What: Bastille Day
Where: Fifth to Lexington Avenues, NYC
When: Sunday, July 15, from 12–5pm
Why: Celebrate all things French at FIAF’s legendary Bastille Day fête, offering fun for the whole family with an afternoon of food, culture, and entertainment! Enjoy live music, enter to win extraordinary prizes, and explore the many attractions that await you this year on 60th street.
What: THE JAPONIZE ELEPHANTS
Why: With cinematic melodies, surf guitar, spy soundtracks, Appalachian fiddling, lush string arrangements, knee-slapping banjo, country ballads, eastern modes, 4-part vocal harmonies, Mariachi flair and a heavy jazz influence, the new Japonize Elephants album is an inimitable take on the modern American experience.
What: JAYSON MUSSON: HALCYON DAYS
Where: Salon 94 Bowery
When: July 11 – August 17
Why: The thing I found most alluring about Coogi sweaters was how painterly they were.They seemingly lingered on the borders of gestural abstraction. I made the joke, “That Coogi looks like a Pollock”. Over the course of the following weeks, I began collecting images of the sweaters, studying their composition. They seemed to defy the traditional logic of the textile, opting instead to appear spontaneous and created by hand rather than machine-made. Each sweater, though a manufactured object seemed to seek its own authenticity. Even the old Coogi slogan “Wearable Art” seemed to confirm the desire for each sweater to be considered an objet unique, a specialized commodity.
What: The Secret Science Club presents Mathematical Sociologist and Social Network Expert Duncan Watts
Where: The Bell House
When: Wednesday, July 18, 8PM
Why: Every single day, people create, collect, and share 2.5 quintillion bytes of data.Text. Tweets. Photos. Videos. Clicks. Links. Consumer transactions. Blog posts and comments. And so on . . . down, down, down the rabbit hole . . . While all this ballooning information creates storage nightmares for some, a new breed of computational social scientists is enthusiastically exploring Big Data and extracting surprising insights about human behavior. Duncan Watts—principal researcher at Microsoft’s new NYC-based laboratory, former sociology professor at Columbia University, and author of Everything Is Obvious (*Once You Know the Answer)—is at the forefront of these studies, examining concepts ranging from influence and incentives tosocial contagion and stereotypes.
Why: Brooklyn’s finest independent magazines come together to talk shop on their journey from small fledgling journals to successful publications. Join Tin House, A Public Space, Moonshot, Recommended Reading (Electric Literature), SET, and Slice for a panel on indie lit mags, moderated by CLMP.
What: Violentology: A Manual of the Colombian Conflict
Where: Umbrage Gallery
When:July 26-September 28, 2012
Why: VIOLENTOLOGY: A Manual of the Colombian Conflict documents Colombia’s continuing internal conflict, a complex and tragic war that is barely understood outside of the country. The product of ten years of photographic documentation and investigation, Violentologydelves into the political and historical dynamics of the conflict and focuses on the terrible consequences of the war on Colombia’s civilian population. It debunks the common view of Colombia’s conflict as a “drug war,” and provides the tools necessary to understand the distinct actors involved in this multi-sided conflict. For those of you that can’t make it, Bluestockings will be hosting a special advance book signing and author talk with Stephen on Tuesday, July 24, 2012 from 7 to 8 pm, 172 Allen Street, New York, NY 10002.
What: Centaurs & Satyrs
Where: Asya Geisberg
When: Opening Reception: Thursday July 12, 6 – 8 pm
Why: Suggesting mythological creatures with fearsome powers, “Centaurs and Satyrs” features seven artists whose work involves a hybrid of two or more practices. While many artists today refuse to pigeonhole themselves as “painters” or anything as jejune, the very real creatures that make the works in “Centaurs and Satyrs” embody the cross-fertilization of multiple ways of thinking, physically making, and approaching a work.
What: Culturefix Presents, a Ventiko Production “Performance Anxiety”
When: July 14, 2012
Why: Performance Anxiety is a monthly gathering of performance artist and art aficionadas at Culturefix in the Lower East Side. Our aim is to provide a space for the both exploration and presentation of performance art while lowering the barrier between performer and audience. This month our feature performers are: Jon Mizrachi, David Powers, Hiroshi Shafer, Zefery Throwell, The Well of New Born Nectar, Genevieve White and featuring the projected works of Karla Carballar.
