THE WEEK/WEEKEND: Oct 3-10th.

“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm

For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.

Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.

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LAST CALL: Sarah Anne Johnson Arctic Wonderland @ JULIE SAUL

Sarah Anne Johnson
Arctic Wonderland
Julie Saul Gallery
February 24- April 9, 2011

During October 2009 Sarah Anne Johnson participated in an artist’s residency on board a double masted schooner in the Norwegian territory of the Arctic Circle. Each of the twelve days at sea the group visited a different site on land, ranging from untouched vistas of pure landscape to abandoned mining camps. She photographed what she saw, which became the basis for her new body of work entitled “Arctic Wonderland.”
She described the experience as “amazing, it was exotic, breathtakingly beautiful and sublime. It seemed so pristine and perfect, vast and strong, but also somehow delicate and fleeting. After such an experience, one can’t help speculating about the impact we have on this planet.

We are in the process of creating irreparable damage to the earth and will soon have no choice but to gamble on increasingly dubious theories. A favorite theory of engineers as a last resort to stop global warming is the blocking out of the sun. With this body of work I have been assessing and questioning western ideas of progress, growth and innovation. What are we progressing toward? Where does innovation lead us? How big can we go? What will it mean for us to take over the sun? Not only for the environment, but also psychologically for us, what will that mean?

To explore these concerns I have painted, photo shopped, embossed and used printmaking on the photographs I took during the expedition. I do this to create a more honest image. To show not just what I saw, but how I feel about what I saw.”

The imagery is celebratory with an ironic underside. Fireworks, confetti, cheerleaders and banners inhabit the landscape. Wonderland has the double meaning of referring to the brilliant beauty of the landscape, but also the absurdity of some of the notions of how to colonize this place.

“Arctic Wonderland” will be Sarah Anne Johnson’s fourth solo exhibition with the gallery, the first being “Tree Planting” in 2005 which was recently exhibited at the Guggenheim in “Haunted: recent acquisitions in photography and video”. Each of her exhibitions has been conceived as an installation and has been acquired in their entirety by a public museum, including the Guggenheim, Art Gallery of Ontario, and the National Gallery of Canada. This is the first project that is comprised of free standing independent works.

Johnson lives and works in Winnipeg, Canada and received her MFA from Yale University. She was the recipient of the first Annual Grange prize. Her work has been exhibited and collected by numerous public institutions as noted above.