinetist Matt Bauder’’s latest band. Downbeat Magazine described the recent debut album as “modern jazz of a half-century past, with an instrumetal line-up and compositions that echoes classic efforts from Prestige, Columbia and Blue Note catalogs with nary a whiff of condescencion or dabbling.” With Matt Bauder – Tenor Saxophone, Clarinet; Justin Walter – Trumpet; Kris Davis – Piano; Jason Ajemian – Bass and Chad Taylor – Drums.
July 9th, 2011, 5pm
376 9th St
Brooklyn, NY 11215
A ^ Odyssey! In which our heroes are buffeted by storms on the high seas of Kings County, lured by the sweet siren singers of East Williamsburg and menaced by Mayor Mike’s minotaurs, landing in a sweet loft space in Greenpoint on our way home. (READ MORE)
Valerie Kuehne/April Elizabeth Pierce.
New Compositions for poet and cellist.
Ken Silverman is bringing in a couple of poets, he tells me.
Brooklyn County Fair Summerfest DAY 2011 at Urban Meadow
Saturday, July 9
Show starts at 12:00
This seasonal festival is back with all new acts celebrating Brooklyn’s diverse country music scene. Whether you like country, bluegrass, Americana, cow-punk, or rockabilly, this is the scene for you!
SummerFest at Urban Meadow
12:00 – Dirt Floor Revue
12:30 – Mini Max Band
1:00 – Kamara Thomas
1:30 – Big Slyde
2:00 – The Newton Gang
2:30 – The Whiskey Boys
3:00 – I’ll Be John Brown
3:30 – Maynard and The Musties
4:00 – Jack Grace Band
4:30 – Ramblin’ Andy and The See Ya Laters
5:00 – Trailer Radio
5:30 – The Dustbusters
6:00 – Hans Chew
Sponsored by Sixpoint Craft Ales, Jalopy Theatre, BrooklynCountry.com
THEATER: Frazer Hines: The Time Traveling Scot
We are very excited to announce that the next Who York Event will feature one of the Doctor’s most popular companions: Mr. Frazer Hines!!!
Who York is delighted to welcome Frazer to New York City, to perform his one man show – “The Time Traveling Scot”. There will also be a short Q&A, hosted by Ken Deep, from Doctor Who Podshock,, an autograph session (see details below) and possibly a surprise or two – as I hope you have come to expect from our previous SOLD OUT Who York events!!!
We have room for around 100 people in total, and seating will be first come first served in this small theatre. Mingling will still be possible in the lounge at the theatre, and in the auditorium itself before and after the show, making this a more intimate event than most conventions you may have attended.
THE MEDICINE BAG @Maccarone Gallery.
Ken Vandermark, Steve Swell, Sean Conly and Chad Taylor @ THE STONE.
Los Lobos with Hello Seahorse! and Zigmat @ CELEBRATE BROOKLYN! @ Prospect Park Bandshell
BabySkinGlove’s Butoh Auction @Culture Fix.
E.S.P. TV at Silvershed @Sat. July 9, 8pm-12am
KAL SPELLETICH: Where’s My Jetpack?! @Jack Hanley.
Ted Leo + the Pharmacists, w/ Screaming Females! @Seaport Music Fest.
BOOGALOO W/SPANGLISH FLY @NUBLU.
COMING UP NEXT WEEK!
Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.
Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.
PS- This show will be also be one of the first opportunities to be part of The 22’s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.
PETER KAYAFAS: TOTEMS @SASHA WOLF.
Opens Wens May 25th 6-9pm.
May 25 – June 19, 2011
Opening Reception: May 26, 6-8 pm
Read Bernheim’s Press Release
Craft Night returns to the City Reliquary on May 26. This Craft Night, Anna Grant will be teaching us how to make terrariums. For $5 you will be supplied with a plant, as well as materials to decorate your terrarium. Just be sure to bring your own glass container. And because it is the month of Bicycle Celebrations and Bicycle awesomeness, we will have tiny bicycles.