What: Game Play 2012
Where: The Brick
When: July 6 – 28, 2012
Why: The Brick is pleased to announce the fourth annual Game Play festival, taking place from July 6–28, 2012 in Brooklyn, New York. This year’s festival will once again feature cutting-edge works that lie at the intersection of video gaming and performance.
What: RALPH WHITE/BAD REPUTATION. Pierre de Gaillande sings George Brassens/CUMBIAGRA
When: Sat July 17
Why: One of our foremost instrumentalists and a true hidden American treasure, Ralph White has taken the back roads in his inspired pursuit of the ancient roots of music.Franco-American singer and composer Pierre de Gaillande has translated a number of Brassens songs. He has stuck to the rhyming scheme and verse length of the original songs, thus matching the melodies perfectly. He has re-arranged the music with a cinematic sensibility, using a combination of guitars, clarinets, lapsteel and Charango.
What: THE GOOD AMERICAN
Where: Underline Gallery
When: July 4 – August 12, 2012
Why: “The Good American” seeks to examine the conundrum of national identity in the digital age by exploring themes of American spirit, stereotype, and counterculture. The works, by a diverse group of American artists, mix personal experience and cultural ethos to comprise an overarching, brutally frank and funny portrait of American life in the 21st century.
What: Tony Ingrisano, “Crosseyed and Painless”/”Zooey” curated by Lesley Heller
Where: Lesley Heller
When: July 18 – August 17, 2012
Why: Crosseyed and Painless features recent work by Tony Ingrisano in his first solo exhibition with the gallery. Informed by a variety of systems: aerial city views, power grids, and variations in river circuits, his drawings start with a simple mark and then grow into larger, more complex configurations, layering ink, graphite, watercolor, and collaged elements to create the final composition./Zooey highlights artists whose work is inspired by the animal. Real and fantastical, animals have existed within our cultural imagery for thousands of years. The artists featured in this exhibition carry on this tradition whether in painting or in sculpture, some using humor, others in a more spiritual way, often referring to mythology. Many personify the animal as a glimpse into how we see ourselves. Like visiting a zoo, this exhibiton offers an entertaining insight into the animal kingdom, but unlike most zoos, admission is free of charge.
What: A Night of Experimental String Music
When:Tuesday, July 17
What: GO WEST: DAVID ELLIS & KRIS KUKSI – CURATED BY JOSHUA LINER GALLERY
Where: Mark Moore
When: Jul 14 – Aug 25, 2012
Why: Following GO EAST – the first incarnation in a two-part “gallery swap” project with Joshua Liner Gallery (NY) – Mark Moore Gallery is pleased to announce GO WEST: David Ellis and Kris Kuksi, featuring two concurrent solo exhibitions curated by Joshua Liner. While the show makes for Ellis’ third solo exhibition in Los Angeles, it will be Kuksi’s first local solo presentation of new work.
What: Up Against It
Where: Munch Gallery
When: July 21 – August 11, 2012
Why: The current global financial and political crises have prompted a groundswell of protest worldwide. From Tahir Square in Egypt to Zuccotti Park in NYC; throughout the U.S., Europe and elsewhere; the people have spoken and told their ‘leaders’ that they demand change. That change has been slow or not at all; and most of those responsible for these crises have yet to be held accountable.
Where: Pete’s Candy Store
When: Sunday, July 15
Why: Yeveto is an instrumental band from Baltimore, MD featuring guitar, organ, cello, and drums who compose experimental rock music. They have shared the stage with other Baltimore acts like Monarchs (Wye Oak), Arboretum, Dustin Wong, Nate Bell, and Beach House as well as national acts like Kayo Dot, Stinking Lizaveta, and Les Rhinoceros. Their new album Remote Unelectrified Villages was released in late 2011.
Why: A quartet from Brooklyn and Peekskill, NY, Shy Town take inspiration from folk, country, and early swing music, filtering those styles through a gamut of guitar, mandolin, trumpet, lap steel, ukulele, bass, and harmonium, resulting in a sound best described as Action-Folk meets Gypped-Jazz.
What: Bhi Bhiman / Justin Robinson & the Mary Annettes
Where: Joe’s Pub
When: 7:00 PM – July 14
Why: Bhi Bhiman is an American original, yet he seems transported from an era in which songs were more important than the pretty faces that delivered them. His rich, bellowing tenor can soothe or explode at a moment’s notice. His lived-in, knowing delivery belies his years. His songwriting, too, is quick to captivate: a mix of humor and deep empathy puts him in the company of distinguished (and much older) lifelong songsmiths like John Prine, Nick Lowe and Randy Newman. And Bhiman’s technical, emotive guitar playing rises to the challenge that his striking voice presents.
