The Weekend: Dec 10-11.

SATURDAY:


Vaudeville Park presents…Noir Night
Come out to our 4th Installation of Noir Night, this Saturday at Vaudeville Park. Rare Noir Films & TV, Dark Synth Jazz, Bloody Red Cocktails, Free PopcornVillains of Vaudeville play sullen & dark synth jazz homages to Dark Shadows and Vertigo.

Seven in One Blow – 10th Anniversary Production!
For the tenth consecutive season, Axis Company will present its winter show for children, Seven In One Blow, or The Brave Little Kid. Adapted from the classic fairy tale by The Brothers Grimm, this interactive play with music is conceived by Axis Company and directed by Randy Sharp featuring Axis’ signature blend of advanced technology and live performance. Children in the audience will be encouraged to participate in many of the Kid’s challenges with singing and organized “shout outs.”

A-Lab Forum: ARTE UTIL
centers around the works of artists whose practice involves social and political engagement.  Through actions, performances, situations, and in may instances the reference to the object(s) , participating artists explore possible ways to bridge the gap between audiences and art experience.  Taking as departure the notion of Arte Util (Useful Art), first introduced in the 1960’s , the forum will open the dialogue to offer a possible re-formulation of  ideas behind artistic creation, aesthetics, alternative narratives, and public participation. Selected artists were invited to present their work and share their approach, ideas and experimentation with art that can be found in the streets outside the white box of a gallery or museum setting.

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Kara Walker at Lehmann Maupin/Sikkema Jenkins & Co.

 

Lehmann Maupin Gallery in collaboration with Sikkema Jenkins & Co.,is pleased to present, Fall Frum Grace, Miss Pipi’s Blue Tale, a joint exhibition of new works by Kara Walker, on view 21 April – 4 June, 2011 at 201 Chrystie Street. At Lehmann Maupin Gallery, Walker will present three new video works, which draw on her own experience in the Mississippi Delta, “a region mythologized in song and popular culture but tragically depressing.” She explains, “I drove down to the Delta thinking about the terrors of Jim Crow and slavery, yet the silent indifference of the landscape and the economic stasis, lack of mobility, and the persistence of a racist memory in the area was what stuck.”

The exhibition at Sikkema Jenkins & Co., Dust Jackets for the Niggerati-    and    Supporting    Dissertations,    Drawings submitted ruefully by Dr. Kara E. Walker, will feature new graphite drawings and hand-printed texts on paper. This body of work grew out of the artist’s search for understanding of the way that power asserts itself in interpersonal and geopolitical spheres. As she embarked on this quest the figural elements began to disappear from her work. Now, they emerge again in what Walker describes as a “giddy embrace” of the figural and the narrative.

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