Screening party at K &M Bar, 225 N 8th St., Brooklyn NY, 8-11PM
Episode #3 of ESP TV airs Wednesday, May 25th on at 9:30 on channel 57 (Time Warner) / 84 (RCN) / Manhattan Neighborhood Network 3.
Featuring performances by:
with videos by: Jordan Levine, Meredith James and Rachel Mason, Aaron Nemec, Jason Underhill, Team Louis V E.S.P. and more!
With your host Sam Mickens (Sam Mickens Ecstatic Showband Revue, The Dead Science, Xiu Xiu)
Regina Silveira @ Alexander Gray
May 26 – July 29, 2011
Alexander Gray Associates is pleased to present the gallery’s second exhibition with the Brazilian artist, Regina Silveira. Since the 1960s, Silveira’s work has defied genre, moving between forms of installation, printmaking, sculpture and photography to explore visual distortion, perspective and scale.
For her exhibition at the gallery, Silveira presents her signature vinyl-decal mural-installations. The main installation, from her celebrated series, Desaparencia, depicts black and white diagrams of artists’ ateliers, graphically suggesting the ghosts of easels, tables, palettes, and other tools of the artist’s studio. In its iteration at Alexander Gray Associates, Silveira’s installation suggests the disappearance of traditional studio practice and location, as well as expectations of creation and alchemy that surround artistic mythology.
JAMES DAVIS @ RARE.
May 26 – June 23
531 West 26th Street, NYC
Guy Richards Smit satirically bends artistic authorship with new paintings and video in Grossmalerman! Thanks to Guy Richards Smit for the following text from Jonathan Grossmalerman, writing in defense of his portrayal in Grossmalerman!, Amagansett, April 2011:
“That a man, any man, be he a thundering genius or a mere citizen, might die never having had his own sitcom, seems to me, a terrible injustice.” Those were the last words of my father, Saul Grossmalerman, a strikingly sullen man with few ambitions, a habitual liar about boring things not worth lying about. What a piece of shit. In any case, this was one of the more interesting things he said and that it was uttered on his deathbed gave it a certain…approximation of gravitas. For what it’s worth, it has always been a burr on the tunic of my outrageous success. It was with that in mind that I, perhaps foolishly, gave permission to the painfully charismatic Guy Richards Smit when asked to use my name and paintings in his “sitcom,” a show ostensibly about me and my life. Let me state frankly: it is not.(READ MORE.)
May 18 at 6:00pm FREE
Curated and hosted by Kate Brehm, this on-going series features impromptu, informal and intimate conversations with NYC’s puppet artists. This month’s special guests: Christopher Williams and Patti Bradshaw and we will discuss the End of the World! Followed by a performance of Alissa Hunnicutt’s The Kid Inside. (READ MORE.)
Date: Thursday, 19 May 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary
Please join Jimbo Blachly and Lytle Shaw, editors of the Chadwick Family Papers, for the land launch of the Nelson Manobar. The Chadwicks’ recently restored occupiable model of Admiral Nelson’s HMS Victory has never before been exhibited publicly in the United States.
The event features:
Drinks from the hull of the Manobar
Rare recordings of Chadwick Dalton’s legendary sea chanty collection
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
Thursday, May 19, 6:30-8pm
If we think back to our High School years…probably nothing. But to the scientific mind, the concept of the “elegant proof” is deep and satisfying thing. In a survey some years back, physicists identified the 10 experiments that they felt were not just important…but really cool, elegant…and beautiful. They span millennia, from Ancient Egypt to Modern Europe.
Each experiment will be related, along with the how and why of its execution (some may be tried at home – depending on your research budget). How to measure the size, mass and rotation of the Earth. What light is made up of. The atom and electron. Wave mechanics. And a smidgen of Quantum Mechanics. At the end, you will walk out with a broad, expansive survey of Physics and its history. Led by Daniel. (READ MORE.)