What: Michael Kolster, Still Life: Photographs on Glass
Where: Schroder, Romero and Shredder
When: Thursday July 12
Why: Developed in the 1850’s, the wet plate ambrotype process is indeed archaic but in Kolster’s work it is rendered fresh and at the heart of our continued relationship to photography and perception. Although crisp in its result, the wet plate process is often left to chance and chemistry. It is both an arduous and exacting practice but also one much more improvisational and fluid than our current hyper corrected digital imaging. In these works Kolster captures images and objects from our every day-be it the interior of a safety envelope’s security pattern, a map detail, or the arabesque curves of strapping plastic; they are contemporary objects thrown in contrast against the antique process.
What: Central European World Music with Kálmán Balogh Gypsy Cimbalom Trio
Where: Joe’s Pub
When: 7:00 PM – July 13
Why: The Hungarian Cultural Center, NY and Centrum Management present Central European World Music: a fascinating world music experience blending Eastern and Central European folk music from the exceptional European artists, Kálmán Balogh Gypsy Cimbalom Trio, from Budapest
What: The Eric Andre Show
When: July 19
Why: On the heels of the wildly-popular television debut of Adult Swim’s The Eric Andre Show, the alternative-variety show takes its DIY brand of late night entertainment and punk-rock comedy live on the road. Just like on TV, the spontaneous performances will include musical guests, real and fake celebrity appearances, and all of the demented antics fans of the series have come to expect.
Sketch Cram Presents Video Cram!
Where: UCB Theater
When: Friday, July 13th at Midnight
Why: Sketch Cram, New York’s premier entire-sketch-show-made-in-a-day is going crazy and doing a show made up entirely of video sketches written, shot and edited in a day. Featuring writers and directors from Late Night With Jimmy Fallon, The Onion, College Humor, Comedy Central, and more! And there will be FREE POPCORN and AN USHER WITH A FLASHLIGHT! This show is going to be insane and missing it would be absurd!
What: Rock, Paper, Scissors
Where: Leila Heller Gallery
When: July 12 – August 18, 2012
Why: “Rock, Paper, Scissors is a double folded statement that ponders the broad range within the formalistic trends that have come to define the contemporary moment of artistic production,” the curators note. “The exhibition explores the extent to which contemporary art oscillates between a concern for art-historical lineage and the desire for a departure from formal expression.”
What: GROUP EXHIBITION: POST-OP
Where: Mixed Greens
When: July 12–August 17, 2012
Why: The recognizable movement of the mid-60s was dismissed by many critics of the time, but the movement—grown out of geometric abstraction, trompe l’oeil, and the uncertainty and perceptual change of the mid-20th Century—has proven to be of current importance. Post-Op brings together eight artists working in a variety of media, all of whom contemplate perception, form, function, and rationality to create works tied to the lineage of the Op movement.
What: PERMANENT COLLECTION
Where: Nancy Margolis
When: July 12 – August 4, 2012
What: Michelle Jaffé WAPPEN FIELD
Where: BOSI Contemporary
When: July 8 – August 5 2012
Why: BOSI Contemporary is pleased to present Wappen Field, the solo exhibition of New York based artist Michelle Jaffé. In her upcoming project, Jaffé will present a large-scale participatory installation and a series of sculptures, both of which explore the use of armor to mask and shelter the body from interference. Reflecting on the theory of the collective unconscious and mythological truths, Jaffé utilizes a minimalist aesthetic to create work that uniquely questions the interplay between archetypes in socio-cultural structures.
What: Anatomical Venuses, The Slashed Beauty, and Fetuses Dancing a Jig: A Journey into the Curious World of the Medical Museum
When: Friday, July 13 (Friday the 13th!)
Why: Since 2005, artist, independent scholar and Morbid Anatomist Joanna Ebenstein has travelled the world seeking out–and photographing whenever possible–the most fascinating, curious, and overlooked medical collections and wunderkammern, backstage and front, private and public. In the process, she has amassed not only an astounding collection of images but also a great deal of knowledge about the history and cultural context of these fascinating and uncanny artifacts.