Romantic Agony @ HORTON GALLERY.
May 19 – Jun 18, 2011
Jacques Louis Vidal
Blip Festival will take place May 19-21, 2011
Marshall McLuhan writes, “Obsolescence never meant the end of anything, it’s just the beginning.” Taking Blip Festival’s spirit of ‘obsolescence as the beginning’ into the realm of visual art, a nightly screening is presented by artists who are bringing new life to the technology and aesthetics of our recent past.
From animated GIFs to video collage, from memes to digital abstraction, the artists included in Blip Festival Gallery employ the wealth of creative technologies of networked culture. Includes work and premieres by: Sterling Crispin, Alexandra Gorczynski and Nicolas Sassoon.
Curated by Lindsay Howard
22: First the background questions, where did you grow up and how did you get involved with art?
OPHELIA CHONG:I grew up in the wilds of Canada, in the city of Toronto. I remember my first collage, in grade five; it was a collage made of magazine bits and it was blue and green. During my formative years I was an explorer, I would ride my bike from mid-town to the lake and back; I would disappear for a whole day, exploring the city on my three-speed bike. I quickly outgrew Toronto and packed up and left for Los Angeles. I went to the Art Center College of Design and graduated with a BFA in Painting. I am an adjunct professor there in the Photography Dept.
OPHELIA CHONG: I love seeing the possibilities of color. Of using the pieces of paper as paint, my X-acto knife the brush.
22: What about the fusion of collage and design appeals to you? Are they really just versions of the same thing?
OPHELIA CHONG: It’s all the same thing, I see it all as color and form, no matter what medium it is.
22: You also seem to have a penchant for typography and presses where did that start?
OPHELIA CHONG: Shapes, I love the curves of typography. When I was younger I would sit in class sketching serif fonts. I loved the thin with the thick, the swoosh and staccato of forms in typography. When I first used a Vandercook Press six years ago, I was hooked. I love the ink pressing into the paper, the randomness of where the letters fell onto pieces of ephemera that I put through the press. How each piece was a singular piece of art. Never to be repeated twice. I use only vintage magazines to print on, therefore each piece is non-repeatable.
22: Can you explain your 35mm slide work (surreal cereal) process a little? What inspired working with collage this way? Any specific artists?
22:Who are some of your favorite designers or artists in general?
OPHELIA CHONG:All art from the 16th – 18th century. Fritz Sauter ( a Swiss printmaker), 15th century Gothic churches, Orson Welles, Paul Rand, [Richard] Neutra, music for the clavichord, the flavor of the week and anything that makes me want to grab an X-acto knife.
22: How did you start working on the slips of paper series? What was your first collage for that?
OPHELIA CHONG: I started in 1999, but if I had to trace it back, since I could use scissors. I picked up a small Moleskine sketch book in 1999 and started sticking bits of paper in it to relieve the stress I was going through at my job as a Creative Director. I filled books and books with “slips of paper”, not really going towards an end goal, just to keep myself from the digital world. All my work is non-digital.
22: How do you balance your professional life with your artistic career, do the two ever clash? Or do they enhance each other?
OPHELIA CHONG: I melded both into one. I have a rep in NYC for my illustration, and I now have a studio that I sit in all day working. I love it. Work = Love = Happiness
22:What are you currently working on? Any upcoming projects?
OPHELIA CHONG: I am writing more, I write commentary for KCET ( a local TV station in Los Angeles) and for howtosplitanatom.com . I have work traveling from Barcelona to NYC, it will take 2 years to finish my travels. My letterpress work is at the Hunt Gallery at Webster University in St.Louis. My project now is to keep cutting paper and I know I will never tire of it; the only time I get into trouble is when I cut up something someone was still reading. Never leave anything you want to read around me, it just might end up in a collage.