What: InGlorious Materials
Where: Charles Bank Gallery
When: 12 JULY – 19 AUGUST 2012
What: It’s Always Sunny on the Inside
Where: Anton Kern
When: July 10 – August 17, 2012
What: GROUP EXHIBITION – BECOMING: WORLDS IN FLUX
What: Pressing Matter
Where: Parallel Space
When: July 14 – August 12, 2012
Why: Parallel Art Space proudly presents Pressing Matter, a three-person art exhibition featuringJudith Braun, Antonia Perez, and Hilda Shen, who fashion the material components of their work almost entirely by hand (pressing, folding, turning); resulting in finished products that are monumental, insistent, and imbued with a gravitational presence that belies the human span of their creation.
Three Experimental Operas
Fri. Apr. 6 Un Jour Comme Un Autre by Vinko Globokar ADDDDDDDDD by thingNY Sat. Apr. 7 ADDDDDDDDD by thingNY Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young Sun. Apr. 8 Un Jour Comme Un Autre by Vinko Globokar Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young
I think I know that fly
That fly followed us from our apartment
on W. 11th St
When I opened the door he flew right in
and when we left, he flew right out again
Followed us on the subway to Times Square
Took the Shuttle apparently
Followed us all the way through the tunnels
up the escalator and into Grand Central Station
Then down to Juniors in the food court below
where he joined us for lunch
the best Chicken Caesar Salad on the planet
So famous, even the flies know about it
We asked the waitress for an additional chair
but he took a seat on our pickle instead
“Oh, don’t worry,” we told her,
“we know him. He normally lives
“down in the Village”
The waitress eyed us suspiciously
“East or West?” she asked
“As if that mattered!” we said
Jerry Ratch has published 12 books of poetry, and the novel, Wild Dreams of Reality, and now the memoir, A Body Divided the story of a one-armed boy growing up in a two-fisted world. His work can be purchased through the author’s website: www.jerryratch.com He has had poems published in Antioch Review, Carolina Quarterly, Louisville Review, Negative Capability, Nerve Cowboy, Slant, Voices, and many others.
Peter Evans, trumpet; Jon Irabagon, saxophone; Moppa Elliot, bass; Kevin Shea, drums.
The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking. (READ MORE.)
Summer Group Exhibition 2011
August 4 to August 27, 2011
Joshua Liner Gallery is pleased to present the 2011 Summer Group Exhibition showcasing 17 artists, including established gallery regulars and several newcomers to the gallery. The exhibition will feature painting, collage, and drawing, with works by the following artists:
Cameron Gray, Chloe Early, Damon Soule, Dave Kinsey, David Ellis, Evan Hecox, Evelyn Rydz, Greg Lamarche, Herbert Baglione, Oliver Vernon, Pema Rinzin, Ryan McLennan, Shawn Barber, Stephen Powers, Tiffany Bozic, Tomokazu Matsuyama and Tony Curanaj.
xperi-MENTAL Festival 3
August-5, 6, 7
Three days or avant garde and experimental music madness!
Curated by Robert L. Pepper (PAS) and Valerie Kuhne (Prehistoric Horse)
Goodbye Blue Monday
J Train to Kosciusko St
Round Robin Collective in Residence at A.I.R Gallery
August 5th through August 27th A.I.R Gallery will host Round Robin Collective in Residence at A.I.R Gallery.
Opening Reception: Thursday, August 4th, 6-9pm.
Gallery Hours during this exhibition: Thursday 5:30 – 8:30pm, and Fri – Sun, 11 to 6pm.
A Monthly Night of Accordion-Driven Variety
The first Monday of every month, David F. Slone, Esq. invites you to join him in a celebration of the beauty of the bellows with Brooklyn’s hottest underground accordionists, dancers, strippers, singers, comedians and magicians!
HOSPITAL: EPISODE 3 @ AXIS
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp (Edgar Oliver’s East 10th Street: Self Portrait with Empty House), the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
FRIDAY: MAY 27th
(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot
(BOTTOM video:The Local 269)
Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @
The Church of All Nations 410 West 57th Street, $10
PAINT IT NOW @FOWLER ARTS COLLECTIVE.
MAY 27 – JULY 6, 2011
OPENING RECEPTION: FRIDAY, MAY 27 FROM 7 TO 10PM
The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.
http://www.myspace.com/elizarickman = Toy Pianist Extraordinaire
FRIDAY MAY 27 / 10PM
Come celebrate the end of another season at the Poetry Project! The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food. An array of writers from the Poetry Project series as well as other local reading series will read/perform their work. Any one interested in bringing a dish for the potluck will contribute to an amazing feast. If you’re interested in bringing food, please email Brett Price at email@example.com.
VIDEOROVER: Season II
Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St
NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.
VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.
Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)
CLOSING PARTY! OLEK’s Knitting is for Pus****
Friday May 27 6-9pm
See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**
On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!
Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.
Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)
Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)
Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)
Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.
We’ll have cheap beer! Shayna might make Baklava!
SATURDAY: MAY 28th
Pub(l)ic Identities: Reading Medical Representations of Sex
“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.
Through 25 June 2011
540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)
THE FITTING ROOM
25 MAY – 25 JUNE, 2011
MAY 14 – JULY 10
Curated by Steven and William. This exhibition is part of PLUS ONE CURATION SERIES
Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here
Through The Warp @REGINA REX
5/28/2011 – 6/19/2011
Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)
SUNDAY: MAY 29th
Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
*** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)
Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:
The Red Light New Music Collective – http://www.redlightnewmusic.org/
Sxip Shirey – http://www.sxipshirey.com/
Dream Zoo (Valerie Kuehne/Lucio Menegon/Jeff Young/Sean Ali)
Jonathan Wood Vincent – http://www.reverbnation.com/jonathanwoodvincent
Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about –http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp
Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st. This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils. The artist delighted in painting myriad details. These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”
Closing May 8th.
As The World Burns
Final Week at James Fuentes LLC, Gallery hours; Wed. – Sun., 11-6pm.
Special New York Gallery Week extended day, Sunday, May 8th, 12-8pm.
View exhibition images: here
New York Gallery Week link: here
James Fuentes LLC proudly presents, as part of The New Museum’s Festival of Ideas For The New City;
Daniel Subkoff & Will Chancellor
Past Fits and Future Pulls
Clemente Soto Vélez Cultural and Educational Center at 107 Suffolk St between Rivington and Delancey.
If you have trouble locating this project please text; (917) 509-2250
Saturday from 10am to midnight
Sunday from 2:30pm until 7pm
Festival of Ideas: link
Subkoff & Chancellor are offering their artwork for free to everyone who joins them, and ultimately back to the earth itself. Having traded their cash for living native seeds, soil and local clay, they’ve constructed a 13 foot tall sculpture with this material that they invite the public to help disassemble. Visitors are welcome to grab a handful of the sculpture and recast it in a provided mold, walking away with a small sculpture of their own. If left in an appropriate place such as an abandoned lot, garden or any soft ground it should dissolve and yield a significant number of native wildflowers within a month. If taken home and treated as an art object, it will likely dry out, crack and expire worthless. The main small sculptural casting will be of a rendition of Tlaloc, the elemental Aztec god of water, rain and fertility whose name translates as “he who is made of earth”.
April 14, 2011–May 14, 2011
Susan Graham’s exhibition, New Gardens, features sculpture, photography and video that use strategies of pattern and decoration to poetically depict the eternal struggle between nature and technology. Central to the exhibition are Toile Landscape, a large scale installation of Graham’s delicate sugar sculptures, and the intimate porcelain Toile Floating Landscape sculptures. Mimicking the recurring patterns of complex pastoral scenes found on Toile de Jouy, these works depict clusters of invented flora interspersed with industrial structures such as transmission towers, satellite dishes, or even cell phone towers disguised as trees. Charming, delicate and foreboding, each small pastoral scene compresses nature and technology in a bittersweet attempt at reconciliation. Graham’s photographs and videos on view in New Gardens depict skies choked with flocks of airplanes, modern-day birds staking their claim on the atmosphere. These works showcase Graham’s deft touch and ability to evoke rich, multivalent narratives from a few simple, quiet gestures. New Gardens is Graham’s fourth solo exhibition with the gallery.
April 14, 2011–May 14, 2011
Cletus Johnson: Collage 1968–2010 presents a selection of Johnson’s beguiling collages, including collaborative pieces made with famed Black Mountain poet Robert Creeley. Johnson’s works are composed of deceptively simple materials inviting private, almost meditative contemplation on subjects of longing, erotic love and primal lust. Their quietude evokes a Cagean musicality, while a minimal juxtaposition of images wrings endless narrative associations. Envelopes containing black and white photographs of a woman’s breast are intimate love letters being sent and received, revealing a desire to both contain and set free the object of affection. Amusement park ride tickets are coupled with cropped images of naked male youths, granting the viewer permission to experience desire. Portrayals of Antinous—Roman Emperor Hadrian’s lover—as Cyclops become homorobotic emblems of a carnal hunger for an idealized beauty. Johnson’s collages show him as a master of the simple, poetic intervention.